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By Larry, August 18, 2011 1:15 pm

Shades of Joy from the cover of their 1969 album

Listen/Download – Shades of Joy – Flute In a Quarry (45 Edit)

Greetings all.

We’ve all packed away another week on the calendar, and I for one feel that it was well spent.

This has been a fairly (heh…fairly…) busy summer hereabouts, but a lot of the busy has been the good and productive kind, so I can’t really complain.

Since it is the end of the week, I should remind you that the Funky16Corners Radio Show will be back this Friday night at 9PM on Viva Radio, with the funk, the soul, the jazz and the rare groove for your ears, your head and your heart, and if you can’t be huddled by the wireless set at airtime you can always pull down the ones and zeros of its convenient MP3 form over the weekend.

The tune I bring you today is something a little different with an interesting back story.

I don’t recall where I first heard of the Shades of Joy, but I do recall that it had something to do with Alejandro Jodorowsky’s epic cult film, ‘El Topo’.

While I have never seen ‘El Topo’ in the proper way (i.e. with a box of popcorn and my undivided attention) I did get to watch it play in a loop (and DJ in front of it) during a particularly memorable Asbury Park 45 Sessions.

It’s a crazy flick, and ironically, I did not actually hear any of it that night.

I say ironically since the 45 I bring you today is in fact a sampling (a 45 edit bringing you just under three minutes of a seven minute plus album track*) of that very soundtrack.

The group Shades of Joy was a SanFran Bay Area fixture in the late 60s and early 70s. Their leader, saxophonist Martin Fierro arranged the music that Jodorowsky composed for ‘El Topo’ and the Shades of Joy (augmented by other Bay heads like Frank Morin of the Sir Douglas Quintet** and keyboardist Howard Wales***) played.

The Shades of Joy had recorded a full LP for the Fontana label in 1969 (‘El Topo’ came out in 1970) but it appears that they recorded the soundtrack without their singer Millie Foster.

‘Flute In A Quarry’ is a very cool, somewhat progressive slice of funky, Latin-influenced jazz rock (dig the percussion). Considering the Bay Area roots, the temptation is to make a Santana reference, but the sound here is funkier and jazzier (and less Latin) than Carlos et al. In fact, Fierro’s tenor sax work is very edgy and light years beyond what you might expect from similarly shaped horn bands of the era.

The LP was produced by Jimi Hendrix producer Alan Douglas, and someone going by the name of Doris Dynamite (sounds like an R. Crumb creation).

It’s a cool tune, and I hope you dig it.

Have a great weekend, and I’ll see you all on Monday.

Peace

Larry

*The full length version from the ‘El Topo’ soundtrack included longer “mellow” sections and an extended guitar solo
**I’ve seen references that indicate that Fierro also played with the SDQ
***Wales was the man behind A.B. Skhyy and the in demand 45 ‘Huxley’s Howl’

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By Larry, January 13, 2011 4:37 pm

Funky16Corners @ Spindletop – Early Set 1/10/11

Playlist

Listen/Download 80MB/256kb Mixed MP3

The end of another week is upon us, and as promised I have recreated part of my three-hours worth of soul jazz from this past Monday’s Spindletop night at Botanica in NYC.

When I was pulling 45s to bring with me last week I started to build my set and decided that I’d get things started with a slower, moodier set than I normally do, kind of easing my way onto the burning Hammond groovers.

What I ended up with was a very interesting mix of soul jazz, soul instros and even laid back funk, all of which seemed to stick together when all was said and done.

I mentioned on Wednesday that we were unable to get a signal out of the mixer to my digital recorder, so I had to re-record this selection on my decks at home. I was originally thinking of re-recording the whole night, but then I realized that I’d played no less than 60 45s and I just didn’t have the time to do it.

I enjoy presenting the live mixes here at the blog, so hopefully next time I hit Botanica we’ll have figured the problem out.

At the request of a number of people who were at the gig, I have included the entire set list below.

The mix features some old faves and some stuff that hasn’t been heard in this space before. As I mentioned above, it’s a mellow affair, so pour yourself a snifter of brandy (or a mug of cocoa, whichever), dim the lights, sit back and let the sounds flow gently into your ears.

If you’re close to the interwebs this Friday at 9PM, make sure to tune in to the Funky16Corners Radio Show on Viva Radio. This week we have an hour of funky 45s from New Orleans to get the party started. The show will of course be archived and ready to download at the blog over the weekend.

I’ll be back next week with more of the funk and soul you love.

Have a great weekend.

Peace

Larry

The rest of the evening’s music:
Harry J All Stars – Liquidator (Harry J)
Winston Wright – Heads or Tails (Green Door)
Gary McFarland – Fried Bananas (Verve)
Cal Tjader – Moneypenny (Skye)
Dave Davani Four – The Jupe (Capitol)
Sonny Knight Quartette – Let’s Get It On Pt1 (Aura)
Odell Brown and the Organizers – No More Water In the Well (Cadet)
Freddie Roach – One Track Mind (Prestige)
Merl Saunders – Soul Groving (Galaxy)
Alan Price Set – Iechyd Da (Decca)
Hank Marr – White House Party (Wingate)
Georgie Fame – El Bandido (Imperial)
Brown Brothers of Soul – Cholo (Specialty)
Mel Brown – Chicken Fat (Impulse)
Federalmen – Soul Serenade (Steady)
Freddy McCoy – Funk Drops (Prestige)
Afro Blues Quintet Plus One – La La La La La (Mira)
Benny Poole – Pearl Baby Pearl (Solid Hit)
Cha Cha Hogan – Grit Gitter (Soulville)
Perry and the Harmonics – Do the Monkey With James (Mercury)
Gentelman June Gardner – It’s Gonna Rain (Emarcy)

Lionel Hampton – Greasy Greens (Glad Hamp)
Fabulous Counts – Jan Jan (Moira)
Boogaloo Joe Jones – Right On (Prestige)
Fred Ramirez – Hold On I’m Coming (WB)
Dee Felice Trio – There Was a Time (Bethlehem)
Louis Chachere – The Hen Pt1 (Paula)
Toussaint McCall – Shimmy (Ronn)
Lou Garno Trio – Chicken In The Basket (Giovanni)
Albert Collins – Cookin’ Catfish (20th Century Fox)
Andre Brasseur – The Duck (Palette)
Memphis Black – Why Don’t You Play the Organ Man (Ascot)
Cal Tjader – Soul Sauce (Verve)
Soulful Strings – Burning Spear (Cadet)
Keith Mansfield – Boogaloo (Epic)
Mohawks – The Champ (Philips)
Wynder K Frog – I’m a Man (UA)
Goldie & the Gingerbreads – The Skip (Decca)
Tony Newman – Soul Thing (Parrot)
John Philip Soul and His Stone Marching Band – That Memphis Thing (Pepper)
La Bert Ellis – Batman Theme (A&M)
James Brown – Shhhhhhhh For a Little While (King)
The Impacts – Thunder Chicken (Marmaduke)
Dave Baby Cortez – Getting’ To the Point (Chess)
RD Stokes – My Sandra’s Jump (II Bros)

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By Larry, January 11, 2011 3:56 pm

Quincy Jones

Listen/Download – Quincy Jones – Money Runner

Greetings all.

The middle of the week is here, and while I should be exhausted, I am oddly energized. I suspect a serious crash is on the way, but I’m gonna keep plowing ahead until it arrives.

You see, I was out last night spinning 45s at Spindletop @ Botanica in NYC and did not arrive home until well past my normal hour for commencement of slumber. However, since I got to spin 45s for nearly three straight hours to a very groovy and appreciative crowd (special thanks to the Funky16Corners readers who came by!) and I had a blast.

Botanica is very cool spot (home base for no less than the mighty Mr Finewine!), and my man Perry Lane has a very cool thing going with Spindletop.

I’ve rattled on in this space a few times about how I like stepping outside of my DJ comfort zone to stretch a little, and last night was the perfect opportunity. Spindletop is all about Hammond grooves and soul/Mod jazz with just a touch of international flavour, and I spent a lot of time and care pulling records and formulating my sets.

The only downer of the night was that we were unable to negotiate a line out of the mixer to my digital recorder, so I was unable to do a live recording. However, as I type this I am spinning the identical stuff and mixing it live here in the Funky16Corners Record Vault and Podcasting Nerve Center so that you can check it out.

Right now I plan on doing only the early set, which was a mellow affair, which I’ll drop on Friday, along with a full set list of the night (60 45s!).

I’ll be back in NYC on February 4th at After the Laughter Soul Club at Lulus, 113 Franklin St in Greenpoint (Brooklyn) and I’ll be returning to Spindletop February 21st, so if you like what you hear, head on over.

When we last discussed the mighty Quincy Jones, it was almost a year ago and his groovy theme to the Ironside TV show.

The tune I bring you today is another theme, but sees Le Q jumping from the small screen to the silver one.

The tune in question, ‘Money Runner’ appeared in the 1971 film ‘$’ (often listed, for obvious reasons as ‘DOLLAR$’).

‘Money Runner’ was released as a 45 in 1972 and actually hit the charts, working its way into the R&B Top 50 and hovering just outside of the same listing on the Pop side of things.

The only other tune I’ve heard from the soundtrack is Little Richard’s ‘Money Is’*, which is cool, on account of it’s Mr. Penniman, but if you want something funky, ‘Money Runner’ is the way to go.

The soundtrack album features a grip of West Coast jazz/studio cats, but the group also included Billy Preston, Paul Humphrey and David T Walker, so it probably wouldn’t be much of a stretch to attribute some of the funk quotient herein to them.

‘Money Runner’ starts out fast, with what sounds like clavinet and guitar, then electric piano and more guitar (of the wah wah persuasion) before the clavinet moves out in front for most of the song. It sounds like a more aggressive cousin to Isaac Hayes ‘Theme From Shaft’ (especially the guitar interludes), but goes off in an odd and especially interesting direction in the last minute of the record, with a shift in tempo, the addition of an ominous chorus, and eventually a bizarre shattering sound.

The tune was covered later the same year by the John Schroeder Orchestra.

I hope you dig the record, and I’ll see you all on Friday.

Peace

Larry

*There’s another version of this 45 with the Little Richard tune on the A-side

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By Larry, April 25, 2010 12:29 pm

The Master: Norman Whitfield

Listen/Download -Norman Whitfield and Rose Royce – Water

Listen/Download -Norman Whitfield and Rose Royce – Sunrise

Greetings all.

I hope you’re all well, and ready to dig into something interesting.
A few weeks back on Record Store Day, I headed in Asbury Park to see my man DJ Prestige lay down an in-store set at Hold Fast. I grabbed some cool looking LPs on the cheap, one of which was the soundtrack to ‘Car Wash’. It certainly seemed like it was worth it, if only for the title track by Rose Royce.
Well, I get home and hook up the turntable for a marathon digi-ma-tizing session, and soon discovered that the ‘Car Wash’ OST was a much deeper beat that I could have imagined.
The album credits the compositions, production and arrangement all to the mighty Norman Whitfield, and the playing to the band Rose Royce (who Whitfield found when they were backing Edwin Starr).
Anyway, while needle dropping my way through the two LPs, I discovered a couple of really cool instrumentals, both clearly the work of the man who created several psyched out/atmospheric epics when he was working at Motown.
What really struck me was how much of the sound of these two songs, though recorded in 1976, linked back to Whitfield’s 1970 era productions, blending them with a touch of blaxploitation soundtrack feel. I haven’t seen ‘Car Wash’ in years, but these tracks, ‘Water’ and ‘Sunrise’ make me want to check it out to see how they were used in the film.
The first of these ‘Water’ is really more of a short vamp/theme stretched out for three and a half minutes, which is kind of what you’d expect to hear as background in a motion picture. There are some vocals in the beginning, but they’re no more prominent that the repeated bass, piano and guitar lines that run almost constantly through the piece, interrupted only by a short string drop (which at times is reminiscent of ‘Papa Was a Rolling Stone’) and the occasional harp flourish (same there). Things do pick up a little at about the two minute mark, with the addition of some funky bass, but settle right back into the groove before long.
The real treat here is the almost eleven minute epic ‘Sunrise’. The tune starts out with someone working a ride cymbal like a gong, and then the unusual (incongruous) sound of a trumpet running a scale, quickly breaking out into something that would have sounded perfect behind Shaft as he stalked an evildoer through the back alleys of some urban hellhole.
Whitfield builds the song, layer by layer, with the bass, strings, tight, snapping drums, guitar, and then electric piano and horns. There are in fact two different electric pianos, alternating between a lighter, tinkling riff, and a one playing a much more wide open, molasses thick chord. The use of hand drums as accents, as well as occasional bursts of wah-wah guitar drop in like carefully placed exclamation points.
It’s a very tasty jam, and the arrangement/production by Whitfield is next level. There’s no doubt in my mind that ‘Sunrise’ would have fit in perfectly (with lyrics added of course) on any of the early 70s Temptations LPs.
The sad thing is, that Whitfield – in my eyes nothing less than a soulful visionary – after the early 90s backed away from the console, not doing much of anything in his final years. It’s not like he didn’t have a remarkable body of work behind him already, especially his mid-60s to early 70s Motown sessions as songwriter, producer and arranger, but you can’t help but wonder what he might have done with some of the nu-soul crowd.
That said, I hope you dig the tracks, and I’ll be back later in the week with something cool.

Peace

Larry

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