Kin Vassy (top) and at left with the First Edition
John Randolph Marr
Listen/Download Kin Vassy – Hello L.A. Bye Bye Birmingham
Listen/Download The First Edition – Hello L.A. Bye Bye Birmingham (Live)
Listen/Download John Randolph Marr – Hello L.A. Bye Bye Birmingham
Greetings all
I have something very special for you today.
A short time ago I met up with someone on Facebook with whom I had a mutual friend.
While perusing his timeline I saw that he had posted a video by the First Edition doing a song I’d never heard before called ‘Hello LA Bye Bye Birmingham’.
If the name of that group is vaguely familiar, it was the spawning ground of none other than Kenny Rogers, and a band that had a couple of major hits, including their 1968 cover of Mickey Newbury’s ‘I Just Dropped In (To See What Condition My Condition Was In)’, which is featured prominently in ‘The Big Lebowski’.
Anyway…I gave the aforementioned video a spin and was blown away.
First off, while I own (and dig) a couple of First Edition singles, I had never heard them do anything like ‘Hello LA…’, and the live performance – from their early 70s TV variety show (included below) – is absolutely smoking.
The real revelation was the lead singer of the song, a cat named Kin Vassy.
Vassy (Kin was a truncated version of his middle name, Kindred) was the singer/guitarist with the First Edition, replacing Mike Settle in 1969.
He had been a member of the 60s folk group the Back Porch Majority, and had recorded a couple of solo singles before hooking up (and apparently during his tenure) with the First Edition.
One of these is today’s selection, ‘Hello LA Bye Bye Birmingham’.
When I started digging around I was surprised that I hadn’t encountered the song before.
Co-written by Mac Davis and Delaney Bramlett, it was recorded by a wide variety of artists, including Blue Cheer, the Sensational Alex Harvey Band, Juicy Lucy, and even Nancy Sinatra (you can seek out many of these on YouTube).
The popularity of the song doesn’t surprise me, since it has the kind of funky framework that works well at just about any speed, as well as a fantastic lyric about a cat that bags his home turf and goes on the road to seek success as a songwriter.
Though Mac Davis did record it. I haven’t been able to nail down who did the original version, since most of the ones I’ve found seem to pop up around the same time.
One other excellent version of the song (also included here) was recorded in 1969 by John Randolph Marr. It is in fact his version that was recently comped by Light In the Attic on their excellent ‘Country Funk’ collection, which brings me to the point I’ve been wanting to make.
There was something in the air (and the recording studios) of the South in the mid-to-late 60s and onward wherein (mostly) white musicians with a taste for gospel, R&B, soul and funk began to stir up a (if you’ll forgive the term) gumbo of those sounds with country, swamp pop and rock.
The most well-known and successful proponents of this sound were guys like Tony Joe White and Joe South, but you can also include folks like Bobbie Gentry and Davis in the mix as well.
While there’s a temptation to affix the term ‘blue eyed soul’ to some of these sounds, I think what we’re dealing with is something else entirely.
There were plenty of white soul singers working during this time period, including guys like Wayne Cochran and Roy Head, but they were by and large working solely in black styles.
The country funkers (for lack of a better term) were coming into their sound by creating an organic mixture of white and black styles, in the end creating something less than a movement but still a recognizable sound.
Little of the music made by these artists is out and out funk, but it is undeniably funky.
Kin Vassy’s studio version of ‘Hello LA Bye Bye Birmingham’ works a mid-tempo funky beat, adding in twangy lead guitar (dobro, too) and Vassy’s hard-edged, soulful vocals. Hearing Vassy sing, with the First Edition and solo was something of a revelation. He was a mighty singer, and in an age where every leather-lunged, longhaired shouter was trying to approximate Wilson Pickett (who would have done a spectacular version of this song), Vassy was able to soar as well as work the quiet passages.
The First Edition manages (surprisingly enough) to toughen the song up even more. Vassy is wailing and drummer Mickey Jones dials up the funk a bit.
I decided to include John Randolph Marr’s take on the song for contrast. Though he takes things a slightly slower pace, the drums and bass are killing it, and Marr had cool, whiskey-tinged voice (I hear a bit of David Clayton Thomas in there). The rest of the album – co-produced by Harry Nilsson under the aegis of his Nilsson House Productions – is an odd mix of country soul and chamber pop.
Interestingly enough, after the dissolution of the First Edition, Kin Vassy spent a short time recording and touring with Frank Zappa and the Mothers of Invention. He’s featured on the ‘Overnight Sensation’ LP.
He went on to work as a session singer/musician, eventually settling in Nashville and having some success as a performer and songwriter.
Sadly, Kin Vassy succumbed to cancer in 1994 at the age of 50.
I hope you dig the sounds, and I’ll see you all on Wednesday.
Keep the faith
Larry
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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!
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They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).
Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).
PS Head over to Iron Leg too.
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