Big Mama Thornton – Wade In the Water
Willie Mae ‘Big Mama’ Thornton
Listen/Download Big Mama Thornton – Wade In the Water
Greetings all
The middle of the week is here and so in service of defeating the doldrums, I bring you something guaranteed to melt your face, and/or make your hair stand on end.
I do not recall where I first heard Big Mama Thornton’s epic reading of ‘Wade In the Water’ but I do remember being knocked back on my heels.
I have already mentioned in this space that the song in question is a big favorite of mine, and as such I like to pick up new versions wherever I find them.
What is most interesting is the fact that ‘Wade In the Water’ is at its base a gospel song with roots in the underground railroad.
Though is has been rerecorded in a number of non-gospel settings, most of those (or at least the ones I’m familiar with) were usually instrumental (though the rock version by Clover is a marked exception).
The version you see before you today, by Willie Mae ‘Big Mama’ Thornton takes the song, strips it down to a skeletal framework (tossing the ‘gospel’ out the window) and rebuilds it as something else entirely.
Most people know of Big Mama Thornton for her original recordings of ‘Hound Dog’ (later done by Elvis) and ‘Ball and Chain’ (turned into a showcase by Janis Joplin).
Thornton. A singer, harp player and drummer had been recording blues and R&B since the early 1950s.
By the mid-1960s she had relocated to the San Francisco Bay area, and started recording for Arhoolie records.
She recorded ‘Wade In the Water’ in 1968, and it was released as a 45 (rare and expensive) but also released on the compilation ‘Ball and Chain’ (released in 1968 and 1974 and much less expensive).
Her version burns rubber like a top fuel dragster (one friend has referred to it as ‘the punk rock version’) and just gets faster and harder as it goes on. Big Mama wails, and the guitar solo by Bee Houston is killer.
It’s hard to listen to a record this elemental and singularly powerful without wondering why it wasn’t a hit.
The likely explanation is that it was a record ‘out of time’. It is light years heavier than most rock music from the time, and I can’t imagine what it must have sounded like to the blues fest crowds that she was playing to at the time.
It’s a lot closer to the MC5 than it is to Muddy Waters.
This, in addition to the fact that lyrically, Thornton divorces the song completely from its gospel roots, choosing instead to rebuild the lyrics as a loose, bluesy riff serving only to deliver her remarkable voice. It’s as if someone harnessed a hurricane and pressed it into the grooves of a record.
Heavy, heavy stuff.
I hope you dig it as much as I do.
See you on Friday.
Keep the faith
Larry
_________________________________________________________________________________________
Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).
Love this
Yeah, I like that storming version a lot too. Tried to get it on ebay on 45 but always a bit expensive. I also like the majestic version by Willie Mitchell very much – an early, earthy and heavy Hi-Sound-Adaption.