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By Larry, February 11, 2014 2:18 pm

Eddy G Giles

Listen/Download Eddy G Giles – Eddy’s Go Go Train

Greetings all

Hows about getting your heart started like a gallon of espresso?

I have no earthly idea where I first heard/heard of Eddy G Giles ‘Eddy’s Go Go Train’, but I am more than positive that when I did, my wig was good and flipped.

This, my friends is the good stuff.

Eddy Giles was a Louisiana cat who did most of his recording for the Shreveport, LA-based Murco concern between 1966 and 1969.

He recorded in the standard variety of styles (deep ballads, uptempo soul and proto-funk) from the classic era, and while there is a lot to like in his catalog (see Sir Shambling’s overview) there is nothing quite as explosive as ‘Go Go Train’.

Now, I have to start by saying that this song was recorded elsewhere (slightly differently, see Jackie Paine’s ‘Go Go Train’ on Jetstream and Little Royal’s ‘Soul Train’ on Trius), and it would seem to trace back to James Brown and the Famous Flames mighty take on ‘Night Train’.

I am not sure of the date order of the ‘Go Go Train’ variations, but I have seen references that place Jackie Paine’s version in 1965, and Eddy G Giles in 1967.

The Eddy G Giles take (backed by the Jive 5, clearly not THE Jive Five…) is a hot little stick of dynamite. You have to slap on the headphones (or crank up the volume) and listen to the guitar and (especially) bass winding in and out of each other’s path, along with the drums and organ, and of course Eddy wailing on top of the show.

It is one of those truly great 45s that manages to carry with it the obvious influence of the mighty JB without passing over into mimicry.

Very solid, indeed.

Following his time with Murco, Eddy went on to record a couple of sides for Silver Fox, Stax, Alarm and Custom, with the last one coming out in 1977. He returned to his gospel roots, working as a pastor and gospel DJ in Louisiana.

I hope you dig the sounds and I’ll see you on Friday.

Keep the faith

Larry

  _________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, February 9, 2014 12:17 pm

Billy Lee Riley

Listen/Download Megatons – Shimmy Shimmy Walk Pt1

Greetings all

I thought we’d get the week rolling with something from the pride of Pocahontas, Arkansas, the great Billy Lee Riley.

If you have even a passing knowledge of classic rockabilly, the name Billy Lee Riley ought to be familiar.

Riley laid down legendary sides like ‘Flyin’ Saucers Rock and Roll’ and ‘Red Hot’ for Sun Records, both in 1957.

‘Red Hot’ would be revived in the late 70s by Robert Gordon and Link Wray (which is where I first heard it).

Riley and his band the Little Green Men also did a lot of work backing other artists.

In 1962, Riley and his new band (featuring several of the Little Green Men) went into the studio in Memphis, and as the Megatons recorded the record you see before you, ‘Shimmy Shimmy Walk’.

Initially released on the Dodge label, it was eventually picked up and reissued by Checker, where it made it into the Hot 100 later that year.

If the tune sounds familiar, it is because it is a reworking of the R&B standard ‘You Don’t Love Me’.

Originally recorded under that title in 1960 by Willie Cobbs for Mojo records (his version was basically a reworking of Bo Diddley’s 1955 ‘She’s Fine She’s Mine’), it was a local hit n Memphis and was picked up for national distribution by VeeJay.

The song went on to become a rock/blues standard in the 1960s, being recorded by a wide variety of artists, including the Kaleidoscope, John Mayall’s Blues Breakers, The Al Kooper/Stephen Stills Super Session, Junior Wells and the Allman Brothers Band as well as the legendary 1967 Jamaican version by Dawn Penn.

The Megatons version features rolling guitar, a very nice reverbed harmonica solo and some groovy combo organ.

It was also released in the UK on Sue, where it became popular with the Mod/soul crowd.

I hope you dig it, and I’ll see you all on Wednesday.

Keep the faith

Larry

  ________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, January 12, 2014 11:20 am

The Contours

Listen/Download The Contours – First I Look at the Purse

Listen/Download The J Geils Band – First I Look at the Purse

Greetings all

I hope the new week finds you all well.

The tune I bring you today is one of those soul tunes I knew and loved years before I started collecting 45s.

My record collecting/listening past is filled with a variety of landmarks, some which make complete sense (i.e. the shortest distance from point a to point b) and some a little bit more circuitous.

Back when I was a longhaired teenager who wanted little more out of life than to bash on my drums, listen to music and sleep (not necessarily in that order) I found myself – as was often the case – browsing the cut-out bins at the local Music Den.

Music Den was that fossil of a bygone age, a chain record store which could be found in various guises (depending on your region) in malls all over the country.

Aside from the local flea market, that was pretty much the only place I had to go to buy music, which was then records and cassettes.

Though I can’t be 100% positive, I suspect that I had little or no folding money on my person, but I was no doubt determined to bring some new music home with me.

What I found that day was one of a series of WEA cassette twofers. The massive, multi-label conglomerate was reissuing albums, two per tape, in budget cardboard slipcases (no fancy shmancy plastic cases here) by a variety of artists in their vast catalog.

If memory serves, over the course of a year I picked up more than a few of these, at least one by Joni Mitchell, and the second (the pertinent one for today’s post) by the J. Geils Band.

Those of you that weren’t there in the 70s may not think much of the Geils band as more than a relic of the album rock age, but those that know (especially as the band’s early years are concerned) will tell you that they were once something heavier indeed.

I’m not completely certain what the second album on that cassette was (though I think it might have been ‘Monkey Island’) but it was the first side of the tape that cracked open my ears a little bit wider.

The band’s self-titled debut – from 1970 – was a surprise indeed.

It sounded nothing like the stuff I’d heard by the band on the radio, sounding more like a fired up version of Chicago blues than anything.

The greasier, 1970 edition of the J. Geils Band

That album not only introduced me to a hotter side of the J. Geils Band, but also to Otis Rush (‘Homework’), John Lee Hooker (‘Serves You Right To Suffer’) Albert Collins (‘Sno Cone’) and most importantly, the Contours (I would learn later that lead singer Peter Wolf was an inveterate record collector and probably had a lot to do with the variety of sounds covered by the group).

It was the Geils Band cover of ‘First I Look At the Purse’ – which I wouldn’t have recognized as a cover if I hadn’t seen Smokey Robinson’s name on it – that really grabbed me.

The song had a solid groove, and the lyrics were hilarious.

In retrospect the J. Geils Band must have been quite a breath of fresh air in the hippified scene of 1970.

Flash forward about ten years, and I finally got to hear the original by the Contours and I dug it even more.

Though they are best known for their 1962 classic ‘Do You Love Me’, the Contours are for me (much like the Velvelettes) a Motown group that should have (and probably would have, given the opportunity) been much bigger.

The Contours original (it just missed the R&B Top 10 in the summer of 1965) is a fast moving (much faster than the Geils cover), soul-clapping killer, with the rhythm guitar and piano pounding in tandem and the drums (listen to the kick drum hits) punching through the mix.

The Contours would make it into the R&B Top 40 eight times between 1962 and 1967.

The J. Geils Band would end up in much poppier (and more successful) place than they started, with 80s hits like ‘Centerfold’.

It was a long way from Otis Rush, but sometimes that’s just how it is.

I hope you dig the track. And I’ll see you on Wednesday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, December 31, 2013 1:56 pm

Miss Della Reese

 Listen/Download – Della Reese – It Was a Very Good Year MP3

NOTE: I had something else ready to go for today, but this morning someone posted Frank Sinatra’s version of ‘It Was a Very Good Year’ to mark the New Year, and I thought “Why not post the astoundingly good version by Miss Della Reese in the same spirit here at Funky16Corners!”

So that’s what I’m doing.

It has actually been a pretty good year here at base camp.

My wife’s health has continued to improve, the kids are healthy and happy, and I’m not doing too poorly myself. 

It already looks like 2014 will bring some opportunities to DJ, and of course the Funky16Corners blog and radio show will continue apace.

I hope all of you have had a good year,and if not, that 2014 has nothing but good things in store for you and yours.

That said, I’ll see you all on Friday.

Happy New Year!

Larry

Originally posted 3/27/11 

>>Greetings all.

How’s by you?

All is as well as can be expected on my end of the interwebs.

The weekend was relatively uneventful, and despite anything the calendar says, Spring has yet to arrive in any real way.

I should mention that I have a couple of very groovy DJ gigs in the pipe, details to follow soon.

I’m not going to be able to make it to the Allentown 45 show this year, but I don’t really mind.

The vinyl gods have been good to me these last few months, bringing in all manner of cool stuff, including a couple of longtime white whales, as well as a bunch of low priced, but uniformly excellent groovers.

I’ve also been edging up to the second big push in the reorganization of the Funky16Corners Record Vault and Podcasting Nerve Center, which always yields cool stuff from deep in the crates that had been unjustly neglected.

I just dug out a groovy Northern 45 last week that I had either forgotten about – or more likely – had not listened to closely the first time I found it. I like when stuff like that happens.

The tune I bring you today is one of the aforementioned white whales, which I chased like Ahab for a long time before finally landing it late last year.

When you mention the name Della Reese to folks, the reaction you get depends on generational variables.

Folks my parent’s age remember her career as a pop/jazz vocalist that produced a couple of big hits in the late 50s.

Younger folks will remember her mainly as a TV actress, on shows like ‘Touched By an Angel’.

Sit down with a couple of hip DJs, and you very well may hear tell of a lesser known, but truly interesting part of her career, when despite a lack of commercial success she managed to make some very soulful, very danceable records.

Back in the early days of the blog (2005) I featured one of these sides, Ms. Reese’s excellent take on Gene McDaniels’ soul jazz epic ‘Compared to What’, recorded for AVCO in 1969.

The tune I bring you today hails from 1966, and like that session was made with jazz trumpeter Bobby Bryant (search the F16C Podcast Archive for some of his groovier tracks) and his band.

The tune ‘It Was a Very Good Year’, was written in 1961 by Ervin Drake. It was originally recorded by the Kingston Trio, but the song will forever be identified with Frank Sinatra, who recorded – and had a hit with the song – in 1966.

The Sinatra version is a doleful lament, sung by an old man looking back on his life.

Della Reese’s version is a radical reworking of the song, both lyrically (she embellishes the verses) and stylistically. Arranged by Bryant, the song is recast as a funky, hard charging cri de coeur, less wistful than the musical equivalent of a fist in the air. Reese sings the song like someone who despite a colorful past, is looking forward to bigger and better things.

Her vocal is powerful, often sounding as if she was testing the limits of the recording equipment.

The band is on fire, with a pumping Hammond and remarkable drums. The recording has a very hot sound, and the snare and kick drum are – next to Della – the loudest things on the record.

This is one of those records that would have languished in obscurity, had it not been revived by DJs on the jazz dance scene in the UK. It has become increasingly popular with funk and soul DJs, and was reissued by the Jazzman label (with a live version on the B-side).

As far as I can tell, this version is not in print on CD and the 45 can be quite expensive, so unless you need one to play out, slip the ones and zeros on your pod-like-thingy and dig.<<

Keep the faith

Larry

  ______________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, December 29, 2013 12:07 pm

The Knockouts, Bob D’Andrea at right (hugging gorilla…)

Listen/Download The Knockouts – Mo Jo (Got My Mo Jo Working) Pt1

Listen/Download The Knockouts – Mo Jo (Got My Mo Jo Working) Pt2

Greetings all

Every once in a while I find myself entranced by a record that despite coming from an artist/scene outside of the ‘traditional’ soul/funk orbit.

There are countless examples of performers taking a temporary detour down soul street. Granted, most of these folks were on some sort of parallel course, whether it be R&B, jazz, or even (in this particular case) doowop, but the records in question are often extraordinary.

As far as I can tell Bob D’Andrea and the Knockouts started out like many other Italian harmony groups in the New York area, working a ballad-heavy twist on late 50s/early 60s doowop.

There are traces of Dion and the Belmonts, but their ballad performances are not my cup of tea.

However, there are a few items in their discography (roughly 1959-1965) that suggest that the group had a taste for wilder stuff.

Their 1961 b-side ‘You Can Take My Girl’ is a much more raucous affair, with touches of actual R&B making their way into the mix, but even then, it barely prepares you for today’s selection.

Released in 1964, ‘Mo Jo (Got My Mo Jo Working)’ sounds like Joey Dee and the Starliters got their hands on some slightly poisonous hooch and went right out of their minds.

The arrangement runs at roughly 100 miles an hour, pushed along by bass, drums, handclaps and a churning combo organ, with a wild vocal by D’Andrea.

What little information I’ve been able to find on the group suggests that they were first and foremost a live band, working it out in the clubs along the Jersey Shore.

‘Mo Jo (Got My Mo Jo Working)’ sounds like 100 sweaty nights of whipping drunken revelers into a frenzy compressed into roughly five minutes (both sides, natch) of madness.

Someone in this band had a taste for the (musical) hard stuff and it comes through on this record.

I’ve done the math a hundred times, and no matter how I run the numbers, there’s no sane reason that this record should be as good as it is, but it is.

The Knockouts made an LP called ‘Go Ape With the Knockouts’ that included both sides of this 45 as well as a serviceable version of ‘I Got a Woman’.

Lead singer Bob D’Andrea still performs today in Atlantic City as part of the music/comedy duo of Andre and Cirell.

I hope you dig the sounds, and I’ll see you all on Wednesday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, December 26, 2013 2:46 pm

Funky16Corners Radio v.62 – Hot Pants!! Under the Covers with James Brown

Playlist

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, December 19, 2013 12:09 pm

Charles Brown

Listen/Download Charles Brown – Merry Christmas Baby (1970)

NOTE:  Don’t forget to tune into this year’s Funky16Corners Radio Show Christmas special. It airs on Friday night 12/2o at 9PM on Viva Radio. If you are out making merry at that hour, you can catch up by subscribing to the show as a podcast in iTunes.

Enjoy!

Greetings all

As mentioned in our previous post, of Ike and Tina Turner KILLING ‘Merry Christmas Baby’, the original version was recorded by Charles Brown with Johnny Moore’s Three Blazers in 1947.

The tune became a holiday standard, and was covered by many people (including Ike and Tina, Chuck Berry, Otis Redding, Booker T and the MGs, Kenny Burrell and Bruce Springsteen).

Brown himself returned to the well frequently over the years, recording the song anew many times.

The version I bring you today is something I dug up this past summer on a record safari to the Finger Lakes region of New York.

When I saw it, I was unaware of Brown’s many rerecordings, and assumed it to simply be a later pressing of the tune.

When I finally got home and gave it a spin, it was immediately clear – via the wah-wah guitar – that what I was hearing was a recording of a much later vintage.

A little bit of research revealed that Brown had redone the tune for Jewel records (along with a new version of ‘Please Come Home For Christmas’) in 1970.

Though I haven’t been able to track down any session info (I really wish I knew who the guitarist was) I think it’s a safe assumption that it is Brown himself tickling the ivories.

His voice – in the words of Slim Gaillard, “mellow like a cello” – one of the finest/smoothest that ever was, was still in fine shape (and would remain so for many years) and the vibe is relaxed.

What amazes me about this song in particular is how flexible it is.

You can line up the versions that have appeared in this space – or on the Funky16Corners Radio Show – by Ike and Tina, Otis Redding and the Soulful Strings – next to Brown’s, and marvel at how different the song (a fairly simple blues) manages to sound in each interpretation.

I love to hear Charles Brown’s voice (right up there with Lou Rawls for pure listening pleasure) and he clearly dug this song.
I hope you do too.

See you next week with some more holiday soul!

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, December 15, 2013 12:57 pm

Ike and Tina

Listen/Download Ike and Tina Turner – Merry Christmas Baby

Greetings all

The first of our new, soulful Christmas tunes this year is my favorite recording of what is perhaps the greatest R&B-rooted holiday tune ever written.

‘Merry Christmas Baby’, composed by Johnny Moore and Lou Baxter, and first recorded in 1947 by Johnny Moore’s Three Blazers with Charles Brown on vocals, has become a standard, re-recorded many times, in many styles in the decades since it was created.

If you haven’t heard Moore’s group, make sure you do a little digging. Much of their recorded work – with and without Brown – is available in reissue, and is worth your time. They were one of the truly great small groups working in the transitional years between jazz and R&B (in the style of the King Cole Trio, which featured Johnny Moore’s brother, Oscar on guitar).

The version of the song I bring you today is not only my fave ‘Merry Christmas Baby’, but may very well be my favorite holiday soul record.

Ike and Tina Turner released their version of the song in 1964 on the b-side of a cover of Jesse Hill’s New Orleans R&B classic ‘Ooh Poop A Doo’ (using the Turner’s spelling…).

The tune opens with a fanfare, and the Ikette’s wailing ‘Jingle all the way!’, before Tina, Ike and a drummer who sounds like he was playing with sledgehammers drop in like a ton of bricks.

The recording has a remarkable “live’ sound, with the horns and Ikettes dueling for first place all the way through and Miss Tina delivering 110%.

I recently saw a video of the Ike and Tina Turner Revue from the Big TNT Show, and it is a testament to the fact that they were as hot an act as was around in the mid-60s. Every single time the drummer hits that snare drum the whole band explodes, and they carry that vibe onto this 45.

Neither side of this record charted, but don’t let that fool you. This right here…this is the shit.

Ho Ho Ho

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, December 8, 2013 12:50 pm

Benny Gordon

Listen/Download Benny Gordon and the Soul Brothers – What Is Soul?

Greetings all

I’ll assume that we’re all ready to launch ourselves into the new week, so I though I’d get things rolling with something upbeat and groovy.

If today’s selection sounds at all familiar, it might be because it is a cover of a Ben E. King tune, which was featured in this space early last year.

The original is cool not only because of Ben E’s great vocal, but is also sought after because of that sweet Bernard Purdie drum break at the beginning.

The version I bring you today is by an old Funky16Corners favorite, Benny Gordon and the Soul Brothers.

As featured in this space (as well as in a couple of mixes over the years) Benny Gordon (and his cousin Sammy, of Hiphuggers fame) were perfect examples of the kind of hardworking, journeyman soul performers I love to feature here at the Corners.

They hailed from the Carolinas, but did most of their recording and performing up New York City way.

Their take on ‘What Is Soul’ was released in 1967 (a year after the OG), and while it features a small break (nothing compared the OG) what drew me in was Benny’s vocal.

The arrangement and production is a little more restrained than on the original, but Gordon’s lays down a passionate, soulful performance.

Gordon and the Soul Brothers laid down just about two dozen 45s (and two rare LPs) between 1964 and 1973 but never had any chart success.

I hope you dig the tune, and I’ll see you all on Wednesday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (2)

By Larry, December 3, 2013 12:58 pm

Listen/Download Gloria Taylor – You Got To Pay the Price

Greetings all

Today’s selection is another one of those “didn’t know I had it until I started rooting around in my own crates” records.

I have no idea when I picked up this 45, whether it was part of a bulk purchase in a lot, or another one of those 25 cent come ups that I pulled out of a box because the artists name was familiar.

What I am pretty sure of, is that when I bought it, I never gave it a proper spin, because if I had, I would have recognized a long time ago that it was both very groovy, as well as a cover version of song I already knew.

Fortunately, when I finally did give Gloria Taylor’s ‘You GotTo Pay the Price’ a thorough listen, I realized that it was a cover of the Al Kent song of the same name.

Al Kent’s original version of the song, released in 1967 (I wrote up its flipside ‘Where Do We I From Here’ back in January) was done as an instrumental, and has over the years gathered a following on the Northern Soul scene.

Gloria Taylor (sometimes billed as Gloria Ann Taylor), was an Ohio-based singer who recorded just over a dozen 45s (and a rare LP) between 1968 and 1976 for a variety of Detroit and Nashville labels.

Taylor was apparently from Toledo, Ohio, and was discovered by (and later married to) producer Walter Whisenhunt, who ended up producing most of her recorded output.

Her version of ‘You Got To Pay the Price’, originally released on the King Soul label, and then on Silver Fox in 1969 takes the song at the same general tempo as the original. Taylor’s vocal ranges from a soulful contralto to flashes of super-high soprano, the part of her range that she seemed to favor on most of her other records.

‘You Got To Pay the Price’ was Taylor’s first (and biggest) hit, making it into the R&B Top 10 (Pop Top 50) in October of 1969.

She had two more chart hits, ‘Grounded’ in 1970 (R&B #43) and ‘Deep Inside You’ in 1974 (R&B #96).

Taylor has had some songs released on various funk and soul comps. Her Silver Fox 45s are fairly inexpensive and easy to come by, with the smaller label singles getting progressively more expensive, and the LP bringing in hundreds of dollars.

That said, I hope you dig the record, and I’ll see you all on Friday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, November 24, 2013 1:07 pm

Cover of the Jackson Sisters LP

Listen/Download The Jackson Sisters – I Believe In Miracles

Greetings all

The new week is upon us, and in the spirit of getting things off to a banging start, I thought I’d whip a little dynamite on you.

Last year, whilst I was nearing the end of a very fruitful vinyl dig out in Pittsburgh, I realized that the store in question had a box of pricier items propped up on the front counter.

Not one to let an opportunity such as this pass me by, I set my stack o’wax down, and started digging anew.

I ended up pulling another dozen or so discs out of that box, including the gem you see before you this very day.

I do not recall where I first encountered the Jackson Sisters ‘I Believe In Miracles’ but I can almost say with certainty that I knew the record’s label before I ever heard the song.

Back when I used to frequent a certain funk/soul/hip hop oriented message board, ‘finds’ lists used to be be one of my favorite things to peruse, always with amix of wonder and jealousy.

The Jackson Sisters 45 of ‘I Believe In Miracles’ used to pop up now and then (it is not a common 45) and the very groovy Prophesy Records label found itself a niche in my memory.

When I finally got around to actually hearing the record, I was blown away.

‘I Believe In Miracles’ is that perfect mixture of funk and disco, combined with an actual, catchy song (as opposed to the stand-alone groove of so many discs of the era).

First recorded by Mark Capanni, and co-written by Capanni and Bobby Taylor, ‘I Believe In Miracles’ was a much mellower affair in it’s original form.

The Jackson Sisters – Jacqueline, Lyn, Pat, Rae and Gennie – who hailed from Compton, CA but operated out of Detroit recorded one album (for the Tiger Lily label) and a few 45s in the early 70s.

‘I Believe In Miracles’ made it inside the R&B Top 100 in September of 1973, but dropped off the charts, and that was all she wrote for the Jackson Sisters….

Until the mid-80s, when ‘I Believe In Miracles’ was rescucitated as an anthem on the UK Rare Groove scene and made it back onto the UK charts.

The record, arranged by Gene Page is a masterpiece of dance floor engineering, with some hard-hitting drums (listen to those snare hits!), clavinet, and just enough horns and strings to class up the joint (but not too much).

‘I Believe In Miracles’ has a remarkable amount of kick to it (I’m posting the slightly more muscular mono version) and it’s hard to imagine anyone managing to stay in their seat when the needle hits the grooves (check out the way the song – another version – was used in the film ‘Cemetery Junction’).

The Jackson Sisters recording went on to be sampled a number of times, and the song was covered in 1992 by the UK group The Pasadenas.

The Mark Capanni 45 is exceedingly rare and sells for several hundred (sometimes over 1,000) dollars. It has been reissued by Jazzman in the UK and even that 45 can be pricey.

The Jackson Sisters OG runs around 200USD, especially version you see above, the vinyl promo issue with the stereo and mono mixes.

I hope you dig the tune, and I’ll see you all on Wednesday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, November 12, 2013 1:21 pm

Otis Clay

Listen/Download Otis Clay – Got To Find a Way

Greetings all

Welcome to the middle of the week. Today’s selection is another one of those records that the first time I heard it, I knew I had to have it.

I had the old stereola warmed up and my aerial pointed in the direction of New Zealand, where my man Kris Holmes was slinging the 45s on Radio Ponsonby, when I first heard the mind-blowingly soulful strains of Otis Clay singing ‘Got To Find a Way’.

While I certainly knew his name – Clay had a run of R&B hits between 1967 and 1972 – it wasn’t until I picked up his outstanding cover of the Sir Douglas Quintet’s ‘She’s About a Mover’ (which skirted the outside of the R&B Top 40 in 1968) that I became acquainted with his music.

That was some years ago, and no matter how cool the aforementioned 45 was (both sides, too) I was unprepared for the explosive soul power of today’s selection.

Though this song was also recorded by the great Harold Burrage two years earlier (1965)  for M-Pac , there’s just no comparison.

Man, oh man, this is a stone solid, ass-kicker of a 45. It has everything, from a spellbinding vocal by Clay, catchy melody by Jimmy Jones and a powerful arrangement.

Every instrument in the mix verily explodes through your speakers, and oddly enough it sounds like a live mix. The drums (listen to those snare hits!), piano, rhythm guitar and horns are exquisitely balanced, propelling Clay’s vocal into the stratosphere.

Here we have the fabled intersection of pure, undiluted soul shouting, pop hooks and dance floor burn, jumping from the grooves on a 45 that is neither well known, nor exceedingly rare.

If you were similarly moved, you could head on over to Ebay and slap down less than twenty bucks (a steal, you should send the guy a fifty and insist he keep the change) and walk away with two and a half minutes of soul power that’ll set your record box (and any dance floor you bring it to) on fire.

I’m serious…if this record doesn’t knock you back on your heels, I don’t know what to tell you.

I mean, KABOOM.

Honestly.

See you on Friday

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.