Paul Nero – Soul Medley #1

By , May 24, 2016 11:23 am

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“Paul Nero” AKA Klaus Doldinger

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Listen/Download – Paul Nero – Soul Medley #1 MP3

Greetings all.

The record I bring you today is an interesting combination of groovy sounds and an interesting back story.
A couple of years back someone on Facebook posted a clip of today’s selection and I knew I had to go out and find myself a copy.

The interesting thing is that ‘Paul Nero’ doesn’t exist, at least under that name. He is in actuality German saxophonist and arranger Klaus Doldinger, working under a pseudonym.

Using the ‘Paul Nero’ name, Doldinger and a collection of prominent German musicians, including organist Ingfried Hoffman (aka Memphis Black) and guitarist Siegfried Schwab (who with Manfred Hubler went on to record a bunch of incredible exploitation soundtracks later compiled as Vampiros Lesbos Sexadelic Dance Party) and American expat guitarist Joe Quick (who recorded on the Memphis Black records).

There were at least four albums released under the ‘Paul Nero’ name, all composed of covers of then popular hits, some focusing on soul, and some on pop/rock.

Today’s selection (actually listed on the album as ‘This Is Soul/Soul Finger/Soul Man’) is from the 1968 ‘Soul Party’ album, which is composed entirely of similar medleys. ‘This Is Soul’ is an original composition and the other tunes were -of course – originally done by the Bar Kays and Sam & Dave.

The opening section ‘This Is Soul’ features someone (with a German accent) speaking the intro, after a sweet drum break (one of the reasons this album is sought after) and the members of the band joining in one by one, a la ‘Memphis Soul Stew’. The playing – across the entire album – is quite good, in the style of a UK/Euro library LP.

My only complaint is the medley format, since I’d like to hear this band playing the entire songs.

That said, I’m going to be on the lookout for the rest of the albums (most of them were only released outside of the US).

I hope you dig the sounds, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

The Apollas – Mr Creator

By , May 22, 2016 11:32 am

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The Apollas

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Listen/Download – The Apollas – Mr Creator MP3

Greetings all.

I was driving around this past week, working my way through one of a couple of huge Northern Soul playlists I have stacked up in the iPod, and found myself replaying today’s selection several times.

The Apollas are one of those soul groups that despite laying down a collection of demonstrably amazing 45s, were met with utter indifference on the charts.

Composed of three singers – Leola Jiles, Ella Jamerson and Dorothy Ramsey – the Apollas worked for a short time in New York with Lieber and Stoller before moving on to do most of their recording for Loma and Warner Brothers out on the West Coast.

The bulk of their 45s were produced by Dick Glasser, and arranged by cats like HB Barnum and Gene Page.

Today’s 45 is – at least in my opinion – the finest thing they ever did, and that has a lot to do with the fact that the song in question was penned by no less a duo than Nick Ashford and Valerie Simpson.

‘Mr Creator’ was released in early 1967, and though it made little to no impact on its release, it went on to be a huge favorite in the soul clubs of the UK.

The record is in many ways the perfect intersection of talents, with stellar vocals by the Apollas, booming production by Glasser, a punchy, danceable arrangement by HB Barnum (dig the way the horns and vibes come in and out of the mix) and a great, hook filled tune by Ashford and Simpson.

As with any great Northern Soul anthem, “Mr Creator’ is a masterpiece of dynamic/daramatic shifts. The way the song lifts at the bridge (around 1:05) and then again when the horns come in at around 1:35 is a thing to behold.

It kind of boggles the mind that a record this perfect went nowhere. The Apollas never made the R&B charts, and as far as I can tell they didn’t find any regional Pop or R&B success either. They were lucky enough to have access to great material and a dedicated producer, and fortunately soul fans have embraced them retroactively.

Their records are now in demand, and I’m lucky that I was able to score a copy that plays well in spite of it’s less than stellar visual condition.

I hope you dig it, and I’ll see you all on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Timothy Wilson – Love Is Like an Itching In Your Heart

By , May 19, 2016 12:02 pm

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Timothy Wilson

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Listen/Download – Timothy Wilson – Love Is Like an Itching In Your Heart MP3

Greetings all.

The end of the week is upon us and so is the Funky16Corners Radio Show, coming to you each and every Friday with the best in funk, soul, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, on Mixcloud, on your mobile device via the TuneIn app, or an an MP3 any old time you like right here at Funky16Corners.com.

Today’s selection is a very groovy cover version of one of my all time favorite records, the Supremes’ ‘Love Is Like an Itching In Your Heart’.

The artist is the little known (outside of soul collector circles), but excellent singer Timothy Wilson.

Wilson, who was born in Maryland was an early member of the Serenaders, alongside George Kerr and Sidney Barnes, and went on to record a grip of excellent 45s under his own name for labels like Veep, United Artists, Buddah, Blue Rock and Sky Disc between 1965 and the early 70s.

Wilson’s version of ‘Love Is Like an Itching In Your Heart’ (produced by Kerr, who worked on a lot of Wilson’s sides) was released on Blue Rock in 1969.

Sticking to the general template of the original, the pace is a bit faster (making it great for the dancers) with booming saxophone. Wilson has a high tenor voice that often veers to the edge of falsetto and it gives his version of the song and edge missing from the original.

Though he appears to have made his last record in the 70s, Wilson has toured as a member of the modern incarnation of the Teenagers (as in ‘Frankie Lymon and…’).

I hope you dig the record, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Edwin Starr – Back Street b/w Back Street (Inst)

By , May 17, 2016 11:04 am

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Edwin Starr

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Listen/Download – Edwin Starr – Back Street MP3

Listen/Download – Edwin Starr – Back Street (Inst) MP3

Greetings all.

Though the mighty Edwin Starr is best known to the general public for his Motown-era hits like ‘War’ and ’25 Miles’, the soulies will tell you that his greatest days were recording for the mighty Detroit soul powerhouse Ric-Tic between 1965 and 1967.

Ric-Tic, run by Joanne Bratton and Ed Wingate, released some of the finest Motor City soul of the classic era, with sides by Starr, Gino Washington, JJ Barnes, Rose Batiste, the Fantastic Four, Al Kent and many more.

Edwin Starr’s Ric-Tic sides are consistently excellent, and ‘Back Street’ is one of the best of the lot.

Written by Starr and LeBaron Taylor (both under other names) ‘Back Street’ is a fast moving number with a big following among the Northern Soul crowd.

The arrangement, featuring drums, percussion, handclaps and a prominent rhythm piano is pushed along by horn stabs and female backing vocals.

Starr’s vocal is, of course, top notch. He was one of the finest male voices working in Detroit during the classic era.

I’m also including the groovy instrumental take from the b-side, which has also been known to be spun for dancers of distinction.

I hope you dig the sounds, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Jackie Verdell – Are You Ready For This / I’m Your Girl

By , May 15, 2016 10:03 am

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Jackie Verdell

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Listen/Download – Jackie Verdell – Are You Ready For This MP3

Listen/Download – Jackie Verdell – I’m Your Girl MP3

Greetings all.

The new week has arrived and I though I’d whip a little of that high-class, uptempo soul in your direction.

I forget where I first heard of Jackie Verdell, but for some reason I thought she was a Chicago-based singer.

I couldn’t have been more wrong.

Verdell came out of Philadelphia, and before her 1960s career as a secular singer was a driving force in the world of gospel as a vocalist in the Davis Singers. So powerful was she, that the mighty Aretha Franklin singled her out for praise in her autobiography.

She moved over into the world of R&B and soul in 1963 with Peacock Records, and during the 60s moved on to Decca and Coral imprints before returning to the gospel fold in the early 70s.

Today’s selection, ‘Are You Ready For This’ was her first 45 for Decca in 1967. Penned by writer/producer Buddy Scott and singer Jimmy Radcliffe (he of the classic ‘Long After Tonight Is All Over’), produced by Joe Medlin and arranged by the great Bert De Coteaux, ‘Are You Ready For This’ features a great vocal by Verdell and a punchy, four on the floor beat. I really dig the interplay between the lead and rhythm guitars and the horn chart.

Though the record didn’t make the R&B charts, it did have some regional pop success in the Midwest and Los Angeles.

The flipside, ‘I’m Your Girl’, written by Verdell herself is a wonderful deep ballad with just a hint of a Southern soul sound to it.

Following her return to gospel, she recorded for a few different labels into the early 80s, but unfortunately did not find success.

Jackie Verdell passed away in 1991.

I hope you dig the sounds, and I’ll see you on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Sonny Cox – Chocolate Candy

By , May 12, 2016 11:23 am

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Sonny Cox

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Listen/Download – Sonny Cox – Chocolate Candy MP3

Greetings all.

The end of the week is here, and so is the Funky16Corners Radio Show podcast, which drops each and every Friday with the best in funk, soul, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn app, dig it on Mixcloud, or grab an MP3 right here at Funky16Corners.com (and coming soon to Dirty Old Boston Radio).

I have a very groovy one for you today.

I was out scouting the hinterlands of the internet, on the prowl for records (you know, like always) and while perusing a sales list happened upon today’s selection.

Though I knew the name Sonny Cox, what grabbed me was the title ‘Chocolate Candy’.

Could this be the same ‘Chocolate Candy’ that the Soulful Strings recorded?’ I asked myself.

A quick enlargement of the label, which revealed the writer as Phil Upchurch confirmed my suspicions, so I grabbed it.

You all know that there probably isn’t a bigger fan of Richard Evans and the Soulful Strings in the world than yours truly, and finding covers of their material is a rare event, indeed.

‘Chocolate Candy’ first appeared on the group’s 1969 ‘String Fever’ album (their best, IMHO). Upchurch was the guitarist in the Chess/Cadet house band, who also recorded a number of excellent records under his own name (though, as far as I can tell he never recorded ‘Chocolate Candy’ on his own).

Sonny Cox was a sax player who formed the Three Souls and recorded with them for the Chess subsidiary Argo, eventually recording a solo album, ‘The Wailer’ for Cadet in 1966, which was arranged and produced by none other than Richard Evans.

Cox recorded ‘Chocolate Candy’, again with Evans producing, for Bell in 1969. He lays down a dark, reverb-filled version of the song on what sounds like a Varitone electric saxophone, with some great guitar, heavy bass and organ and handclaps.

The record didn’t go anywhere (though the flipside, a cover of ‘The Choking Kind’ got some airplay in Washington, DC.

Cox seems to have retired in the early 70s, taking up a new career as a high school basketball coach in the Chicago area.

I hope you dig the sounds, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Patti and the Emblems – Please Don’t Ever Leave Me Baby

By , May 10, 2016 1:27 pm

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Patti and the Emblems

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Listen/Download – Patti and the Emblems – Please Don’t Ever Leave Me Baby MP3

Greetings all.

Many times over the years, I’ve talked about getting inured to an unfamiliar tempo.

Doing so (many times over the years) has expanded my musical horizons exponentially.

Though I started collecting fast-moving, dance floor killers back in the day, I have come to love ballads, deep soul, as well as all the wonders of mid-tempo stuff.

One such record is today’s selection, ‘Please Don’t Ever Leave Me Baby’ by Camden, NJ’s own Patti and the Emblems.

Though it is certainly brisk enough to dance to, ‘Please Don’t Ever Leave Me Baby’ is one of those songs that you reserve for the beginning/build up of a set. It’s not likely to drag people out onto the floor, but if they’re already their, they’ll get into the groove and keep moving.

Patti and the Emblems were a discovery of Frank Bendinelli and Leroy Lovett of B&L productions. They had their first (and only) hit in 1964 with ‘Mixed Up Shook Up Girl’ on Herald, eventually moving on to Kapp Records in 1967.

During their career they were fairly prolific, recording 10 45s over a four year period.

They were lucky to have a great lead singer in Patty Russell, and the help of a young Leon Huff on piano.

‘Please Don’t Ever Leave Me Baby’ (penned by Bendinelli and Lovett) is a hook-filled, very nicely produced number with all the hallmarks of a great Philly soul side (I live the vibraphone accents).

As far as I can tell, this 45 isn’t terribly expensive these days, so go and get yourself one for your play box.

I hope you dig it, and I’ll see you on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Mel Brown – 18 Pounds of Unclean Chitlings Pts1&2

By , May 8, 2016 11:57 am

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Mel Brown

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Listen/Download – Mel Brown – 18 Pounds of Unclean Chitlings Pt1 MP3

Listen/Download – Mel Brown – 18 Pounds of Unclean Chitlings Pt2 MP3

Greetings all.

I have written about the mighty guitar slinger Mel Brown a couple of times over the years, including (unfortunately)when he passed away in 2009.

Brown made some of the tastiest, funkiest soul jazz albums of the late 60s and early 70s for the Impulse label, and I always grab his stuff when I find it in the field.

So, a little while back my man Tony C drops me a line to say that he saw a copy of today’s selection as a very affordable ‘buy it now’on Ebay, so I jetted over there, dropped a couple of bucks and camped out by the maibox in anticipation of its arrival.

Recorded for his 1970 album ‘I’d Rather Suck My Thumb’, ’18 Pounds of Unclean Chitlings’ is a record as deep and weird as its title.

Featuring Clifford Coulter on the organ, and Brown working his wah-wah pedal to death, ’18 Pounds of Unclean Chitlings’ sounds like the traces of a distant broadcast drifting from your speakers.

Displaying the unmistakable influence of Jimi Hendrix and all of the crackly, hoodoo-soaked 45s that fed into his stewpot, the jam is as tasty, and sinister a 45 as you’re likely to hear today.

The album cut stretches to 11:10, which the 45 breaks down into two parts, edited down to a hair short of 7 minutes.

What Impulse thought they were doing sending this one out on a 45 is beyond me (imagine this oozing out of a jukebox), but I dig it a lot, and thought you might, too.

A couple of his Impulse dates (but not this one) are available on iTunes.

You should check them out.

See you on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Paul Kelly – Chills and Fever

By , May 5, 2016 12:27 pm

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Paul Kelly

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Listen/Download – Paul Kelly – Chills and Fever MP3

Greetings all.

The end of the week is here and so then is the Funky16Corners Radio Show, coming to you each and every Friday with the best in funk, soul, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn app, check it out at Mixcloud, or grab an MP3 right here at the blog.

The tune I bring you today is an old fave, but maybe not the one you were thinking of.

The OTHER ‘Chills and Fever’, by Ronnie Love is a mod soul/R&B classic with a certain amount of popularity with the Northern crowd as well.

This ‘Chills and Fever’ is a completely different song, much easier to find, and also popular with the soulies.

Paul Kelly was an old school Miami homeboy of Clarence Reid (who co-wrote this 45 with Willie Clarke) who recorded a long string of 45s in the 60s, going on to have a successful career, releasing a string of LPs in the 70s.

‘Chill and Fever’ was Kelly’s first Dial 45 in 1965 (originally released on the small Lloyd label).

The song has a fast, four on the floor beat, bright, upbeat pop hooks and a great vocal by Kelly. It had some regional success but doesn’t seem to have made the R&B charts.

Kelly would go on to have a long string of R&B hits for Warner Brothers in the 70s.

I hope you dig the tune, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Prince Covered

By , May 3, 2016 11:49 am

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Prince, Mitch Ryder and the Pointer Sisters (dig that 80s typography…)

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Listen/Download – The Pointer Sisters – I Feel For You MP3

Listen/Download – Mitch Ryder – When You Were Mine MP3

Greetings all.

I can remember the first time I saw Prince.

I first became aware of his music when I was still in high school, and he popped up on the Midnight Special playing ‘I Wanna Be Your Lover’. He was unlike anything I’d seen before, and at the time, unlike anything I was listening to.

When ‘Controversy’ came out in 1981 it was the first Prince tune that really caught my ear, but it wasn’t until 1984, when ‘Purple Rain’ came out that I actually owned one of his records.

Prince has never appeared here on Funky16Corners before, due mainly to the fact that we concern generally ourselves with soul and R&B of a much earlier vintage. That said, no matter how much, or how often Prince transcended those genres, he was a master of both and tribute must be paid.

Prince was one of those artists for whom the term ‘sui generis’ seems to have been created.

Though, in retrospect, it’s pretty easy to suss out his roots and influences (though maybe less so with the visual element stripped away, which considering that his fame came about during the video age may be a moot point), one of the reasons that he first rose to prominence was precisely because he was hard to pin down stylistically.

He was mixing then contemporary funky R&B with new wave and rock, reaching for the same threads that George Clinton had grabbed (Hendrix, James Brown*) and pulling them into a more streamlined future where he would expand on their appeal to the larger pop audience.

His status as a giant in modern culture, as a songwriter, musician, performer, discoverer and nurturer of other people’s talent in unquestionable and the size of the gap he leaves behind is sure to widen as the years go on and people have the opportunity to take in the full scope of his work and influence.

Though the first thing most people think of is Prince as a remarkable performer – a man who was able to combine the flash and virtuosity of Jimi and JB with the outsized showmanship of the P-Funk empire – he was also a great (and prolific) songwriter, evidenced not only is his own work, but by how many of his songs have entered the public consciousness via other artists.

The first time I can recall hearing a Prince song done by someone else was when Chaka Khan took ‘I Feel For You’ (then a five year old album cut by Prince) to the top of the charts in 1984. I didn’t know it was a Prince song when I heard it, but finding out that he had written it gave me a whole new level of respect for him.

The next decade saw Prince songs becoming hits by the Bangles, Sinead O’Connor, Sheila E and many others.

The cuts I bring you today are two earlier covers of his songs from the years right before Prince turned from a singer into a genuine phenomenon.

The first is one that I had no idea existed for years (probably because it was overshadowed by the Chaka Khan version), is the Pointer Sisters 1982 cover of ‘I Feel For You’.

Prince had originally recorded the song as a demo intended for Patrice Rushen, and it first appeared on his self-titled 1979 album.

Recorded for the group’s 1982 ‘So Excited’ album (the title track would hit the charts twice, in 1982 and then again in 1984), ‘I Feel For You’ follows the Prince original pretty closely, taking the tempo down a hair and pushing the electric piano to the fore. It provides an interesting contrast to (and bridge between) Prince’s original and Chaka Khan’s hit, which was by any measure one of the most exciting records of the 80s.

The second tune I bring you today is Mitch Ryder’s 1983 cover of ‘When You Were Mine’. First recorded by Prince for the ‘Dirty Mind’ LP in 1980, and then appearing as the flipside of the ‘Controversy’ 45, the song was recorded by Ryder for his 1983 ‘Never Kick a Sleeping Dog’, produced by John Mellencamp under the pseudonym ‘Little Bastard’.

Ryder had been one of the best blue-eyed soul singers of the 60s, and had by this time settled into a more rock/pop style. That wasn’t a hindrance, since Prince’s version of ‘When You Were Mine’ was pretty much a straight ahead new wave record. The song was a great fit for Ryder’s seasoned rasp and it was the last time he made a dent in the Hot 100. The song was covered the following year by Cyndi Lauper on her first album.

Though it’s likely many of you have already explored Prince’s discography, if you haven’t, check it out (especially the early stuff).

I hope you dig the sounds, and I’ll see you on Friday.

Keep the faith

Larry

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*There’s a bootleg recording of Prince at the Fillmore in 2004 that features a scorching version of the JB’s ‘Pass the Peas’ featuring none other than Maceo Parker on sax.

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Willie and Allen – Baby Do Little

By , May 1, 2016 12:13 pm

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The Allen (Toussaint) half of Willie and Allen

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Listen/Download – Willie and Allen – Baby Do Little MP3

Greetings all.

What better way to start the week than with some of that rich, savory, New Orleans ish?

Willie and Allen were (no shock here) Willie Harper and Allen Toussaint.

Harper was a New Orleans singer that was a favorite of Toussaint’s, recording with the master – as a solo artist and as part of this duo and the Rubaiyats – a number of times through the 1960s.

Like many of Toussaint’s favorites, Harper was as talented as he was seemingly doomed to obscurity. Sometimes I wonder of there was some kind of dome over New Orleans, sealing in the talent, like if it leaked out the city would lose some level of artistic potency.

The story of a great singer, making great records that never really got any play outside of the Crescent City is one that pops up over and over again, to the point of being demoralizing.

The one Willie and Allen 45, today’s selection ‘Baby Do Little’ b/w ‘I Don’t Need No One’ was recorded and released in 1967.

It was the second-to-last 45 that Harper would make (with one more release on Tou-Sea before he popped up singing with the Wild Tchoupitoulas in the 70s), and it is, like just about everything else on Sansu, excellent.

With the music pouring out of the grooves like molasses, ‘Baby Do Little’ still manages to pack a little funk into the mix (albeit, a slow, slow variety), with Toussaint and Harper trading lines and working in harmony through the song.

I remember when I first started to get into New Orleans soul, and finding the slower pace somewhat hard to get accustomed to (kind of like finding the groove when I first heard reggae), but over the years coming to dig it a lot.

It’s a special head-space, but one well worth inhabiting.

This track and some previously unreleased Willie Harper cuts were included on the fantastic Sundazed comp ‘Get Low Down! The Soul of New Orleans 65-67’, which I believe is now out of print, but you can find a bunch of the material in iTunes on the compilation ‘Allen Toussaint: Everything I Do Gohn Be Funky’.

It is a groovy tune, and I hope you dig it.

See you on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

The Precisions – If This Is Love (I’d Rather Be Lonely)

By , April 28, 2016 11:00 am

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The Precisions

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Listen/Download – The Precisions – If This Is Love (I’d Rather Be Lonely) MP3

Greetings all.

The end of the week is here, and so then is the Funky16Corners Radio Show podcast. You can subscribe to the show in iTunes, listen on your mobile device via the TuneIn app, dig it on Mixcloud or grab and MP3 right here at the blog.

The 45 I bring you today is one of the greatest soul records to come out of Detroit during the classic era.

It is also a genuine Northern Soul anthem and was, believe it or not, a fairly substantial hit when it was first released in 1967 (on both the R&B and Pop charts).

‘If This Is Love (I’d Rather Be Lonely)’ is one of those records that manages to encapsulate everything great about soul music in the 1960s. It is brilliantly sung by the Precisions (another group that should have been HUGE), and arranged for maximum dramatic effect by the great Mike Terry.

There aren’t many records that grab you as quickly or forcefully as ‘If This Is Love (I’d Rather Be Lonely)’, from the opening horn and string fanfare, to the celeste/piano riff that runs under the opening vocal, right into the “AAAHHHHH!” by the group that kicks off the verse, the record packs a unique power to drag people out onto the dance floor (singing along the entire time). That the opening build up is repeated at 1:33, just pumps up the record even more.

I mentioned that ‘If This Is Love (I’d Rather Be Lonely)’ was a hit (Top 30 R&B, #60 Pop) and it ought to have been much bigger, but it was released in the middle of 1967, into a radio landscape thick with huge hits and didn’t get the shine it deserved.

The Precisions Sidra, Drew and Atco 45s are all excellent, and I am confounded by the fact that there isn’t a solid comp of their best stuff in print (there was a UK comp of their Sidra/Drew sides in 2008 but it appears to be unavailable).

I hope you dig the track, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

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