Odetta

Listen/Download – Odetta – Hit or Miss

Greetings all.

I hope everyone is well, and that you’re all ready to end the week with something groovy.

If I might make a related detour, I will remind you that the Funky16Corners Radio Show hits the airwaves of the interwebs this (and every) Friday night at 9PM on Viva Radio. This week is another very greasy Hammond 45 special, with all manner of burners stacked up and set alight by yours truly. If you can’t be there when it airs, you can pick up the show on Saturday as an MP3, right here at the blog.

The tune I bring you today is another bit of that rare but delicious subgenre known as folk-funk (funky folk, folky funk, what have you).

If you are my age or older, the name Odetta should be a familiar one.

Odetta (known almost exclusively by her first name for the duration of her career) was one of the queens of the American folk revival.

Though her earliest work was on the musical theater stage (she was involved briefly with the very interesting Turnabout Theatre in Los Angeles), she was working as a folk singer by the mid-50s and by the end of that decade was known as much for her powerful voice as she was for her work in support of the civil rights movement.

She is best remembered as part of the folk movement, but Odetta’s work was also influenced by jazz and the blues.

By the time the end of the 60s rolled around, there were very few standard bearers of the folk movement who hadn’t already branched out into the world of rock and pop to some degree, and Odetta was no exception.

The 1970 LP. ‘Odetta Sings’ was recorded in both Muscle Shoals (with support from the house band as well as cats like Eddie Hinton) and in Los Angeles with a group of studio heavies as well as Carole King on piano.

The album was composed almost exclusively of cover material, by folks like James Taylor, the Rolling Stones, Paul McCartney and Randy Newman. There were only two originals on the album, and today’s selection was one of them.

‘Hit or Miss’ is heavily sweated by crate diggers because of the extra-sweet break that opens the tune (that would be Russ Kunkel on the drums) but I invite you to stick around for the rest of the song, which is excellent.

Odetta was possessed of a powerful, unique voice, perfectly suited for delivering heavy, “message” material, so it’s interesting to hear her put that same instrument to work in a more relaxed, soulful setting. There’s more than a touch of 1970-specific, laid back, quasi-hippie groove at work, which is not a bad thing at all.

The 45 of this cut can be kind of pricey, so do yourself a favor and grab the whole album, which ought to be much cheaper, and of course has eight more songs for your money.

I hope you dig the tune, and I’ll be back on Monday.

 

Peace

Larry

 

 

PS Thank you Leah…

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

 

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