Comments (4)

By Larry, January 5, 2012 4:48 pm

Dean Parrish

The US OG issue (above) and the 1970s UK reissue (below)

Listen/Download – Dean Parrish – I’m On My Way

Greetings all.

The end of the week is here and I am all but exhausted.

Lots to do hereabouts and despite the fact (or because of it) that everything is going as planned all I want to do right now is find a spot on the couch and nod off for an hour or two.

That said, a certain level of excitement is working its way through my stupor.

I have happened upon a couple of exceptional records in the last few weeks – which will naturally appear in this space soon – I got news of a very groovy DJ gig coming up this spring, and, best of all (at least for this moment) I get to end this week of Northern Soul with a truly stunning record.

I do not recall exactly when or where I first heard ‘I’m On My Way’ by Dean Parrish (I suspect it was on a mix tape many years ago) but it blew my mind and dug its claws deep into my brain (and my want list).

I searched for thus record high and low for a long time, getting outbid time and time again (it is a very popular record), eventually picking up a 1970s UK reissue so I could have it in my record box, and then, in a near mystical stroke of kismet, a nice, minty OG fell into my lap.

I don’t know if you’re familiar with my Timmy Thomas ‘Have Some Boogaloo’ saga –  wherein I chased the record forever, won a copy, seemingly lost it and then via a series of trades and the vagaries of the international postal maelstrom, ended up with not one but two copies of said record –  but ending up with doubles was a very groovy thing indeed.

On the very day I got that extra copy of Timmy, a DJ buddy contacted me to ask if I might be up for a trade, I asked what he had to swap and who should be sitting at the top of his list, but Mr Dean Parrish.

It was as if the hand of fate had slipped this monster of a 45 directly into my record box.

Released in 1967, the last of a string of a half dozen 45s Parrish (born Phil Anastasia) had recorded since 1964, ‘I’m On My Way’ is one of those 45s (particularly Northern Soul faves) that sounds every bit a huge, hit record, but was actually – like so many others – an abject commercial failure.

Though Parrish had had a regional success with his 1966 record ‘Tell Her’, ‘I’m On My Way’ – written by Eliot Greenberg and Doug Morris (who had written ‘Sweet Talking Guy’ for the Chiffons, and another Northern killer ‘The Next In Line’ for Hoagy Lands) went nowhere*.

This is (as I alluded to earlier) not a unique story, but once you’ve heard the record in question it is especially puzzling.

‘I’m On My Way’ grabs your attention instantly with its opening fuzz guitar line, leading into a brief opening verse before launching into a chorus that is so mind-bendingly anthemic you’re likely to bruise yourself rushing to turn up the volume.

Though Northern Soul favorites are often noted for their steady, four on the floor dance beat, ‘I’m On My Way’ bucks that trend with verses that could almost be described as rhythmically awkward, but when you take the chorus – so much musical rocket fuel – into account, it is very easy to understand why the record was the last of the legendary “3 before 8”** at Wigan Casino (the records played before closing time at every allnighter).

The chorus of ‘I’m On My Way’, with its mix of soulful vocals (by Parrish and the backing vocalists) and the soaring melody, from the moment where Parrish shouts ‘Baby!’ to the reprise of the fuzz guitar that closes the chorus, what you are hearing is 30 seconds of purely blissful music.

It’s easy to picture a room full of nearly exhausted dancers whipping themselves into one last frenzy, grabbing the last few minutes of the night and wringing all that they can out of them, a tableaux played out on countless dance floors all over the world since people started spinning records for people to dance to.

It is an anthem in every sense of the word and a fitting way to close out the week.

Make sure you grab yourself an earful of the Funky16Corners Radio Show, this Friday night at 9PM on Viva Radio, or pick it up as an MP3 over the weekend here at the blog.

Have a great weekend, and I’ll see you all on Monday.

Peace

Larry

*It has to be noted that after it gained Northern popularity ‘I’m On My Way’ was reissued on Jonathan King’s UK records in 1975 and proceeded to enter the UK Top 40.

**The ‘3 before 8’ were “Time Will Pass You By” by Tobi Legend, “Long After Tonight Is Over” by Jimmy Radcliffe, and “I’m On My Way” by Dean Parrish.

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (14)

By Larry, December 27, 2011 7:58 pm

On the scene at Subway Soul

Willis Wooten – Your Love Is Indescribably Delicious (Virtue)
Bobby Doyle – River Deep Mountain High (WB)
Etta James and Sugar Pie DeSanto – In The Basement (Checker)
Barbara Lynn – Club a Go Go (Tribe)
Billy Butler – Right Track (Okeh)
Impacts – Thunder Chicken (Marmaduke)
Idris Muhammad – Express Yourself (Prestige)
Lavell Kamma and the Afro Soul Revue – Soft Soul (Tupelo Sound)
Sam Dees – Lonely For You Baby (Soul City)
Spellbinders – Help Me Get Myself Back Together Again (Columbia)
Jimmy Ruffin – 96 Tears (Soul)
Ella Fitzgerald – Savoy Truffle (Reprise)
Ray Bryant – Up Above the Rock (Cadet)
Mac Rebennack – The Point (AFO)
Della Reese – It Was a Very Good Year (ABC)
LaVern Baker – Batman to the Rescue (Brunswick)
Norman T Washington – Jumping Jack Flash (Pama)
Rivingtons – Pop Your Corn Pt1 (RCA)
Upsetters – Down Home (ABC)
Vernon Garrett and Marie Franklin – Second To None (Venture)
Curly Moore – Soul Train (Hot Line)
Dobie Gray – Out On the Floor (Charger)
Eyes of Blue – Heart Trouble (Deram)
Washington Smith – Fat Cat (Okeh)
Gene West – In the Ghetto (Original Sound)
Candido – Jingo (Salsoul)
Touch – Love Hangover (Breaking Down) (Brunswick)
Gene Ammons – Son of a Preacherman (Prestige)

Listen/Download – F16C Radio v.95 – 2011 Year In Review – 140MB Mixed MP3

Greetings all.

The end of the year is upon us, and so, as it has been in many years past, is the Funky16Corners Year In Review mix.

This assemblage of the finest individual tracks from this space over the last calendar year has become a tradition in which we sweep up around the Funky16Corners Blogcasting Nerve Center and Record Vault (Funk and Soul Division) and piece together a puzzle of sorts that once assembled (correctly) should give a picture of where my head – and my crates – were at over the last year.

And what a year it’s been.

If you’d sat me down last December and laid out the coming year in front of me, I would have laughed, filled with excitement and then probably crawled under the nearest table in search of shelter.

The year got off to a great start with the beginning of my residency at Spindletop @ Botanica in NYC. Over the course of the next eight months I had the opportunity to spin pretty much whatever I felt like (within certain tasteful guidelines) and it was a blast.

Botanica was a very chill location, with some very cool people, and despite the whole thing crashing down in a somewhat bittersweet pile of ashes, I would say that it was on the whole a very positive experience.

You all know that there is nothing I love better than spinning the music I love for an appreciative audience, and I had many very groovy opportunities to do so this year.

In addition to Spindletop, I was honored to get a chance to participate in one of the last Subway Soul nights, alongside Phast Phreddie, Girlsoul and Jumpy. It was a serious gas, where I got to spin some of my Northern Soul faves and hear the other selectors whip some heat on the ones and twos (I left with a slightly inflated want list that night).

The real treat of the year, though was spinning at Elliott and Jonna’s wedding down in Philly, which was an amazing experience.

Great people into great music with the extra added benefit of some delicious food. I can think of no better way to spend a summer night.

There was also the ongoing pleasure of doing the Funky16Corners Radio Show, which has really been a gas this year. If you haven’t yet tuned in, you can join the party every Friday night at 9PM on Viva Radio, or pick up the show as an MP3 over the weekend (they’re all archived here at the blog, too).

I also got to spin records at a couple of local autism fundraising events which was especially rewarding for reasons very close to my heart.

Speaking of things close to my heart, 2011 was also the year that my wife was diagnosed with leukemia, an event that has verily turned our world inside out.

Though some superficial things have remained on a somewhat even keel, the axis on which my family’s life spins was shaken to its core this fall, and we have all learned to look at the world through slightly different eyes.

Things are on a solid, progressive track as far as my wife’s health is concerned, and we have many reasons to be optimistic, which doesn’t change the fact that no matter how sunny things look ahead of us, there’s always that shadow in the rear view mirror.

I have to make note of the fact that the readers of this blog have been extraordinarily supportive during this crisis, and that has been heartwarming and very much appreciated.

When I take a look at this playlist, it occurs to me that although there are some old faves and some longtime want list items finally bagged, there are also many, many new discoveries that came into my ears and then my crates over the past year, and that is the main reason that the Funky16Corners train stays on the rails.

It has always been my hope that those of you that stop by here on the reg are discovering something new and groovy, but also that you realize that this is a journey of discovery for me as well.

Big ups go out to fellow selectors like Tony C, Tarik Thornton, M-Fasis, Agent 45 and Midnite Cowbwoy for hepping me to cool stuff that I hadn’t heard before, all of which I passed on to you good people through the blog.

I will continue to do so.

I have no idea what 2012 holds for me, since things have really taken on a day-to-day vibe these last few months.

My main hope is that everyone here at home base stays healthy and happy.

Aside from that, I only hope that the next year brings some new sounds my way, and hopefully the opportunity to spread the love, whether through the blog, or in person as a DJ.

Either way, the very least any of us can do is follow that basic prescription in the Funky16Corners logo:

Keep the Faith.

See you next week (make sure to tune in to the Funky16Corners Radio Show Friday night at 9PM on Viva Radio for the Year End Funk and Soul Dance Party!)

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some very tasty UK Folk Rock.

Comments (0)

By Larry, December 25, 2011 2:41 pm

Felice Taylor

Listen/Download – Felice Taylor – It May Be Winter Outside (But In My Heart It’s Spring)

Listen/Download – Felice Taylor – I’m Under the Influence of Love

Listen/Download – Felice Taylor – Love Theme (Inst)

Greetings all.

I’d like to take this opportunity to ease you all into another groovy week here at the Funky16Corners.

I hope all is cool in your part of the universe and that those of you that celebrate had a wonderful Christmas.

Right now, my lovely wife is home with us through the New Year, so we’re all very happy about that.

I picked up the first of today’s selections  last year on the same day I got my car towed in Jersey City.

I’m always on the lookout for soul 45s on the Mustang label (known mainly for the Bobby Fuller Four) because of the involvement of none other than Barry White.

When I happened upon this disc by Felice Taylor, though I wasn’t familiar with her music, I did know that she was one of the artists that White had worked with, so I grabbed the record.

Good thing too, because when I got it home I discovered some very nice uptempo Northern soul, with a singer that bore a striking vocal resemblance to Diana Ross.

The California-born Taylor didn’t have an especially long recording career, having started recording as a member of the Sweets (with her sisters Darlene and Norma) in 1965, and then closing out her career three years later in the UK on the President label.

She recorded two 45s with White at Mustang, ‘It May be Winter Outside (But In My Heart It’s Spring) and ‘Under the Influence of Love’, in 1966 and 1967.

‘It May be Winter Outside’ is taken at a brisk but relaxed pace with a sweet, almost baroque opening before dropping down into a danceable beat. The record is a remarkable slice of imitation Motown, up to and especially because of Taylor’s voice.

‘Under the Influence of Love’ is more of a floor filler, with an opening that seems as if it were modeled after ‘Reach Out’ by the Four Tops. It’s with this 45 that the resemblance to Diana Ross is most pronounced, making it perhaps the finest Supremes 45 the group never actually recorded.

I’m also including the instrumental dub from the flipside (entitles ‘Love Theme’) which I’ve played out before.

I find it surprising that records this infectious didn’t make a dent in the charts and I’m thinking that Barry White felt the same way because in 1973 and 1974 he would resurrect both of these songs and re-record them with Love Unlimited.

Taylor would go on to record two 45s for Kent, and then in the UK, two more for the President label, with two-sides of one of them (see picture sleeve above) written and produced by none other than Derv Gordon and Eddy Grant of the Equals.

After that, it would appear that she never recorded again.

I hope you dig the sounds, and I’ll be back later in the week with the 2011 Year In Review mix.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (14)

By Larry, November 13, 2011 3:36 pm

Reuben Wilson

Grover Washington Jr.

Listen/Download – Reuben Wilson – Inner City Blues

Listen/Download – Grover Washington Jr. – Inner City Blues

Listen/Download – Grover Washington Jr. – Mercy Mercy Me

Greetings all.

Here’s simultaneously hoping that you all are well and telling you that things are progressing as well as can be expected in our corner of the world.

My incredibly brave wife is standing tall despite chemo beating her like a rented mule.

These are hard times (a la Curtis Mayfield, Gene Chandler and Baby Huey) for her to endure treatment and for us to watch her do it.

It is alternately inspiring and disheartening, since the process reveals her ever deeper well of resilience, but also a seemingly endless supply of physical and psychological pain for her to deal with.

But, deal with it she does.

My thanks go out to the doctors and nurses who are helping her (and all of us) through this experience, as well as all the good folks who have sent messages of hope and prayer.

I’ve never had a huge amount of faith in humanity, but this experience – no matter how harrowing on its face – has also exposed our family to an extraordinary show of kindness and generosity from family and friends.

If there is an upside to this, that is it and it is humbling.

My (our) thanks to all of you.

Since I can’t guarantee more than one post a week while all of this is going on, I figure it behooves me to ensure that it brings with it a healthy dose of sounds, on which you can focus your aural ruminations until the next time I can get it together.

While I was combing the wilds of my hard drive, I happened upon a Reuben Wilson album, with an especially Hammond-groovy take on Marvin Gaye’s ‘Inner City Blues’ from his (Reuben’s) 1972 ‘The Sweet Life’ LP.

As I was giving it a listen, it occurred to me that I had other cool covers of  cuts from ‘What’s Going On’ in storage – of a similar vintage – and that I ought to pair them up in the dual causes of thematic consistency and general good music-ness.

I doubt that anyone reading this will dispute the greatness of Marvin’s 1971 epic, considered by many to be his greatest work, and one of the single finest soul LPs ever recorded.

It was a significant hit for Gaye, and it’s influence was far reaching, generating many cover versions across the soul, funk and jazz spectrums.

The first track I bring you today is the aforementioned Reuben Wilson take on ‘Inner City Blues’ (see Funky16Corners Radio v.24.5 for a very nice cover of this tune by Brian Auger).

Wilson is one of my favorite jazz funk organists of the classic era, never flashy but always stylish and on point. While he doesn’t always get the shine that some of his better known contemporaries do, his work with the Wildare Express (on Brunswick) and solo sides for Blue Note and Groove Merchant are essential.

His take on ‘Inner City Blues’ grooves hard, with some very nice soloing on the Hammond and tight, funky backing by his group.

The second and third cuts in this post are from an artist that continually shows up in surprising places.

Grover Washington Jr is a cat that I only knew from his big hits, and always assumed to have sprung up, fully formed as one of the standard bearers of smooth, R&B inflected jazz.

However, it was during my obsessive Hammond digging that I discovered that he had played with the Mark 3 Trio, and had done time in Philly area combos with none other than the mighty Charles Earland also recording as a sideman for other Prestige artists like Boogaloo Joe Jones, and Leon Spencer.

A few years back someone hepped me to his first solo album ‘Inner City Blues’, recorded for the Kudu label in 1971.

Backed by a serious group of sidemen, including Idris Muhammad, Ron Carter, Eric Gale, Bob James and Richard Tee, Washington displayed a tougher side of his sound.

I was surprised when I discovered how much work he did as a sideman for organists like Johnny Hammond Smith and Dr Lonnie Smith (were they giving everyone named Smith a Hammond organ??), as I was to discover how much I dug this album.

I was initially going to post only his lyrical, mellow cover of ‘Mercy Mercy Me’, but as I was writing this post I was listening to the album and decided that I had to include the title cut from the album as well.

Washington’s version of ‘Inner City Blues’ features some wild guitar as well as some very cool sax work by the man himself that I rougher than just about anything I’ve ever heard him play.

And really, could anyone possibly not dig the opportunity to hear two very cool versions of a song like this?

I thought not.

So, dig the Marvin worship and if I’m not back before Friday, remember that the Funky16Corners Radio Show will be back Friday night at 9PM on Viva Radio, and then posted as an MP3 on Saturday.

Keep the faith and I’ll see you when I see you.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (3)

By Larry, October 23, 2011 11:34 am

Curley Moore

Listen/Download – Curley Moore – Soul Train

Greetings all.

How’s things?

Allow me to welcome you all to a new week here at Funky16Corners.

The tune I bring you today has something of a saga attached to it, at least in reference to the quest to acquire it.

Way back in the day, one of the comps that was instrumental in pointing me in the direction of New Orleans was an import collection on the Charly label that included two songs that would become longtime favorites, Diamond Joe’s ‘Gossip Gossip’ and Curley Moore’s ‘Don’t Pity Me’.

When I started down the long, dusty road of digging for original New Orleans 45s, I happened upon a copy of ‘Gossip Gossip’ fairly quickly, mainly because it is a record of undeniable greatness that also happens to be, how the kids say, ‘slept on’.

However, lo these many years later, Curley Moore’s ‘Don’t Pity Me’ still eludes me, in fact holding the position of the only 45 on the Sansu label that I do not own (and probably never will unless I get astoundingly lucky and find it out in the field). The few times it has shown up in the last few years it has sold for several hundred dollars, once for over a thousand! It’s one of those 45s that has dual appeal, with one side slightly funky and the other Northern-ish, so that it is not only rare, but coveted by two very eager constituencies.

That of course is neither here nor there, but to get closer to somewhere, I should also mention that the first time I heard ‘Soul Train’, it was not by Curley Moore, but rather by another New Orleans group by the name of Bobby and the Heavyweights (you can hear their cover in Funky16Corners Radio v.24).

Their version was included on the stellar Soul Jazz ‘Saturday Night Fish Fry’ comp (which is where I first heard it). Bobby and the Heavyweights slightly faster take on the song was released in 1967, first (locally) on the Mor-Soul label and then nationally on Atlantic (I’ve managed to find both).

It was only a few years later that I discovered that Curley Moore had done it first in 1965, at which point I set out to get myself a copy.

Here’s where we take a turn down Easier Said Than Done Street.

While Moore’s version of ‘Soul Train’ was released on two different New Orleans labels, first on Hot Line and then on Nola, it is fairly hard to find, especially in good condition. My first copy (on Nola) was exceedingly over-graded (@!!?%$) and not suitable for either home listening or posting here on the blog.

It was a few more years before I finally got myself a decent copy (on the groovy, if incredibly faded Hot Line label), which you see and hear before you today.

Curley Moore was the owner of one of my favorite soul voices to come out of the Crescent City, a little bit thin, kind of high pitched, but possessed of a tremendous amount of soul.

He recorded a 45 for Nola, three more for Sansu, at least one for Teem (which I’ve never heard), one for Scram and the excellent (drum heavy) ‘Sophisticated Sissy’ for Instant. He was also the voice heard at the beginning of Eddie Bo’s (billed as Curley Moore and the Kool Ones) House of the Fox 45 ‘Shelly’s Rubber Band’.

His version of ‘Soul Train’ is a positively sublime bit of soul with the tiniest pop edge to it. Arranged and produced by the mighty Wardell Quezerge, the instrumental backing is fairly spare, with piano, bass and very understated drums, with a subtly arranged horn chart that bubbles under, breaking in periodically for emphasis.

The record was pressed at least three times (I’ve seen two Hot Line variations and the one on Nola), so I’m guessing that it must have had some local success, but as my man Dan Phillips at the Home of the Groove notes, the record has a kind of odd, underlying sadness to it which makes it so special, but might have kept it a connoisseurs choice, falling short of chart success.

It was definitely worth the years it took to track it down, and I hope you like it too.

See you on Wednesday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (4)

By Larry, October 18, 2011 12:22 pm

Hi Rhythm

Listen/Download -Hi Rhythm – Black Rock

Greetings all.

How’s things?

Hereabout, things is groovy, aside from the fact that I am in dire need of heading out into the wild and getting my dig on. You can prowl around on Ebay all day long and no matter how many cool things you see, there’s no substitute for real world, dusty fingers digging

Unfortunately, the last couple of record shows that rolled through the area coincided with family responsibilities and the actual ‘digging’ spots within reach aren’t always worth hitting up, so I pretty much have to bide my time and be happy with the gigantic, heaving pile of vinyl I already have.

Part of that pile is the 45 I bring you today.

The way things work on the old Funky16Corners blog is that I tend to digimatize vinyl as it comes in, and if it’s something I plan on blogging, I photograph the label, tag the MP3 and stockpile it.

Many (most) of those tracks end up here on the front page in individual posts, while some end up in mixes.

However, if the gods of wax are smiling on me, I usually end up outpacing the outflux and end up with a good-sized pool from which to select what you end up seeing here.

However, as that process unfurls, I sometimes end up with things that have either been put on the back burner (for a variety of reasons, including need for further research or proximity to something similar that just got posted), or, in the case of today’s selection, plain old forgotten.

Because of that, I try to go back through the lists of things waiting to be blogged and try to move some unjustly bypassed tracks to the front of the line, harkening back to my days in the grocery profession, rotating stock for freshness.

The tune I bring you today is one of those ‘haven’t heard it but know it’s good’ deals which I picked up almost three years ago mainly on the strength of the group name and other important info on the label.

Back in the day, when I picked up my first Willie Mitchell album, the thing that hit me first was the prevalence of the surname Hodges in the credits.

This had everything to do with the fact that Mitchell’s back up band was composed in large part of a set of brothers bearing that name, Charles, Leroy and Teenie (Mabon) Hodges (organ, bass and guitar), who along with Howard Grimes (drums) and Archie Turner (keyboards) laid down that other wonderful Memphis sound.

They not only backed up Willie Mitchell, but did the same, extremely well, for pretty much everyone else who recorded for the Hi label, including (and most importantly) Al Green.

It was Mabon Hodges (composer of this very track) who co-wrote some of Green’s best songs, including ‘Love and Happiness’ and ‘Take Me To the River’.

The strange thing (for me anyway) is that for as long as the Hi Rhythm section (billed here as Hi Rhythm) was playing for so many other folks, they didn’t get the chance to step out on their own until 1975 with the release of their album ‘On the Loose’.

The single from that album, and today’s selection was the very groovy ‘Black Rock’.

While the title sounds like a giveaway, the rock side of things doesn’t come in too heavy, and when it does it’s still pretty swampy.

The overall vibe of ‘Black Rock’ is funky and it’s very interesting how a band with such a ‘trademark’ sound manages to escape that sound here.

Things chug along, with solid guitar from Mabon, group vocals and a cool, understated horn section. There’s even a crazy sound effect (heavily treated guitar?) that sounds like someone scratching vinyl!

I’m still on the lookout for a copy of the album, since the one I found a while back was crazy warped in the chip-and-dip style.

I hope you dig the track, and I’ll see you on Friday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (0)

By Larry, October 13, 2011 1:28 pm

Joe Thomas ‘The Ebony Godfather’

Listen/Download – Ebony Godfather – Castlin’

Listen/Download – Ebony Godfather -Electric Godfather

Greetings all.

The end of the week is finally upon us and I – for one – couldn’t be happier.

Sleep (and vinyl) deprived, I could use a serious rest, yet for some odd reason I soldier on.

That said, I still managed to get this week’s Funky16Corners Radio Show assembled and ready to go, which it will (go, that is) this Friday night at 9PM at Viva Radio. If funk, soul, jazz and/or rare groove are sounds that make your ears happy, make sure to tune in, or if you can’t bet there, you can always fall by the blog on Saturday to pick up the show as an MP3.

The tunes I bring you today are a couple of very tasty bits of funky flute action.

I picked up the ‘Moog Fluting’ album by the Ebony Godfather sight unheard, mainly because its reputation preceded it, having shown up on several ‘finds’ lists over the years as a kind of crate diggers perennial.

It was a cheap score, so I tossed it onto the keeper stack (on account of I dig some jazz flute) and took it home, where I discovered in short order that the Ebony Godfather was in fact none other than Joe Thomas, who had used that title on an album a year or two before this one.

Though he is credited on the back of the record, I have no idea why he would go out of his way to obscure his involvement unless of course it was some sort of Superfly-era rebranding attempt.

Though the title suggests Moog involvement, what’s really going on is that Thomas is working it out on the flute in a pretty standard jazz-funk fashion, with the occasional addition of processing/effects on the instrument, none of which sounds like Moog (to me anyway).

The two tracks I bring you today (‘Castlin’ and ‘Electric Godfather’) are prime slices of early/mid-70s jazz funk, with Thomas’s exciting soloing laid over a tight electric rhythm section and horns.

It’s a little hotter than your average CTI session of the same era, while maintaining some of the same flavor and production values.

Thomas always managed to walk that fine line between jazz and commerce, working R&B inflected soul jazz in the 60s (as a sideman and leader), funkier stuff like these Ebony Godfather sessions, and the smoother disco sounds of his later sessions like ‘Plato’s Retreat’ and his cover of Boz Scaggs’ ‘Lowdown’.

His attachment to the material always seemed much more natural than that of some of his peers attempting to work the same side of the street.

I hope you dig the sounds, and I’ll be back on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (7)

By Larry, October 9, 2011 11:05 am

Earth Wind Dashikis Afros and Fire

Listen/Download – Earth Wind and Fire – Moment of Truth

Listen/Download – Earth Wind and Fire – Bad Tune

Greetings all.

It is now time for all good men (and women, natch) to get themselves together and ease on into a brand new week.

Fall is in full swing, with the cool air, and the leaves and all that mess and I’m feeling productive.

I haven’t been doing much fieldwork (of the vinyl variety), but what I have managed to pick up has been excellent, not to mention the products of in-house excavation, in which yours truly gets down into the crates and spends some time with unjustly neglected records.

Today’s selections are the fruit of just such a search, and their neglect was decidedly unjust (undue/unfair?).

A while back when I was fortunate to be down spinning the records in Washington I was lucky enough to slip in some quality digging time alongside my man DJ Birdman. I brought home a grip of tasty stuff that trip (DC always treats my crates well) and among the haul were the first two albums by Earth Wind and Fire.

“Earth Wind and Fire!” you say. “I can get those at my local Goodwill for the cost of a shiny quarter!”

Not these you can’t my friends, because you’re probably thinking of their CBS stuff when they were having all of those big hits we all know so well (or maybe you can but you’ll need to give me the address of your local Goodwill).

However, did you know that they did two albums for Warner Brothers in the early 70s?

Neither did I (initially) but when I found out some years ago those records went on the old want list, because if you dig some EWF, you know that an earlier, grittier version thereof would very well kick some ass.

And it (they) did.

Maurice White and Wade Flemons (who had some collectible, pre-EWF 45s under his own name) had been working together in Chicago during the 60s, before relocating to Los Angeles near the end of the decade, where they were joined by Verdine White and a large crew of others to form the first version of Earth Wind and Fire.

Their first, self-titled album was recorded in 1970 and released in 1971, and while it does display tastes of the later EWF, there’s a heavier funk at work here, crossed with progressive elements.

The two tunes I bring you today illustrate both sides of that coin.

‘Moment of Truth’ is a serious mover, with some incredibly solid bass playing by Verdine (he’s so much more than just a fine and fancy head of hair) and a horn section that won’t quit.

‘Bad Tune’ has something of a flavor of the times, with a little bit of that Afrocentric hippy thing weaving in and out of the funk (electric kalimba anyone?), opening quietly, getting heavy and then dissolving into a trippy, jazzy sound with some nice guitar by Michael Beal, before picking up heat yet again with some fuzz bass.

And – this is the cool part – they manage to pack all that into less than five minutes, displaying a shocking economy for the time.

If you dig what you hear, while the individual albums are hard to come by, after their mid-70s success with CBS, WB reissued both of their EWF albums as a budget two-fer which is a little bit easier to find.

I hope you dig it, and I’ll see you all on Wednesday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (1)

By Larry, September 25, 2011 3:15 pm

The Four Tops, featuring Levi Stubbs and his bad-ass tam’o’shanter…

Listen/Download – The Four Tops – Turn On the Light of Your Love

Greetings all.

I hope the new week finds you all well.

The tune I bring you today was the fruit of a trip to a recently discovered digging spot this summer.

The way things are going these days, finding a new place to look for actual, vinyl records is always a welcome surprise.

Now, you know I’m a big fan of the Four Tops (they were last seen in this space back in May), considering Levi Stubbs to be one of the greatest voices of the classic soul era.

However, until recently my vinyl stock had only included material from their Motown era.

The Four Tops were among the contingent that opted not to follow Motown on the label’s move to Los Angeles in 1972.

They moved to ABC-Dunhill, and hit gold almost immediately.

Their first album for the label, ‘Keeper of the Castle’ yielded a couple of hits, including the smash ‘Ain’t No Woman (Like the One I Got)’.

So, I’m out digging and I happen upon a copy of said album, and while I’ve heard ‘Ain’t No Woman…’ more than enough times (including when it was repurposed as a lottery ad) I had also heard that ‘Keeper of the Castle’ displayed a funkier side of the Tops, so I threw it on the keeper pile and took it home.

When I finally got to needle-dropping, I discovered that the rumors of funk were indeed true, but especially so with the tune I bring you today ‘Turn On the Light of Your Love’.

Opening with some tastefully rendered synthesizer, which is soon joined by wah wah guitar and drums, the Tops fall in with the chorus before the full band kicks in.

Levi, Lawrence, Duke and Obie are in rare form, and the band – featuring a bunch of west coast heavies like Larry Carlton and Paul Humphreys – come correct.

The horn section is especially cool.

The Four Tops would remain a chart fixture through the 70s, leaving ABC for Casablanca in 1980 and having another R&B#1 in 1981 with “When She Was My Girl”.

They would find their way back to Motown a few years later.

I hope you dig the cut, and I’ll be back on Wednesday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (1)

By Larry, August 25, 2011 8:06 am

Nick Ashford and Valerie Simpson

Listen/Download – Marlena Shaw – California Soul

Listen/Download – Marvin Gaye and Tammi Terrell – California Soul

Listen/Download – Undisputed Truth – California Soul

Listen/Download – Tamba 4 – California Soul

Listen/Download – Steve Allen and Oliver Nelson – California Soul

Greetings all.

Before we get started I’d like to remind you all that the Funky16Corners Radio Show returns to the air this Friday night at 9PM at Viva Radio. You can also pick up the MP3 download of the show here at the blog (click on the Radio Show tab in the header) the day after the show airs.

This has been another one of those exceedingly sad weeks when musical giants seem to be falling whenever you turn around.

This particular week has been an especially bad one when you take into account the loss of not one but two exceptional songwriters, first Jerry Leiber, and then the mighty Nick Ashford.

Though he’s known to a generation or two as part of the singing duo of Ashford and Simpson (with his wife and writing partner Valerie Simpson), soul and R&B fans know him first and foremost as part of the team that wrote a long list of certifiable soul music classics.

During the mid-to-late 60s, Ashford and Simpson (sometimes with the help of Jo Armstead) composed a series of hits for artists like Ray Charles (Let’s Go Get Stoned and I Don’t Need No Doctor), Marvin Gaye and Tammi Terrell (Ain’t No Mountain High Enough, Ain’t Nothing Like the Real Thing, You’re All I Need To Get By), Diana Ross (Reach Out and Touch (Somebody’s Hand), and Chaka Khan (I’m Every Woman), before hitting as a performing duo, from ‘Don’t Cost You Nothin’ in 1977 to their biggest hit ‘Solid’ in 1984.

Both Ashford and Simpson had recorded as solos in the 60s, including Ashford’s original versions of ‘Let’s Go Get Stoned’ and the song we remember today ‘California Soul’.

The first time I remember hearing (and falling in love with) ‘California Soul’ was in 1969, when my Mom was playing the hit version by the 5th Dimension (also the first place I ever heard a Laura Nyro song).

Many years later, when I was digging for funk and soul and became enamored of the work of the genius Richard Evans, it was the version by Marlena Shaw that I sought, after hearing is chopped by DJ Shadow and Cut Chemist.

The song has become my favorite Ashford and Simpson composition for a number of reasons, but mainly the chord changes and the lyrics.

It harkens back to a time when California held a special place in the American imagination as a spot on the western horizon filled with the promise of a new, sunshine-filled life and prosperity (though it would be very interesting to juxtapose any vocal version of this with Barry Mann and Cynthia Weil’s less optimistic ‘Black California’).

Like Jerry Leiber, Nickolas Ashford was the main lyricist in the songwriting duo, and ‘California Soul’ is a fantastic example of his prowess in the regard, especially the following stanza:

They say the sun comes up every morning
And if you listen oh so carefully
The winds that ride on the high time
Whistle in melody
And so the people started to sing
And that’s how the surf gave birth untold
To California soul, California soul

Collecting versions of ‘California Soul’ became something of a hobby, and over the years I’ve found several, many of which I bring you today.

First and foremost is the Marlena Shaw take. I’ve spun this out at funk and soul night’s many times, and while the appeal may start with that stellar break (Morris Jennings Jr) it only grows when Miss Shaw starts singing. Hers is by far the most powerful version of the song I’ve heard, from her own voice to the brilliant arrangement by Charles Stepney and production by Evans. It simply kills from start to finish.

Next up we have a couple of takes from the Motown stable.

Marvin Gaye and Tammi Terrell’s version, while not as dynamic as Shaw’s features their fantastic vocal blend, so it is definitely worth hearing.

The Undisputed Truth’s version of the song, produced by none other than Norman Whitfield is a tiny bit funkier, and most definitely more atmospheric. I really dig the bass, as well as the background vocals. This is the moodiest of the versions I’ve heard.

The most unusual take on the tune is the rare promo-only version by Brazil’s Tamba 4. Recorded in 1969 for an LP that was never issued, Tamba 4 take the tune at a brisk pace and feature the electric piano.

The last version of ‘California Soul’ that I’ll bring you today is my most recent find, from a 1969 album by Steve Allen and Oliver Nelson. While Allen’s contributions to the sessions seem to be limited to his celebrity and some keyboard noodling, the arrangement by Nelson is (as always) top notch.

It’s a fantastic song no matter how you look at it (or hear it) and it is really worth hearing it interpreted several ways.

I hope you dig it, and raise a glass in memory of Nick Ashford.

See you on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (1)

By Larry, August 11, 2011 11:48 am

Billy Larkin (right) and the Delegates

Listen/Download – Billy Larkin and the Delegates – Agent Double O Soul

Greetings all.

The end of another long, hot, summer week is finally upon us and I have to say that despite all the sweating and sweltering, this has been a most excellent season.

There have been many prime DJ opportunities – which is especially groovy since I dig nothing more than tossing a few sets worth of 45s into the record box(es) and heading out to spin them for the peeps – a few extraordinarily lucky vinyl acquisitions, as well as a grip of the usual family-type summer hijinks.

Among the blogging-type things was the recording and mixdown of a couple of radio shows, including this week’s Funky16Corners Radio Show which will be hitting the airwaves of the interwebs this (and every) Friday evening at 9PM on Viva Radio. This week’s show is packed with snappy new arrivals, some tasty New Orleans funk and lots of groovy Northern and othern soul. If you can’t tune in at airtime you can always come by the blog over the weekend to pick the show up in MP3 form.

One of the highlights of the last week was the arrival of an unexpected package in the post.

I went out to empty the mailbox, and I found a 45 mailer (not surprising). What was unusual was how heavy the box was.
I didn’t recall ordering any lead ingots, so I took the box inside and opened it carefully.

What I found was a surprise package from my old buddy Haim (as serious a record head as there is) filled with a nice, fat stack of jazz and soul jazz jukebox EPs.

He just “thought I’d like them”.

How about that?

I’ve known Haim for a long time and when he was resident in this part of the country we went out digging together quite a few times and he was unfailingly generous in word and deed, not to mention the fact that his wealth of musical knowledge (a big factor in the formation of my tastes at the time) made him an ideal digging partner.

It’s always cool to hit the crates with someone who has a complementary digging skill set. You know stuff they don’t and vice versa, and at the end of the day you’re very likely to come away with a grip of solid stuff that you mightn’t have discovered on your own.

That said, we are now on opposite sides of the continent and our communication is largely restricted to the on-line and postal varieties, the latter bringing this week’s bounty.

Though I have yet to reach the bottom of the stack, one of the gems I have managed to digimatize is today’s selection, a cover of Edwin Starr’s ‘Agent Double-O Soul’ by Billy Larkin and the Delegates.

Mr. Larkin and his compadres have appeared in a number of Funky16Corners Radio mixes but I was shocked to discover that in the many years this enterprise has been extant they have never had a post of their own.

I have been remiss…

In order to remedy this a-blog-mination, I bring you today’s very tasty selection.

The PNW-based Larkin and the Delegates recorded a bunch of albums for Aura/World Pacific in the 60s in the standard Hammond combo mode, laying down a couple of certified classics (like ‘Pigmy Pts 1&2’) in the process.

‘Agent Double-O Soul’ was recorded many times, vocally and instrumentally, but I never heard Larkin’s version before this week, andI’d have to say that it is definitely among the best.

I don’t normally do this, but I will begin by suggesting that you give this track a listen on headphones with a good bass response or a loud sound system, because you will not get the full effect of the track if you don’t.

Like Toussaint McCall’s tour de force ‘Shimmy’, Billy Larkin’s ‘Agent Double-O Soul’ is a fantastic example of a Hammond-master hard at work with the bass pedals of his instrument.

Here you get the classic organ trio (Hammond, guitar and drums) at work, with Larkin’s feet playing a walking (no pun intended) bass figure on the pedals of the organ.

If you’re not familiar with the set-up I’m describing, set to Googling and check it out, on account of when it’s done right it’s truly a thing to behold.

I remember reading an interview with Jimmy Smith maybe 25 years ago where the master stated that if you weren’t playing the top and the bottom of the organ, you weren’t really playing it at all, and Billy Larkin could play it.

This version of ‘Agent Double-O Soul’ is a prime slice of mod, dancefloor soul jazz, due in large part to that throbbing bass, and the snare drum/handclaps (I think it’s a combo of the two) on the beat.

It swings like sixty.

I for one cannot wait for the opportunity to give this a spin on a nice, loud sound system.

Until then, crank up the volume on your home system, grab yourself a cold drink  and cut yourself a slice of rug.

See you on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (1)

By Larry, August 9, 2011 4:39 pm

Eddie Jefferson

Listen/Download – Eddie Jefferson – Freedom Jazz Dance

Listen/Download – Eddie Jefferson – Thank You Fallettinme Be Mice Elf Agin

Greetings all.

I hope that all is well.

The mighty originator of vocalese, Mr. Eddie Jefferson has been covered in this space a couple of times before.

Though his career dips way back into the 40s, Jefferson recorded steadily through the 60s and 70s, until his murder in front of the storied Baker’s Keyboard Lounge in Detroit in 1979.

Like most of his soul jazz contemporaries, Jefferson liked to stay ahead of the game, and continued to create new ‘vocalese’, much of it related to current material, like his remake of Herbie Hancock’s ‘Chameleon’ and the two tunes I bring you today.

Jefferson recorded the Eddie Harris composition ‘Freedom Jazz Dance’ twice in the 70s, both times for the Muse label.

The later version appeared in this space a while back and can still be heard as part of Funky16Corners Radio v.65.

I discovered the take I bring you today whilst out a-digging a few months back. I’m always game for some Eddie Jefferson I haven’t heard, and when I happened upon his 1974 album ‘Things Are Getting Better’, and noticed that it included several interesting covers (and cost less than a fiver) it went right onto the keeper pile and I took it home.

When it finally arrived on my turntable I was very pleasantly surprised to hear a different take on ‘Freedom Jazz Dance’ – less frantic and dare I say more funky – than the one previously featured, as well as a very groovy reworking of Sly and the Family Stone’s ‘Thank You Fallettinme Be Mice Elf Agin’, with new lyrics namechecking the greats of midcentury jazz.

The feel of the album is a little looser and fusion-y than his other efforts of the period, and listening to some of the cuts several times I find it shocking that it does not seem to have been sampled by anyone.

Jefferson was always a swinging cat, and ‘Things Are Getting Better’, which also includes a very dark and sinister take on ‘Bitches Brew’ is at least in my opinion, the finest thing he recorded in the 70s.

If you get a chance, pick up one of the reissues of his earlier work (or even better, look for some of it on OG vinyl in the field). I think you’ll dig it.

I hope you dig these sounds, and I’ll see you all on Friday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.