Comments (0)

By Larry, July 6, 2010 6:37 pm

Lyn Collins

Listen/Download – Lyn Collins – Give It Up Or Turnit A Loose

Greetings all.

Welcome to the middle of the first authentic, brain-baking, sweat-inducing heatwave of the summer of two-thousand-ten.
The Fourth of July festivities were an authentic pain in the ass. The fam and I have been heading down to Asbury Park for the fireworks for the last three years, on account of it’s been a very chill scene. Unfortunately/fortunately, the restoration of Asbury Park, which has made the town a very cool place to be has increased its appeal to the point where the 4th of July turned the city into a veritable mob scene with near-gridlock conditions, and the Funky16Corners-mobile and all that sailed upon her were forced out of Asbury Park, first to Ocean Grove (which was also packed to capacity) and then further south into Bradley Beach* until we located a parking space (my three-year-old son ‘Thanks for parking Daddy!!’) well over a mile away (maybe two) from the fireworks about 10 seconds before the fireworks commenced.
We were a long way from the boom-boom, but the rockets red glare was still visible and the kids dug it, so all things considered it was enough of a success to keep the peace (but also enough to let Mrs Corners and I know that we were going to have to retool the entire Independence Day experience next year).
That said, I couldn’t very well let the descent of the oppressive heat go by without whipping a little bit of volcanic funk on you as the accompanying soundtrack.
Hows about some Lyn Collins?
I thought you might like that…
Arguably the pinnacle of that rarified species known as James Brown’s Funky Divas, Miz Collins, aka the Female Preacher is best remembered as the woman responsible for the 1972 atomic explosion known as ‘Think (About It)’ one of the funkiest records ever recorded and the very heavily sampled source for the heart and soul of Rob Base and DJ EZ Rock’s ‘It Takes Two’, a 45 that I pack in my record box on the reg on account of it’s a funky killer all on its own.
The record I bring you today is something from a few years further down Lyn Collins discography, her 1974 cover of the Godfather’s 1969 hit, ‘Give It Or Turnit A Loose’. For some bizarre reason I was unaware of this record’s existence until recently, and when I heard it I was filled with an odd mixture of ‘DAMN this record’s hot’ and ‘Where has this been all my life?’ but more importantly ‘Where can I get myself a copy?, the answer to the last question being answered within a few weeks.
Aside from being Soul Brother Number One, Mr Dynamite, Mr Please Please Please and the Hardest Working Man In Show Business, James Brown was above all an astute judge of talent, packing his band with dead on the super heavy funk players, and his stable of performers with some of the finest female soul and funk singers to have ever graced this mortal coil. I mean, sure Lyn Collins was bad-ass, but when you step back and realize that she stood alongside voices like Vicki Anderson and Marva Whitney it’s an awful lot to take in.
Collins’ version of the tune is updated to the slightly smoother, certainly more synthesized 1974-era funk, but it still kicks ass in a BIG way. There’s all the crispness of your run of the mill James Brown production, as well as the complex, clockwork funk, but there’s something else at work, the heart of which is Lyn Collin’s mighty voice.
Collins had the ability to leap from a soulful growl to a jagged edged scream in no time at all, and she does so several times in the course of this record.
While there are synthesizers, and it was 1974, and I don’t doubt for a second that this record set any number of discotheques afire, there’s never any question that the music pouring from the grooves is anything but funk.
So, get up out of your seat, on your feet and start moving your ass. If you thought you were done sweating, you have another think coming brothers and sisters.
See you on Friday.

Peace

Larry

*Yes, I know these town names are meaningless to people outside of the area. Please bear with me…

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for a look at one of my favorite pop bands

Comments (5)

By Larry, June 20, 2010 4:21 pm

Funky16Corners Radio v.86 – Elektrik

Playlist

I hope the new week finds you well.
I was just sitting here in the Funky16Corners Record Vault and Podcasting Nerve Center, when I realized that in all the new equipment/live mix/pledge drive hysteria, it had been something like three months since the last ‘regular’ Funky16Corners Radio mix, i.e. one with the drops and the accompanying zip file and the whole – as they used to say in the olden days – ‘shooting match’, and as a result, I felt that I should get my – as they still say today – shit together, dip into the digimatized stock and get something going.
So, I did.
Things being what they are, that being busy, both with the real world moves and the blog stuff, the old Funky16Corners mix schedule (as it was) has been stretched out somewhat. This has not however resulted in a lack of content, in fact the net result has been more music, with the Soul Club mixes (expect more of those from myself and guest selectors in the coming months) and the recent addition of archived/MP3 versions of the show I do weekly for Viva internet radio. As a result there’s probably more to listen to here than any sane person could digest, so dig in, slap some of the good stuff on your portable MP3 delivery device and stuff it in your ears (as time allows).
That said, I have whipped up a new mix, and I think you’ll dig it.
Funky16Corners Radio v.86 – Elektrik is both jazzy and funky, with lots of the good stuff you’ve come to expect as part of the Funky16Corners Radio experience, with a perfect vibe for a warm summer night.
Things get started with something that surprised even me, that being Stan Kenton’s funky, fusion-y take on Deodato’s reworking of Strauss’s ‘Also Sprach Zarathustra’, cleverly titled ‘2002 Zarathustrevisited’ (Oh, Stan….), wherein the often overwrought master of heavily brassed West Coastery lets his sideburns grow in and hands the baton over to the younger cats in the band. Unlike similar sounds emitting from the Woody Herman organization, I have little faith that the man with his name on the bandstand had much to do with this one, and as a result, it is very groovy indeed.
Frank Wess works a very cool, vaguely trippy (heavily echoed) and somewhat funky sound with ‘Wessward Ho’. Alongside his most excellent flute work, there’s plenty of vibes, wah wah guitar and clavinet to being up the soulful quotient. If you can get your hands on a copy of the 1970 ‘Wess to Memphis’ album, do so, because unlike so many of his hard bop contemporaries, Wess was able to work very well in a more modern bag.
I’ve featured tracks by pianist Larry Willis in a couple of previous mixes, and for good reason too, since he was a master of a certain extra-hot, era-specific, electric piano sound. The tune ‘Out On the Coast’ take the soul jazz vibe and funks it up without drifting into the land of fusion. It’s serious enough to be jazz, but with enough get down in it to work as funk.
If you’re familiar with some of the more ethereal work of vibist Gary Burton you may find ‘Vibrafinger’ to be a somewhat jarring experience. Here, instead of the soothing chimes of the vibraphone, Burton offers up a heavily treated, electrified and distorted sound, accompanied by some heavy guitar and drums.
‘On This Site Shall Be Erected’ is an edited (by me) version of the first track on Gary McFarland’s concept album ‘America the Beautiful’. Thanks no doubt to the fact that he was co-owner of the label, his work for Skye Records is at times very far out, ranging from his soft and mellow vocalizing alongside his vibes, to heavier orchestral work, which, like this track, sometimes got funky. With guitar by Eric Gale and drums by Bernard Purdie, ‘On This Site Shall Be Erected’ moves from a brief avant garde section, directly into a few short minutes of big band funk.
Though you’re probably familiar with the Booker T and the MGs version of the movie theme ‘Hang’Em High’ (a Top 10 hit in 1968), you’ll probably dig Jimmy Smith’s long-form take on the tune from the ‘Black Smith’ album. You get to hear Jimmy work the Hammond alongside a piano (almost the whole time) and he does a predictably great job.
Next up is something a little spacey from the king of Chicago studio axemen, Mr. Phil Upchurch. ‘Elektrik Head’ from his 1969 LP ‘The Way I Feel’ sees Upchurch getting all up inside the echoplex, managing to be jazzy, soulful and passably psychedelic all at the same time.
Things mellow out a little bit – yet remain funky – with ‘Prairie Road’ by pianist Pete Jolly. A track from the largely improvised and wholly excellent ‘Seasons’ album, it features Jolly on the electric piano, and none other than Paul Humphrey on the drums. If you can score this on vinyl, good for you (it took me a while). If you can’t, grab it in reissue because it really has to be heard in its entirely. GREAT record.
Hampton Hawes was featured in the electric piano mix earlier this year. ‘Don’t Pass Me By’ is another fantastic cut from his 1972 ‘Universe’ album.
Neal Creque is another great, underrated musician and composer who is better known for his work as a sideman (with Mongo Santamaria among others) than for his solo work (probably because there’s not a lot of it…). ‘Jasmine’ is from his 1972 ‘Contrast’ album, and features some West Indian flavor mixed in with the funky jazz, sounding like a younger, hipper cousin to Sonny Rollins’ ‘St Thomas’.
Roy Meriwether recorded a fair amount of major label jazz sides, but it’s his private press stuff that is sweated the hardest by the collectors and beat diggers. His version of Eddie Harris’s ‘Mean Greens’ appeared on his Capitol LP ‘Soul Knight’. He takes the tune at a faster, more aggressive pace than Harris did on his OG.
This edition of the Funky16Corners Radio thang closes out with a very groovy track by the father of vocalese, Mr. Eddie Jefferson. I wish I could say I had a copy of the rare 45 of Jefferson’s version of Horace Silver’s ‘Psychedelic Sally’, but I’ll settle for the LP. Not very psychedelic, but quite funky, this sees Jefferson in a very modern bag.
I hope you dig the sounds, and I’ll be back later in the week with something cool.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PPS – Make sure to fall by Iron Leg for a taste of epic art pop.

PPPS Make sure to hit up Funky16Corners on Facebook

Comments (4)

By Larry, June 13, 2010 4:00 pm

Mr. Ross Carnegie at work on the Hammond

Listen/Download – Ross Carnegie & Co. – Open Up Your Mind

Greetings all.

I hope the new week finds you all well.
I spent Thursday, Friday and the rest of the godforsaken weekend dealing with yet another in a seemingly endless parade of kidney-related roadblocks. Long story short, one of the newer kidney stones (which weren’t supposed to be happening) became dislodged from its home in the “meat” of the kidney (as my doctor likes to call it) and scored itself an eagle, dropping directly into the ureter, which in accordance with Murphy’s Law, was too narrow to afford it egress. As a result, my doctor (always properly cautious) dragged me back into the surgi-center and reinserted a stent, so that my sole, remaining kidney would not fail.
How’s that for fun?
This all sounds a lot worse than it is. Aside from being a huge inconvenience (with the added risks of anesthesia), if the greatest minds of the urological/nephrological world could figure out why I’m still getting stones, and cause it to cease, there would be no problem at all.
Until then, I’m trapped in this bizarre loop where I go through another surgical procedure, only to discover another speed bump when I emerge on the other side.
That (and the fact that I had to take my sick three-year-old to the doctor) is why there was no Friday post.
But, all is – if not well – at least back to the status quo, so continue on I will.
The tune I bring you today is something of a slightly later vintage by a great producer of Hammond 45s, Mr. Ross Carnegie.
I first heard/heard of Mr. Carnegie via the legendary ‘Vital Organs’ comp which featured his song ‘Cool Dad’, as well as his visage on the cover.
Some years later, deep into my own Hammond obsession I scored a copy of ‘The Kid’ (as featured in Funky16Corners Radio v.48), also very groovy.
Anyhoo, the tune I bring you today falls somewhat later in Mr. Carnegie’s limited discography, bears no date but the sound in the grooves suggests to me a recording sometime in the early-to-mid 70s.
Ross Carnegie emigrated to New York from Canada as a young man to work as a jazz pianist. He ended up working not only on piano but mastering the Hammond organ as well, eventually leading his own band which featured a young Alphonse Mouzon on drums in the late 60s.
Later on, Carnegie became known (at least locally) as the pianist in the White Plains, NY Nordstroms department store.
Today’s selection, ‘Open Up Your Mind’, credited to Ross Carnegie and Co. , is a funky, semi-blaxplo experience with all manner of keyboards – analog and synthesized – horns, police whistles and chants (no doubt courtesy of the ‘& Co.’ of the title) of ‘Open up your mind’.
While there are elements that would later come to signify disco, this is most decidedly a non-disco affair (though Carnegie would later release the tune ‘F-Minor Disco’ on his El-Con label, using the same exact catalog number as ‘Open Up Your Mind’).
I hope you dig the tune, and, assuming I’m not hit by a bus or falling space junk, I’ll be back mid-week.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for a most sophisticated TV theme

PSSS Don’t forget to hit up Funky16Corners on Facebook

You can also follow Funky16Corners on Twitter

Comments (3)

By Larry, May 25, 2010 4:32 pm

Listen/Download – La May – Free the Soul Man

Greetings all.

I just got in from mowing the lawn and I figured I’d steal some time in which to blogify, as it were.
Got me a busy shed-jool this week, so I’m trying to keep things going as smoothly as possible. In addition to the real world shit I have going every week, I have a normal blogging schedule, as well as preparation for next week’s Funky16Corners 2010 Pledge Drive. Things are moving along at a brink place, but I really need to keep my ducks in a row or else the chaos that is always on my tail is likely to overtake me and bollix up the whole deal.
The tune I bring you today is something I picked up a while back in an e-dig. After hearing a sound clip I made my bid, and fortunately for me, this record is either slept on, or does not meet the strict requirements of the funk 45 diggers of the world, because I ended up getting it for a (relative) pittance.
‘Free the Soul Man’ by La May is – I suspect, since I haven’t been able to date it conclusively – a mid-to-late 70s side created by someone (La May, I assume) who was likely the president of the local James Brown appreciation society. Like some Lee Fields (and others, I’m sure) 45s of a similar vintage, what you are hearing is something like the wake of the SS Soul Brother Number One, piloted by its funky captain who’s influence was for a time so wide ranging as to be almost inescapable (and La May clearly did not escape).
‘Free the Soul Man’, has some tight snappy drums, and a JB-esque vocal, but it also bears the mark of a later production era (as well as some synthesizers), so much so that I imagine that some of the crate diggers out there with impossibly high standards of the grit level in a funk 45 might not dig it, hearing something that is less gut-bucket than it is sequins and jheri curl and being drawn in by the orbit of the Disco Death Star.
This is not to say that ‘Free the Soul Man’ is disco, on account of it isn’t. It’s clearly funk, and even though some of those Mothership/FONK signifiers are there, the production is so enamored of James Brown that no matter how moogy/arpy things get, the good foot is still in the picture.
As far as provenance, SPQR – in its earlier days a storied R&B and soul label out of southern Virginia (with acts like Jimmy Soul, Lenis Guess and Sir Guy) – seems to have been reactivated in the 70s, since the discographies I’ve been able to find for the label seem to trail off before the end of the 60s. The label says that the tune was recorded in New York City at Guess Recording Studio (Lenis Guess???), but the label address is – as in the old days – Norfolk, VA.
If anyone knows more about La May, or the later years of the SPQR label, please drop me a line.
See you on Friday.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for a taste of visionary pop

PSSS Don’t forget to hit up Funky16Corners on Facebook

You can also follow Funky16Corners on Twitter

Comments (4)

By Larry, May 23, 2010 3:27 pm

Listen/Download – Premiers – Funky Monkey

Greetings all.

The new week is here, and odd as it may seem, I face it with guarded optimism.
Despite the nasty surprise that our local Vietnamese restaurant (home of sublime banh mi and pho) had closed – which we discovered as we drove up to the front door – things are on an uptick of sorts.
My health issues seem to have temporarily leveled off, and next week will see the arrival of the 2010 Funky16Corners Blog Pledge Drive, for which I am cooking up something very groovy indeed. I won’t spill the beans quite yet, but I assure you that something cool is afoot in the land of the funky corners.
The tune I bring you today is a little something I picked up in a trade with my man DJ Bluewater. He always packs some heat in his sale box, and I am always ready and willing to grab some of it for my crates, whether by exchange of folding money or by barter.
I haven’t been able to find out a whole lot about the Premiers or their song ‘Funky-Monkey’.
The J.O.B. label, named for its founders Joe Brown and James Burke Oden was a Chicago blues label that issued its first platter in 1949, a side by St. Louis Jimmy (aka James Burke Oden). Between 1949 and 1974, J.O.B. released dozens of sides by a variety of artists including Snooky Pryor, Sax Kari, Willie Cobbs and a cat named Eddie ‘Mr Kleen’ Clark.
Sometime around 1970, Clark wrote, produced and arranged the Premiers’ ‘Funky-Monkey’ for J.O.B.
This was the only 45 that the group would record for the label.
Interestingly enough, ‘Funky-Monkey’ was also issued on the Mississippi-based Odex label.
‘Funky-Monkey’ – which gets started with some tight, snappy drums – includes a sly, repeated guitar line, climbing bass, horns and of course, lots of (I’m assuming) human-produced, monkey sound effects. The Premiers don’t overdo it with the monkeyshines, but there is just enough to push ‘Funky-Monkey’ up against the novelty side of things.
This is not to say that the record is not funky, which it most certainly is, and there were tons of similarly adorned sides out there in the classic funk era. I mean honestly, line this up against the beginning of the Meters’ ‘Chicken Strut’ and it ends up looking like the very model of subtlety.
What you end up with is a nice little slice of urban funk, more than competently performed and altogether groovy.
I haven’t been able to ascertain if these Premiers (and there were several) went on to record anything else.
I hope you dig the tune, and I’ll be back on Wednesday.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for a taste of visionary pop

PSSS Don’t forget to hit up Funky16Corners on Facebook

You can also follow Funky16Corners on Twitter

Comments (4)

By Larry, May 18, 2010 5:39 pm

Vida Blue (top), Albert Jones (bottom left), Choker Campbell (bottom right)

Listen/Download – Albert Jones – Vida Blue

Greetings all.

The tune I bring you today is something that found its way into my ears in a rather roundabout way.
A while back, my man DJ Prestige traveled over to the UK, and while he was there he did some digging (natch) and sat in with UK legend DJ Andy Smith on his radio show. It was during that show that he spun a couple of his UK finds, one of which was today’s selection. I dug the tune a lot, so I set out in search of my own copy, and fortunately I turned one up rather quickly (and cheaply).
The tune in question, ‘Vida Blue’ by Albert Jones (from 1971) is a stomping funk tribute to the early 70s Oakland A’s hurler of the same name.
Jones was a Detroit area singer who recorded for a number of labels including Tri City, Bump Shop, Kapp (one of the Kapp 45s duplicated material originally released on Tri City) and Candy Apple from the late 60s to the mid 70s. Much of his work was under the auspices of Walter ‘Choker’ Campbell, a saxophonist/bandleader who recorded a number of records under his own name before going to work running the Motown road band, eventually recording for the label as well.
After Campbell left Motown, he started his own set of labels, including Tri City. Moonville, and Ultra City, with artists like Jones, Betty Renay, the Soul Merchants (I’m not sure if this is the same group that recorded for the Stax subsidiary Weis Records) and Lee Moore.
Albert Jones recorded four singles for Tri City, the last of which was ‘Vida Blue’.
Oddly enough, the flip side of this 45 is a country version of the same song by a singer named Tom Newton. Since the single was released to capitalize on the popularity of the ball player, it seems likely that the genre switch on the flip was engineered to double the chances that the record might be a hit (though I can imagine most people – like myself – being surprised one way or the other when they flipped the record over).
The Albert Jones side is tight, and to be honest, where else are you going to hear a funk 45 that namechecks Harmon Killebrew and Carl Yastrzemski?
Jones would go on to record a full LP (‘The Facts of Life’) for the Campbell and the Candy Apple label in 1977. One of the tracks from that LP, ‘Mother Nature’ was later sampled by Common for the song ‘Be’.
I hope you dig the tune, and I’ll be back later in the week with something cool.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for something psychedelic by the Byrds

PSSS Don’t forget to hit up Funky16Corners on Facebook

You can also follow Funky16Corners on Twitter

Comments (6)

By Larry, May 11, 2010 7:55 pm

Foster Sylvers

Listen/Download – Foster Sylvers – Misdemeanor

Greetings all.

I come to you this midweek with something groovy.
Last year during one of my DJ trips down to Washington, DC the mighty DJ Birdman was gracious enough to take me hither and yon, over both hill and dale for some of the best digging I’ve done in a long time.
Though the District of Columbia is the capitol of our great country, it should also be rechristened the Cheap Used LP Capitol of the East Coast. Though 45 come ups were few and far between – albeit quite rewarding when I did find them – the DC metro area is awash in bargain basement used LPs. When I finally got back to Jersey and opened the back of the Funky16Cornersmobile, I was almost (not completely, just almost) embarrassed by the huge stack of albums wedged between my duffel bag and my flight case.
In addition to a bunch of longtime wants, and a grip of stuff that Birdman was kind enough to turn me on to, I also brought back a couple of records I might have passed on, were they not priced between twenty-five cents and a dollar, rendering them all but irresistible.
One of these was the disc you see before you today, a record jammed into my digger’s memory bank by its constant appearances on other people’s finds lists.
Though I knew of the Sylvers (their ‘Boogie Fever’ was a huge AM radio hit back when I was a kid), I had no idea that Foster Sylvers had recorded – and had hits – on his own. The tune I bring you today was a hit (Top 10 R&B, Top 40 Pop) back in the Spring of 1973, eventually becoming an especially ripe bit of sample bait years later when it would be chopped and looped more than a dozen times for folks like Big Daddy Kane, Heavy D and eventually Aaliyah, which is likely why those in the crate digging set were sweating it so heavily (and why the LP often changes hands for between 30 and 40 bucks, the 45 sometimes going for more than that).
Now, I’m all over a sweet break when I hear it, having spent some time punishing a drum set in my youth. I’m not sampling or flipping anything myself, but there’s something magical about a great sample, even more so when the song it comes from is especially nice.
Such is the case with Foster Sylvers’ ‘Misdemeanor’. Taken at face value, ‘Misdemeanor’ is a pleasing bit of sweet sounding kiddie funk (Foster was all of 11 years old when the song hit the charts, come to think of it, so was I…). Affix your headphones and dig a little deeper into the track and I think you’ll find yourself pleasantly surprised, since wrapped around Sylvers’ boyish vocals are all kinds of groovy sounds.
First off, the drums and bass are cracking, but close your eyes and sink into the arrangement and all of a sudden you’re digging the wild lead guitar snaking around the track, bits of celeste and percussion here and there, and a hypnotic rhythm guitar track that kind of rises and falls as the song progresses. The arrangement by Jerry Peters (who also co-produced the album) is really something else.
There are a few other interesting tracks on the album, but overall you have to remember that it was probably assembled for sale to whatever passed for ‘tweens’ back in 1973.
I hope you dig the track (give it a couple of close listens and see how it sneaks up on you), and I’ll be back later in the week.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for a couple of tunes by an interesting Scottish band

PSSS Don’t forget to hit up Funky16Corners on Facebook

You can also follow Funky16Corners on Twitter

Comments (4)

By Larry, April 25, 2010 12:29 pm

The Master: Norman Whitfield

Listen/Download -Norman Whitfield and Rose Royce – Water

Listen/Download -Norman Whitfield and Rose Royce – Sunrise

Greetings all.

I hope you’re all well, and ready to dig into something interesting.
A few weeks back on Record Store Day, I headed in Asbury Park to see my man DJ Prestige lay down an in-store set at Hold Fast. I grabbed some cool looking LPs on the cheap, one of which was the soundtrack to ‘Car Wash’. It certainly seemed like it was worth it, if only for the title track by Rose Royce.
Well, I get home and hook up the turntable for a marathon digi-ma-tizing session, and soon discovered that the ‘Car Wash’ OST was a much deeper beat that I could have imagined.
The album credits the compositions, production and arrangement all to the mighty Norman Whitfield, and the playing to the band Rose Royce (who Whitfield found when they were backing Edwin Starr).
Anyway, while needle dropping my way through the two LPs, I discovered a couple of really cool instrumentals, both clearly the work of the man who created several psyched out/atmospheric epics when he was working at Motown.
What really struck me was how much of the sound of these two songs, though recorded in 1976, linked back to Whitfield’s 1970 era productions, blending them with a touch of blaxploitation soundtrack feel. I haven’t seen ‘Car Wash’ in years, but these tracks, ‘Water’ and ‘Sunrise’ make me want to check it out to see how they were used in the film.
The first of these ‘Water’ is really more of a short vamp/theme stretched out for three and a half minutes, which is kind of what you’d expect to hear as background in a motion picture. There are some vocals in the beginning, but they’re no more prominent that the repeated bass, piano and guitar lines that run almost constantly through the piece, interrupted only by a short string drop (which at times is reminiscent of ‘Papa Was a Rolling Stone’) and the occasional harp flourish (same there). Things do pick up a little at about the two minute mark, with the addition of some funky bass, but settle right back into the groove before long.
The real treat here is the almost eleven minute epic ‘Sunrise’. The tune starts out with someone working a ride cymbal like a gong, and then the unusual (incongruous) sound of a trumpet running a scale, quickly breaking out into something that would have sounded perfect behind Shaft as he stalked an evildoer through the back alleys of some urban hellhole.
Whitfield builds the song, layer by layer, with the bass, strings, tight, snapping drums, guitar, and then electric piano and horns. There are in fact two different electric pianos, alternating between a lighter, tinkling riff, and a one playing a much more wide open, molasses thick chord. The use of hand drums as accents, as well as occasional bursts of wah-wah guitar drop in like carefully placed exclamation points.
It’s a very tasty jam, and the arrangement/production by Whitfield is next level. There’s no doubt in my mind that ‘Sunrise’ would have fit in perfectly (with lyrics added of course) on any of the early 70s Temptations LPs.
The sad thing is, that Whitfield – in my eyes nothing less than a soulful visionary – after the early 90s backed away from the console, not doing much of anything in his final years. It’s not like he didn’t have a remarkable body of work behind him already, especially his mid-60s to early 70s Motown sessions as songwriter, producer and arranger, but you can’t help but wonder what he might have done with some of the nu-soul crowd.
That said, I hope you dig the tracks, and I’ll be back later in the week with something cool.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some prime, mid-60s Sunset Strip pop

PSS Check out Paperback Rider too.

PSSS Don’t forget to hit up Funky16Corners on Facebook

You can also follow Funky16Corners on Twitter

Comments (3)

By Larry, April 22, 2010 8:21 pm

Listen/Download -Hank Herb – Ali Funky Thing Pt1

Listen/Download -Hank Herb – Ali Funky Thing Pt2

Greetings all.

I hope that the end of the week finds you well.
Me, not so much… I have been assailed by a bug that has left me feverish and singularly unmotivated. Had I not experience the tiniest bit of improvement as the day wore on, I wouldn’t be posting at all. But you know how I am, neither rain, nor sleet or whatever…

I’ll start with a bit of news, that bring that the Funky16Corners Radio Show on Viva internet radio just got a prime timeslot upgrade, and will now be airing Friday evenings at 9PM EST. I’ve been doing this show for a while now, but got bumped out of my original slot and into a severely crappy one. That has now been remedied, and there will be some changes in the offing. Thanks to the completion of the Funky16Corners Record Vault and Podcasting Nerve Center, all of my shows at Viva (starting with next week 4/30) will be recorded and mixed live on the old ones and twos. I have yet to work out getting the spoken parts done that way (right now I record them after I’m done) but I will try to figure it out.
So, if you’re hanging at home (or god forbid, the office) at 9PM on Friday, tune us in over the interwebs for the best in funk, soul, jazz and rare groove.
The tune I bring you today is a bit of a mystery. I can’t honestly remember where I picked this 45 up (though I’m certain it was an E-dig), I do remember getting it home and scratching my head a bit.
The record in question is ‘Ali, Funky Thing Pts 1&2’ by Hank Herb. The record is also (quite clearly to anyone that’s heard the OG) ‘Al, Funky Thing’ by Chuck Cornish (sampled by Cypress Hill). Why this was pressed and credited to the pseudonymous Mr. Herb (they still give songwriting credit to Chuck Cornish, and it’s on the ‘Chuck’ label), I have no earthly idea. I’m sure I thought I was getting some obscure cover version (of an already obscure song) when in fact I was getting the same exact record on a different label.
I don’t know much about Chuck Cornish. He was from New Orleans, and he only recorded a handful of 45s. One of these, the laid back but funky ‘Blue Eye Brother and Soul Get Along’ was featured in this space a few years ago and is a fave.
‘Ali, Funky Thing’ is as you might expect, a funky tribute to the boxing great, with some fantastic twangy guitar and a great horn section. Other than that, as Gertrude Stein once said of her childhood home, ‘There’s no there there’. If anyone has any more info, as to Cornish, or why this was issued in the form you see before you today, please drop me a line.
I’m going to bed.
Have a great weekend.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for an obscure mid-60s 45…

PSS Check out Paperback Rider too.

PSSS Don’t forget to hit up Funky16Corners on Facebook

You can also follow Funky16Corners on Twitter

Comments (11)

By Larry, April 18, 2010 4:30 pm

Funky16Corners Radio v.85 – Open For Business

Playlist

Listen/Download 90MB/256KB Mixed MP3

Welcome back to the ongoing saga of the Funky16Corners blog, its author, a huge, ever-pulsing mountain of records and his efforts to rein it all in and make some sense of it (both physically and philosophically).
I spent the first part of the weekend checking out the mighty DJ Prestige doing an in-store set at Hold Fast in Asbury Park, while also (of course) picking up a handful of LPs to celebrate Record Store Day. Pres brought the heat (as expected) and then the fam and I headed out for some of those good Long Branch hot dogs and a couple of other errands, followed by some serious work in the Funky16Corners Record Vault and Podcasting Nerve Center.
The renovation is almost done, with some fine tuning remaining here and there, with the disposal of much trash yet to be completed (I suspect a trip or two to the town dump maybe in order). After undoing a veritable Gordian knot of old-school computer equipment (as well as moving/storing a huge amount of data, most of it blog-related, onto a new 1TB drive), it’ll all have to be reconfigured over the next few days. I have my work cut out for me, but things are going to be so much easier when I’m done that it’ll be more than worth it.
This early and unexpected edition of the Funky16Corners Radio thing is evidence of said project, and a small bit of celebration that it is in fact coming to fruition. The first thing I did (after getting the room somewhat organized) was the installation of the home DJ setup (see above). This had been both a long time coming, and extremely satisfying when it was finished.
Following a few days of getting all my sonic ducks in a row (cableing, knob-turning, equalizing and whatnot), I hooked up the digital recorder, grabbed my road cases and pulled out a small stack of 45s and mixed them live, on the spot.
Aside from a certain, unifying feel (funk, soul and funky soul, natch), I didn’t concentrate all that much on pre-selection of the tunes herein. I grabbed something interesting to kick things off, and as that record rotated, I pulled a handful of others out of the box, picked one (or two, or three, depending on how deep a handful fate was dealing me) that I thought might fit, cued it up on the second turntable and repeated the process until a little over forty-five minutes later the needle on the last record hit the run-off groove. Not unlike how I do it when I’m spinning at the Asbury Park 45 Sessions or any other live date. It’s one of those things where you hope you’ve stocked your record box properly, and you let inspirado take you by the hand and lead where it will.
There are a lot of old faves here, as well as a couple of tracks that will return to be blogged on their own in the not too distant future. As has been the policy with ‘live’ mixes, there is no accompanying zip file, but remember that this is not going to be the ongoing F16Radio format. Think of it as a special bonus to stuff into your ears on Monday.
I hope you dig the mix, and I’ll be back later in the week with something groovy.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PPS – Make sure to fall by Iron Leg for some late 60s pop.

PPPS Make sure to hit up Funky16Corners on Facebook

Comments (10)

By Larry, April 15, 2010 4:26 pm

Le ‘Q’ on the cover of Smackwater Jack

Listen/Download -Quincy Jones – Ironside

Greetings all.

What is being up with you?
The ongoing Funky16Corners Record Vault project took a great leap forward yesterday with the new DJ set-up (improvements to which were financed by my slot machine winnings over vacation*) going on line. The rig was cobbled together using some donated speakers (thanks Cenzo), an old amp/tuner, my existing “good” turntable, and augmented with the new turntable and mixer. I expect that I’ll be spending some time hobbling around the old learning curve, but before long I should be cranking out some more ‘live’ mixes, as well as putting a somewhat sharper edge on my turntable skills.
In other, also important news, I’m getting upgraded to a nicer time-slot over at Viva Internet Radio, so as of next week (April 23) the Funky16Corners Radio Show will be airing at 9PM on Friday nights. This is a very groovy development, and I cab assure that with the addition of the home DJ thingy I’ll be laying down some live mixes, so fall by.
That said, the tune I bring you today is something I definitely plan on dropping in an upcoming set, Quincy Jones’s 1971 reading of the ‘Ironside’ theme.
For those of you too young to remember, ‘Ironside’ was a hit TV show (premiering in 1967) that featured Raymond Burr as a paraplegic, San Francisco police detective who went around solving crimes from the back of a specially engineered van (certainly no more ludicrous than much of what you’ll see spilling from the idiot box these days). The very groovy theme was penned by none other than the mighty Quincy Jones
The version you’re hearing this fine day appeared on Jones’s 1971 LP ‘Smackwater Jack’. I can’t say with one hundred percent certainty, but I suspect that like the version of ‘Hikky Burr’ on the same album, this take on the ‘Ironside’ theme was also re-recorded/embellished for that LP.
The whole affair manages to encapsulate a jazzy soundtrack feel, with some funky bass (Chuck Rainey), electric piano (Bob James), flute (Hubert Laws) and soprano sax (Jerome Richardson), taking the original theme and stretching it out for some solos. Jones manages to bring on the heavy brass without drowning out the rhythm section. This version starts out (like the TV theme) with something (synthesizer, I assume) imitating a police siren, with the Fender Rhodes bubbling underneath until the flute comes in to state the theme. There’s some groovy wah-wah guitar running in the background, and until the trumpet solo comes in, the feel is as much jazz rock as it is jazz. Aside from the impressive names listed above, the session was a who’s who of jazz and studio heavies, with Jones sharing producing duties with Phil Ramone and bass legend Ray Brown.
Very solid indeed.
I hope you dig it and I’ll be back on Monday.

Peace

Larry

*Only significant in that as a general rule I don’t gamble (no moral objection, I just like to spend my money on records). If you see me at the track, it’s because I like horsies. I hit the jackpot (as it was) playing the penny slots. That’s right – pennies. 30,000 of them…

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for psyched up country (or countried up psyche)

PSS Check out Paperback Rider too.

PSSS Don’t forget to hit up Funky16Corners on Facebook

You can also follow Funky16Corners on Twitter

Comments (2)

By Larry, April 13, 2010 4:51 pm

Larry Birdsong

Listen/Download -Larry Birdsong – Fairly Well

Greetings all.

I don’t know about you (since only a some of you reside in the same general geographic sphere as yours truly) but this grey, cold(er) weather is bringing me down. I know I always complain about being beat – like a rented mule – but that’s pretty much part and parcel of having two little kids.
That, and the fact that I got word yesterday that Master Groove is going on hiatus for an unspecified length of time. I was really digging bringing my records into NYC to spin at Forbidden City, and knowing that a semi-regular gig is going off the rails is a first class drag. So FEH to that, and let’s all keep our fingers crossed that whatever screwed the deal gets unscrewed and when it does we can all meet up in the City for some funk 45s, dumplings and cold beer.
That out of the way, what better way to turn the heat up (at least temporarily) than with a tasty bit of southern funk?
Though I knew his name, until I saw the flipside of today’s selection featured over at Queen City Crates, I hadn’t heard the music of Mr. Larry Birdsong.
Based in Nashville, alongside folks like Johnny Jones and the King Casuals and Frank Howard and the Commanders, Birdsong mixed R&B, blues, soul and funk on records that he recorded for labels like Excello, Champion, Cherokee, Sur-Speed and Ref-O-Ree from the mid-50s into the 70s, eventually finding himself in Gospel in the 80s.
Birdsong recorded three 45s for Ref-O-Ree in 1969. Today’s selection, ‘Fairly Well’ appeared as the b-side to the second of those records, ‘Digging Your Potatoes’. While ‘Digging…’ is the wilder, more upbeat side of the record (you can hear it a QCC by clicking the link above) , ‘Fairly Well’ has lots to offer as well.
I really dig the way Birdsong’s gospel-inflected vocals wail over the top of the deep, funky track. The drums are tight, the organ just this side of churchy, and the backing vocals have one foot in the amen corner and the other in the footlights. Things start out on a socially conscious tip before dipping onto the dance floor with namechecks for the Popcorn, the Cissy Strut, the ‘James Brown’, and in a supremely confident move, Larry raps that you ain’t seen nothin’ yet until you’ve seen him do the ‘Larry Birdsong’.
In a soulful hat trick, that’s right, up tight, and (of course) out of sight.
I hope you dig the record, and I’ll be back on Friday with something groovy.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for a Dylan cover

PSS Check out Paperback Rider too.

PSSS Don’t forget to hit up Funky16Corners on Facebook

You can also follow Funky16Corners on Twitter