Category: Rare Groove

Funky16Corners 2019 Pledge Drive!

By , June 16, 2019 10:45 am

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Funky16Corners Presents: Breaking Down the Walls of Heartache
A Solid Hour of Soul For Dancers 

Isley Brothers – Got To Have You Back (Tamla)|
Bandwagon – Breaking Down the Walls of Heartache (Epic)
Teri Nelson Group – Love Is Getting Better (Kama Sutra)
Yvonne Fair – Just As Sure As You Play (You Will Pay) (Smash)
Little Richard – Whole Lotta Shaking Going On (Veejay)
Billy Graham and the Escalators – Ooh Poo Pah Doo (Atlantic)
Anna King- If You Don’t Think (Smash)
Jimmy Jones – Don’t You Just Know It (Parkway)
Bobby Whitlock – And I Love You (HIP)
Big Dee Irwin – Discotheque (Roulette)
Aldora Britton – Do It With Soul (Columbia)
Betty Everett – I Can’t Hear You No More (Veejay)
Monti Rock III – For Days and Days (Mercury)
Johnny Moore – A Dollar Ninety Eight (Wand)
Maxine Brown – Anything You Do Is Alright (Wand)
Jun Mayuzumi – Black Room (Capitol JP)
Spyder Turner – Dream Lover (MGM)
Sweet Inspirations – Just Walk In My Shoes (Atco)
Bobby Lester – Hang Up Your Hang Ups (Columbia)
Johnny Daye – I Need You (Stax)
Toni Lamarr  – If I Didn’t Love You (Buddah)
Capitols – We Got a Thing That’s In the Groove (Karen)
Delcords – Just a Little Misunderstanding (UP)
Joe E Young and the Toniks – Get That Feeling (Toast)
Alvin Cash and the Crawlers – Do It One More Time (the Twine) (Mar V Lus)

Listen/Download -Funky16Corners: Breaking Down the Walls of Heartache – 114MB Mixed MP3

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Funky16Corners Presents: Loose and Groovy
An Hour of Instrumental Wonderfullness Packed With Breaks!

Dizzy Gillespie – Stomped and Wasted (GWP)
Sonny Cox – Chocolate Candy (Bell)
Cal Tjader – The Tra La La Song (Skye)
George Shearing, the Quintet and the Amigos – Aquarius (MPS/BASF)
Gordon Staples and the String Thing – Get Down (Tamla)
Bob Dorough – A Taste of Honey (MMO)
Harry J All Stars – Spyrone (Harry J)
Impact of Brass – So Far So Good (Rare Earth)
Al Serafini his Electronic Sax and Orchestra – Lil Rosey (Audio Fidelity)
Willie Bobo – Grazing In the Grass (Verve)
Odell Brown and the Organizers – Day Tripper (Cadet)
Terumasa Hino Quintet – Snake Hip (Capitol JP)
Lou Garno Quintet – Chicken In the Basket (Giovannia)
Johnny Frigo Quartet – Dance of Love (Orion)
Richard Fudoli – Gwee (Date)
Soulful Strings – Zambezi (Cadet)
The Touch – Pick and Shovel (LeCasVer)
Soul Searchers – Think (Sussex)

Listen/Download -Funky16Corners: Loose and Groovy – 87MB Mixed MP3

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Greetings all.

The Funky16Corners 2019 Allnighter/Pledge Drive is here!

Things are looking (much) different this year.

This is the 10th year of doing a pledge drive here at Funky16Corners, and the landscape, and (forgive the use of the word) ‘mission’ of Funky16Corners has evolved fairly drastically since the blog opened it’s doors nearly 15 years ago (not counting the webzine years).

The world of music blogging is not what it once was. The way people access music and information on the web is a whole different thing than it was when I started. Traffic is a small fraction of what it once was.

The main thrust of what I do here at Funky16Corners has also changed significantly.

Starting with single-song blog posts in the early days, moving on to DJ mixes, then the beginning of the Funky16Corners Radio Show (which is nearing the 500 episode mark!), then the various and sundry guest mixes, in and outside of the pledge drive context.

I have to begin by sending out my thanks to all of the amazing DJs that have been generous with their time and their records over the years, all of whom I am proud to have featured at Funky16Corners.

The last few years have seen my move into live radio broadcasts, with Funky16Corners Radio Show and Testify!, my show for WFMU’s Give the Drummer Radio appearing weekly, and the Iron Leg Radio Show (nearing 100 episodes) monthly.

As a result of the workload associated with this change, the frequency of blog posts has decreased to once a week.

This year I decided that I needed to take a break from the Allnighter/Summer of Soul format, if only to ease off of the workload associated with putting it all together (and maybe spend a little more time with the fam while they’re home for the summer).

In it’s place I have created two brand new, hour-long mixes.

The first, Breaking Down the Walls of Heartache is an hour of dancefloor soul, with a grip of new and recent arrivals in the Funky16Corners crates.

The second. Loose and Groovy is a collection of instrumentals, many of them funky, packed with breaks and loopable grooves for days.

The focus on using Patreon to raise money to pay the bills around here (paying for server space/bandwidth and broadcast fees) has proven to make a lot of sense, moreso than the previously used Paypal model.

If you dig any of the stuff I do here, any of the radio shows, or the mix archives, or even if you’re one of the few that still read the blog posts, please consider signing up for Patreon and making a small, recurring, monthly donation of a few dollars.

You can click on the link below.

It’s pretty simple, very safe and a great way to keep Funky16Corners up and running for another year.

So thanks in advance, and enjoy the tunes!

Keep the Faith

Larry

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The pledging will continue this year with Patreon (click here or on the logo below to go to the Funky16Corners page) , where you will be able to spread your contributions out over the entire year, which will help cover the ongoing server/broadcast/hardware expenses. This year has seen the move to 100 percent live broadcasting (Mixlr.com/Funky16corners)  and continued hardware and software upgrades at Funky16Corners central, to keep the radio/podcasting experience as seamless and groovy as possible. So please dig deep so we can continue to do the same, and if you’re already a Patreon donor, please accept my heartfelt thanks!

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I am also including a Paypal donation button (below) if you’d rather donate in a lump sum instead of the rolling donation in Patreon.





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So, download and dig the mixes, keep digging the radio shows!

Also, make sure to follow Funky16Corners on Instagram, Twitter and Facebook.

Keep the faith

Larry

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PS Head over to Iron Leg when you have a minute!. <

Bobby Hutcherson 1941 – 2016

By , August 16, 2016 12:36 pm

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Bobby Hutcherson

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Listen/Download – Bobby Hutcherson feat. Harold Land – Ummh MP3

Listen/Download – Bobby Hutcherson feat. Harold Land – Goin’ Down South MP3

Greetings all.

I woke up this morning to the extremely sad news that one of my musical heroes, the mighty vibraphonist Bobby Hutcherson had passed away.

I have been a jazz fan my entire life, but there was a period in the late 80s and early 90s, in the years right after I stopped playing in bands and decided to spend my time intently listening, that I bought, studied and listened to almost nothing but jazz.

Though I was digging everything from Bix Beiderbecke to Archie Shepp, the broadest area of my focus was applied to the post-bop/modal/out years from the late 50s to the early 70s, and in large part to the sounds of the Blue Note label.

At the time, Blue Note was engaged in an aggressive CD reissue campaign, part of which was the Connoisseur Series, in which they pressed up some of the more obscure, challenging and interesting titles from their back catalog in limited quantities. I picked up the discs in that series religiously, as well as anything else I could find that I dug, sometimes to the tune of three or four albums a week.

It was during that time that I discovered and fell in love with the music of Bobby Hutcherson.

If you come here on the reg, or dig the podcast, you know that I am a certified vibes nut, and Hutcherson was a master of the instrument (as well as the xylophone and marimba) who played in a wide variety of settings as a leader and a sideman, and in styles ranging from bebop, to modal, to inside/outside to free jazz with just about every great musician associated with Blue Note.

Head on over to Discogs and take a look as his own catalog, as well as his work as a sideman.

I was lucky enough to see him play (and meet him briefly) back in the 90s when he played in New York City.

The tracks I bring you today are from the funkiest date he did, 1971’s ‘San Francisco’, recorded with the giant of the tenor saxophone, Harold Land.

Land, who had been working steadily since the late 40s, and had been a crucial member of the Clifford Brown/Max Roach band, formed a partnership with Hutcherson in the late 60s, with the pair recording a number of albums (trading the leader’s position) over the next decade for a variety of labels.

‘San Francisco’ was a west coast date, featuring Joe Sample (of the Crusaders) on electric and acoustic piano (he also wrote ‘Goin’ Down South’),  Hutcherson and Land stretching out on some more groove-oriented material, and great production by Duke Pearson.

You’ve heard ‘Ummh’ and ‘Goin’ Down South’ in mixes here at Funky16Corners, but neither has been featured on the blog.

Both tunes have been sampled, ‘Goin’ Down South’ by Us3 and ‘Ummh’ by Ice Cube.

I’m also re-posting below, an all-vibes mix I put together in 2010 called ‘Positive Vibrations’, which features Hutcherson, as well as a number of his contemporaries from the 60s and 70s laying down funky and soulful vibes.


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Funky16Corners Radio v.79 – Positive Vibrations!

Playlist

Lionel Hampton – Greasy Greens (Glad Hamp)
Jack Wilson feat Roy Ayers – Sidewinder (Vault)
Freddie McCoy – Peas and Rice (Prestige)
Jack Brokensha and the Baroqe-a-delics – Boogaloo (Contrast)
Bobby Hutcherson – Goin’ Down South (Blue Note)
Cal Tjader – Ode to Billie Joe (Skye)
Ulysses Crockett – Sunshine Superman (Transverse)
Gary Burton – Leroy the Magician (Atlantic)
Milt Jackson – People Make the World Go Round (CTI)
Bobby Christian – Mooganga (Ovation)
Johnny Lytle – Above the Clouds (SS)
Lionel Hampton- Them Changes (Brunswick)
Freddie McCoy – Beans’n’Greens (Prestige)
Soulful Strings feat Billy Wooten – One Night Affair (Cadet)
Cal Tjader – Soul Sauce (Verve)

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If you get the chance, look for any of Hutcherson’s Blue Note albums, but especially ‘Patterns’, which was recorded in 1968 but shelved (inexplicably) until the 80s. It is by far my favorite Hutcherson album, and featured the underrated/underrecorded reedman James Spaulding as well.

Hutcherson was a giant, and he will be missed.

See you all on Friday.

Keep the faith

Larry

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PS Head over to Iron Leg too.

Richard Evans 1932-2014

By , October 8, 2014 12:22 pm

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Richard Evans

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Listen/Download Dorothy Ashby – Soul Vibrations

Greetings all

I come to you today with a heavy heart, and the news that the mighty Richard Evans has passed away.

He had been living in Massachusetts, where he’d taught at Berklee College of Music for more than two decades.

If you’ve spent any time here at Funky16Corners, either in the early days at the web zine, or over the last decade here at the blog, you know that there are few musicians I respect as much as Richard Evans.

Evans was a composer, producer, arranger and bassist who, alongside (sometimes in collaboration with) Charles Stepney created the Cadet Records sound in the 1960s.

Born in Alabama, but raised in Chicago, Evans started working as a sideman (including a stint with Sun Ra and the Arkestra), eventually making his mark at the Chess subsidiary Cadet Records.

His work as producer/arranger/composer appeared on a grip of records through the 60s by artists like Ramsey Lewis, Dorothy Ashby, Odell Brown and the Organizers, Terry Callier, Marlena Shaw, but most importantly with his pet project the Soulful Strings.

Beginning in 1966, Evans put the full weight of his talents behind the group that would create some of the most sublimely grooving music of the late 60s.

The role of arranger has generally been a behind the scenes one, with many of its most important/trailblazing figures – Fletcher Henderson, Gil Evans, Tadd Dameron etc – working in the jazz world.

The ability to ‘paint’ musically with the various voices of an ensemble to create something greater than the sum of its parts is – when done well – a truly remarkable thing.

Richard Evans was such a gifted ‘painter’.

Never losing sight of his jazz roots, Evans moved on to a more explicitly soulful platform, employing electric instruments, unusual percussive elements, and most importantly strings, to make some of the best albums that many people have never heard.

The Soulful Strings only had a single Top 40 R&B hit, 1968’s ‘Burning Spear’, yet the group proved to be very influential.

They released seven LPs between 1966 and 1971 that consistently subverted the established idea of instrumental pop, taking the music in new and often surprising directions.

Evans was also working with other artists in the Cadet stable, as well as the occasional outside project (Victor Johnson, Nolan Chance, Young Holt Unlimited), but the Soulful Strings form the core of his legacy.

The sad thing is, that outside of people who dug them the first time around, and crate diggers and soul heads, the Soulful Strings are largely unknown, their records having been out of print (and never reissued domestically as far as I can tell) since the 1970s.

Some of their 45s are easy to come by, but the LPs can prove elusive. More than once I’ve had people who  loved the group tell me that they had no idea they had released seven albums.

I made reference above to arrangers being ‘painters’ of sound, and Evans was a virtuouso.

It helped that Evans had at his disposal some of the finest musicians working at the time,folks like Phil Upchurch, Donny Hathaway, Morris Jenning Jr, Cleveland Eaton, Bobby Christian and Billy Wooten among others.

Great painters will use pigments and brush strokes to recreate light and texture in ways that are interesting and pleasing to the eye. A great arranger – like Richard Evans – does much the same thing, using aural textures and dynamics to please the ear (and the mind).

Evans’ arranging ‘signature’ can be heard in string voicings and the appearance of unusual instrumentation like kalimba, or theremin, in such a way that after digesting enough of his work, a listener begins to recognize these trademarks.

Yesterday, after news of Evans death began to appear on social media, a friend posted a track that I’d never heard before, Ahmad Jamal’s 1973 cover of Foster Sylvers’ hit ‘Misdemeanor’. As soon as I played the clip, I could hear Richard Evans hand in the ‘canvas’, crisp, but grooving rhythm section, and then the strings.

The track I feature today, in memory of Richard Evans is one that I was shocked that I’d never posted here (outside of mixes) at Funky16Corners.

Dorothy Ashby, the jazz harpist who made some of the most interesting LPs in the Cadet catalog (and appeared on Soulful Strings sessions as well), recorded ‘Soul Vibrations’ in 1968.

The song, composed, arranged and produced by Richard Evans, is in many ways the finest thing he ever put his stamp on outside of the Soulful Strings.

‘Soul Vibrations’ is simultaneously head-noddingly funky, and positively avant garde.

Propelled by a throbbing acoustic bass, drums and percussion, and a jarring theremin, the palette is balanced by Ashby’s beautifully played harp, and, of course, those strings.

There are times where it sounds like a transmission from some funky corner of outer space. When I was putting together the tracks for the Mothership Mix, it was the first thing I thought to include.

I’m also reposting the Soulful Strings mix I put together back in 2007 (see below) , and you should check out the ‘All Strung Out’ mix from 2012, which features all manner of soul and funk featuring strings, including many tracks directly influenced by Evans’ work with the Soulful Strings.

As I said before, outside of the occasional comp appearance (some of them very strange, search Soulful Strings in iTunes…) these amazing records are long out of print, a problem that who ever is owns the Cadet catalog should take care of as soon as possible.

I hope you dig it all, and if the music is new to you, give it all a nice, deep listen (headphones, people!) and appreciate the genius of Richard Evans.

See you all on Monday.

Keep the faith

Larry

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Originally posted in 2007

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Funky16Corners Radio v.33- Soul Message – the Soulful Strings

Playlist

Burning Spear (B) (Evans)
The Stepper (C) (Evans)
Soul Message (C) (Evans)
Listen Here (E) (Eddie Harris)
I Wish It Would Rain (E) (Whitfield/Strong/Penzabene)
There Was a Time (E) (James Brown)
You’re All I Need (E) (Ashford/Simpson)
Zambezi (F) (Evans/Hathaway)
Chocolate Candy (F) (Upchurch)
Valdez In the Country (F) (Hathaway)
1974 Blues (F) (Eddie Harris)
Hey Western Union Man (G) (Gamble/Huff)
I’ve Got the Groove (G) (Gamble/Huff)
I Can’t Stop Dancing (G) (Gamble/Huff)

Listen/Download Funky16Corners Radio v.33 – Soul Message


Greetings all.

Today’s edition of Funky16Corners Radio is a project that I’ve been promising to do (after several requests) for a long time. I finally got my shit together this weekend, and so here you have Funky16Corners Radio v.33 – Soul Message, the sound of the Soulful Strings.

I’ve only ever done one other single-artist edition of Funky16Corners radio (Lee Dorsey), and after much delay decided to devote a mix to the Soulful Strings as they are not only one of my all-time favorite groups, but also because they are woefully underrepresented in reissue. As far as I’ve been able to tell none of their albums have ever been reissued domestically, and aside from a track here are there on comps, you’d pretty much have to dig up the original vinyl (which took me quite some time) to get the whole picture.

Though their 45s aren’t too hard to come by, the albums (most of them anyway) are another story entirely. They don’t command too high a price, but they can be very hard to track down.

If you’ve hung around here (or the webzine) for a while you already know that I am a huge fan of the legendary Richard Evans.

Evans, along with Charles Stepney – was the major creative force behind Chicago’s Cadet Records in the 60’s and 70’s. Originally a jazz bassist, Evans went to write, arrange and produce some of the finest records to come out of the Cadet catalog.

Despite what appears to have been a very busy schedule, in 1966 Evans began work on his own project, the Soulful Strings.

While Evans had always been an innovative arranger/producer, it was with the Soulful Strings that he began to experiment with the innovative instrumentation that he would go on to use to great effect with Dorothy Ashby, Marlena Shaw and Terry Callier among others.

Though at first glance the Soulful Strings appear to have been another easy listening/kitsch project engineered to cash in on an audience unable to stomach harder edged soul music (and the Chess brothers may very well have had that in mind) Evans was too much of a visionary to sit back and crank out dross. On the seven Soulful Strings LPs recorded between 1966 and 1971, Evans created some of the most interesting, vital sounds of his career.

It’s important to look past the name of the group and listen closely to the music on the records. When you do so the impression you get is not of a Montovani-esque vibe, but rather an energetic soul/funk/jazz rhythm section augmented (not overpowered) by strings.

This has everything to do with Evans’ vision of a truly soulful sound with a baroque twist (kind of a flipside of Stepney’s psychedelic soul experiments with Rotary Connection), but also with the players he worked with to build the sound.

Though only one Soulful Strings LP (Groovin’) sports a full personnel listing – the rest list only featured soloists – the core of the group was formed from the cream of Cadet sessioners like Stepney, Lennie Druss, Phil Upchurch, Donny Hathaway, Cleveland Eaton, Morris Jennings Jr. and Cash McCall, and vibraphonists Bobby Christian and Billy Wooten. The only strings players that are listed on multiple albums were violinist Sol Bobrov, and viola player Bruce Hayden, with bassist Eaton occasionally doubling on cello.

The debut LP, 1966’s ‘Paint It Black’ was composed entirely of covers. It wasn’t until 1967 and ‘Groovin’ with the Soulful Strings’ that Evans would include an original composition, and with ‘Burning Spear’ the group would have their biggest hit. The tune would go on to be covered by Kenny Burrell, S.O.U.L, Jimmy Smith, Joe Pass and the Salsoul Orchestra. There would be three Evans originals on ‘Another Exposure’, and none at all on ‘In Concert’.

It wasn’t until 1969 and ‘String Fever that an album would be dominated by original compositions, with tunes (and collaborations) by Evans, Phil Upchurch and Donny Hathaway beside two Eddie Harris tunes (1974 Blues and Cold Duck Time).

The final Soulful Strings LP, ‘Play Gamble-Huff’ was – as the title suggests – composed entirely of tunes written by Kenny Gamble and Leon Huff.

The tunes in this mix are not presented in chronological order, nor are all of the Soulful Strings albums represented. You can hear the title cut from ‘Paint It Black’ in Funky16Corners Radio v.31 – Soul Satisfaction*, and I’m holding off on tracks from the ‘Magic of Christmas’ LP until (wait for it…here it comes..) Christmas.

The mix opens with the Soulful Strings best known song, ‘Burning Spear’. Opening with kalimba (an instrument Evans would use frequently), the drums come in quickly until the flute takes the lead. It’s interesting that in a group where the Strings get top billing, the flute (mainly Lennie Druss, later Richie Fudali) is given an especially prominent role.

The next cut ‘The Stepper’ is a groovy swinger with some nice organ and a great guitar solo by Upchurch.

‘Soul Message’, another showcase for Lennie Druss has a propulsive beat and a seriously Eastern vibe.

Evans would dip into the Eddie Harris catalog several times, including a very nice version of the oft covered soul jazz standard ‘Listen Here’. It is one of the tracks from the ‘In Concert’ LP that sound (not surprisingly) ‘In studio’, or at least heavily overdubbed. Of the other ‘In Concert’ tracks included here, ‘I Wish It Would Rain’ is positively sublime, and one of my fave Soulful Strings cuts. ‘There Was a Time’, the group’s sole selection from the James Brown catalog actually manages to preserve some of the urgency of the original while recasting it in their own image. It also sounds as if it were actually recorded live. The final track included here from ‘In Concert’, Marvin Gaye & Tammi Terrell’s ‘You’re All I Need (To Get By), is another great fit of material to setting.

The next four cuts all come from what I consider to be the Soulful Strings finest moment, the 1969 LP ‘String Fever’. As I said earlier, ‘String Fever’ was composed almost entirely of group originals, which are all excellent. As a result, this is their funkiest album, with some of the tracks tapping into a slick, urban vibe that anticipates a lot of early 70’s soul.

‘Zambezi’ and ‘Chocolate Candy’ – both of which I’ve spun at DJ nights to positive response – are both incredibly cool. ‘Zambezi’ features some very groovy scatting (by Upchurch, I think) and ‘Chocolate Candy’, written by Phil Upchurch is a lost classic.

‘Valdez in the Country’ – which also features the guitar/scat combo) was one of the first Donny Hathaway tunes to be recorded, and went on to be covered several times by the likes of George Benson, Cold Blood, Gerald Veasely and Ernie Watts among others. Hathaway wouldn’t record it himself until 1973’s ‘Extensions of a Man’.

‘1974 Blues’, which originally appeared on Eddie Harris classic ‘Silver Cycles’ LP the year before takes a lighter approach than the original, with some great vibes (uncredited).

The final Soulful Strings LP ‘Play Gamble-Huff’ wouldn’t hit the racks until 1971. It features Strings-ized versions of several big hits, including Jerry Butler’s ‘Hey Western Union Man’ (also covered by Clarence Wheeler & the Enforcers), the O’Jay’s ‘I’ve Got the Groove’ and Archie Bell & the Drells’ ‘I Can’t Stop Dancing’.

Though I can’t say why that was the end of the Soulful Strings, it wasn’t long before Evans was releasing solo albums, as well as working as a bassist and arranger for Natalie Cole, Peabo Bryson and Ahmad Jahmal among others.

He eventually took a long-term position as a professor at the Berklee College of Music in Boston.

That all said, I hope you dig the Soulful Strings.
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Principal players
Richard Evans
– Arranger/Producer/bass
Lennie Druss – Flute
Charles Stepney – organ, vibes
Phil Upchurch – Guitar
Cleveland Eaton – bass, cello
Morris Jennings Jr. – drums
Bobby Christian – vibes
Billy Wooten – vibes
Cash McCall – guitar
Richie Fudali – flute
Sol Bobrov – violin
Bruce Hayden – viola

LP Discography
A. Paint It Black 1966
B. Groovin’ With the Soulful Strings 1967
C. Another Exposure 1968
D. Magic of Christmas 1968
E. In Concert 1969
F. String Fever 1969
G. Play Gamble-Huff 1971

45 Discography
The Sidewinder / Message To Michael – 1966
Paint It Black / Love Is A Hurtin’ Thing– 1967
Burning Spear / Within You Without You – 1967
The Stepper / The Dock Of The Bay – 1968
Jericho / The Who Who Song – 1968
I Wish It Would Rain / Listen Here – 1969
Zambezi / A Love Song – 1969

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

Funky16Corners 2014 Allnighter/Pledge Drive – DJ Prime Mundo – Soundset

By , June 12, 2014 11:18 am

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Prime Mundo – Soundset
rudy ray moore – put your weight on it [generation int.] wilson pickett – baby call on me [double l] meters – just kissed my baby [soul jazz] dave and ansell collins – that girl [big tree] hector rivera – drown my heart [barry] fatback band – njia walk [perception] the people’s choice – hot wire [grandland] bo diddley – ooh baby [checker] jackie verdell – hush [peacock] bobby moore’s rhythm aces – try my love again [checker] junior parker – lover to friend [blue rock] billy fury – what do you think you’re doing of [decca] jaynetts – sally go ’round the roses [tuff] b bumble and the stingers – nautilus [rendezvous] roy ayers – i can’t help myself [polydor] trevor dandy – is there any love [numero] dennis brown – black magic woman [sun shot] roscoe shelton – you got to roll with the punch [sound stage] jesse boone and the astros – no particular one [sunburst] sly and the family stone – remember who you are [warner bros.]

 

Listen/Download Funky16Corners Presents: DJ Prime Mundo – Soundset

 

NOTE: Today’s mix is from another Asbury Park 45 Sessions hitter, this time from my man DJ Prime Mundo.


Prime is another one of those guys that always has a surprise up his sleeve. His taste is unfuckwithable, and he is well versed in funk, soul, jazz, reggae and rock.


When you strap yourself in with a DJ Prime Mundo mix you know you’re in for an exciting ride

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He is a master chef out in the real world, and applies the same level of craft when on the turntables.


We have six more new mixes coming, starting on Monday with the mighty Tarik Thornton. You will not want to miss it!

If this is the first you’re seeing of the 2014 Allnighter, make sure to scroll back for mixes by M-Fasis, Tony C, DJ Prestige, Kris Holmes and Funky16Corners!

See you next week.


Larry

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Contest!

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Anyone that donates today to the Allnighter/Pledge Drive will (in addition to getting the badge and stickers) be entered into a random drawing for a copy of the Cultures of Soul 45 reissue of two very solid tracks by Roy Roberts, ‘So Much In Love’ (upbeat Northern Soul) and ‘You Move Me’ (Gritty, mid-tempo funk).
There will be more drawings over the next few weeks for CDs by Cultures of Soul, Light In the Attic and Secret Stash, and 45s from Cultures of Soul!

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The winner of yesterday’s drawing for The Wheedle’s Groove II CD is Manual Records and Comics!

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Greetings all

Welcome to the 2014 edition of the Funky16Corners Allnighter/Pledge Drive.

This is the ninth annual Pledge Drive, and the fifth Allnighter.

If you haven’t experienced the Allnighter/Pledge Drive, it can be explained as thus: once a year, the Funky16Corners Blog, your home for the best in funk, soul, jazz and rare groove vinyl for almost 10 years comes to you with hand outstretched, asking for donations to offset the operating expenses of the web site.

The Funky16Corners ‘operation’ (as it is) included the Funky16Corners and Iron Leg blogs, the mix archives for both (containing well over 200 mixes), and the Funky16Corners Radio Show/Podcast (another 200+ files available for download, or through subscription in iTunes).

The money raised during the pledge drive goes to pay for the server space and fees associated with hosting the whole megillah.

As has been attested to many times in the past, Funky16Corners has humble beginnings, starting out on the old (free) Blogger service, moving to WordPress, and then to self-hosted WordPress. The move to paid hosting was necessitated by increased bandwidth usage, as well as the need for a place to store all the mixes (and eventually the radio show episodes).

The Allnighter/Pledge Drive is a once-yearly occurrence, in which yours truly, and some of the finest selectors out there whip up new mixes for your delectation.

In past years, I have posted all of the mixes in a single post, and left it up for a week.

This year, the quality and quantity of the mixes spurred me on to try something a little different, i.e. posting a new mix each weekday for a period of just over two weeks. This way, each selector gets their moment in the spotlight, and the mixes get spaced out so that the listeners don’t suffer from mix-fatigue.

Each day, you’ll get a fantastic mix (there really are some amazing ones this year) from one of my favorite DJs, many of whom have participated in the Allnighter before, as well as a couple of great new contributors.

So, if you dig what we do here at Funky16Corners, click on the Paypal link and toss some cash into the barrel.




Contributors will receive a 2014 Allnighter badge, as well as some stickers from the archive (as long as they last).

Example

This year I will also be drawing the names of contributors at random for groovy swag, including CDs and 45s from Cultures of Soul, and CDs from Light in the Attic and Secret Stash.

So, dig the sounds for the next couple of weeks, and make sure you stop back on a daily basis to pick up new mixes and contribute for a chance to win some cool stuff.

Thanks, and as always,

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

Example Example

PS Head over to Iron Leg too.

Funky16Corners 2014 Allnighter/Pledge Drive – M-Fasis – Summer Rocks

By , June 11, 2014 11:02 am

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M-Fasis – Summer Rocks
intro- ‘Bad words/Evil people’-Skin Valley (Stax),
‘Comment’-Les Mcann (Atlantic)
1- ‘Freedom’-Love Song (Good News)
2- ‘Summer in the City’-Quincy Jones (A&M)
3-‘Hook & Sling’-Eddie Bo (Scram)
4-‘Filthy McNasty’-Filthy McNasty (FM)
5-‘Hand Clapping Song’-Meters (Josie)
6-‘Minus/Plus’-Smith (Dunhill)
7-‘Bring It On Down To Me’-Bobby Franklin’s Insanity (Thomas)
8-‘Psychedelic Soul’-Chylds (Warner Bros.)
9-‘Don’t Mess With The Press’-Mick Paladin & The Power of the Press
10-‘When I’m a Kid’-Demis Roussos (MGM)
11-‘Bad’-Jimmy Castor Bunch (Kinetic)
12-‘Get Off the Streets Y’all’-Eric & The Vikings (Soulhawk)
13-‘Let’s Start 2 Dance Again’-Bohannon feat. Dr. Perri Johnson (Phase 2)
14-‘Evil Love’-Thee Midnighters (Chattahoochee)
15-‘Hey Joyce’-Lou Courtney (Popside)
16-‘Whatever You Do, Do It Good’-Gene Williams (Forte)
17-‘Mandolay’-La Flavor (Sweet City)
18-‘Hot Foxy Woman’-Six Feet Under (LeCam)
19-‘Ha Pasado Solo Un Mes’-Sylvana Di Lorenzo (RCA)
20-‘Affetmenseni’-Edip Akbayram Dostlar (Burçplakçilik)
21-‘Stones of Years’- Emerson Lake & Palmer (Atlantic)
22-‘Serengeti Bonus Beat’-The Whitefield Brothers (M. Whitefield)
23-‘Double Navaho’-Express Rising (Memphix)
24-‘Summer Sounds’-Sunshine Machine w/ Philadelphia Rhythm Section (Mascot)
25-outro

 

Listen/Download Funky16Corners Presents: M-Fasis – Summer Rocks

 

NOTE: Today’s mix is another great contribution from an Asbury Park 45 Sessions alumnus, the mighty M-Fasis.
M-Fasis – recently relocated to the desert from NJ, is one of those cats that always surprises me with unusual and interesting selections.
He is a tireless digger with outstanding taste with his ear attuned to sounds outside of the traditional funk and soul world.
‘Summer Rocks’ is classic M-Fasis, filled with satisfying twists and turns.
Slap on the headphones and pour this one into your ears.
See you tomorrow,
Larry

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Contest!

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Anyone that donates today to the Allnighter/Pledge Drive will (in addition to getting the badge and stickers) be entered into a random drawing for a copy of the second volume of the Wheedle’s Groove comp from Light In the Attic Records.

Compiled by the mighty DJ Supreme La Rock, Wheedle’s Groove II features another great collection of vintage and rare Seattle-area funk, modern soul and boogie.

There will be more drawings over the next few weeks for CDs by Cultures of Soul, Light In the Attic and Secret Stash, and 45s from Cultures of Soul!

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The winner of yesterday’s drawing for M-Tet 45 is George Myers!

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Greetings all

Welcome to the 2014 edition of the Funky16Corners Allnighter/Pledge Drive.

This is the ninth annual Pledge Drive, and the fifth Allnighter.

If you haven’t experienced the Allnighter/Pledge Drive, it can be explained as thus: once a year, the Funky16Corners Blog, your home for the best in funk, soul, jazz and rare groove vinyl for almost 10 years comes to you with hand outstretched, asking for donations to offset the operating expenses of the web site.

The Funky16Corners ‘operation’ (as it is) included the Funky16Corners and Iron Leg blogs, the mix archives for both (containing well over 200 mixes), and the Funky16Corners Radio Show/Podcast (another 200+ files available for download, or through subscription in iTunes).

The money raised during the pledge drive goes to pay for the server space and fees associated with hosting the whole megillah.

As has been attested to many times in the past, Funky16Corners has humble beginnings, starting out on the old (free) Blogger service, moving to WordPress, and then to self-hosted WordPress. The move to paid hosting was necessitated by increased bandwidth usage, as well as the need for a place to store all the mixes (and eventually the radio show episodes).

The Allnighter/Pledge Drive is a once-yearly occurrence, in which yours truly, and some of the finest selectors out there whip up new mixes for your delectation.

In past years, I have posted all of the mixes in a single post, and left it up for a week.

This year, the quality and quantity of the mixes spurred me on to try something a little different, i.e. posting a new mix each weekday for a period of just over two weeks. This way, each selector gets their moment in the spotlight, and the mixes get spaced out so that the listeners don’t suffer from mix-fatigue.

Each day, you’ll get a fantastic mix (there really are some amazing ones this year) from one of my favorite DJs, many of whom have participated in the Allnighter before, as well as a couple of great new contributors.

So, if you dig what we do here at Funky16Corners, click on the Paypal link and toss some cash into the barrel.




Contributors will receive a 2014 Allnighter badge, as well as some stickers from the archive (as long as they last).

Example

This year I will also be drawing the names of contributors at random for groovy swag, including CDs and 45s from Cultures of Soul, and CDs from Light in the Attic and Secret Stash.

So, dig the sounds for the next couple of weeks, and make sure you stop back on a daily basis to pick up new mixes and contribute for a chance to win some cool stuff.

Thanks, and as always,

Keep the faith

Larry

Example  

 




_________________________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

Example Example

PS Head over to Iron Leg too.

Funky16Corners Presents: The Mothership Mix

By , April 13, 2014 3:41 pm

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The Mothership,now boarding…

Parliament/Intro
Afro-Samurai
Dick Hyman – Give It Up Or Turnit A Loose
Capt Sisko
Jimi Hendrix – 1983 (A Merman I Should Turn To Be)
Morpheus/1
Scientist – The Dark Secret of the Box
Morpheus/2
Dorothy Ashby – Soul Vibrations
Gene Harris – Don’t Call Me Ni**er Whitey
The Brother From Another Planet
Phil Upchurch – Elektrik
Lando Calrissian
Electrostats – 21st Century Kenya
Mace Windu
Isaac Redd Holt Unlimited – Listen to the Drums
Darth Vader
Roots Radics Band – Son of Darth Vader
Mr Spock/Rahsaan Roland Kirk
Brother Jack McDuff – Moon Rappin’ (Edit)
Lt Uhura
Rotary Connection – Tales of Brave Ulysses
Danger Mouse/Murs/Free Design – To a Black Boy
Shuggie Otis – Pling!
EddieHarris feat Blind Willie Johnson – Dark Were the Silver Cycles (F16C Mash)
Sun Ra

Listen/Download Funky16Corners Presents: The Mothership Mix

Greetings all

Welcome to the new week.

I have something very groovy for you today.

A while back, one of my favorite Facebook-made acquaintances, the author Bill Campbell told me that he was assembling an anthology of afrofuturistic stories, and was thinking about using a mix as part of the Indiegogo campaign.

That anthology, ‘Mothership: Tales From Afrofuturism and Beyond’ is very, very cool, and I would suggest you avail yourself of a copy either in paper, or digital form. Make sure to check out the Rosarium Publishing web site as well.

Always looking for an interesting challenge, I offered my services in furtherance of that goal, and Bill said yes.

The mix you see before you is one of those that I had rolling around the back alleys of my mind for a long time before I actually stated pulling out records, digging for drops etc.

The concept of afrofuturism is especially intriguing, and the thought of finding its application in musical form really got me thinking.

There are musicians included in this mix that worked the conceptual side of things rather directly, like Jimi Hendrix and George Clinton, and some that worked their way into the groove stylistically (Eddie Harris, Shuggie Otis) and others that just created a specific piece of music that seemed destined for inclusion in the mix (Dick Hyman’s epic reworking of JB for instance).

I was trying to create a vibe – which is what you ought to be doing with a mix, anyway – but in this instance, it was far removed from the dance floor and drilled deep inside the head (via the ears, naturally).

This is definitely one for the headphones, trippy, often deep, sometimes weird and in several spots traveling outside the known boundaries of the Funky16Corners universe.

I’m proud to have been given the opportunity to work with Bill, and very happy with the mix.

I hope you dig it too.

I’ll be back later in the week with another brand new mix.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

Example Example  

PS Head over to Iron Leg too.

The Jackson Sisters – I Believe In Miracles

By , November 24, 2013 1:07 pm

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Cover of the Jackson Sisters LP

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Listen/Download The Jackson Sisters – I Believe In Miracles

Greetings all

The new week is upon us, and in the spirit of getting things off to a banging start, I thought I’d whip a little dynamite on you.

Last year, whilst I was nearing the end of a very fruitful vinyl dig out in Pittsburgh, I realized that the store in question had a box of pricier items propped up on the front counter.

Not one to let an opportunity such as this pass me by, I set my stack o’wax down, and started digging anew.

I ended up pulling another dozen or so discs out of that box, including the gem you see before you this very day.

I do not recall where I first encountered the Jackson Sisters ‘I Believe In Miracles’ but I can almost say with certainty that I knew the record’s label before I ever heard the song.

Back when I used to frequent a certain funk/soul/hip hop oriented message board, ‘finds’ lists used to be be one of my favorite things to peruse, always with amix of wonder and jealousy.

The Jackson Sisters 45 of ‘I Believe In Miracles’ used to pop up now and then (it is not a common 45) and the very groovy Prophesy Records label found itself a niche in my memory.

When I finally got around to actually hearing the record, I was blown away.

‘I Believe In Miracles’ is that perfect mixture of funk and disco, combined with an actual, catchy song (as opposed to the stand-alone groove of so many discs of the era).

First recorded by Mark Capanni, and co-written by Capanni and Bobby Taylor, ‘I Believe In Miracles’ was a much mellower affair in it’s original form.

The Jackson Sisters – Jacqueline, Lyn, Pat, Rae and Gennie – who hailed from Compton, CA but operated out of Detroit recorded one album (for the Tiger Lily label) and a few 45s in the early 70s.

‘I Believe In Miracles’ made it inside the R&B Top 100 in September of 1973, but dropped off the charts, and that was all she wrote for the Jackson Sisters….

Until the mid-80s, when ‘I Believe In Miracles’ was rescucitated as an anthem on the UK Rare Groove scene and made it back onto the UK charts.

The record, arranged by Gene Page is a masterpiece of dance floor engineering, with some hard-hitting drums (listen to those snare hits!), clavinet, and just enough horns and strings to class up the joint (but not too much).

‘I Believe In Miracles’ has a remarkable amount of kick to it (I’m posting the slightly more muscular mono version) and it’s hard to imagine anyone managing to stay in their seat when the needle hits the grooves (check out the way the song – another version – was used in the film ‘Cemetery Junction’).

The Jackson Sisters recording went on to be sampled a number of times, and the song was covered in 1992 by the UK group The Pasadenas.

The Mark Capanni 45 is exceedingly rare and sells for several hundred (sometimes over 1,000) dollars. It has been reissued by Jazzman in the UK and even that 45 can be pricey.

The Jackson Sisters OG runs around 200USD, especially version you see above, the vinyl promo issue with the stereo and mono mixes.

I hope you dig the tune, and I’ll see you all on Wednesday.

Keep the faith

Larry

Example   ___________________________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

Example Example  

PS Head over to Iron Leg too.

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