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By Larry, May 5, 2013 11:57 am

Obrey Wilson

Listen/Download Obrey Wilson – Soul Satisfaction #1

Greetings all

Here’s an interesting one.

The last time we discussed Obrey Wilson, it was in the negative, i.e. in relation to having his name (unjustly) appended to the writing credits for ‘(Love Is Like) A Ramblin’ Rose’, the record made famous by Jerry Lee Lewis, Ted Taylor and of course the mighty MC5.

The song was written by Fred Burch and Maryjohn Wilkin, which is how the song was credited until Ted Taylor made his way to Nashville to record his version, where the tune came away from the experience with Wilson’s name stuck to it.

I have no idea why this happened – though the world of soul music in the classic era is packed with similar copyright shenanigans – but it did.

That said, Obrey Wilson was no mere record business suit/copyright pirate, but was a fine singer who recorded a dozen 45s between 1961 and 1973 (thanks to Sir Shambling for the discographical information).

I encountered today’s selection on a list a few years back, dug the sound and grabbed it.

‘Soul Satisfaction #1’, written and produced by another mysterious figure – Eddie Polo – is an unusual late 60s (1969 to be exact) hybrid, of gritty southern soul, gospel and just a touch of funk. Too slow for all but the most lubricated dance floor, but very groovy nonetheless, ‘Soul Satisfaction #1’features a great vocal by Wilson.

The record was recorded in Nashville, where Wilson seems to have been spending a lot of time in the late 60s.

The flipside, ‘Break Away Baby’, also written by Polo, is an excellent, deep soul ballad.

All in all a very groovy record, by an artist I wish I knew more about.

I hope you dig it.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, May 2, 2013 10:40 am

Richie Barrett

Listen/Download Richie Barrett – Some Other Guy

Greetings all

The weekend is once again upon us, and so is the Funky16Corners Radio Show. Coming to you this and every Friday night at 9PM on Viva Radio, we bring you the finest in funk, soul, jazz and rare groove, all on original vinyl. If’n you cannot dig at airtime, you can always subscribe to the show as a podcast in iTunes, or grab yourself an MP3 copy out of the archive here at the blog.

The tune I bring you today is without question one of my all-time favorites, and a 45 that eluded me for quite a while.

This is odd, because Richie Barrett’s ‘Some Other Guy’ is not a crazy expensive disc (between 50 and 100 USD on a good day), but it is in demand, so when copies pop up, the get knocked down rather quickly with a certain amount of competition in the bidding and so forth.

I was lucky enough to get my copy on the cheap side of things, and have probably given it a spin (or a digital play) every day since then.

Thing is, this record is one that loomed large in my musical tutelage for many years, thanks in large part to the fact that ‘Some Other Guy’ became one of the go-to covers for Liverpool bands of certain vintage, that being the heart of the beat era, and naturally, the Beatles.

The song was part of the playlist of the Fabs (it is the song they were playing when they were first filmed playing at the Cavern Club) and it was also recorded by bands like the Big Three, Johnny Kidd and the Pirates and a bit later on by ex-Beatle Pete Best.

It was the killer version by the Big Three that caught my ear first and made me want to track down the original.

Richie Barrett is a particularly interesting figure in the history of R&B and soul in that he was not first and foremost a recording artist.

Barrett made his mark as a producer and songwriter for groups like the Chantels, and hadn’t done a ton of recording before he found himself in the studio alongside the mighty Leiber and Stoller in 1962.

The record they made, ‘Some Other Guy’ is a brilliant bit of R&B well on the way to soul, with rumbling bass, electric piano and even a groovy organ solo.

Those widely separated opening notes on the electric piano build a tremendous amount of drama, especially considering what follows.

What ‘Some Other Guy’  also is, is one of the most blatant bits of imitation Ray Charles as has ever been impressed on a lump of vinyl.

‘Some Other Guy’ sounds like Leiber, Stoller and Barrett took a pile of Brother Ray’s late-period Atlantic ish, tossed it into a blender and poured the resulting slop into a microphone.

Not only do you get the rolling electric piano rhythm of ‘What’d I Say’, but Barrett is all but channeling Charles’s voice in every possible way.

It’s positively shocking that they didn’t try to release it under some name like ‘Charles Ray’, or ‘Brother Ray’ or some such tomfoolery.

Of course we are talking about Leiber and Stoller, who managed to kick ass just about every time they entered a studio, so despite any similarities to records living or dead, ‘Some Other Guy’ is epic.

Oddly enough, despite the obvious greatness of this record, L&S didn’t bother to mention it in their autobiography.

Slap this on at your next ripple and potato chip party and watch every last soul tear their way out onto the floor fighting over which part of the rug they get to slice.

In fact, I suggest that you go get lubricated, pop this one on at high volume and tear up the joint yourself, as best you can.

It is – after all – almost the weekend.

Capisce??

Groovy.

See you cats on Monday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, April 30, 2013 12:13 pm

Listen/Download Delores Riley – Hey Boy!

Greetings all

Welcome once again to the point where all sixteen corners of the musical universe intersect.

One of the busiest corners therein is located in the great city of New Orleans.

I have certainly made mention in this space before of the ‘high end’ of the Instant Records discography.

Instant, which ran from 1961 to 1972 released records by many of the big names in New Orleans soul and funk, from Chris Kenner (their biggest hitmaker) to Ernie K Doe and Huey ‘Piano’ Smith.

Though the overall quality of their roster was excellent, if you were looking for the funky stuff, you’d want to start browsing up around number 3300 in the catalog.

There are of course exceptions – especially Larry Darnell’s ‘Son of a Son of a Slave’ and Curley Moore’s ‘Sophisticated Sissy’ – but before, though quite groovy, things were mostly soulful.

Once that Rubicon is crossed, all bets are off, processes change to naturals and in comes the funk.

Though I have chased many of these post-3300 sides over the years (and caught a bunch), there are a few that still elude me, as well as a number that I’ve never heard.

One of these – at least until a few years ago – was the record you see before you today, Delores Riley’s ‘Hey Boy!’.
I had never heard the record before when a friend suggested I check it out.

It was a nice, hard-driving funky 45, so I set out find myself a copy, and got one in short order (for not a lot of dough).

I have not been able to find anything out about Riley, or the writer of the song Justin James. I don’t see any evidence that she recorded anything else, for Instant or any other NOLA label.

The one familiar name on the label is that of Earl Stanley, of Earl Stanley and the Stereos, aka Roger and the Gypsies.

The production on ‘Hey Boy’ is pretty tight, with a great horn section, some groovy wah-wah guitar and even a little bit of electric sitar in the mix.

The most distinctive part of the gumbo (aside from Delores’s singing) , is – as is often the case – the drums. Whoever was manning the kit was hitting hard that day.

The style is a little bit rough, but full of verve. I’d love to know who it was.

That said, should it tickle your fancy, you ought to be able to grab yourself a copy of this one to stuff into your crates for well under fifty clams.

I hope you dig it, and I’ll see you all on Friday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, April 28, 2013 2:19 pm

Dave Hamilton

Listen/Download Dave Hamilton and His Peppers – Beatle Walk

Greetings all

Welcome to another week here at the Corners.

The tune I bring you today is – once you get past the title – a cool one.

Dave Hamilton (accompanied here by his Peppers) is a name that should be familiar to both fans of Detroit soul, but also of funky instrumentals like ‘Cracklin’ Bread’.

Hamilton, who was born in Georgia in 1920 (!?!) relocated to Detroit, where he started to record R&B and blues in the late 40s.

Though he started out playing vibes and the xylophone, the guitar eventually became his bread and butter.

Over the years he released 45s for labels like Chess. Fortune and Hi-Q, before eventually starting his own Tempo, Topper and TCB imprints.

Hamilton was one of the original Funk Brothers, but a strong independent streak caused him to part ways with Motown and work on his own.

He produced and arranged for a wide variety of Detroit acts like Little Ann, OC Tolbert and Sugar Billy Garner.

‘Beatle Walk’ which was released in 1964, yet sounds like it could have been waxed half a decade earlier, has a title that was an obvious (if wholly dishonest) stab at the charts.

I’m not saying that the Fabs themselves wouldn’t have dug ‘Beatle Walk’ but rather that the vast majority of their audience, some of whom might have purchased this 45 because of the title, would have flipped out.

You can just imagine some teenybopper in her maryjanes picking this up at the local record store, coming home, slapping it on the Victrola and passing out.

Instead of the jangly guitars, yeah yeah yeahs and moptops, what you get here is the kind of straight-ahead R&B you’d hear cranking out of any urban strip club or tavern. The production on the sax and the drums is plenty raw, and the guitar has a lot of bite as well.

Plus, you get that classic Fortune Records label design.

It’s a nice, gritty workout, and I hope you dig it.

See you on Wednesday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, April 21, 2013 2:58 pm

Vince Montana

Listen/Download The Volcanos – Storm Warning

Listen/Download The Ethics – Think About Tomorrow

Listen/Download Georgie Woods – Potato Salad Pt1

Listen/Download Brothers of Hope – Nickol Nickol

Listen/Download The Family – Family Affair

Listen/Download Montana Sextet – Heavy Vibes

Listen/Download Montana Sextet – Heavy Vibes (Club Mix)

Greetings all

It was with great sadness that I heard last week of the passing of the mighty Vincent Montana Jr.

Unless you’re a Philly soul or disco head, that name might not be familiar, but the music he helped to make over a career that lasted more than 50 years most certainly is.

Montana, known first and formost as a vibraphonist, but also a busy arranger and percussionist was one of the most important instrumentalists in the history of Philadelphia soul and funk.

Though he got his start backing local artists like Frankie Avalon, Montana went on to be one of the core members of the Philly “house band” that would become better known as MFSB.

His vibes stand out on countless Philly soul records from the mid-60s on, and his arrangers credit appeared on many of those record’s labels.

Montana’s work is all over various and sundry smaller local labels (and recorded under various band names) as well as just about every major Philadelphia International session.

Montana was also key in the formation of the Salsoul Orchestra, and through the disco era recorded with his own groups the Montana Sextet and Goody Goody.

The tracks I’ve selected really just scratch the surface of Montana’s catalog, but all touch on some important point.

The first is one of the greatest 60s soul 45s to come out of Philadelphia, and the first place I ever noticed Vince Montana coming through the mix as a sideman. ‘Storm Warning’ by the Volcanos is beloved by fans of classic soul, and Vince Montana’s vibes have a lot to do with that. Vibes are – at least to my ears – one of the key sonic elements in Northern Soul, along with the baritone sax, and Montana’s playing on ‘Storm Warning’ manages to keep driving the song forward while adding bright accents.

The Ethics are another great Philly vocal group. ‘Think About Tomorrow’, arranged by Montana, was a local hit in 1968. Give this one a couple of close listens and dig how Montana uses the strings, horns and vibes to frame the rhythm section. It’s an exquisite example of the kind of classy record that would come to represent the Philly sound.

Georgie Woods “The Guy With the Goods’ was a Philadelphia radio legend, who decided in the late 60s (like so many of his radio brethren around the country) to dip his toe into the world of recording. ‘Potato Salad’ – also arranged by Vince Montana – is an ‘adaptation’ of vibraphone legend Lionel Hampton’s ‘Greasy Greens’. You not only get to hear Woods laying down his rap, but also plenty of Montana’s vibes working their way through the mix.

The players that would form the core of MFSB would make records under a number of different names in the late 60s and early 70s. If you collect funk 45s, you’ve heard bands like the Interpretations, Hidden Cost, Daley’s Diggers, the Alliance, the Electric Indian and many more, all basically played by the same set of brilliant musicians, including Vince Montana.

My favorite of these pseudonymous 45s is ‘Nickol Nickol’ by the Brothers of Hope. One of the great, mid-tempo funk 45s of all time, ‘Nickol Nickol’ features Montana’s vibes throughout, but especially at the end where he lays down the ‘Eleanor Rigby’ quote in the run-off groove. This one was slept on for a long time, but the price has gone up considerably in the last few years.

The Family – Family Affair, acetate and North Bay 45

Though I’m not featuring any MFSB ‘proper’ in this post, the Family’s cover of Sly and the Family Stone’s ‘Family Affair’, which was first released on the North Bay label, is basically an edited version of the track that would appear on the first MFSB LP.

Vince Montana was – for most fo his career – a ‘background’ player, working behind the scenes, but in 1982 he had a dance hit in the US and the UK with the track ‘Heavy Vibes’. ‘Heavy Vibes’ is a sophisticated, jazzy/funky bit of disco, with plenty of vibes (naturally…). Here you get to check out both the edit and the extended club mix – both worth hearing.

Vince Montana was a master, and though he was more involved than most, he was a very solid example of the importance of the unseen/unheralded musicians that provide the backing for the music we love. People will do lip service to the house bands of labels like Stax, ensembles like the Funk Brothers or the Muscle Shoals group, but only the people with their heads (and ears) deep in the game know who the individual components of those outfits were, and that’s a shame.

The next time you hear the vibes ring through one of those great Philly records, elbow the cat next to you and say ‘That’s Vince Montana.’

I’ll see you all on Wednesday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (3)

By Larry, April 16, 2013 11:39 am

The Meters

Listen/Download The Meters – Good Old Funky Music

Greetings all

How about something heavy from the Meters?

Now – and I agree completely – there are those among you that would say that there ain’t nothing un-heavy in the Meters bag, but I would also say that there’s heavy, and then there’s HEAVY, and the tune I bring you today is HEAVY.

Though amongst the world of funk 45 (and other formats, natch) collectors, the Meters are held up as one of the cornerstones of the sound, I think it would be safe to say that a lot of folks take these titans for granted.

On the outside, i.e. among the straights, the chart-riders and such, the Meters were just another instro band, akin to Booker T and the MGs, albeit with less chart success.

To the collectorati, the Meters are a veritable mountain of cheap 45s (and much more expensive LPs) that are encountered on any decent dig.

To those of us who revel in the sound of some of the most rhythmically innovative funk ever made, the Meters stand astride the landscape like giants.

No matter how many times I’m asked “what is the funkiest record ever made” I always find my way back to ‘Cardova’, four and a half minutes of bad-assitude that cuts many a multi-hundred-dollar disc to shreds with ease.

The law firm of Nocentelli, Neville, Porter and Modeliste were the very definition of unfuckwithable, and ‘Good old Funky Music’ is one of my personal favorites in their oeuvre.

Released in 1971 as a non-LP 45, ‘Good Old Funky Music’ sees our friends from New Orleans throwing down on the wah-wah pedal, whilst turning up the funk dial considerably.

‘Good Old Funky Music’ was the last 45 Josie released by the Meters before they moved to Reprise in early 1972.

I would end – as I often do – by hoping that you all dig the record as much as I do, but in this case at least, that ought to be a foregone conclusion.

See you on Friday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, April 11, 2013 12:28 pm

Earl Cosby aka Jackie Lee aka Earl Nelson

Listen/Download Earl Cosby – Ooh Honey Baby

Greetings all

The end of the week is here, and that means it’s Funky16Corners Radio Show time again. We take to the airwaves of the interwebs every Friday night at 9PM on Viva Radio. If your ears aren’t available then, you can always subscribe to the show as a podcast in iTunes, or grab an MP3 out of the archive here at the blog.

The tune I bring you today is yet another example of the talents of the mighty Earl Nelson, aka Jackie Lee, aka Earl Cosby.

While I have never gotten to the bottom of why Nelson recorded in so many guises during the 60s, I can say with confidence that the sounds he made were always very groovy.

If West Coast Northern Soul is your bag, you already know that Nelson recorded certified classics as part of Bob and Earl (‘Harlem Shuffle’) and as Jackie Lee (‘The Duck’).

The tune I bring you today is a fairy recent addition to my crates. I knew of the Earl Nelson recordings for years, but only found a copy of this particular 45 in the last few months.

‘Ooh Honey Baby’ b/w ‘Land of 1000 Dances’ was released in 1965 on the storied Mira label, then again (with the sides reversed, on Mirwood this time) in 1966.

Despite the record’s obvious charms – it’s a hard charging dance floor killer – it failed to make a mark on the charts either time. It’s got all the hallmarks of top quality Northern Soul, from the driving beat, vibes, classy horns and hooks a plenty.

Released under the name Jackie Lee, ‘The Duck’ was a Top 10 R&B hit in 1965, and it’s possible that the ‘Earl Cosby’ persona fell by the wayside as a result.

That said, both side of this disc are excellent, and well worth seeking out to add to your crates.

I hope you dig the sounds, and I’ll be back on Monday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (5)

By Larry, April 9, 2013 11:26 am

Ike and Tina Turner

Listen/Download Ike and Tina Turner – Ooh Poop A Doo

Greetings all

How’s about a little Ike and Tina to get you through the middle of the week?

This is an especially groovy one, because you get some of that soulful action, delivered in the form of one of the classic New Orleans R&B numbers.

Released in 1964 on the flipside of the epic ‘Merry Christmas Baby’, Ike and Tina’s version of Jesse Hill’s ‘Ooh Poop A Doo’ (spelling of title will vary from artist to artist) has the rough and ready sound of a ‘live in studio’ joint.

While I’m not positive, I think this might be the same version that appeared on the ‘Ike and Tina Show Live’ LP in 1965.

There’s a decidedly lo-fi vibe to the proceedings, but Tina and the Ikettes are – as always – in rare form (dig the call and response at the beginning).

Hill’s OG was an R&B Top 5 hit (Pop Top 30) in 1960, and it seems that every act of the time, rock and soul alike either recorded it or made it a staple of their live sets.

Ike and Tina released the song at least two more times, in 1971 and 1974 (on the flips of ‘I Want To Take You Higher’ and ‘Nutbush City Limits’), so you know they dug it.

Though it seems to jump across a few different labels, I’d love to see someone assemble Ike and Tina’s live recordings from the 60s into some kind of comp. Ike always had a hot band going, and of course with Tina and the Ikettes out in front they could do no wrong.

I hope you dig the cut, and I’ll be back on Friday with some more soul.
.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, April 7, 2013 1:14 pm

The Drifters

Listen/Download The Drifters – If You Don’t Come Back

Greetings all

I have something very cool to get the week started.

To repeat a story that has been told here many times (in many ways) before, I first encountered the song I bring you today in a much different form.

Thanks to my time as part of the 80s mod/garage scene, and due to the fact that I had friends with xcellent musical taste and healthy record collections, I first heard a grip of R&B and soul songs as filtered through the prism of the British Invasion (R&B, beat, mod etc).

More often than not, the distance between the original presentation and the cover was fairly small, i.e. white acts trying to replicate the sounds they heard on imported 45s and LPs as closely as possible.

Occasionally, that distance was expanded considerably.

The first time I heard ‘If You Don’t Come Back’ it was via the 1968 psyched out cover version by Gary Walker and the Rain.

The Rain was Gary Walker’s band following the dissolution of the Walker Brothers, and included in its ranks guitarist Joey Molland who would later go on to join Badfinger.

Their sole LP ‘Album #1’ – only ever legitimately released in Japan, but heavily bootlegged – is one of the truly great psych albums of the day.

That said, I always dug ‘If You Don’t Come Back’ but it was years before I discovered that it was a cover of a record originally recorded by the Drifters in 1963.

Written by Jerry Leiber and Mike Stoller, and recorded not long after they started working with the Drifters, ‘If You Don’t Come Back’ has lyrical echoes of the kind of tunes the pair had been recording with the Coasters.

Leiber and Stoller manage to take a song that would have worked in a more humorous setting with the Coasters, and tone it down a little, giving the Drifters record (with a lead vocal by Johnny Moore) a bit of an edge.

It’s one of the rougher, more soulful things the Drifters ever laid down, with a great guitar/horn riff repeated in the verse and some cool group harmonies in the chorus. The lyrics are brilliant.

“Well a noise woke me up this morning
I looked through the venetian blind
The car was gone and you were gone
And I almost lost my mind

If you don’t come back
If you don’t come back today baby, well
They can call up the people from the crazy house
And take this crazy man away

I threw myself up against the wall now
I tore my clothes and I sobbed
I ran out on the street in my stockinged feet
Calling “Police, I been robbed!”

Chorus

Mrs Brown been talking about me
To the people way across the street
Said “I cooked that boy a bucket of stew
But the poor thing just won’t eat”

Chorus

Well the doctor came up to see me
Check me with a fine tooth comb
You ain’t sick, but you’re gonna die
If you don’t get your baby back home

Interestingly, there’s a fantastic version of the song by an earlier British group. The Undertakers (featuring Jackie Lomax) recorded a blistering cover of ‘If You Don’t Come Back’ (billed as the ‘Takers) in 1964. Whether or not this was the version that inspired Gary Walker and the Rain, I cannot say, but it is certainly worth hearing.

I hope you dig the track, and I’ll see you all on Wednesday.

Keep the faith

Larry

PS Please to forgive the roughness of this 45. The person that sold it to me had an odd way of grading records…
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (3)

By Larry, April 1, 2013 7:53 pm

Funky16Corners Presents: Light It Up for World Autism Awareness Day

Kool and the Gang – Who’s Gonna Take the Weight (Deelight)
Sir Joe Quaterman and Free Soul – I Got So Much Trouble In My Mind (GSF)
Aretha Franklin – Save Me (Atlantic)
Marvelettes – I’ll Keep Holding On (Tamla)
Ikettes – Don’t Feel Sorry For Me (Modern)
Donald Height- Life Is Free (You Can Be What You Wanna Be) (Hurdy Gurdy)
Lyn Collins – Things Got To Get Better (Get Together) (People)
Lee Dorsey – Who’s Gonna Help Brother Get Further (Polydor)
Johnny Otis Show – Keep the Faith Pt1 (Eldo)
James Brown – Get Up Get Into It Get Involved (King)
Isley Brothers – Fight the Power (T-Neck)
Billy Butler – Right Track (Okeh)
Etta James – I’m So Glad (Chess)
Gladys Knight and the Pips – Thank You (Fallettinme Be Mice Elf Agin) (Motown)

Listen/Download -Funky16Corners Presents Light It Up for World Autism Awareness Day – 80MB Mixed MP3/256K

Greetings all.

The mix you see before you – though it contains music that should be familiar to readers of Funky16Corners – is a departure of sorts.

I’ve been writing the Funky16Corners blog for almost a decade. Over the years, in addition to the music and the history behind it, I’ve written (to varying degrees) about the events of my life.

Though I haven’t gone into great detail on the subject, I have made references in the past to that fact that autism has made an impact on our family (in case you were wondering about that link in the sidebar…).

Both of our sons – now 6 and 9 – have a diagnosis on the autism spectrum, and as a result, I have – for the last four years – been a stay-at-home-dad.

Even though being a single-income household comes with its own challenges, having a full-time parent at home to coordinate multiple therapies, meetings and the various and sundry unplanned/unexpected challenges that come with having children with Autism Spectrum Disorders (ASD) made a tremendous amount of sense.

Back in 2008, when our sons were initially diagnosed, we had already spent a considerable amount of time dealing with issues that we did not understand.

When we finally managed to weather the batteries of tests, doctor visits and paperwork, and identified the issues at hand, we found ourselves at the end of one journey and the beginning of much longer one.

A diagnosis of autism is a singularly difficult thing for any parent to deal with.

I recall at the time feeling a mixture of relief, in that we finally had a framework to deal with the problems our sons had been having, but also trepidation about finding ways to deal with them going forward.

What kinds of therapies would the boys need, and how would we arrange for them?

How would we work with the professionals in our local schools to make sure that they got the proper education?

As daunting as these questions might seem, they were just the beginning.

The next few years were like navigating an especially challenging maze, in which every turn could reveal either a new way forward – with opportunities to educate ourselves about how to do the best for our children – or another dead end where we would have to push aside our disappointment, regroup and reset the course.

The biggest challenge that every parent of an ASD child has to meet, is when you realize that there are no easy answers. This is the point when it becomes apparent that most progress will be incremental at best, and that you’re dealing with the “long game”.

It has always seemed appropriate to me that one of the public symbols of autism has been the puzzle piece.

Not only does it represent the unique nature of every child, but also that once a parent – or any family member – has begun to deal with the emotional and practical ramifications of an autism diagnosis (and there are many), they have to begin to assemble what amounts to a huge puzzle, laid out before them.

Aside from the obvious things like therapy and school, there are all of the underlying issues that have to be dealt with, such as insurance, work (and time away from it), socialization, and behavioral training inside and outside the home.

In many of these things our family has been extraordinarily lucky.

We were able to get both of our sons diagnosed fairly early – which in the case of our youngest, who was experiencing developmental delays, was incredibly important – and we were fortunate enough to have health insurance.

Though some families can take this kind of foundation for granted, many cannot.

Parents often struggle to find treatment for their children. If and when they do, they are often met with a new set of hurdles, whether complications with insurance, uncooperative/poorly prepared school districts, and/or friends and family that do not fully grasp the nature of the problem.

I mention all of this because April 2nd is World Autism Awareness Day.

This is a day first set aside by the United Nations in 1989 to spread the word about Autism spectrum disorders, the children and families that deal with them every day, and the organizations that study them and work toward a cure.

The mix above is in my own small way an attempt to convey an impression of the struggles, joys and rewards of raising children with autism.

While there aren’t – as far as I know – any soul or funk songs that deal directly with issues of autism, there are certainly a wide variety of tunes that deal with the palette of emotions that children with ASD and their families encounter every single day.

One need only look to the titles of the songs in the playlist above to get a feeling for what kinds of things we go through in our lives.

Parents need to deal with assessment (Who’s Gonna Take the Weight), emotional turmoil (I Got So Much Trouble In My Mind), self pity (Save Me), perseverance (I’ll Keep On Holding On), strength (Don’t Feel Sorry For Me), possibility (Life Is Free You Can Be What You Want To Be), optimism (Things Got To Get Better), reaching out for help (Who’s Gonna Help Brother Get Further), steadfastness (Keep The Faith), doing what you can to spread the word (Get Up, Get Into It, Get Involved), taking on the system when necessary (Fight the Power), assuring yourself that you’re doing the right things (Right Track), taking the time to cherish your kids in their uniqueness (I’m So Glad) and in the end, being thankful for what you’ve got (Thank You Fallettinme Be Mice Elf Agin).

I became a fan of soul music so many years ago, and eventually started writing about it because I find it to be uniquely powerful and transcendent. Though it’s true about any good music, soul music has touched me, and many of the people that read Funky16Corners deeply.

My feelings about great records, and spinning them, are that the best of them carry in their grooves a sort of magic.

Whether it’s that a song effects the listener specifically, i.e. connects them to a memory, or in a general sense where their emotions are stirred and they feel compelled to get up and dance, when I dip into my record box and pull out a particularly powerful 45 (or post one here at the blog, or on the radio show) I get to facilitate that process.

Having children is one of the most amazing, challenging, sometimes frustrating, but always rewarding experiences I can imagine.

Raising children with ASD is all of that amplified significantly.

And, oddly enough, this experience has given me (and continues to give me) a deeper appreciation for the power of music, in how it affects me, and my children as well.

I hope you take the time to follow the link to Autism Speaks, and if this is all unfamiliar to you, maybe take a little time to read up on your read ups.

If you know someone with ASD in their family, see what you can do to help.

Until we meet again

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, March 31, 2013 12:50 pm

The Mighty Eldridge Holmes

Listen/Download Eldridge Holmes – A Love Problem

Greetings all

For the next week or so, while the F16C fam get in a well deserved bit of rest and relaxation, I’ll be republishing some of my favorite tunes from the Funky16Corners Archives. I hope you dig the sounds, and I’ll be back soon.

Larry

Originally posted 2/11/2005

Eldridge Holmes is a name that most people outside of old-time New Orleans residents and record collectors will fail to recognize.

This is a shame because Holmes (in partnership with songwriter/producer/arranger Allen Toussaint) made some of the most memorable funk and soul sides to come out of the Crescent City in the 60’s.

For the full story on Eldridge Holmes click here…

‘A Love Problem’ was released in 1967 as the flip side to his cover of Lee Dorsey’s ‘Working In A Coal Mine’ (not one of Holmes’ best records and an otherwise unnecessary remake). It’s a slow ballad, highlighted throughout by Toussaint’s piano.

Holmes, best known for his storming funk sides like ‘Pop Popcorn Children’ and ‘The Book’ was a great soul shouter, but for a glimpse of the truly sublime, one needs to check out his ballad performances.

Opening with a horn section (featuring a decidedly uncharacteristic muted trumpet) and settling into a slow tempo ‘A Love Problem’ sees Holmes addressing his woman, who’s parents think they’re too young to be in love. Unfolding like some French Quarter Romeo and Juliet story (ending short of the twin suicides of the Bard), Holmes pleading vocal is one of the finest examples of Southern soul balladry from the era.

He manages to move from an almost conversational tone to moments when his voice soars over the rest of the song. As earthy and soulful as it is, the arrangement at times takes on a kind of “prettiness”, especially when Toussaint lays in piano accents alongside Holmes’ voice.

Together (along with the anonymous musicians and background singers) Holmes and Toussaint managed to create something of great beauty (something they did again the following year with Holmes spellbinding cover of Tim Hardin’s ‘If I Were A Carpenter’).

One of the things you hope for when listening to good (dare I say great) music, are those moments when all the elements (writers, performers, lyrics) that make up the little three and a half minute dramas blend into something transcendent.

One of those moments comes at the beginning of the second verse where Holmes sings (in a pas de deux with Toussaint’s bluesy piano):

‘Something tells me, your Mom and your Daddy they don’t like me. But what they fail to realize baby, is whatever will be will be.’

Holmes becomes the boy in the song. The listener gets the feeling that this isn’t just another poetic anthem to heartbreak but a brief window into someone else’s pained memories. The fact that Holmes himself wrote this song (his collaboration with Toussaint was fairly unusual in that he composed many of the songs they recorded together) suggests that pure autobiography is a possibility.

On the other hand, I like to think that a truly great singer is an actor of a sort – bringing the story in a song to life with their performance – and even though Holmes may be “method acting” in bringing to life his own memories in the composition and performance of ‘A Love Problem’, he does so in a way that is supremely evocative.

For a brief moment he makes the listener forget that they are witnessing an artistic conceit, and instead appear to be privy to a real confession, as if you were sitting next to Holmes on a New Orleans bar stool listening to his tale of woe.

Whether or not this record effects you as deeply as it does me, it deserves a listen (or four or five), if only to bring back to life this great, but largely forgotten performer.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, March 28, 2013 10:30 pm

The Spellbinders

Listen/Download – Spellbinders – Help Me (Get Myself Back Together Again)

Greetings all.

For the next week or so, while the F16C fam get in a well deserved bit of rest and relaxation, I’ll be republishing some of my favorite tunes from the Funky16Corners Archives. I hope you dig the sounds, and I’ll be back soon.

Don’t forget to tune in to the Funky16Corners Radio Show, Friday night at 9PM on Viva Radio!

Larry

Originally posted 04/14/2011

My acquisition of the Spellbinders ‘Help Me (Get Myself Back Together Again)’ is yet another one of those twisted tales that winds its way back to the big mountain of 45s that came into my life lo these many years ago.

I’ve gone on about it many times, so I’ll keep it short. My father-in-law, while out scouting for antiques happened upon a huge stash of 45s, called and asked if I wanted them (naturally I said yes) and then brought them down to our house.

When they got here I was stunned by the sheer quantity (several thousand), and my wife and I spent the better part of a summer going through them, pulling out the stuff I knew was good, culling the stuff I knew was bad, and trying to figure out the difference on everything else.

Thanks to the huge amount of records, this proved to be an inexact science, and in addition to several boxes of the good stuff, I ended up with a couple of hundred things that at least looked interesting (or too interesting to throw out) and I’ve been picking at those ever since.

Every once in a while, when I have a little time on my hands I head back into those boxes, and recently such a trip resulted in one of the great ‘how the hell did I miss this?’ moments.

I must have given the Spellbinders 45 a spin at some point (since I had it filed as ‘soul’) but I suspect that I only listened to the other side (‘Danny Boy’), since it did not make a significant impression on me, which, had I listened to today’s selection, would not have been the case (am I making any sense here?).

That said, when I did drop the needle on ‘Help Me (Get Myself back Together Again)’ I was immediately drawn in by the wonderful intro, with the bass, vibes and percussion, followed immediately by the drums bringing in the pounding four on the floor beat. The rest of the record is pure Northern Soul genius, combining a great song, stellar arrangement and production (by Van McCoy) and fantastic vocals by the group.

What little I’ve been able to find out about the Spellbinders is that they were only together for a few years, recording a handful of 45s and an LP for Columbia (and one 45 for Date), with ‘Help Me…’ being issued as a non-LP 45 in 1966.

The group also had New Jersey roots, which is always a cool thing (for me) to find out.

I’m just thankful now that this 45 didn’t languish for another few years, or get sucked back into the vinyl maelstrom forever.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.