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By Larry, January 13, 2015 10:39 am

Greetings all.

The middle of the week is upon us, so I thought I’d smooth us all over the hump with some tasty library/sample source sounds.

I don’t recall when I became aware of guitarist Clive Hicks’ ‘Look Hear’, but when I did it immediately lit up multiple pleasure centers in the brain.

The first thing – is that ‘Look Hear’ is the sample source for one ofmy favorite hip hop joints, ‘What’s Golden’ by Jurassic 5 from their 2002 LP ‘Power In Numbers’. There’s something special about hearing a sample well-flipped, that also manages to stand on its own.

‘Look Hear’ is such a sample.

I haven’t been able to track down much info on Clive Hicks, other than that he was a UK-based studio guitarist who recorded a number of sessions for the KPM and Bruton library music houses, as well as sessions for the likes of Elton John.

‘Look Hear’ was released in 1973 on KPM 1121/Fusion, alongside pieces by Brian Bennett and Alan Hawkshaw among others.

The tune seems to be aiming for Zep-like heaviness, but also manages to work in some of that band’s underlying funk as well.

The guitar takes the lead but this one is all about the organ and the drums.

It is a very groovy one indeed. I hope you dig it, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, September 4, 2014 4:00 pm

Ray Barretto

Listen/Download Ray Barretto – Mercy Mercy Baby

Listen/Download Urban Dance Squad – A Deeper Shade of Soul

Greetings all

The end of the week is finally here, so that means it’s time to hoist your antenna, fire up the radiola and twist the knobs until the dulcet tones of the Funky16Corners Radio Show come spilling out of the speakers. This can be experienced every Friday night at 9PM on Viva Radio, and you can also subscribe to the show as a podcast in iTunes, or grab and MP3 here at Funky16Corners.

I have posted many a tune by the mighty Ray Barretto in this space over the years, including a couple from the album you see before you today.

You could ascribe this to laziness or lack of imagination on my part, or you could come correct and deal with the fact that Barretto’s 1968 opus ‘Acid’ is one of the greatest albums in the history not only of Latin soul, but music in general.

I mean, honestly…’Soul Drummers’, ‘A Deeper Shade of Soul’ and today’s selection, ‘Mercy Mercy Baby’ on the same LP??

Barretto was on fire, laying down ‘Hard Hands’, ‘Acid’, ‘Together’ and ‘Barretto Power’ all between 1968 and 1971, working the boogaloo/Latin soul/funk vibe as well as crafting more traditional sounds.

‘Mercy Mercy Baby’ opens with rolling bass and piano, before a tasty horn section joins in, along with the master’s congas, and vocals by Jimmy Sabater and Willie Torres.

It’s a great one for the dance floor, and ought to have folks singing along with the band.

I also have a bit of a bonus track for you today.

I have to be honest when I tell you that the first time I ever heard Ray Barretto, wasn’t on one of his records, but through a sample.

Back in 1989, I picked up the first album by the Dutch group Urban Dance Squad, having heard and dug the cut ‘Deeper Shade of Soul’ (probably via MTV, so there’s that…).

It was an early days mixture of live band, rap and turntablism, with a mellow, stoner vibe that I dug then, and still dig today.

It wasn’t until a few years later, when my man Haim passed on the CD reissue of ‘Acid’ that I realized that ‘Deeper Shade of Soul’ was built on a Barretto sample, and having dug the source and the source-erer, I dug it all the more.

Flash forward to earlier this year, and while out a-digging, what do I find but a 45 issue of the UDS tune, and I figured, since I was whipping a little Barretto on you to close out the week, I’d toss the Urban Dance Squad into the pot to thicken the stew, as it were.

So, dig that, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, July 31, 2014 11:58 am

Idris lays into the traps…

Listen/Download Idris Muhammad – Express Yourself

Listen/Download Idris Muhammad – Super Bad

Listen/Download Leon Spencer – Message From the Meters

Listen/Download Lou Donaldson – Everything I Do Gohn Be Funky From Now On

Listen/Download Lonnie Smith – See Saw

Listen/Download Melvin Sparks – Thank You Pt1

Listen/Download Melvin Sparks – Thank You Pt2

Listen/Download Bob James – Nautilus

Greetings all

I logged on to the interwebs last night only to be greeted by rumors of the passing of the mighty Idris Muhammad.

It wasn’t long before the rumors were confirmed by this obituary out of his home port of New Orleans.

Idris Muhammad was born Leo Morris in New Orleans in 1939.

He was childhood friends with the Neville brothers, and one of his first gigs was playing on Fats Domino’s 1956 smash ‘Blueberry Hill’ (he also played on the seminal Crescent City track, the Hawketts ‘Mardi Gras Mambo’).

Muhammad left New Orleans in the mid-60s and headed north to make his bones as a jazz drummer.

He soon became a fixture on a seemingly endless succession of heavy New York soul jazz dates, playing alongside a wide variety of organists, guitarists and others (dig the discography in his Wikipedia entry), eventually leading his own dates for Prestige starting in 1970.

Idris has appeared here at Funky16Corners many times over the years, both as leader and sideman.

His drumming style was steeped in the New Orleans second line, and was deeply funky, both in the wayback Ninth Ward way and also in the post-James Brown get down.

I’m posting a wide variety of tracks blessed with his beats, but that mixture of Big Easy and Good Foot was never more obvious than  in  the solo in his cover of Charles Wright and the Watts 103rd St Rhythm Band’s ‘Express Yourself, the opening track’ from his 1970 debut as a leader ‘Black Rhythm Revolution’. Listening to it is hearing a very groovy bunch of uptown jazzers suddenly morphing into a high-stepping, umbrella-waving parade.

It is bad-ass.

I’m including the flipside of that 45, his cover of JB’s ‘Super Bad’ (bringing it all back around, as it were) as well as a grip of sessions from the late 60s/early 70s that feature Muhammad. It’s worth noting that two of the best tracks hail from NOLA, Lou Donaldson covering Lee Dorsey and Leon Spencer, the Meters.

The last track, Bob James’ epic – heavily sampled, see below* –  1974 track ‘Nautilus’, in which Muhammad lays out one of the smoothest/tastiest breaks ever.

Idris Muhammad went on to play with a host of jazz greats, spending may years working with Ahmad Jamal, before retiring to his home town in 2011.

He was a master of the skins, who carried the beat in his heart and soul.

He will be missed.

See you on Monday

Keep the faith

Larry

     *Songs that sample ‘Nautilus’ (from the-breaks.com)

     A Tribe Called Quest’s “Clap Your Hands”
     Alkaholiks’s “Daaam!”
     All Natural’s “Think Again”
     Basement Khemist’s “Correct Technique”
     Camp Lo’s “Black Nostaljack”
     Chubb Rock’s “Keep it Street”
     DJ Food’s “Spiral Dub”
     DJ Jazzy Jeff & the Fresh Prince’s “Jazzy’s Groove”
     Dream Warriors’s “Voyage Through the Multiverse”
     EPMD’s “Brothers on My Jock”
     Eric B and Rakim’s “Follow the Leader”
     Eric B and Rakim’s “Let the Rhythm Hit ‘Em”
     Freestylers’s “Warning”
     Geto Boys’s “Snitches”
     Ghostface Killah’s “Daytona 500”
     Group Home’s “Inna Citi Life”
     Ice T’s “?”
     JCD and the Dawg lb’s “Over Pussy”
     Jeru’s “My Mind Spray”
     Joe Budden’s “Yo, Yo, Yo”
     Jungle Brothers’s “Book of Rhyme Pages”
     K-Solo’s “Everybody Knows Me”
     Keith Murray’s “The Rhyme”
     King Sun’s “Big Shots”
     Kruder & Dorfmeister’s “Original Bedroom Rockers”
     Large Professor ft Pete Rock’s “The Rap World”
     Leaders of the New School’s “Show Me a Hero”
     Lord Shafiyq’s “My Mic is on Fire”
     Lyrical Prophecy’s “You Can’t Swing This”
     Main Source’s “Live at the Barbecue”
     Mary J. Blige’s “Just Mary”
     Mary J. Blige ft Nas & DMX’s “Sincerity”
     Mekon’s “Phatty’s Lunch Box”
     Mike Zoot’s “Scene”
     Naughty by Nature’s “Cruddy Clique”
     Nice & Smooth’s “No Delayin’”
     Onyx’s “Black Vagina Finda”
     Onyx’s “Throw Ya Gunz”
     Organized Konfusion’s “Stray Bullet”
     Pete Rock & CL Smooth’s “Take You There”
     Pete Rock & CL Smooth’s “The Sun Won’t Come Out”
     Pete Rock & CL Smooth’s “What’s Next on the Menu?”
     Poison Clan’s “Paper Chase”
     Poor Righteous Teachers’s “Word is Bond”
     Project M’s “The Place to Be”
     Public Enemy’s “Anti-N*gger Machine”
     Puff Daddy ft Busta Rhymes and Notorious BIG’s “Victory”
     Queen Mother Rage’s “Slippin’ into Darkness”
     Red Myers’s “Shoplifter”
     Run-DMC’s “Beats to the Rhyme”
     Run-DMC’s “Groove to the Sound”
     Salt-N-Pepa’s “Doper than Dope”
     Slick Rick’s “Children’s Story”
     Soul II Soul’s “Jazzie’s Groove”
     Tame One’s “Torture Chamber”
     The Roots ft Mos Def’s “Double Trouble”
     Threat’s “Bust One Fa Me”
     Tim Dog’s “Bronx Nigga”
     Tim Dog’s “I’ll Wax Anybody”
     Tim Dog’s “Low Down Nigg*”
     Ultramagnetic MCs’s “Ced Gee (Delta Force One)”
     Ultramagnetic MCs’s “Moe Love on the One & Two”
     Ultramagnetic MCs’s “Raise it Up”

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (5)

By Larry, May 6, 2012 4:17 pm

The Samplers – Beastie Boys

The Sampled – clockwise from top left – Johnny Hammond Smith, Norman Whitfield,
Jimmy Smith, The Commodores, Jeremy Steig

Listen/Download Johnny Hammond Smith – Big Sur Suite

Original release – Higher Ground LP (Kudu 1974) – Sampled on Pass the Mic (Check Your Head LP 1992)

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Listen/Download Commodores – Machine Gun

Original Release – Machine Gun LP (Motown 1974) – Sampled on Hey Ladies (Paul’s Boutique LP 1989)

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Listen/Download Jeremy Steig – Howling For Judy

Original Release – Legwork LP (Solid State 1969) – Sampled on Sure Shot (Ill Communication LP 1994)

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Listen/Download Jimmy Smith – I’m Gonna Love You Just A Little Bit More Babe

Original Release – Blacksmith LP (Pride 1974) – Sampled on Professor Booty (Check Your Head LP 1992)

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Listen/Download Norman Whitfield/Rose Royce – Yo Yo

Original Release – Car Wash OST (MCA 1976) – Sampled On Shake Your Rump (Paul’s Boutique LP 1989)

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Listen/Download Afrique – Kissing My Love

Original Release – Soul Makossa LP (Mainstream 1973) – Sampled on Bodhisattva Vow (Ill Communication LP 1994)

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Greetings all.

Welcome to another week here at the Corners du Fonque…

As has been mentioned several times recently most of what you’ve been reading here in the last few weeks was – due to necessity – prepared a few weeks in advance so as to facilitate the massive amount of commuting and other life-disrupting activities involved in my wife’s treatment (which, now that I mention it seems to be going well, so let’s keep those fingers crossed).

This weekend has been especially tiring, but the news of the passing of the mighty MCA, Adam Yauch could not be ignored, so as soon as we got home and rolled out of the Funky16Corners-mobile, I rolled into the record vault and got to work.

I have listened to hip hop, first passively (way back in the day) and then as a lightweight consumer with a focus therein on what I would consider dynamic use of sampled material.

You can’t really talk about that aspect of the game without giving props to the Beastie Boys.

Over the years the Beasties have played a big part in piqueing my interest in samples and by association the sounds sampled (why else would I have owned a copy of Alphonse Mouzon’s ‘Funky Snakefoot’) long before I was spinning (or writing about) funk, soul, jazz and rare groove.

Sampling/cut and paste is an art in which it’s not terribly difficult to separate the lazy slobs from the masters, i.e. being able to differentiate from someone who can lift a song wholesale and slap something new on it and someone who can hear a really interesting sound within another piece of music and re-purpose it in a way that makes your ears (and brain) perk up in admiration.

One of the dangers of trainspotting is that the listener runs the risk of getting lost in the component parts, losing sight of the forest for the digitally borrowed trees.

However, secure in the knowledge that good taste is sometimes its own reward, the best samples sound as good (or better) in their original form as they do when placed as a cog in another ‘machine’. Often (not always, obviously) groovy bits of sound are not sui generis, and are traceable back to an equally groovy “whole”, which is the case in the music I bring you today.

I like to think that the first time I had my mind blown by ‘Paul’s Boutique’ or ‘Check Your Head’ my crates (and ears) were deep enough that I recognized some of the coolest stuff, but at the same time I’m honest enough to admit that the ensuing years witnessed my recognition of some of that music for the first time (like the time my man Marshall down in DC dropped Jimmy Smith’s previously unknown – to me – version of ‘I’m Gonna Love You Just a Little Bit More Babe’ and the light bulb went off over my head).

It was in those moments of recognition that new digging targets were registered and I followed them into flea markets, record stores on onto the interwebs.

The cuts I bring you today are examples of some of my favorite Beastie Boys samples (drums, bass and guitar) out of my crates.

Some of them were things I already had, others, like the bass in ‘Big Sur Suite’ and ‘Yo Yo’ or the guitar in ‘Machine Gun’, I picked up first and discovered/recognized the sample(s) after the fact.

What all of them have in common, aside from the fact that they appealed to the Beasties, is that they are all worth listening to in their entirety.

Maybe some of you will be hearing the complete songs for the first time.

I hope you dig them all, and I’ll see you later in the week.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (1)

By Larry, May 4, 2012 1:21 pm

Adam Yauch 1964 – 2012

Listen/Download Beastie Boys – Jimmy James (12″ Instro Mix)
Listen/Download Beastie Boys – Jimmy James (LP Mix)

NOTE: Files fixed…
Greetings all.

Well, isn’t this a drag of monumental proportions?

I was just surfing the web this morning when I saw the news that the mighty MCA, Adam Yauch had succumbed to cancer at the age of 47.

Though I reference the world of hip hop in this space often, I have never posted any here, until today.

I own a grip of Beastie Boys stuff on CD but the only vinyl record of theirs is the one you see before you today.

I’m a big fan of sample-based music/turntablism/remix culture, but I really (REALLY) dig it when it’s funky (Jungle Brothers, ATCQ etc) , and it doesn’t get much funkier than ‘Jimmy James’.

With the (multiple) Jimi Hendrix samples (and those Turtles drums) and the various and sundry vinyl manipulations ‘Jimmy James’ rocks the house in a big way.

I’m including the 12″ mix and the LP mix both.

MCA was a righteous dude, musician, humanitarian, husband and father.

He will be missed.

See you on Monday.

Keep the faith

Larry

PS Fuck cancer…

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.