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By Larry, August 25, 2016 11:21 am

Alvin Robinson

Listen/Download – Alvin Robinson – Fever MP3

Greetings all.

The end of the week is upon us, and so then is the Funky16Corners Radio Show, which drops as a podcast each and every Friday with the best in funk, soul, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen on your mobile devuice via the TuneIn app, check it out on Mixcloud or grab an MP3 right here at Funky16Corners.com.

If you stop by here or the podcast on the reg, you have surely witnessed me raving about the mighty voice of Alvin Robinson.

Robinson, a singer/guitarist from New Orleans, who traveled to NY with Joe Jones, where he met up with Leiber and Stoller.

With Leiber and Stoller at the helm, Robinson made a string of brilliant 45s for the Red Bird, Blue Cat and Tiger labels between 1964 and 1966.

First among these was his original recording of one of L&S’s greatest songs, the mighty ‘Down Home Girl’.

The flipside of that 1964 disc, was his version of the  Davenport/Cooley standard made famous by Little Willie John, ‘Fever’.

Aided by an arrangement by Stoller (with production by both L&S), Robinson lays into the song with a skillful, emotional touch that should have cemented his reputation as one of the great singers of the classic soul era, instead of the footnote he is to most people.

The band is fairly standard, but Stoller drops in vibes accents throughout the tune that add an air of mystery to the proceedings.

Robinson alternates between beautiful subtlety and his trademark growl, making this one of the highlights of his all-too-brief catalog.

Following his time with L&S, Robinson made a few more 45s in New York, before joining the New Orleans exodus to the West Coast (following Harold Battiste, Mac Rebennack, Jesse Hill and King Floyd) where he would make some excellent records for the Pulsar label, and continue working as a studio guitarist into the 70s. He eventually returned to New Orleans, and passed away in 1989, only 51 years old.

He was a mighty singer, and all of his work is highly recommended.

I hope you dig it, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

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By Larry, October 18, 2015 10:42 am

Bessie Banks

Listen/Download – Bessie Banks – Go Now MP3

Greetings all.

I hope the new week finds you all well.

The record I bring you today is one of those 45s that haunted my want list for years (maybe decades) before I finally bagged a copy.

It’s not that ‘Go Now’ by Bessie Banks is an incredibly expensive record (probably grab-able for around 50 bucks on a good day) but thanks to the fact that it was later made into a hit (their first) by the Moody Blues, and its status as a mod soul classic, there is a high level of competition when copies do come on the market.

I probably could have had myself a copy sooner, had I been willing to throw a pile of money at it, but I don’t always have a pile of money ready to throw (or I may have already thrown it elsewhere…).

That said, the record you see above is proof that me and my money finally found ourselves a copy of this most excellent 45, which is why I can bring it to you fine people today.

Bessie Banks had been performing and recording for a few years before she found herself in a New York studio with none other than the mighty Leiber and Stoller working the board.

The song was written by Larry Banks (Bessie’s husband) and Milton Bennett, and though it is taken at a slightly slower pace, it is immediately evident that the Moody Blues (the early Denny Laine version of the band, not the psychedelic Justin Hayward version) didn’t change much at all.

Banks’ original garnered some airplay and made a small dent on the R&B charts, but was pretty much a done deal (having been released in January 1964) when the Moody Blues cover was released in the US a full year later.

Their version was a much bigger hit, making it into the US Top 20 early in 1965.

Banks’ version was released on two Leiber/Stoller imprints, Tiger and Blue Cat, both with the same excellent flipside, the slow-burning R&B of ‘Sounds Like My Baby’.

Bessie Banks would go on to record a few more 45s during the 60s (for Wand and Verve), and then a few more in the 70s for Volt and Quality.

I hope you dig the tune, and I’ll see you all on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, August 31, 2014 11:41 am

Alvin Robinson

Listen/Download Alvin Robinson – Let the Good Times Roll

Greetings all

Since the summer is rolling slowly to its conclusion, I thought I’d post something hot and sweaty out of the Crescent City (in more ways than one, son).

If you have rolled with the Funky16Corners thing for any length of time, you will already be familiar with the fact that I hold the mighty Alvin Robinson in very high esteem.

One of my favorite singers (soul or otherwise), Robinson was also a guitarist, who recorded several excellent 45s under his own name between 1961 and 1969 for a variety of labels.

The best stuff he ever did was during his association with the Leiber and Stoller machine on the Red Bird, Blue Cat and Tiger labels in 1964 and 1965.

Robinson’s best known track (to those that even know) is his original recording of the classic ‘Down Home Girl’, later covered by the Rolling Stones and the Coasters (among others).

It is an epic 45, and ought to be much better known.

Robinson sounds to me, what Chris Kenner might have sounded like had he a slightly better voice and a more sober disposition.

It’s all gravel and soul with a gift for phrasing that boggles the mind.

Today’s selection is Robinson’s 1965 cover of his New Orleans homeboy Earl King’s classic ‘Come On’.

King’s original came out in 1960 on Imperial, and is itself an R&B landmark.

Robinson’s cover rolls at roughly the same speed (hewing closer to the OG than the Jimi Hendrix Experience would a few years later), with some tasty horns and distorted guitar (Alvin, himself).

The production is credited to Leiber and Stoller, with arranging credit going to yet another New Orleans-ian (who first brought Robinson to L&S’s attention), Joe Jones.

Though Alvin Robinson would continue to record as a session guitarist, as far as I can tell he didn’t record another vocal after the 1960s.

He passed away in 1989, only 51 years of age.

I hope you dig the tune, and I’ll see you all on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, May 7, 2013 10:30 am

The Coasters

Listen/Download The Coasters – Cool Jerk

Greetings all

I hope the middle of the week finds you all well.

The Coasters loom large in the transition from R&B to soul, especially in relation to their work with the mighty Leiber and Stoller.

Their ATCO recordings, stretching from the mid-50s to the mid-60s are unmatchable.

Unfortunately for all concerened, the Coasters had their last taste of chart action in 1964.

The years after they left ATCO were commercially unsuccessful, yet – no surprise here – artistically rewarding.

Though the group bounced between a few different labels (Date, Turntable, King) they continued to work with Leiber and Stoller and their later catalog, though often hard to come by, is quite good.

The tune I bring you today hails from the tail end of the group’s productive years (i.e. making new material as opposed to capitalizing on old ones).

Though I don’t know how they ended up on King, they recorded three 45s and an LP for the label, all released in the early 70s.

The LP contains re-recordings (or possibly remixes) of Date material like ‘D.W. Washburn’, ‘Soul Pad’ and ‘Down Home Girl’ as well as new material.

The tune I bring you today is another cover, but with a very cool twist.

‘Cool Jerk’ first recorded by the Capitols in 1966 is reworked with distinctly Latin touch.

Not only do you get the Leiber and Stoller production, but the arrangement is by Marty Sheller and the orchestra is conducted by none other than Larry Harlow. I’m not sure if it is in fact Orchestra Harlow, but it certainly sounds like it.

The pairing of the Coasters with the boogaloo sound is an inspired one and makes me wish that they’d done more in this vein*. Their King material was released between 1971 and 1973, though it all sounds to me like it was recorded on the earlier end of the time line.

It’s a fantastic dance floor mover, and I hope you dig it.

Keep the faith

Larry

*The LP version of ‘Love Potion Number 9’ sounds like the same band but the 45 labels I’ve seen don’t provide a credit in that regard
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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, May 2, 2013 10:40 am

Richie Barrett

Listen/Download Richie Barrett – Some Other Guy

Greetings all

The weekend is once again upon us, and so is the Funky16Corners Radio Show. Coming to you this and every Friday night at 9PM on Viva Radio, we bring you the finest in funk, soul, jazz and rare groove, all on original vinyl. If’n you cannot dig at airtime, you can always subscribe to the show as a podcast in iTunes, or grab yourself an MP3 copy out of the archive here at the blog.

The tune I bring you today is without question one of my all-time favorites, and a 45 that eluded me for quite a while.

This is odd, because Richie Barrett’s ‘Some Other Guy’ is not a crazy expensive disc (between 50 and 100 USD on a good day), but it is in demand, so when copies pop up, the get knocked down rather quickly with a certain amount of competition in the bidding and so forth.

I was lucky enough to get my copy on the cheap side of things, and have probably given it a spin (or a digital play) every day since then.

Thing is, this record is one that loomed large in my musical tutelage for many years, thanks in large part to the fact that ‘Some Other Guy’ became one of the go-to covers for Liverpool bands of certain vintage, that being the heart of the beat era, and naturally, the Beatles.

The song was part of the playlist of the Fabs (it is the song they were playing when they were first filmed playing at the Cavern Club) and it was also recorded by bands like the Big Three, Johnny Kidd and the Pirates and a bit later on by ex-Beatle Pete Best.

It was the killer version by the Big Three that caught my ear first and made me want to track down the original.

Richie Barrett is a particularly interesting figure in the history of R&B and soul in that he was not first and foremost a recording artist.

Barrett made his mark as a producer and songwriter for groups like the Chantels, and hadn’t done a ton of recording before he found himself in the studio alongside the mighty Leiber and Stoller in 1962.

The record they made, ‘Some Other Guy’ is a brilliant bit of R&B well on the way to soul, with rumbling bass, electric piano and even a groovy organ solo.

Those widely separated opening notes on the electric piano build a tremendous amount of drama, especially considering what follows.

What ‘Some Other Guy’  also is, is one of the most blatant bits of imitation Ray Charles as has ever been impressed on a lump of vinyl.

‘Some Other Guy’ sounds like Leiber, Stoller and Barrett took a pile of Brother Ray’s late-period Atlantic ish, tossed it into a blender and poured the resulting slop into a microphone.

Not only do you get the rolling electric piano rhythm of ‘What’d I Say’, but Barrett is all but channeling Charles’s voice in every possible way.

It’s positively shocking that they didn’t try to release it under some name like ‘Charles Ray’, or ‘Brother Ray’ or some such tomfoolery.

Of course we are talking about Leiber and Stoller, who managed to kick ass just about every time they entered a studio, so despite any similarities to records living or dead, ‘Some Other Guy’ is epic.

Oddly enough, despite the obvious greatness of this record, L&S didn’t bother to mention it in their autobiography.

Slap this on at your next ripple and potato chip party and watch every last soul tear their way out onto the floor fighting over which part of the rug they get to slice.

In fact, I suggest that you go get lubricated, pop this one on at high volume and tear up the joint yourself, as best you can.

It is – after all – almost the weekend.

Capisce??

Groovy.

See you cats on Monday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, April 7, 2013 1:14 pm

The Drifters

Listen/Download The Drifters – If You Don’t Come Back

Greetings all

I have something very cool to get the week started.

To repeat a story that has been told here many times (in many ways) before, I first encountered the song I bring you today in a much different form.

Thanks to my time as part of the 80s mod/garage scene, and due to the fact that I had friends with xcellent musical taste and healthy record collections, I first heard a grip of R&B and soul songs as filtered through the prism of the British Invasion (R&B, beat, mod etc).

More often than not, the distance between the original presentation and the cover was fairly small, i.e. white acts trying to replicate the sounds they heard on imported 45s and LPs as closely as possible.

Occasionally, that distance was expanded considerably.

The first time I heard ‘If You Don’t Come Back’ it was via the 1968 psyched out cover version by Gary Walker and the Rain.

The Rain was Gary Walker’s band following the dissolution of the Walker Brothers, and included in its ranks guitarist Joey Molland who would later go on to join Badfinger.

Their sole LP ‘Album #1’ – only ever legitimately released in Japan, but heavily bootlegged – is one of the truly great psych albums of the day.

That said, I always dug ‘If You Don’t Come Back’ but it was years before I discovered that it was a cover of a record originally recorded by the Drifters in 1963.

Written by Jerry Leiber and Mike Stoller, and recorded not long after they started working with the Drifters, ‘If You Don’t Come Back’ has lyrical echoes of the kind of tunes the pair had been recording with the Coasters.

Leiber and Stoller manage to take a song that would have worked in a more humorous setting with the Coasters, and tone it down a little, giving the Drifters record (with a lead vocal by Johnny Moore) a bit of an edge.

It’s one of the rougher, more soulful things the Drifters ever laid down, with a great guitar/horn riff repeated in the verse and some cool group harmonies in the chorus. The lyrics are brilliant.

“Well a noise woke me up this morning
I looked through the venetian blind
The car was gone and you were gone
And I almost lost my mind

If you don’t come back
If you don’t come back today baby, well
They can call up the people from the crazy house
And take this crazy man away

I threw myself up against the wall now
I tore my clothes and I sobbed
I ran out on the street in my stockinged feet
Calling “Police, I been robbed!”

Chorus

Mrs Brown been talking about me
To the people way across the street
Said “I cooked that boy a bucket of stew
But the poor thing just won’t eat”

Chorus

Well the doctor came up to see me
Check me with a fine tooth comb
You ain’t sick, but you’re gonna die
If you don’t get your baby back home

Interestingly, there’s a fantastic version of the song by an earlier British group. The Undertakers (featuring Jackie Lomax) recorded a blistering cover of ‘If You Don’t Come Back’ (billed as the ‘Takers) in 1964. Whether or not this was the version that inspired Gary Walker and the Rain, I cannot say, but it is certainly worth hearing.

I hope you dig the track, and I’ll see you all on Wednesday.

Keep the faith

Larry

PS Please to forgive the roughness of this 45. The person that sold it to me had an odd way of grading records…
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (9)

By Larry, August 23, 2011 11:57 am

Mike Stoller and Jerry Leiber

Listen/Download – Alvin Robinson – Down Home Girl

Listen/Download – The Coasters – Down Home Girl

Listen/Download – The Coasters – Soul Pad
Greetings all.

Sweet weeping jeebus I am bummed, on account of last night, as I was settling in for my rest word came down that one of my all-time musical idols, Jerry Leiber had passed away.

If the name is not immediately familiar, pair it with that of Mike Stoller, and then step off the curb into an abyss of rock’n’roll, R&B and soul history, where the pair stand astride the past 50 plus years as a mighty colossus of songwriting and production.

To say that Leiber/Stoller songs were a huge part of my musical mindset would be a giant understatement.

As I sit here writing this tribute, with the Coasters version of ‘Down Home Girl’ playing on a loop in my headphones, tears welling up in my eyes, I think of how much Leiber and Stoller’s work, from the Coasters on up through Miss Peggy Lee (see Iron Leg next Monday) has meant to me.

Though both of them hailed from the East Coast, Leiber and Stoller came together in Los Angeles in the early 50s where their songwriting empire (using that word to denote a kingdom as opposed to merely a financial construct) came into being, where their earliest successes formed a veritable cornerstone of 50s R&B, with ‘Kansas City’ and ‘Hound Dog’ (the proceeds of which probably yielded enough hundred dollar bills to compact them into solid blocks and build a literal foundation).

They went on to work with the Robins, which begat the Coasters for whom L&S created almost two dozen chart hits, on to the Drifters (There Goes My Baby, On Broadway), Ben E King and countless others.

The pair also had their own labels for a time, with the Red Bird/Blue Cat/Tiger axis that brought us the Dixie Cups, Shangri Las, Alvin Robinson, Ad Libs, Bessie Banks, Evie Sands, and many more.

The thing that always grabbed me about their best work as songwriters/record crafters was the fact that they were almost unequalled in the amount of gritty joie de vive that they could pack into the grooves of a three-minute record.

Though the Coasters were always known for the comedic feel of their 45s, the records they made with L&S were far more sophisticated than “funny”. They were kinetic, explosive, sexy, and manic, layered with heart and soul.

Though their collaboration (which often expanded to include other songwriters like Artie Butler, Phil Spector or Mann and Weil) could be described as symbiotic, the lion’s share of the lyrics were created by Jerry Leiber.

Of all the classics they created, none resonates with me more than ‘Down Home Girl’.

I first encountered the original recording by Alvin Robinson many years ago on a comp of New Orleans soul and though I came away from that record wanting to know more about many of the artists, none of the songs kicked me in the ass like ‘Down Home Girl’.

I can’t think of a finer bit of pop poetry:

Lord I swear the perfume you wear
Was made out of turnip greens
And everytime I kiss you girl
It tastes like pork and beans
Even though you’re wearin’ them
Citified high heels
I can tell by your giant step
You been walkin’ through the cotton fields
Oh, you’re so down home girl

Everytime you monkey child
You take my breath away
And everytime you move like that
I gotta get down and pray
Don’t you know that dress of yours
Was made out of fiberglass
And everytime you move like that
I gotta go to Sunday mass
Oh, you’re so down home girl

Oh, you’re so down home girl

I’m gonna take you to the muddy river
And push you in
Just to watch the water roll on
Down your velvet skin
I’m gonna take you back to New Orleans
Down in Dixieland
I’m gonna watch you do the second line
With an umbrella in your hand
Oh, you’re so down home girl

I’m with ya baby
You’re so down home
Ow! Yeah, too much
Outta sight
You’re so down home girl

The fact that Leiber and Stoller thought to have Alvin Robinson, an obscure New Orleans guitarist and singer (who just happened to have a remarkable voice) deliver such a vivid, lascivious, funny set of lyrics is one of the great musical intersections of their long, stellar career.

It’s a record that these many years later I still find new things to love every time I listen to it. Robinson’s vocal is up to the task (and then some) of delivering one of Leiber’s finest lyrics, packed with subtle twists and turns.

The Coasters remarkable 1967 two-sider of ‘Down Home Girl’ and ‘Soul Pad’ was almost a half-decade past their last hit, and despite its obvious quality, did not return them to the charts.

Their slightly funky take on ‘Down Home Girl’ shows a more relaxed side of the group, but their old selves still manage to poke through here and there.

‘Soul Pad’ is – at least in my opinion – one of Leiber’s funniest lyrics with references to Thelonious Monk and psychedelics, and the arrangement by Mike Stoller is perfection.

Jerry Leiber may not be with us any longer, but the music he created over more than 60 years will live forever. I know that sounds like a cliché (and it is, really), but it’s also true.

You know that somewhere, long after we’re all gone, some space amoeba in the far reaches of the universe will be splitting over and over again to the reverberations of a Leiber and Stoller song, pulsing on radio waves, galloping through the ether.

As it should be.

See you all on Friday with a tribute to the mighty Nick Ashford.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

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PS Head over to Iron Leg too.