Category: Soul

Funky16Corners Presents Boogaloo Mardi Gras (Again)!

By , January 31, 2013 1:17 pm

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Roger and the Gypsies – Pass the Hatchet Pt1 (Seven B)
Professor Longhair – Big Chief Pt2 (Watch)
Bobby Marchan – Shake Your Tambourine (Cameo/Parkway)
Diamond Joe – Gossip Gossip (Sansu)
Eddie Bo – Hook and Sling Pt1 (Scram)
Lee Dorsey – Four Corners Pt1 (Amy)
Dixie Cups – Two Way Poc A Way (ABC)
Earl King – Street Parade (Kansu)
Meters – Cardova (Josie)
David Batiste and the Gladiators – Funky Soul Pt2 (Instant)
Bobby Williams – Boogaloo Mardi Gras Pt2 (Capitol)
Curly Moore – Sophisticated Cissy (Instant)
Ernie K Doe – Here Come the Girls (Janus)
Larry Darnell – Son of a Son of a Slave (Instant)
Explosions – Hip Drop Pt1 (Gold Cup)
Rubaiyats – Omar Khayyam (Sansu)
Warren Lee – Funky Belly (Wand)
Willie Tee – Sweet Thing (Gatur)
Danny White – Natural Soul Brother (SSS Intl)
Lee Dorsey – Who’s Gonna Help Brother Get Further (Polydor)
Oliver Morgan – Roll Call (Seven B)
Eddie Bo – Can You Handle It (Bo Sound)

Listen/Download -Funky16Corners Presents Boogaloo Mardi Gras! – 85MB Mixed Mp3/192K

Greetings all.

I hope you all are well.

I should start by reminding you that the Funky16Corners Radio Show will air (as it does every week) Friday night at 9PM on Viva Radio. If you can’t be there at airtime you can subscribe to the show as a podcast in iTunes or grab yourself an MP3 here at the blog.

The mix you see before you is something I put together last year to commemorate Mardi Gras, and in a rare show of foresight on my part I got it up and ready to go on time this year.

It is packed with old faves including some stellar Mardi Gras-specific numbers with which you can second line to your heart’s content.

I hope you dig it, and I’ll be back with some more groovy stuff on Monday.

Keep the faith

Larry

 

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

Al Kent – Where Do I Go From Here

By , January 29, 2013 11:44 am

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Listen/Download Al Kent – Where Do I Go From Here

Greetings all

Once you’ve spent a lot of time listening to, and reading about soul and funk music, you become aware of the fact that sometimes, record labels, by virtue of the creative people involved can be depended on for a certain level of quality.

This is more evident in labels with smaller runs that had less opportunity to dilute their overall power with dozens of substandard or off-genre releases (i.e. no back alley detours into country, rock or crooners).

Sometimes, as in the case of Sansu records (one of the few labels through which I have become infected with the completest virus), you’re digging on the artistic vision of a singular talent, in that case Mr Allen Toussaint, who wrote, produced and arranged the vast majority of the catalog.

In the case of Detroit’s storied Ric-Tic/Golden World labels, the vision is spread out a little bit wider, encompassing the talents of label owners Ed Wingate and Joanne Bratton, producer/arrangers like Mike Terry, the instrumental talents of the Funk Brothers (and associated studio guns) and writer/performers like Al Kent.

Kent (born Al Hamilton), who had recorded in the late 50s with his brothers as the Nite Caps for Groove, then went on to make solo sides for labels like Checker, Wizard and Baritone before hooking up with Wingate’s various labels in the mid-60s (and, among other things, co-writing ‘Stop Her On Sight S.O.S.’ for Edwin Starr).

Stepping back to my original point, the sounds on Detroit labels like Ric-Tic and Golden World are so good, that I will often grab any disc I do not know on the labels whenever I find them, which is what I did with the record you see before you today.

Oddly, it was the instrumental side of this 45 ‘You’ve Got To Pay the Price’ that was a hit, grazing the R&B Top 20 in 1967, and becoming a Northern Soul standard of sorts*.

I dug that tune when I heard it, but it’s the side I’m posting today that really grew on me.

‘Where Do I Go From Here’ is one of those amazing records that gives off waves of Detroit-ness from its every groove.

Masterfully arranged by Mike Terry (when is he getting his boxed set??), with vibes, sweeping strings, bass and guitar (Dennis Coffey), and with a righteous vocal by Kent, ‘Where Do I Go from Here’ is just about perfect.

It is richly detailed and fully realized without passing into overkill, propulsive enough to dance to but with lots to listen for as well, it should have been a hit.

Al Kent went on to do some work for Motown after Berry Gordy bought out the entire Ric-Tic organization in 1968.

The tune was also recorded by the Four Tops (produced by Kent) but remained unreleased until ‘Lost Without You: Motown Lost & Found (1963-1970)’.

I hope you dig the tune, and I’ll see you all on Friday.

Keep the faith

Larry

 

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*It was also recorded in a vocal version by Gloria Taylor for the Silver Fox label in 1969
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

Leroy ‘Sugarfoot’ Bonner RIP: Ohio Players – Find Someone To Love

By , January 27, 2013 12:33 pm

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The Ohio Players: Sugarfoot at top left (sporting that awesome conk)

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Listen/Download -Ohio Players – Find Someone To Love

 

 

Greetings all.

I had something else lined up for today, but then word came down that the mighty Leroy ‘Sugarfoot’ Bonner, guitarist and singer of the Ohio Players had passed away.

Though details are scarce at this time, Bonner was in his early 70s and had previously suffered one or more strokes.

He joined the Ohio Players in the mid-60s after the group’s initial incarnation as the Ohio Untouchables and recorded with them during their time with Compass, Capitol and their peak years on Westbound.

I first posted today’s selection a little less than two years ago, and it’s a great window into the kind of thing the group was doing in their early years.

I hope you dig it, and raise a glass in tribute to one of the true icons of 70s funk.

Keep the faith

Larry

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Originally posted 3/17/11

The tune I bring you today is a bit of instrumental genius from the early days of the mighty Ohio Players.

With a lineage that goes back to 1959 (when the group came together as the Ohio Untouchables), on into their mid-decade rebirth as the Ohio Players, after which they worked in New York as the house band for Compass Records (releasing two singles for the label in 1967 and 1968).

They were working with producer Johnny Brantley’s Vidalia productions when they hooked up (for one album) with Capitol Records.

The tune I bring you today comes from that partnership.

Interestingly, their recording from this period, for both Compass and Capitol had been recirculated on the exploit/ripoff label Trip/Upfront as the album ‘First Impressions’, which is where I first heard ‘Find Someone To Love’. Their Capitol LP, ‘Observations In Time’ isn’t incredibly rare, or expensive (copies go for between 40 and 100 bucks) but it doesn’t show up that often.

The group’s vocal material from this period has always reminded me of the Parliaments stuff from the mid-60s, with a slightly more raucous edge.

‘Find Someone To Love’ features Sugarfoot Bonner’s wobbly, deeply funky guitar prominently, as well as hard hitting drums, droning organ and the band’s horn section. It’s a much deeper, grittier groove than the flashy, fonky stuff they’d hit the charts with a few years later.

Not exactly the Love Rollercoaster, more like the funhouse on the way there.

I dig it a lot, and I hope you do too.

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If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some insane surf instros.

 

James Brown – You Know It

By , January 24, 2013 12:28 pm

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JB at the B3

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Listen/Download James Brown – You Know It

Greetings all

The end of the week is nigh so it’s time to remind you about the Funky16Corners Radio Show, which takes to the airwaves of the interwebs this and every Friday night at 9PM on Viva Radio. You can also subscribe to the show as a podcast in iTunes or grab an MP3 from the archive here at the blog.

The last instro of the week is a testament to the truism that sometimes you just never know what’ll turn up in your crates.

I was digging around for Christmas material late last year when I flipped over ‘Santa Claus Go Straight to the Ghetto’* (never having done so before) wondering if the b-side was also a holiday track.

What I found was not more jingling bells, but in fact another of that rare species, the James Brown organ instrumental.

Many times over the years have I waxed wistfully about my love for the Godfather’s repeated dalliance with that giant mound of wood and wires known as the Hammond organ.

James was not a superior technician, but he did bring a certain joie de vivre to his playing which – though it occasionally descended into flights of fancy that sounded as though he had eschewed his hands for his elbows – were often quite cool.

This track, ‘You Know It’ is an especially groovy surprise since it is both funky, and has a cool arrangement, with the strings and the horns and what not.

This is proof that no matter how much you think you know, the James Brown discography is filled with all kinds of blind alleys, dark corners and cul de sacs.

I hope you dig the cut, and I’ll see you all on Monday.

Keep the faith

Larry

 

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*’You Know It’ also appeared as a track on the ‘Soulful Christmas’ LP
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

X-Citers Unlimited – Soul To Billie Joe

By , January 20, 2013 11:33 am

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Listen/Download X-Citers Unlimited – Soul To Billie Joe

Greetings all

Welcome to the week, this one devoted, in a completely arbitrary manner, to instrumentals.

I just happened to be wading through the digimatization/storage folders deciding what to post, and one instrumental led to another and before you know it – Bob’s yer uncle – here we are.

We begin the week with a record that fits the very definition of ‘un-Google-able’.

First and foremost, the band in question, the X-Citers Unlimited, had a name that invites all manners of misspelling and misplaced punctuation (a hyphen…really?).

Second, and this is the real killer, both sides of the disc are covers of other people’s material, meaning that you have no “in-band” songwriting credits to expand a search.

Third, it would appear that this is the only record ever released by this band, making it impossible to triangulate using other 45s.

The only available clues come courtesy of the fact that the X-Citers Unlimited recorded for a well-known label – which makes it possible to date the record to 1967 – and that it was produced by a guy that should be familiar to fans of 60s soul, Mr Wally Roker.

Using that date and name, and combining it with previous knowledge of Mr Roker’s working environment during that time, I’d be willing to venture a guess that this was a West Coast band.

And that – as they say – is that.

Dead Endsville.

That said, one can always take solace in the quality of the music in the grooves, which in this case is fine indeed.

The reworking of Bobbie Gentry’s ‘Ode To Billie Joe’ (presented here as ‘Soul To Billie Joe’) is a hard charging bit of funky soul with some tasty Latin percussion and plenty of brass.

It’s groovy because unlike the vast majority of the probably hundreds of cover versions of the tune, it does not hew to the original tempo.

The flip, a cover of ‘Hang On Sloopy’ is much more explicity boogaloo-ish.

It is a very cool 45 indeed, and I hope that you dig it (and that, if you know anything else about it, you’ll drop me a line).

Keep the faith

Larry

 

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___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

Example

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PS Head over to Iron Leg too.

Maxine Brown – One In a Million

By , January 17, 2013 11:55 am

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Miss Maxine Brown
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Listen/Download Maxine Brown – One In a Million

Greetings all

I’d like to welcome you all to the beginning of the post-work, pre-weekend festivities here at the Corners.

First off, I must remind you that the Funky16Corners Radio Show will hit the airwaves (as it does every Friday night at 9PM) of the interwebs on Viva Radio. If you cannot join me at airtime, you can always subscribe to the show as a podcast in iTunes or grab an MP3 over at the blog.

Today’s selection is a long time favorite, and proof positive that you should NEVER limit your vinyl collecting to 45s.

Some time back I was out at the Asbury Lanes Garage Sale, and happened upon a copy of Maxine Brown’s Greatest Hits.
I already had a coulple of her 45s, including at least one duet with Chuck Jackson, and there were a lot of songs on the LP that I didn’t recognize, so I grabbed it, paid the man and took it home.

It was only when I sat down and started doing the required needle-drops that I first happened upon the song you see before you today, ‘One In a Million’.

To say that ‘One In a Million’ is an absolutely brilliant slice of sophisticated, city soul, with tempo and hooks enough to grab the most jaded soulie, I would still be selling it short.

This – as the kids say – is the shit.

Miss Brown is in rare form, and the track is just perfection, from the backing vocals, to the drums and bass, every bit of it is right on the money sonny.

The song was written by Rudy Clark, who co-wrote ‘Good Loving’ for the Olympics, and wrote ‘It’s In His Kiss’ for Betty Everett and ‘Got My Mind Set On You’ for James Ray.

I love love love this record, and only wish now that I had it on 45 as well, a form in which it is much more expensive (in the 50-60 dollar range).

That said, as your physician, I recommend that you put this one on repeat, grab your honey and cut you a piece of rug.

I hope you dig it, and I’ll see you all on Monday.

Keep the faith

Larry

 

Example
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

Example

Example

 

PS Head over to Iron Leg too.

O.V. Wright – Working Your Game

By , January 15, 2013 11:15 am

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OV Wright
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Listen/Download OV Wright – Working Your Game

Greetings all

I hope the middle of the week finds you all well.

The record you see before you today, all hot and ready to shovel into your ears, is yet another one that holds a place of honor in my crates, thanks 100% to my man Tony C.

Some time ago, he recommended ‘Working Your Game’ by the mighty OV Wright, which I dug, but for some odd reason was unable to lay my hands on a reasonably priced copy until recently.

Though Wright is by any measure among the first rank of southern soul singers of the classic era, ‘Working Your Game’ is especially interesting, on account of the drums.

Now when I say ‘on account of the drums’ you know that it must be something out of the ordinary, and it surely is.

Whoever is beating (and I do not use that word lightly) the skins on this record seems to be doing what Hunter S Thompson quoted the Oakland Hell’s Angels describing as  “trying to show some class”, translated as going that extra mile (and then some) to prove one’s worth in a particular situation, though since we’re transporting the phrase from the world of outlaw bikers to that of soul records, the percussionist is beating the shit out of his drum set in a studio, instead of clobbering some poor slob in a gas station toilet.

If you know what I mean (dot dot dot)…

I have no idea who the drummer is, but he is going nuts, adding a certain je ne sais quoi to an already hot record, with ringing piano, sassy backing singers and of course Mr. Wright at the helm.

Were the rest of the record even a scintilla weaker, one might think the drums a bit of overkill, but they fit nicely here and the only drag is wondering why the mystery man wasn’t wrecking drum sets for the Backbeat label on a full time basis.

The flip (‘Baby Mine’ which hit the R&B Top 40 in 1968) is also quite good, so head out and grab yourself a copy of this one for your record box.

You can thank Tony.

I hope you dig it, and I’ll see you all on Friday.

Keep the faith

Larry

 

Example
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

Example

Example

 

PS Head over to Iron Leg too.

Sunny and the Sunliners – My Dream

By , January 13, 2013 2:40 pm

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Sunny Ozuna
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Listen/Download Sunny and the Sunliners – My Dream

Greetings all

I thought I’d get the week off to a very mellow start.

About a month ago there was a discussion on an internet message board I frequent about favorite b-sides.

One of the records posted was a disc that I recognized immediately as having already owned.

The catch being that I had never listened – all the way through anyway – to the side that was posted.

The record in question was ‘My Dream’ by Sunny and the Sunliners.

I do not recall exactly when (or how) I bought the 45 in question, but I do know that I picked it up for the (actual) b-side, a funky cover of Tender Joe Richardson’s ‘Hip Huggin’ Mini’.

Though it’s entirely possible I dropped the needle on the other side of the record, I’m sure I lifted it again as soon as I heard that it was a ballad, an act of sacrilege that places the acquisition of the 45 many years in the past, when I was still prone to doing unpleasant things like that.

Anyhow…my curiosity piqued, I dug out the 45, placed it upon the Edison machine and was promptly poleaxed.

First and foremost because the music coming out of the victrolinator was a very smooth, very groovy bit of low-rider soul, but also because I had not noticed (this story being a long string of ignorant moves) that this side of the record – ‘My Dream’ – was also a cover, this time of the tune by the Harvey Averne Dozen (another unjustly ignored b-side already in my crates).

Sunny and the Sunliners (connected to The Sunglows but ultimately a different band, see Ana-B’s comment below) were a mostly Chicano R&B/soul band from San Antonio, TX that hit the R&B charts three different times in 1963 and 1964.

Though they were away from the national charts after that they continued to record through the 60s and 70s.

Led by vocalist Sunny Ozuna, they cooked up a very tasty stew of R&B, soul, rock and even a bit of funk, not at all unusual in 1960s Texas, but done especially well in their case.

It seems that ‘My Dream’ charted locally in 1968 (the original versions of both sides were released that year), and then again, two years later in Hawaii!?!

‘My Dream’ is el supremo, back seat makeout music, with some sweet falsetto backing vocals and some especially nice lead guitar.

It’s one of those records that you’ll find yourself listening to over and over again, digging into the sound and appreciating something new every time.

I hope you dig it too and I’ll see you all on Wednesday.

Keep the faith

Larry

 

Example
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

Example

Example

 

PS Head over to Iron Leg too.

Bill Deal and the Rhondels – Tuck’s Theme

By , January 10, 2013 12:05 pm

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Bill Deal and the Rhondels

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Listen/Download Bill Deal and the Rhondels – Tuck’s Theme

Greetings all

I hope that the end of another week finds you well.

As Friday is upon us, I should remind you that the Funky16Corners Radio Show returns to the airwaves of the interwebs this and every Friday night at 9PM on Viva Radio. You can also subscribe to the show as a podcast in iTunes, or grab an MP3 here at the blog.

The tune I bring you today has been languishing in my crates for a long ass time, mainly because of a bad case of lost-in-the-shuffle-it is.

I picked up my 45 of Bill Deal and the Rhondels ‘Tuck’s Theme’ years ago and for no good reason at all, forgot all about it.

I say for no good reason because once you hear ‘Tuck’s Theme’ you will – as would any sane person – realize that it is a superb bit of funk with a big, fat, swaggering drum break.

The name Bill Deal may be a familiar one, especially if you have access to oldies radio here on the East Coast, the further south the better.

Deal was a keyboardist and bandleader out of the Tidewater area of Virginia who – along with the Rhondels – hit the charts a number of times in the late 60s with their rollicking brand of brass-inflected, blue-eyed soul (covering cuts by artists like Maurice Williams and the Tams).

The band recorded half a dozen 45s (and an LP) for the Heritage label (also home to the Show Stoppers), of which ‘Swingin’ Tight’ b/w ‘Tuck’s Theme’ (released in 1969) was the fourth, it’s A-side grazing the Top 40 in a number of regional markets.

The cut features Deal working it out on some kind of clavinet-like electric keyboard, backed by the brass section, with a fuzzed out guitar eventually chiming in.

Things really get cracking when drummer Ammon Tharp lays down that big, swinging break.

It’s really is a killer, one of those that’ll have your head nodding as you get into the groove.

The record has ben sampled a few times, by groups like Jurassic 5 and People Under the Stairs.

Bill Deal and the Rhondels became an institution on the Beach Music scene, carrying on in one form or another until Deal’s passing in 2003 (though a version of the group, billed as Bill Deal’s Band still tours today).

I hope you dig the cut, and I’ll see you all on Monday.

Keep the faith

Larry

 

Example
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

Example

Example

 

PS Head over to Iron Leg too.

Cal’s Tricks – Who’s Gonna Take the Weight

By , January 8, 2013 1:00 pm

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Listen/Download Cal’s Tricks – Who’s Gonna Take the Weight

Greetings all

Before we get things started today, I should let you know that I was asked to put together a list of crucial 45s for the new Deserted Island blog. You should pop on over and check it out when you get a chance.

 

The track I bring you today is something I picked up whilst grazing at the last Allentown All 45 show.

It’s hard not to be overwhelmed in a room packed to the gills with 45s, but since a lot of the dealers (and the kind of stock they bring with them) have become familiar to me over the years, I try to maintain a s small amount of focus.

These days my “want list” (as it is) isn’t very long.

There are a couple of very crucial things that I’m always on the lookout for, but outside of those, I tend to cast a pretty wide net. The old frame of reference is sharp enough that I come away with more gold that gravel, and the record you see before you today is evidence thereof.

I’d never heard of Cal’s Tricks, or the Secant label, but as soon as I noted the presence of a groovy Kool and the Gang cover, I placed the disc on the keeper pile and kept digging.

Once I got the record home I was very happy with my selection, and moved on to digging for information.

There’s not a lot out there, but what I have found is interesting.

It would seem that the Secant label was active in the Washington, DC/Maryland area during the 70s, releasing a wide variety of styles.

The DC Soul Recordings site noting that only three of their releases seemed to fall into the realm of soul and funk, two of them being records by Cal’s Tricks.

 

‘Who’s Gonna Take the Weight’ – taken here at a slightly faster, dare I say discofied, tempo than the OG – was the second 45 by Cal’s Tricks, released in 1976.

The band’s name seems to be a variation of the name of producer Caltrick Simone.

I don’t think this track or any of Cal’s Tricks tunes have been comped.

I hope you dig the track, and I’ll see you all on Friday.

Keep the faith

Larry

 

Example
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

Example

Example

 

PS Head over to Iron Leg too.

Jimmy McCracklin 1921-2012

By , January 6, 2013 2:42 pm

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Jimmy McCracklin
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Listen/Download Jimmy McCracklin – Dog Pt1

Greetings all

Welcome to the new week.

As we discussed last week, as we marked the passing of both Marva Whitney and Fontella Bass,  2012 proved to be a severe kick in the pants for fans of soul music.

In the space of a week we lost those great singers, and the man who’s song I bring you today, the legendary Jimmy McCracklin.

McCracklin’s name first came onto my radar when the UK band the Inmates had a NY area FM radio hit (circa 1980) with their cover of his 1958 hit ‘The Walk’.

Later on (years after I first heard the record) I realized that McCracklin had co-written Lowell Fulson’s ‘Tramp’, which went on to be a big hit for Otis Redding and Carla Thomas, as well as the template for the Mohawks’ ‘Champ’.

McCracklin – who was born in the midwest but settled in the San Francisco Bay area – made his first record in 1945, but wouldn’t hit the charts until ‘The Walk’. Through the 40s and 50s he recorded for labels like Modern, Irma and Peacock, finally setting up shop with Imperial in 1962.

He waxed the record I bring you today – the very Tramp-like ‘Dog’ in 1967, a year after his last brush with the R&B charts (he had 7 R&B top 40 hits between 1958 and 1966).

As I mentioned, ‘Dog’ follows the ‘Tramp’ lead (with the addition of a female interjecting during the tune), with McCracklin rapping over a funky bass/drum line and a groovy sax solo.

Though the foundation of his sound was the blues, McCracklin was always willing to whip some soul onto the plate as well.

McCracklin continued to record with Imperial/Minit until 1970, but he kept recording for a variety of labels (and touring) into the 1990s.

He will be missed.

Keep the faith

Larry

 

Example
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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

Example

Example

 

PS Head over to Iron Leg too.

Fontella Bass 1940-2012

By , January 3, 2013 11:23 am

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Miss Fontella Bass
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Listen/Download Fontella Bass and Bobby McLure – Don’t Mess Up a Good Thing

Greetings all

Since the end of the week is upon us it behooves me to remind you that the Funky16Corners Radio Show is as well, airing each and every Friday night at 9pM on Viva Radio. If you can’t fall by at airtime, you can always subscribe to the show as a podcast in iTunes, or grab an MP3 here at the blog.

We have to start off 2013 in much the same way as we did 2012, that is eulogizing the fallen greats of funk and soul (Miss Marva Whitney a few days ago and Jimmy McCracklin this coming Monday).

Today we mark the passing of Miss Fontella Bass.

Those that know me have heard my complaints about Ms Bass’s biggest hit, 1965’s ‘Rescue Me’ as a song so ubiquitous that I would feel safe never having to hear it again.

This is of course no fault of hers, but rather the tastemakers/compilers of oldies radio and movie soundtracks who have made that particular record an all but inescapable shorthand for 60s soul, much like James Brown’s ‘I Feel Good’, or the Four Tops ‘(I Can’t Help Myself) Sugar Pie Honey Bunch’, all in their way great records, but beaten so soundly into my brain as to have sucked all the joy out of the music.

Every time ‘Rescue Me’ is cued up it just conjures up images of ‘The Big Chill’ and makes me want to strangle a Baby Boomer with a tie-dyed shirt. And the remarkable thing is that it’s not even on that soundtrack, but rather just another house picked up by and forever swirling around inside of that horrifying tornado of nostalgia.

Though I have owned a copy of ‘Rescue Me’ for years, I have not pulled it out of the crates to play it, and for all intents and purposes, Fontella Bass was well off my radar.

That was, until one lazy day, when I was sprawled on the couch channel surfing and happened upon a soul documentary that while generally unpromising, was light years better than everything else on the tube.

It was during this program (on one of the VH-1s) that a clip came on with a song that I hadn’t heard before and my ears perked right up.

There on the screen were Fontella Bass and Bobby McClure belting out a tune called ‘Don’t Mess Up a Good Thing’.

There’s no question that my lack of interest in all things Fontella Bass was unfair, but in my defense, I had no idea that she’d done anything else, especially anything this cool.

I listen to a tremendous amount of music (especially soul and funk), much of it pulled out of dusty boxes and shoved directly into my ears, and I was, unfortunately, unaware of this record, but that’s the way things go. Despite what some people might say or think, you must be humble enough to admit that you cannot know every good record there is (and I do not, though maybe someday…).

That said, ‘Don’t Mess Up a Good Thing’ hit the R&B Top 5 and the Pop Top 40 in February of 1965.

Fontella Bass, Bobby McClure and the bandleader on the date Oliver Sain (the flipside of the 45 was ‘Jerk Loose’ by Sain and his orchestra) all hailed from St Louis, MO.

Bass had started out as a gospel singer, her mother Martha Bass being a member of the Clara Ward Singers. She got her start in the world of secular music playing piano in Little Milton’s band (alongside Oliver Sain).

She signed with Chess/Checker in 1964, had the duet hit with McClure in early 1965 and went on to have her biggest hit with ‘Rescue Me’ in September of that year, making it to the Number One spot on the R&B charts and the Pop Top 5.

Bass had three more R&B Top 40 hits in 1965 and 1966 but left the label after being denied a co-writing credit on ‘Rescue Me’.

She married avant garde jazz trumpeter Lester Bowie, with whom she moved to Paris in the late 60s where she recorded two albums with the Art Ensemble of Chicago, including the sought after ‘Les Stances a Sophie’.

Following her return to the US, Bass recorded more soul sides for the Paula label through 1972 but eventually retired from music.

She returned to record both gospel and jazz later in life but suffered a series of strokes in the last few years of her life and was in hospice care when she succumbed to a heart attack.

She will be missed.

Keep the faith

Larry

 

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

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