Comments (3)

By Larry, March 22, 2012 3:11 pm

The Fatback Band

Listen/Download Fatback Band – (Are You Ready) Do the Bus Stop

Greetings all.

I hope you all find yourselves in a groovy place (literal, figurative or both).

It is – as always – time to remind you that the Funky16Corners Radio Show returns to the airwaves of the interwebs this Friday night at 9PM on Viva Radio. If you can’t join us at airtime, make sure to fall by the blog and pick yourself up an MP3 of the show (or dip into the extensive Radio Show archives with almost 100 past episodes).

I was wandering around inside my iPod the other night and fell upon a couple of rather hypnotic grooves, one provided by the Krautrockers Neu, and the other one you see before you today, as laid (very heavily) into the groove by the mighty Fatback Band.

Though I knew their name, they first entered my ears via my man DJ Prestige who whipped ‘I’m Going To See My Baby’ on me back in the day during our collaborative mix Beat Combination Pts 1&2.

If that is a record with which you lack familiarity, might I suggest you grab said mix.

That said, I became hip to Fatback’s Perception stuff, but it was only last year, whilts down in DC that my man DJ Birdman delivered unto me a stack of funky records, some of which I’d asked he grab in his travels, and some he just laid on me because he is the very personification of a righteous dude, who never lets me visit without sending me away with some new sounds.

The Fatback record he gave me that day was 1975’s ‘Raising Hell’.

I’d heard of (but not heard) a couple of the tracks therein, but once I dropped the needle, the one that really stuck with me was today’s selection ‘(Are You Ready) Do the Bus Stop’.

Fatback were one of those bands that straddled the funk and disco eras with ease, providing some transitional grease for those so inclined to take that particular trip.

They are memorable because they managed to keep the funk burning while spreading things out enough that the bellbottomed, wide lapelled folk would follow them out onto the disco dance floor.

‘(Are You Ready) Do the Bus Stop’ (which grazed the R&B Top 40) has one of the pumping-est bass lines you’re ever likely to hear, as well as some of that delicious clavinet partisans of 70s funk know and love.

The lyrics – as they are – are fairly dance floor chant-y, and the groove is as much late night drive through the city as they are bump it on the dance floor, thus the previous description as hypnotic.

You can feel free to swing your ass about, or just nod your head, depending on your situation/locale.

Either way you will be compelled to move.

I hope you dig the cut as much as I do, and I’ll see you all on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (0)

By Larry, March 8, 2012 5:14 pm

Playlist

Jenny Misty – Nature Boy- Breakout
Earnest Jackson – Funky Blackman (Stone)
Bill Withers – Kissing My Love (Sussex)
Talmadge Armstrong – You’ve Got So Much Feeling (In Your Love) (Love Records)
Sir Wales Wallace- Whatever you Want (Innovations 2)
Big John Hamilton – Just Seeing You Again (Minaret)
Alex Williams & The Mustangs – Thrill Aint Gone ( Jewel)
Ernest Johnson – Old Man Blues (Steph and Lee)
Rickey Calloway – Paid My Dues Part. 1 (Super Records)
Fabulous Counts – Rhythm Changes (Westbound)
Jimmie (The Shiek) Green – Let Yourself Go (Stringer)
Stage Three- Don’t Ever Go Home (Zelia)
Wisdom – Nefertiti (Adelia)

Listen/Download -The Wiz – Mixed by Tarik Thornton – 48MB Mixed Mp3/160K

Greetings all.

The end of the week is here and I have a very special treat for you all.

But first – as is always the custom – I simply must remind you that the Funky16Corners Radio Show will be blowing up the intertubes this Friday night at 9PM on Viva Radio. Or, should you be unable to attend at the time of broadcast, you can always drop by this very spot to grab yourselves an MP3 of this (or any of the previous ninety-some) week’s show.

_______________________________________________________________________________

Also, I don’t usually do a whole ot of plugs here, but I got word that the BBC is doing an hour-long radio documentary on one of my all-time faves, the mighty Wilson Pickett, featuring interviews with folks like Bobby Womack, Steve Cropper, Bobby Eli, Willie Schofield, Eddie Floyd, Sir Mack Rice, Rick Hall, and Spooner Oldham and the whole thing is narrated by none other than Roger Daltrey.

It will be broadcast on BBC2 (for you good folks in the UK) on Monday March 12th at 10pm and will also be available on their listen again feature on their website for the following 7 days.

_________________________________________________________________________________

Now, back to the treats.

If you are a regular attendee of the festivities here at the Funky16Corners you will already be familiar with the mixing/digging prowess of my man Tarik Thornton.

Tarik has contributed to both of the previous Funky16Corners Soul Club Allnighters, as well as dropping one of his live sets from the Hip Drop.

Tarik is a very solid cat and it should go without saying (but I’ll say it anyway) that I hold his musical taste in high esteem.

The mix he brings us today is his latest excursion, this in a down-to-mid-tempo style, entitled ‘The Wiz’.

I’m always down to listen to any of Tarik’s mixes, but this one is extra groovy.

Despite my obvious love for hard charging bangers (funk and/or soul) I have a highly developed taste for the somewhat more laid back side of funk (see ‘Easy Mover’ just added to the Guest Mix Archive), in the “it doesn’t have to crack you over the head to bring the funk” school of thought.

That is the vibe of ‘The Wiz’ with some stuff straight out of the old school, some of slightly later – how the kids say “modern soul’ bag – and some very tasty breaks as well.

He doesn’t belabor the point either, bringing the whole thing in at around a tight 40 minutes.

Give this one a spin with the lights down low.

I know you’ll dig it.

See you on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (10)

By Larry, February 22, 2012 11:56 am

Packy Axton (2nd from left) with some Memphis heavies…

Listen/Download -Martinis – Hung Over

Greetings all.

First, some important news.

The day before yesterday I found out that I was going to have to change the domain where the Funky16Corners Blog and web zine reside. Unfortunately I had very little notice and the change was made rather hastily.

As a result, a lot of people that come looking for the blog using the old funky16corners.lunarpages.net links are going to find NOTHING. If you use the www.funky16corners.com, or just funky16corners.com (no WWW) you’ll still get here.

The problem is, blogging being what it is, a lot of the incoming links are located in places where they aren’t likely to get changed any time soon, and it’s going to take Google a while to rediscover the content here.

In the interim, I would appreciate it, that if you’re associated with a blog or website that links here, please adjust the links accordingly. If not, please just pass the word along, via Twitter or Facebook, that we have moved.

As I explained briefly yesterday, the switch over to the new domain should appear largely seamless – completely so in regard to new content – but there will be some effect on older stuff.

The graphics have to be restored to all posts prior to last November.

The links should be working in the Radio Show, Podcast, Guest Mix and Soul Club archives. If you find any broken links, please let me know.

This is an especially hectic and stressful time already, and I may have missed something here or there.

Thanks – as always – for your patience.

__________________________________________________________________________________

That said, today’s selection is one of those records that have been staple in my crates for a long, long time, and I can’t honestly say why I never featured it before.

Why am I posting it now, you may ask?

Because it is, quite suddenly, timely.

A while back I provided some very minor assistance in the research for the folks assembling the Light In the Attic compilation ‘Charles Packy Axton: Late Late Party: 1965-1967’ for which they very graciously (and surprisingly) thanked me in the liner notes.

Long-time readers of the blog will be aware that packy Axton features prominently in one of my favorite sagas, that being the story of the Packers ‘Hole In the Wall’ (more here) and its reappearance as a single by a cat named Joe S Maxey (as well as the vocal cover by the Other Brothers).

Ever since being clued into the various recorded exploits of Charles Packy Axton in Rob Bowman’s excellent book ‘Soulville USA: The Story of Stax Records’ I have picked up Packers record where and whenever I find them.

Axton, the son of Stax co-founder Estelle Axton, was a saxophonist and a hard living party animal who expired prematurely in 1974 at the age of 32.

He was, through the 60s a member of the Mar-Keys, and recorded with a revolving cast of characters (that often included Stax heavies and the Hodges brothers of the Hi records house band) under the names the Packers, the Martinis and the Pac-Keys, as well as providing backing for singles by singers LH White and Stacy Lane.

Thes 45s are collected in the aforementioned Light In the Attic comp, which if greasy, low down R&B and soul is your bag, ought to be on your shopping list.

The tune I bring you today, ‘Hung Over’ is the very essence of smoky, late night grooves, until it is rudely interrupted by the sound of someone making a very loud noise, which I (and many others) assumed was simulated (?) vomiting, but according to the liner notes of the comp, was actually Packy’s version of an angry growl.

The flip side, ‘Late Late Party’ is built on the same frame.

The various and sundry Axton-related 45s run from not too expensive to very much so, so if you’re not dedicated to finding them and shaking out your wallet, picking up the CD might be a better idea.

I hope you dig the tune, and I’ll see you all on Friday.

Peace

Larry

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (10)

By Larry, February 19, 2012 3:15 pm

Roger and the Gypsies – Pass the Hatchet Pt1 (Seven B)
Professor Longhair – Big Chief Pt2 (Watch)
Bobby Marchan – Shake Your Tambourine (Cameo/Parkway)
Diamond Joe – Gossip Gossip (Sansu)
Eddie Bo – Hook and Sling Pt1 (Scram)
Lee Dorsey – Four Corners Pt1 (Amy)
Dixie Cups – Two Way Poc A Way (ABC)
Earl King – Street Parade (Kansu)
Meters – Cardova (Josie)
David Batiste and the Gladiators – Funky Soul Pt2 (Instant)
Bobby Williams – Boogaloo Mardi Gras Pt2 (Capitol)
Curly Moore – Sophisticated Cissy (Instant)
Ernie K Doe – Here Come the Girls (Janus)
Larry Darnell – Son of a Son of a Slave (Instant)
Explosions – Hip Drop Pt1 (Gold Cup)
Rubaiyats – Omar Khayyam (Sansu)
Warren Lee – Funky Belly (Wand)
Willie Tee – Sweet Thing (Gatur)
Danny White – Natural Soul Brother (SSS Intl)
Lee Dorsey – Who’s Gonna Help Brother Get Further (Polydor)
Oliver Morgan – Roll Call (Seven B)
Eddie Bo – Can You Handle It (Bo Sound)

Listen/Download -Funky16Corners Presents Boogaloo Mardi Gras! – 85MB Mixed Mp3/192K

Greetings all.

I hope you all are well.

I had some other things planned for today, then while I was out running errands I drove past a church with a sign up about Ash Wednesday, which meant only one thing to my deeply lapsed, heathen, ex-Catholic self (I’m so far gone I usually don’t catch on until I see people walking around with ashes on their foreheads), that being that Mardi Gras was at hand.

Despite my obvious affinity for and devotion to the music of New Orleans, for some reason I have a fairly consistent mental block when it comes to remembering Mardi Gras.

It seems that every single year it comes into my sightline either on the day of or after and I end up sitting here like a schmo wondering why I couldn’t get it together to commemorate that most significant of New Orleans-based festivities.

Fortunately, this year fate stepped in, I saw that sign and mixed you up a nice, spicy bowl of New Orleans funk and soul gumbo.

I don’t think there’s anything in this mix that hasn’t appeared in this space at least once over the years, but that shouldn’t stop you from digging in.

There are a few Mardi Gras-specific numbers here, including the record that gives the mix it’s title by Bobby Williams, the mighty Professor Longhair and ‘Big Chief’, the Dixie Cups and their Mardi Gras Indian chant Two Way Poc A Way’ and Earl King’s ‘Street Parade’.

There are also a grip of drum-heavy, NOLA party burners as well, powerful enough to get you up out of your seat and on to the floor.

I hope you dig the sounds and I’ll be back on Wednesday with something cool.

Also, don’t forget to check out the latest episode of the Funky16Corners Radio Show via the Flash player in the sidebar.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (7)

By Larry, February 16, 2012 2:06 pm

Slim Harpo

Listen/Download -Slim Harpo – Baby Scratch My Back

Greetings all.

It has been another busy week here at the Funky16Corners compound, with hospital visits and sundry other responsibilities that simply must be taken care of lest the world wind off of its axis.

First, a bit of important business to get out of the way.

As most of you probably know, these are dark times for music blogs.

The copyright wars are getting hotter all the time, with domains seized, blogs shut down and threats being issued on the reg.

Funky16Corners, one of the longer lived blogs of its kind, has been extraordinarily lucky over the years in that we have not once (knock wood) been on the receiving end of threats, take-down notices or other negative feedback related to the posting of music.

For the longest time, I kept things going as usual, with all of the Funky16Corners Radio Podcast mixes posted in the archive containing the individual files and a fairly relaxed attitude to breaking the links on the single tracks in the regular posts.

A while back I tightened the reins a bit on the regular posts, pulling down the tracks after a 10 day period so that Funky16Corners remained true to its spirit as an educational resource.

Then, a few months ago it became apparent that less, shall we say, “dedicated” bloggers were indemnifying themselves against difficulty by deep linking (posting links on their blogs directly to the URLs on my server) to my tracks, not to mention the same thing being done (in a much more mechanical fashion) by rogue MP3 services that scour the internet for content to offer their visitors.

Despite the fact that I was breaking the links in my posts, they were still available to anyone who had deep-linked or in some other way recorded the full URL of the tracks.

My initial reaction to this was to relocate my on-line archive (which I use frequently to access tracks for mixes and tribute posts to artists that had passed on) and to move tracks to “off-line” locations after the aforementioned 10-day period.

The more I thought about the situation the more I decided that I needed to take whatever steps I could to protect Funky16Corners without compromising the “mission” (for lack of a better word) of the blog.

As a result, I did some restructuring at the server level, as well as removing the ZIP file links from the Podcast Archive.

All of the mixed MP3 files remain, but access to individual tracks has, at least for the time being, been removed.

I know that some of you will be disappointed – the archive is one of the most heavily traveled parts of the site – but this is something I felt needed to be done.

I have always felt that what I do here at Funky16Corners – as well as most of the blogs I link to – is much different than the popular idea of music blogging.

I have never posted full albums here, and the music I do post is always posted along with commentary and historical context.

I’m happy to say that in the many cases where I have been contacted by an artist that was featured here or a member of their family, the feedback has always been positive.

Unfortunately, the reality of blogging in 2012 is that the worst possible scenario could descend at at minute, and I owe it to myself to make this environment as “safe” as possible.

Hopefully the status quo will be maintained.

___________________________________________________________________________________

That said, I should also remind you that the Funky16Corners Radio Show takes to the airwaves of the interwebs Friday night at 9PM on Viva Radio. If you cannot make the scene at airtime, you can always come by the blog on Saturday and pick up an MP3 of the show.

Also (yes, there’s more…) the post I recently did about the passing of the great Johnny Otis has been republished on the Greek culture website The Goddess of the Hunt!

___________________________________________________________________________________

What better way to face such chaos than a bit of mellow (bot not too mellow), soulful (just the right amount of soul) Louisiana blues.

Does the name Slim Harpo set your ears vibrating and your feet moving just so?

Though I can’t remember the exact day, I do know the year that the sounds of Mr James Moore (aka Slim Harpo) first breached the redoubts of my ears.

It was sometime back in Nineteen and Eighty Seven that my brother from another mother, the Bluesman handed me a brick of cassettes, all of which contained the sounds from whence he got his sobriquet.

There, alongside the Kings (Albert and BB) was a tape featuring the sounds of the mighty Slim Harpo.

While the name was at the time familiar (no doubt due to British Invasion coverage of his catalog by cats like the Rolling Stones, the Kinks and Them) I had never heard the originals.

I was in for a treat.

While I listened to all of those tapes, the one that took up permanent residence in my automobile was the Slim Harpo collection.

There was something very groovy about Slim’s voice and harmonica that shot right into the pleasure centers of my brain.

Years of reflection have led me to the conclusion that this was probably due to the fact that the music of Slim Harpo, while bluesy, was not entirely “the blues”, swimming in a swamp of R&B, soul and even country sounds, and it was all wrapped up in his unique voice.

He recorded his first record for Excello in 1957, and had his first hits in the early 60s and his first (and only) R&B Number One hit with the record you see before you today ‘Baby Scratch My Back’ in 1966.

The groovy thing is, that while there is something undeniably laconic about Slim Harpo’s music, the more you listen to this record in particular the more you realize how danceable it is.

It’s not a hard-charger, but it possesses a groove as thick as molasses.

Sadly, Slim Harpo died in 1970 at the age of 46, felled by a heart attack.

If you dig this cut, head out and grab yourself a copy of ‘The Best of Slim Harpo’ and get hip to a master.

See you on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (4)

By Larry, February 12, 2012 2:53 pm

Listen/Download -Bobby Hollaway – Cornbread, Hog Maws and Chitterlins

Greetings all.

Welcome to another week here at the madhouse with sixteen funky corners.

I have to begin by telling you all, that if you intend to click on the MP3 link in today’s post that you should really strap yourselves in.

One of the most important part of being a good DJ is taste, not only ones own, but the ability to recognize it in others.

Over the years I’ve come to trust the opinions of several DJs/collectors, one of whom is the mighty Midnight Cowbwoy down in Crackalack.

He’s one of those guys who has excellent taste in music, and who is always putting excellent stuff in his playlists that I haven’t heard before.

Late last year, when I posted a couple of versions of ‘The Little Drummer Boy’ in this very space, he mentioned to me that I ought to pick up a 45 by a cat named Bobby Hollaway called ‘Funky Little Drummer Boy’.

It wasn’t long before I found a copy and grabbed it sight unheard.

So, a few days go by and the record in question falls through the mail slot and I promptly carry it to the turntable where I placed it under the needle with care.

As soon as it started spinning I knew it would be featured prominently during the Funky16Corners Christmas 2012 festivities.

That said, I then flipped the disc over and saw that the B-side was entitled ‘Cornbread, Hog Maws and Chitterlins’, and since I can’t very well see a title like that and not play the record, I gave it a spin.

Holy shit…

It was like finding a ten dollar bill, flipping it over and realizing that the number in the corner was really ‘100’!

The song in question is just a hair under two minutes of fast-moving, spellbinding, hair-raising, ass-kicking (there was a special on hyphens down at the blog store!) instrumental soul.

Wham bam thank you ma’am – as the saying goes – what you get here is some greasy organ, hard-hitting drums, saxo-mo-phone and fatback guitar – all piled up on a paper plate and slathered in gravy.

The whole thing is like a stick of dynamite, but it’d be worth it if all you got to hear was the drums at the beginning of every chorus.

I haven’t been able to nail down any info on Bobby Hollaway, but once again, reading the fine print on the label provides some important clues.

I noticed that the record had been produced by Bobbie Howard (which sounded familiar) so I set out into the interwebs and discovered that this was in all likelihood the very same Bobbie Howard who had been in Washington, DC-area band the British Walkers.

The British Walkers were an R&B/garage/beat band who’s ranks included the likes of Roy Buchanan and John Hall.

Howard was also responsible for the Mod fave ‘Sh’Mon’ – released under the name Mr. Dynamite – and was in a band called The Sweet (not the UK band).

Interestingly enough, The Sweet’s 45 on Smash, produced by and featuring Bobbie Howard is exactly one catalog number down the list from the Bobby Hollaway 45.

Whether ‘Bobby Hollaway’ was a DC-area musician (sax or organ?) or a pseudonym for somebody else, I do not know, and if one of you does know, I would appreciate you dropping me a line clearing this whole thing up on account of I LOVE this record.

I hope you dig it as much as I do, and I’ll see you all on Wednesday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (3)

By Larry, February 1, 2012 2:09 pm

Mr Don Cornelius

Listen/Download -The Ramrods – Soul Train Pts 1&2

Listen/Download -The Rimshots – Soultrain Pts 1&2

Greetings all.

I come to you on what would normally be a ‘between-posts’ day because the news came down today that the great Don Cornelius had died.

Cornelius was the host of the long-running ‘Soul Train’, the premiere showcase for black music on national TV in the 70s, 80s and 90s.

I spent many a Saturday morning watching the best dancers in America groove on the Soul Train line and listening to his deep, rich voice end every show with the phrase “You can bet your last money it’ll be a stone gas honey!”

Cornelius got his start as an insurance salesman, but moved into entertainment as a DJ on Chicago’s legendary WVON in 1966.

Soul Train started as a local Chicago show on 1970, moving into national syndication in 1971 (Cornelius was the host until 1993).

Though the theme that most people associate with the show is ‘TSOP’ by MFSB and the Three Degrees, which was the show’s theme from 1973 to 1975, the original theme was an unusual, very groovy, and totally recycled record.

The original ‘Soul Train’, as credited by the Ramrods was used as the theme to the show from 1971 to 1973. It may very well have sounded familiar to some of the older heads in the audience, because it had originally been released almost ten years before as recorded by the Rinky Dinks (actually a group led by King Curtis on guitar) under the title ‘Hot Potato’.

I had never heard this ‘version’ of the Soul Train theme until a few years after I picked up a copy of the Ramrods 45, when I saw a clip from the early years of the show and heard it playing in the background.

When it was released on Rampage records in 1972 under the Ramrods name, it grazed the R&B Top 40, remaining on the charts for several weeks.

That same year, the Rimshots covered the song and released their version on the All Platinum subsidiary A-1 records.

I present both two-part versions in full today in remembrance of the mighty Don Cornelius, and because they both represent a good, greasy, soulful groove.

He will be missed and we wish him love, peace and soul.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (7)

By Larry, January 22, 2012 12:58 pm

Miss Etta James

Listen/Download -Etta James – Something’s Got a Hold On Me

Listen/Download -Etta James and Sugar Pie DeSanto – In the Basement Pt1

Listen/Download -Etta James – I’m So Glad

Listen/Download -Etta James – Tell Mama

Listen/Download -Etta James – I Got You Babe

Listen/Download -Etta James – I’d Rather Go Blind

Listen/Download -Etta James – I Worship the Ground You Walk On

Listen/Download -Etta James – Out On the Street Again

Listen/Download -Etta James – Groove Me

Greetings all.

I think that it would not be overstating things to say that for fans of the music we call soul, this has been an absolute motherfucker of a week.

First Jimmy Castor, then Johnny Otis, and then on Friday we got the news that the mighty Etta James had gone to her great reward.

Goddamn…

I mean, as we have discussed previously, we are in the midst of an era when these sad events will be coming with increasing frequency, but the inevitability of age doesn’t make these losses any easier to take.

Etta James was as bad-ass as they came.

When you talk about serious, heavy, real performers, they seldom got any realer than Etta James.

She came out of R&B, walked straight on into soul and funk, all the while packing one of the most powerful, emotional voices ever heard.

And that voice carried with it the seasoning of a hard life.

Born Jamesetta Hawkins  in Los Angeles in 1938, she first recorded (discovered by none other than Johnny Otis) in 1954 and hit the top of the charts in 1955 with ‘The Wallflower’ (aka Dance With Me Henry) in 1955.

She remained on the charts, both R&B and Pop, through the 50s, 60s and 70s, wrestling on and off with heroin addiction, yet still making some remarkably powerful records.

James recorded for Modern through the 50s, moving to the Chess organization (recording for Chess, Argo and Cadet) where she remained from 1960 to 1976.

The records she made during this period were some of the best soul of the era.

The songs I’m posting today while not by any means comprehensive, represent what I would consider to be her finest work*.

Starting with the epic ‘Something’s Got a Hold On Me’ from 1962 (I love pulling out a record that’s as old as I am…), you get Etta reaching back to her teenage, gospel roots, gathering some R&B on the way and whipping it all up into a solid blast of soul. The record is a great sampler of her vocal range, from her rich contralto right on through to her piercing growl.

Her epic duet with Sugar Pie DeSanto, ‘In the Basement’ has appeared in this space before, but to attempt to pay appropriate tribute to Etta without including it would be the work of a fool. Not only is one of the truly great soul sides of the 60s – by anyone – but you get to hear two monumental divas trading lines.

Another cut from 1966 (coming from the period right before she headed down to Muscle Shoals) ‘I’m So Glad’ sees James working a slightly different groove. While the vocal is classic, mid-period Etta, the instrumental backing – arranged by Monk Higgins – is pure Chitown soul.

Leonard Chess’ decision to send James down to Fame Studios in Muscle Shoals, Alabama was without a doubt one of the smartest things he ever did.

If ever a voice existed that sounded purpose-made for the backing of the legendary Fame house band, it belonged to Etta James.

James recorded just under two dozen sides (almost all released) at Muscle Shoals, and they represent not only a high point in her discography, but also in the long stream of genius that emitted from those hallowed halls during the 60s and 70s.

The best known of her Fame-era tracks is undoubtedly 1967’s‘Tell Mama’, which hit the R&B Top 10 and grazed the Pop Top 20. The tune is hard-charging Southern soul with a supremely confident vocal by James and a horn chart that is in itself a soulful bit of genius. It puts the well-known cover by Janis Joplin to shame.

It was only last year, courtesy of my man Vincent the Soul Chef that I was exposed to James’ insanely good cover of Sonny and Cher’s ‘I Got You Babe’. Never in a million years would I have imagined anyone, even a master like Etta James, taking a hippy-dippy pop confection and turning it into hard hitting proto-funk, but that’s exactly what she did.

Interestingly enough, both of the previously mentioned 45s had powerful ballads on the flip side.

‘I’d Rather Go Blind’ (the flip of ‘Tell Mama’) is widely regarded as one of James’ finest recordings, and for good reason. It’s one of those deep, bluesy soul ballads that sounds less like a performance than a late-night confession.

‘I Worship the Ground You Walk On’ (the flip of ‘I Got You Babe’) is cut from the same cloth, if a little less raw. It features a great change-up in the chorus as well.

By the 1970s, James was still with Chess/Cadet, but her sound was evolving. Her 1974 album ‘Come a Little Closer’ was reportedly recorded concurrent with a stint in rehab, and while her voice seems a touch deeper, dare I say smoother (though not to a fault), the power is still there. The track ‘Out On the Street Again’ is particularly interesting, with a a dark, smoky early-70s Motown feel (a la Norman Whitfield) feel to it.

The latest track I bring you today comes from her 1976 LP “Etta and Betta than Evah’. Produced by none other than the great Mike Terry, the album definitely has a 70s feel to it (some era-appropriate synth/clavinet action), but her cover of King Floyd’s ‘Groove Me’ is classic, funky Etta.

The album was her last for Chess, after which she moved to Warner Brothers.

What she left behind after a decade and a half is a veritable mountain of high quality soul music.

Despite her personal struggles, first with drugs and later with failing health Etta James remained an icon continuing to record and perform almost to the end, releasing her final album last year.

What you need to do next – assuming you already haven’t – is get out there and start digging for some Etta James records. There are plenty of them, and aside from a couple of heavily sweated 45s, they shouldn’t cost you all that much, and no matter what they cost, it’s worth it to add so much musical gravitas to your crates.

I hope you dig the sounds.

See you later in the week.

Peace

Larry

*Though I’m not posting her 1961 hit ‘At Last’ it holds a very special place in my heart. It was the first song my wife and I danced to at our wedding.

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (2)

By Larry, January 20, 2012 2:32 pm

A Younger Johnny Otis

Shuggie, Delmar and Johnny doing the Watts Breakaway

Johnny Otis in later years

Listen/Download -Johnny Otis Show – Country Girl

Listen/Download -Johnny Otis Show – Watts Breakaway

Listen/Download -Preston Love – Cool Ade

Listen/Download -The Mighty Flea – Ode To Billie Joe

Greetings all.

NOTE: I had planned to post this tribute to Johnny Otis on Monday. However, the word came down today that Miss Etta James had passed away, so I’m moving this post up a few days, and will pay tribute to Etta after the weekend.

A few days back I heard that the mighty Johnny Otis had passed away at the ripe old age of 90.

It had occurred to me that here in the year 2012, the name Johnny Otis would very likely be unfamiliar to many and known only peripherally (like they know they name but not the music behind it) to others.

Certainly many of you fine people that fall by here on the reg know and love not only the music he made, but much of the music that he facilitated, whether as talent scout, bandleader or even as father (on account of Shuggie is his son).

The sounds of Johnny Otis have been in my ears since I was a kid.

Though it’s fair to say that much of what I dig these days is his later funk and soul jams, I spent most of my formative years listening to oldies radio, which is why my ears (and head) are where they are now.

Any oldies station worth its salt would have been spinning his best known record, 1958’s ‘Willie and the Hand Jive’, though that was not his first or biggest hit* (he’d topped the R&B charts several times since 1950) but the first one to cross over to the pop chart (where it was Top 10).

Born John Veliotes in 1921, he got his start drumming in swing bands before starting his own outfit and hitting with ‘Harlem Nocturne’ in 1945.

Though he continued to record, he diversified, opening his own nightclub, working as a talent scout (he discovered both Little Esther Phillips and Etta James), A&R man for King Records (among other labels) and disc jockey.

Otis was particularly important because over the many decades of his career he touched on almost all aspects of black music (as it evolved) during that time, recording himself, or with others in blues, R&B, jazz, soul and funk.

It’s almost fitting to look at Johnny Otis as the center of an ever-expanding musical “galaxy” of sorts, with him as the hub around which of a wide variety of performers and supporting players expanded out into the world.

From his earliest days on Los Angeles’ Central Avenue scene, through his work with the revolving cast of the Johnny Otis Show (musicians and vocalists, performing and recording), on through his radio work Otis was constantly making or breaking music in some capacity. That he was able to do this in a professional capacity for almost 70 years is truly amazing.

The four tracks I bring you today have all appeared here at the blog over the years, and represent an interesting cross-section of Otis’ late 60s/early 70s funk and soul recordings.

The first two are the best known funk tracks recorded by the Johnny Otis Show, ‘Watts Breakaway’ and ‘Country Girl’, both featuring Johnny, his son Shuggie (you all know Shuggie, yes?) and vocalist Delmar Evans. Both tracks are prime, dance floor funk with the addition of sharp, often funny lyrics (especially ‘Country Girl’ which hit the R&B Top 40 in 1969).

The second pair of tracks are by Johnny Otis satellites/sidemen saxophonist Preston Love and trombonist Gene ‘The Mighty Flea’ Connors.

Preston Love’s ‘Cool Ade’ has the same humorous vibe (as well as Shuggie’s guitar) but moves at a slightly slower pace.

The Mighty Flea’s version of ‘Ode To Billie Joe’ is one of the funkier outings on that tune, with organ, drum breaks and Connors working the trombone in a Fred Wesley style. Otis and his pals also made some other excellent, in-demand funky 45s (with the same party vibe) for the Eldo label like ‘Keep the Faith’ and ‘Banana Peels’.

It also bears mentioning (once again) that the Vibrettes funk classic ‘Humpty Dump’ emerged from the Johnny Otis laboratory, not – as is often reported – that of Mr Eddie Bo.

That said, there is a lot more music out there to add to the Johnny Otis story.

I for one am going to settle in with a copy of ‘Midnight at the Barrelhouse: The Johnny Otis Story’ and get my learn on.

I hope you dig the tunes, and raise a glass (or perhaps a little hell) in memory of one of the true greats, Mr Johnny Otis.

Peace

Larry

*If mid-60s boogaloo is your bag, make sure you check out Castor’s Smash records material, which is excellent.

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (2)

By Larry, January 10, 2012 1:50 pm

Listen/Download – Sam Wright Group – Green Onions

Greetings all.

I’m going to have to make this quick today since I am currently bedeviled (like the egg, see?) with an infection of some kind that is making feel like old, wet garbage.

The tune I bring you today will certainly be a familiar one, if the version in question is not.

You know that I am an inveterate Hammond 45 junky, and will always pick up any and all interesting looking organ instro 45s, which is why I grabbed the one you see before you.

I’d certainly never heard of the Sam Wright Group, but since ‘Green Onions’ is one of my all time fave instrumentals, I figured it was worth picking up.

Which it was.

What is especially interesting is the fact that as it turns out, there probably was no Sam Wright.

The smoky, late-night take on the Booker T classic is in actuality just another product of the Synthetic Plastics Company.

Formed in Newark, NJ after World War Two, SPC had a variety of plastics-related endeavors, but the most important of them – at least as far as we’re concerned – is the one that made records.

Over the next five decades SPC (doing business under a variety of label names, such as Curio, Peak, Power, Diplomat, Guest Star , Spin-O-Rama, and most famously Peter Pan) released all kinds of stuff, from kids music and stories (mostly the Peter Pan label) to a panoply of knock-offs of the hits of the particular day, in a wide variety of genres, on the others.

I have absolutely no idea who played on these records, but from hearing more than one of them, my guess would be a range of talent from experienced club/studio musicians to utterly disinterested hacks.

Fortunately, whoever was wearing the Sam Wright Group mask was better suited to the material they were covering than some of their fellow exploiters.

Since the aim of the label seems to have been taking advantage of the current popularity of songs, I’d date this 45 somewhere in the vicinity of late 1962, early 1963.

Interestingly, I’ve also seen a listing for the Sam Wright Group doing a cover of the Tornados ‘Telstar’. Whether or not it was the same group of musicians I cannot say.

I hope you dig the record, and I’ll be back on Friday.

Peace

Larry

PS Thank you Leah…

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (14)

By Larry, December 27, 2011 7:58 pm

On the scene at Subway Soul

Willis Wooten – Your Love Is Indescribably Delicious (Virtue)
Bobby Doyle – River Deep Mountain High (WB)
Etta James and Sugar Pie DeSanto – In The Basement (Checker)
Barbara Lynn – Club a Go Go (Tribe)
Billy Butler – Right Track (Okeh)
Impacts – Thunder Chicken (Marmaduke)
Idris Muhammad – Express Yourself (Prestige)
Lavell Kamma and the Afro Soul Revue – Soft Soul (Tupelo Sound)
Sam Dees – Lonely For You Baby (Soul City)
Spellbinders – Help Me Get Myself Back Together Again (Columbia)
Jimmy Ruffin – 96 Tears (Soul)
Ella Fitzgerald – Savoy Truffle (Reprise)
Ray Bryant – Up Above the Rock (Cadet)
Mac Rebennack – The Point (AFO)
Della Reese – It Was a Very Good Year (ABC)
LaVern Baker – Batman to the Rescue (Brunswick)
Norman T Washington – Jumping Jack Flash (Pama)
Rivingtons – Pop Your Corn Pt1 (RCA)
Upsetters – Down Home (ABC)
Vernon Garrett and Marie Franklin – Second To None (Venture)
Curly Moore – Soul Train (Hot Line)
Dobie Gray – Out On the Floor (Charger)
Eyes of Blue – Heart Trouble (Deram)
Washington Smith – Fat Cat (Okeh)
Gene West – In the Ghetto (Original Sound)
Candido – Jingo (Salsoul)
Touch – Love Hangover (Breaking Down) (Brunswick)
Gene Ammons – Son of a Preacherman (Prestige)

Listen/Download – F16C Radio v.95 – 2011 Year In Review – 140MB Mixed MP3

Greetings all.

The end of the year is upon us, and so, as it has been in many years past, is the Funky16Corners Year In Review mix.

This assemblage of the finest individual tracks from this space over the last calendar year has become a tradition in which we sweep up around the Funky16Corners Blogcasting Nerve Center and Record Vault (Funk and Soul Division) and piece together a puzzle of sorts that once assembled (correctly) should give a picture of where my head – and my crates – were at over the last year.

And what a year it’s been.

If you’d sat me down last December and laid out the coming year in front of me, I would have laughed, filled with excitement and then probably crawled under the nearest table in search of shelter.

The year got off to a great start with the beginning of my residency at Spindletop @ Botanica in NYC. Over the course of the next eight months I had the opportunity to spin pretty much whatever I felt like (within certain tasteful guidelines) and it was a blast.

Botanica was a very chill location, with some very cool people, and despite the whole thing crashing down in a somewhat bittersweet pile of ashes, I would say that it was on the whole a very positive experience.

You all know that there is nothing I love better than spinning the music I love for an appreciative audience, and I had many very groovy opportunities to do so this year.

In addition to Spindletop, I was honored to get a chance to participate in one of the last Subway Soul nights, alongside Phast Phreddie, Girlsoul and Jumpy. It was a serious gas, where I got to spin some of my Northern Soul faves and hear the other selectors whip some heat on the ones and twos (I left with a slightly inflated want list that night).

The real treat of the year, though was spinning at Elliott and Jonna’s wedding down in Philly, which was an amazing experience.

Great people into great music with the extra added benefit of some delicious food. I can think of no better way to spend a summer night.

There was also the ongoing pleasure of doing the Funky16Corners Radio Show, which has really been a gas this year. If you haven’t yet tuned in, you can join the party every Friday night at 9PM on Viva Radio, or pick up the show as an MP3 over the weekend (they’re all archived here at the blog, too).

I also got to spin records at a couple of local autism fundraising events which was especially rewarding for reasons very close to my heart.

Speaking of things close to my heart, 2011 was also the year that my wife was diagnosed with leukemia, an event that has verily turned our world inside out.

Though some superficial things have remained on a somewhat even keel, the axis on which my family’s life spins was shaken to its core this fall, and we have all learned to look at the world through slightly different eyes.

Things are on a solid, progressive track as far as my wife’s health is concerned, and we have many reasons to be optimistic, which doesn’t change the fact that no matter how sunny things look ahead of us, there’s always that shadow in the rear view mirror.

I have to make note of the fact that the readers of this blog have been extraordinarily supportive during this crisis, and that has been heartwarming and very much appreciated.

When I take a look at this playlist, it occurs to me that although there are some old faves and some longtime want list items finally bagged, there are also many, many new discoveries that came into my ears and then my crates over the past year, and that is the main reason that the Funky16Corners train stays on the rails.

It has always been my hope that those of you that stop by here on the reg are discovering something new and groovy, but also that you realize that this is a journey of discovery for me as well.

Big ups go out to fellow selectors like Tony C, Tarik Thornton, M-Fasis, Agent 45 and Midnite Cowbwoy for hepping me to cool stuff that I hadn’t heard before, all of which I passed on to you good people through the blog.

I will continue to do so.

I have no idea what 2012 holds for me, since things have really taken on a day-to-day vibe these last few months.

My main hope is that everyone here at home base stays healthy and happy.

Aside from that, I only hope that the next year brings some new sounds my way, and hopefully the opportunity to spread the love, whether through the blog, or in person as a DJ.

Either way, the very least any of us can do is follow that basic prescription in the Funky16Corners logo:

Keep the Faith.

See you next week (make sure to tune in to the Funky16Corners Radio Show Friday night at 9PM on Viva Radio for the Year End Funk and Soul Dance Party!)

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some very tasty UK Folk Rock.

Comments (14)

By Larry, December 3, 2011 11:22 pm

Mr Howard Tate

Listen/Download – Howard Tate – Get It While You Can

Greetings all.

It bums me out to have to pass on the news that one of the great soul singers of the 60s, and the man behind one of my personal Top 5 soul 45s, the mighty Howard Tate has passed away at the age of 72.

Though I’d settled in for the night, I knew that it behooved me to get my ass out of bed and pay tribute to a man who’s voice has touched me so deeply.

I have yet to get details on the circumstances of his passing, but suffice to say Howard Tate had it all, lost it all and got a fair amount of it back before he left this earth.

‘Get It While You Can’ is an epic soul record which has appeared in this space at least three times, including (sadly) to mark the passing of Jerry Ragovoy earlier this year.

It is a record that hit me in the heart the first time I heard it and every single time after.

Howard Tate made a lot of great music during his career, but none of it comes close to the power of ‘Get It While You Can’.

The article below was originally posted back in 2005 when this blog was barely a year old.

Dig it, and remember how great Howard Tate was.

Peace

Larry

Howard Tate in the early 70s

Originally posted 10/25/05

To say that the 1960’s was a golden age for music (especially soul music) isn’t exactly breaking new ground.

The 60’s were a turbulent time…blah, blah, blahhhhh.… That said, there was so much great soul music being made back then, that much of it has been forgotten (if it was ever noticed in the first place). It certainly doesn’t help that the heart of this “golden age” was almost 40 years ago, meaning that most of the people that experienced it first hand have forgotten, moved on, or sadly REALLY moved on (i.e. expired…). Sure, there are lots of folks like me (and my ilk…) who jump up and down, waving our hands like a bunch of kooks trying to get people to remember, but aside from the curious few (which is – don’t get me wrong – far better than the curious “none”), spontaneous stampedes created by a newfound upswell in soul music fandom are few and far between (if not completely non-existent…).

I am also reminded – frequently – that as obscure as my tastes are (and they are obscure with a certain populist seasoning added), the world of record collector-dom is filled with people who’s focus is much more laser-like than mine, drilling ever deeper into the dark labyrinth of forgotten/neglected vinyl. As long as their purpose is to eventually share the information and music they excavate, more power to them. These kinds of things work like ripples on a pond. Even if the first impact/discovery is visible to an isolated group of collectors/specialists, the ripples spread, and with enough momentum, and enough popular appeal built in (on account of some things are obscure and forgotten for a good reason…) the obscurities will reach a much larger audience.

It would be unfair to list Howard Tate among those “lost” artists. Though it seems likely that were you to stop 100 people on the sidewalk, 99 (or more) of them wouldn’t know Howard Tate from Larry Tate, he actually had a long career making quality records for a relatively major label, some of which hit the charts, and as a result shouldn’t be counted with the Chicken Shack Johnson’s of the world.

Howard Tate, a singer of undeniable talent had the extremely good fortune to catch the ear of songwriter/producer Jerry Ragovoy. With songs and guidance from Ragavoy, and the backing of the Verve label (albeit not the best label for a soul singer), Tate laid down a string of powerful – and ultimately influential – singles and an LP for Verve between 1964 and 1968. The combination of Tate’s adaptable voice, and Ragavoy’s pop savvy (and fantastic songs) made for musical dynamite.

As I just mentioned Tate’s recordings were influential, and it’s entirely likely that you’ve heard today’s selection before (if not his version). ‘Get It While You Can’ became (along with other Ragavoy gems like ‘Cry Baby’, a hit for Garnett Mimms with whom Tate sang in the Gainors) a signature number for Janis Joplin.

Now, I’ve gone on record in the past as saying some rather uncharitable things about Janis, especially when it comes to her renderings of songs that I (and a lot of other folks) consider to be soul/R&B classics. While my estimation of Ms. Joplin’s talents may have been harsh, I think that if you line her covers up against the originals by Garnett Mimms, Etta James and Howard Tate (among others), the end result would not be favorable for her. While there’s certainly something to be said for an artist like Joplin’s value as a “popularizer” of lesser-known material, I’d be willing to bet that the number of people that went out and dug up Howard Tate records because they heard Janis sing ‘Get It While You Can’, is actually quite small (as they often are in these situations).

Howard Tate after his comeback

To take it to an even more basic level, I’d posit that Tate’s version is so good as to be definitive, and as a result any attempt to recreate that magic is wasted. I’m willing to admit that that statement is kind of unfair, but that’s my gut feeling every time I hear someone making hay off of a substandard reworking of a brilliant original (which seems to be the modus opperandi for the majority of the “product” generated by the entertainment industry, especially Hollywood these days). There are certainly exceptions to the rule even where the songs of Howard Tate are concerned, specifically the covers of ‘Stop’ by L’il Bob & The Lollipops and…get ready….here it comes….the epic reworking by the James Gang (you weren’t expecting that, right??? No one expects the James Gang!!!).

So, despite the fact that Howard Tate managed to graze the Top 50 a few times, his impact on the world of music was largely an artistic triumph and a commercial failure. ‘Get It While You Can’ is one of the great, shoulda/coulda/woulda stories of it’s day. When you add up all the talent involved, and the incredible performance (I’d rate it alongside great soul ballad tours de force like Otis Redding’s ‘Try a Little Tenderness’ and James Carr’s ‘Dark End of the Street’), the end result should have been a huge hit, well remembered by one and all and dragged out perennially as an example of all that was great about 60’s soul.

Unfortunately, the calculus of popularity being what it is, ‘Get It While You Can’ is a favorite of soul fans and record collectors and not too many others. The arrangement by Ragavoy is a testament to the value of understatement. Opening with quiet piano triplets, Tate comes in with a deep, gospel-inflected vocal, which builds into the anthemic (albeit brief) chorus. With the successive verses, the horns and guitar come aboard and the “build” becomes more powerful each time. Tate’s vocal soars like a beam of light from the Amen Corner, with the line ‘Don’t turn your back on love’ standing as a shining example of how amazing the fusion of gospel and rhythm & blues could be in the right hands. A lot of this has to do with the lyric by Mort Shuman, which is a simple, yet eloquent classic. Whether or not Shuman was tapping into the zeitgeist when he wrote –

“In this world, where people are fighting with each other. Nobody to care on, not even your own brother.”

– or was simply laying down a soulful tale of woe (with a word to the wise in the chorus), his words, as delivered by the mighty Tate hit home.

Following his tenure with Verve, Howard Tate recorded 45s for Lloyd Price’s Turntable label, Epic, and an LP for Atlantic (also done in tandem with Ragovoy). After 1974 Tate didn’t record for more than 25 years. He was reunited with Jerry Ragavoy in 2001 for the critically well received LP ‘Comeback’ and is touring and recording today. His Verve and Atlantic sides are available as reissues.

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.