Posts tagged: Funk

Dynamic Eight – Sardines and Turnip Greens

By , April 4, 2017 12:05 pm

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Listen/Download – Dynamic Eight – Sardines and Turnip Greens MP3

Greetings all.

We continue our week of ‘dead-enders’ with one of several one-off funky 45s that came out on Atlantic in the late 60s.

The Dynamic Eight (originally James Stuart and the Dynamic Eight) were a Nashville-based blues/soul band that recorded for the J&J label, and had this 45 (with the flipside ‘Sweet Woman’ misspelled as ‘Street Woman’) picked up for national distribution by Atlantic in 1969.

It’s not hard to see why, since ‘Sardines and Turnip Greens’ is a thumping slice of harmonica-led funk.

Pushed along by a fat-assed bass, horns and the wailing harp (Stuart?), and sporting the kind of title guaranteed to lure in any self-respecting crate digger, ‘Sardines and Turnip Greens’is the kind of record that probably rocked a grip of inner city jukeboxes, but as far as I can tell never bothered the charts (R&B or Pop) in the least.

The flipside of the 45, ‘Street (Sweet) Woman’ is funky blues (as opposed to the bluesy funk on the A side) with a raspy vocal.

The group recorded a second 45 for J&J which was not issued anywhere else.

I hope you dig the tune, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Chuck Bridges and the L.A. Happening – Keep Your Faith Baby

By , April 2, 2017 9:25 am

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Chuck Bridges and the L.A. Happening

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Listen/Download – Chuck Bridges and the L.A. Happening – Keep Your Faith Baby MP3

Greetings all.

I was digging through the crates and decided to pull out a handful of what I like to call ‘dead-enders’, i.e. records by artists that recorded only a handful of 45s and then vanished into the ether, leaving little behind aside from the music they recorded. This should not be percieved as any kind of artistic judgment, but rather that the artists left very little in the way of a trail, other than their records.

The first of these is by Chuck Bridges and the LA Happening.

Bridges (a black singer leading an almost all-white band) recorded an LP for Vault records in 1969 (the 45 you see before you included LP tracks) and that – as they say – was that.

Their resulting, self-titled LP has since become a crate diggers favorite.

Oddly enough, though the band is called the L.A. Happening, a 1969 article in Billboard magazine suggests that they hailed from San Francisco.

The track I bring you today, ‘Keep Your Faith Baby’ is indicative of the brassy, funky sound of the band, planted firmly on the soulful side of the late 60s horn band thing.

Co-written by Bridges and Vault Records house producer Lucky Young, the tune is melodic and hard driving, with Bridges trading lines with female backing singers, and some groovy electric piano flowing underneath everything.

It’s a very solid side, and honestly, how can I pass up ANY ‘Keep the Faith’ song?

I hope you dig it, too, and I’ll see you all on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Obie Plenty – Beef Stew

By , March 30, 2017 11:01 am

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Listen/Download – Obie Plenty – Beef Stew MP3

Greetings all.

The end of the week is upon us, and so it’s Funky16Corners Radio Show time again. We come to you each and every Friday with the best in soul, funk, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn and Stitcher apps, dig it on Mixcloud, or granb yourself and MP3 right here at Funky16Corners.com

The tune I bring you today is something of a mystery.

]If you drag your ears over here on a regular basis, you know that I dig food songs, and funny songs, and funky songs as well, so when a funny, funky food song rolls along you know I’m going to grab it for my playbox.

Obie Plenty’s ‘Beef Stew’ was released in 1967, and as far as I can tell it ios the only 45 ever to come out under that name (which appears to be a play on the name of the character B.O. Plenty from the Dick Tracy comic strip.

All signs point to ‘Obie Plenty’ being and alias of Harold Thomas of the Masqueraders, who is credited with writing and producing this single.

‘Beef Stew’ is a funky (dig that rolling bass line) novelty, with the singer going back and forth with his Mom about what’s for breakfast, lunch and dinner (beef stew, natch) and complaining about the repetition.

There’s not much substance (certainly not as much as actual beef stew) but the tune is groovy, danceable, and lots of fun, and probably should have been more successful (as far as I can tell it charted briefly at one station in Connecticut before fading away into obscurity).

If anyone knows the true identity of Obie Plenty, please make note in the comments.

I hope you dig the tune, and I’ll see you all next week.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Clifton White and His Royal Knights – The Warm Up Pt1

By , March 28, 2017 12:12 pm

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Listen/Download – Clifton White and the Royal Knights – The Warm Up Pt1 MP3

Greetings all.

I haven’t been able to discover much about Clifton White and the Royal Knights, other than that they probably hailed from Louisiana, and recorded for the Goldband subsidiary ANLA in the late 60s and early 70s.

‘The Warm Up’ (released in 1968) has been in my crates for a long, long time, no doubt picked up during one of my periodic New Orleans/Louisiana vinyl dragnets from back in the day.

Not only is ‘The Warm Up’ a great slice of relatively low-fi soul/funk, but it’s worth picking up for the spoken word jive as well.
You get the introductions, including the best of all, when White (I assume) decides to ‘give the drummer some’, at which point he introduces:

‘Leroy, is better known as MOOCHIE!’,

and the back and forth between White and a female singer who exalts the keyboard player,

‘Sweet Daddy Black Keys Foster playing on the white keys tonight!’.

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I haven’t been able to find a picture of the band, but I did track down this 1969 clipping from a Beaumont, TX college paper about Clifton White and the Royal Knights playing a party on campus!

There’s some great, hard charging action from the band, and the musicianship has a certain roughness to it, especially the bass and drums (even the lead guitar) which – while not bad – are not exactly tight and slick, giving ‘The Warm Up’ a certain soul/garage feel that I dig.

I hope you dig it, too, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

F16C – Bold Soul Sisters 3

By , March 21, 2017 9:29 am

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Funky16Corners: Bold Soul Sisters 3

Clydie King – Never Stop Loving You (Minit)
Barbara Acklin – Be By My Side (Brunswick)
Jo Armstead – Stone Good Lover (Giant)
Maxine Brown – You Upset My Soul (Wand)
Betty Harris – I’m Gonna Git Ya (Sansu)
Linda Lyndell – What a Man (Volt)
Bernice Willis – Confidence (Okeh)
Brenda Lee – Proud Mary (Decca)
Delores Hall – W-O-M-A-N (Keymen)
Mary Wells – Don’t Look Back (Jubilee)
Dianne Brooks- Walking On My Mind (TRC)
Ella Fitzgerald – Savoy Truffle (Reprise)
Gloria Jones – Look What You Started (Minit)
Jeanne and the Darlings – It’s Unbelievable (How You Control My Soul) (Volt)
Sari and the Shalimars – You Walked Out On Me Before (Veep)
Funky Sisters – Do It To It (Aurora)
Shirelles – No Sugar Tonight (RCA)
Jean Knight – Helping Man (Stax)
Linda Carr – Discover Me (Capitol)
Bobbettes – Looking For a New Love (Mayhew)
Kim Weston – Danger Heartbreak Dead Ahead (People)
Little Betty Baker – Stop Boy (All Platinum)

Listen/Download – Funky16Corners – F16C: Bold Soul Sisters 3 MP3

Greetings all.

 

As promised, I bring you the third installment in the Bold Soul Sisters series, the second having run last week and the first, a short eleven years ago.

This mix – while still funky – dials down the funk quotient a bit,, with things taking on a slightly mellower, soulful vibe (also drawing the selections from a slightly wider time period).

There are a lot of very tasty records herein, including a couple of old faves, a few very interesting covers, and hopefully a bunch that you haven’t heard before.

What they all have in common is a deep groove, a 45RPM format, and some of the most righteous soul sisters ever to play the game.

As always, I hope you dig it.

I’ll see you all on Friday.

 

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

The Soul Set – Mickey’s Funky Monkey b/w Flunky Flunky

By , March 16, 2017 7:02 am

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Listen/Download – The Soul Set – Mickey’s Funky Monkey MP3

Listen/Download – The Soul Set – Flunky Flunky MP3

Greetings all.

The end of the week is upon us, and so it’s Funky16Corners Radio Show time again. The podcast comes to you each and every Friday with the best in soul, funk, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen on your mobile device via the Stitcher and TuneIn apps, check it out on Mixcloud, or grab yourself an MP3 right here at Funky16Corners.com

Today’s selection is one of those records that has been stewing in my crates since forever, picked up in my broad sweep of everything Philadelphical back in the day.

I remember grabbing this out of certain cigar smoke stained vinyl treasure trove withing the Philly city limits, along with a grip of funk and Northern Soul things, mainly on the strength of the title, and the fact that it had Philly music names (Frank Virtue and Bernie Binnick) on it.

When I got it home I was very pleasantly surprised to discover that in addition to the funky version of the Miracles ‘Mickey’s Monkey’, there was a groovy organ instro version (Flunky Flunky) on the flip.

I know nothing at all about the Soul Set, other than the fact that they probably had no relation to the Jersey Shore unit (that secorded for Selsom and Johnson).

BB was a Philadelphia imprint that released a bunch of 45s in the mid-to-late 60s including two by the Soul Set, one by Guy Maurice (who also recorded for Fairmount), and discs by Frantic Freddy, the Centurys and (dig this name) Ernie Fields and Cockroach.

The group’s version of ‘Mickey’s Monkey’ is groovy, with lots of dance floor punch.

The organ instro version ‘Flunky Flunky’ is also excellent, with lots of overmodulated Hammond sailing over the pounding drums.

Interestingly, ‘Mickey’s Funky Monkey’ charted in a bunch of Philly-area markets in the summer of 1967 (their earlier 45 had some minor regional success as well.

If anyone out there knows who was in this band, please let me know.

That said, I hope you dig the 45, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

F16C – Bold Soul Sisters 2

By , March 14, 2017 11:48 am

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Funky16Corners: Bold Soul Sisters 2

Toby Lark – Shake a Hand (Cotillion)
Faith White – Manhandle (Columbia)
Diane Johnson – Queen Bee (Buluu)
The Loading Zone – No More Tears (RCA)
Odia Coates – Showdown (UA)
Apollas – Seven Days (WB)
Marie Franklin – You Ain’t Changed (Maverick)
Tami Lynn – Mojo Hanna (Cotillion)
Lotti Golden – Sock It To Me Baby/It’s Your Thing (Atlantic)
Otisettes – You’re All I Want (Epic)
Dee Dee Sharpe – You’re Just a Fool In Love (Atco)
Erma Franklin – Gotta Find Me a Lover (Brunswick)
Dottie Cambridge – He’s About a Mover (MGM)
Etta James – Groove Me (Chess)
Judy Clay – Sister Pitiful (Atlantic)
Mary Wells – Soul Train (Jubilee)
Myra Barnes – Super Good Pt1 (King)
Vicki Anderson – I’m Too Tough For Mr Big Stuff (Brownstone)
Ikettes – There Was a Time (UA)
Jackson Sisters – I Believe In Miracles (Prophecy)

 

Listen/Download – Funky16Corners – F16C: Bold Soul Sisters 2 MP3

Greetings all.

I hope everyone (at least those of you in the northeast) are riding the storm out, whether you’re soaked and windblown (like us here at the Jersey Shore) or buried under the snow like everyone to the north and west of us is.

I have something very special for you this (not so) fine day.

Last week – as has become something of a tradition every March 8th – I reposted the Funky16Corners Bold Soul Sisters mix for International Women’s Day. That mix, first posted back in 2006 is a longtime fave and packed from end to end with funky burners from the ladies.

As I reposted it last week it occurred to me that I ought to put together  sequel, and I set down to gather together the best funk and funky soul stuff that I had gathered in the eleven years since the first mix.

There was soo much groovy stuff, that I decided to to two new mixes (cleverly titled Bold Soul Sisters 2 & 3), one of straight up funk and one with the funk quotient dialed down a bit (but not too far).

I’ll be running Part 2 today, and Part 3 next week.

It is (with three exceptions) an all-45 mix, and aside from a couple of bigger names, I think you’ll find that a lot of this is probably new to you.

So dig in, pull down the ones and zeroes and – of course – get funky.

I’ll see you all on Friday.

 

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Bull and the Matadors – The Funky Judge (and Instrumental)

By , March 12, 2017 11:01 am

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Listen/Download – Bull and the Matadors – The Funky Judge MP3

Listen/Download – Bull and the Matadors – The Funky Judge (instrumental) MP3

Greetings all.

Time to get the new week rolling with something fun and funky, as well as a taste of that Hammond juice as well.

Before we get started, my new (roughly) monthly show, Testify!, on the WFMU Rock’n’Soul Ichiban Stream debuted today. It’s an intersection of the Funky16Corners and Iron Leg vibes. I archived it over at Iron Leg, so check it out when you get  chance.

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Bull and the Matadors ‘The Funky Judge’ has been since the dawn of the funk 45 collecting era, one of those basic, DNA-level building blocks of your basic funk crate.

It’s a groovy, funny, and relatively easy to score 45 on one of the great Chicago labels.

It has enough punch for the dance floor, and enough of that jive to get people singing along.

‘The Funky Judge’ was a pretty sizable hit, making it into the R&B Top 10 in 1968 and the Pop Hot 100 (higher in a bunch of East Coast and Midwest markets), and got new life when it was reissued as part of the Rhino ‘Beg, Scream and Shout’ boxed set in 1997.

Bull and the Matadors, James Lafayette “Bull” Parks, Milton Hardy, James Otis Love and Robert Holmes hailed from East St Louis, IL and recorded a handful of 45s for Chicago’s Toddlin’ Town label between 1967 and 1969.

Their only other chart success seems to have been centered around Chicago and St Louis.

Naturally, ‘The Funky Judge’ ties into the late 60s ‘Here Come de Judge’ craze, based in a routine by Pigmeat Markham that was made famous when riffed upon by Sammy Davis, Jr on ‘Rowan and Martin’’s Laugh-In’, spawning a whole shitstack of records by all kinds of people, as well as countless high school sophomores wandering the halls repeating ‘Here Come de Judge’ ad nauseum.

The Bull and the Matadors 45 featured a groovy lead vocal with some nice backing vocals, a funky base coat and a wild bit of feedback at the end.
In an extra added attraction, the flipside (also called ‘The Funky Judge’) is a groovy Hammond instro (played by I known not whom).

The other Bull and the Matadors 45s I’ve heard are excellent, though in amuch more conventional (non-novelty) soul vein.

‘The Funky Judge’ was covered (pretty nicely) a few years later by none other than the J Geils Band.

I hope you dig the tracks, and I’ll see you all on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

F16C – Hello L.A. Bye Bye Birmingham

By , March 9, 2017 2:12 pm

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Funky16Corners: Hello L.A. Bye Bye Birmingham

Bobbie Gentry – Okalona River Bottom Band (Capitol)
Billy Lee Riley – Mississippi Delta (Mojo)
Artie Christopher – Stoned Soul (Atlantic)
Cher – I Walk On Gilded Splinters (Atco)
Buzz Clifford – Hawg Frog (Dot)
Joe South – Motherless Children (Capitol)
Kin Vassy – Hello LA Bye Bye Birmingham (UNI)
Lonnie Mack – Too Much Trouble (Elektra)
Nat Stuckey – Clean Up Your Own Backyard (RCA)
Roy Head – Don’t Want To Make It Too Funky (In the Beginning) (ABC/Dunhill)
Area Code 615 – Stone Fox Chase (Polydor)
John Randolph Marr – Sarah (WB)
Skip Easterling – Hoochie Coochie Man (Instant)
Tony Joe White – Whompt Out On You (Monument)
Kelly Gordon – If That Don’t Get It It Ain’t There (Capitol)
Charlie McCoy – Minor Miner (Monument)

 

Listen/Download – Funky16Corners – F16C: Hello L.A. Bye Bye Birmingham MP3

Greetings all.

 

The end of the week is here and I will take this opportunity to remind you that the Funky16Corners Radio Show hits the airwaves of the interwebs each and every Friday with the best in soul, funk, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen on your mobile device via the Stitcher and TuneIn apps, check it out on Mixcloud, or grab yourself an MP3 right here at Funky16Corners.com

Also, my (roughly) monthly jawn at WFMU’s Rock’n’Soul Ichiban streamTestify! –  commences this very Sunday morning, March 12th at 11AM, and if you dig the sounds you hear both here and over at Iron Leg, it would behoove you to tune in your internet radiola (just got to the WFMU page and click on the Ichiban Stream) and dig it.

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That all said, what you see before you is the result of one of a number of ongoing obsessions (and musical workaholism) that finally reached a tipping point this past week when I got my hands on a record I’d been wanting for a long time (and bookends the original Honky Style mix which is ten years old this year) .

That record – Buzz Clifford’s ‘Hawg Frog’ – is in many ways the ne plus ultra of swamp funk sides.

The mix gets its title from a song that’s kind of a cornerstone of the sound, written by Mac Davis and Delaney Bramlett and recorded by no less than three artists in the mix (though I only included my fave, by Kin Vassy).

Swamp funk, country funk, white Southern soul, call it what you want – and really, it deserves a bunch of different names because as a style it’s kind of diffuse, with a bunch of things, funk, rock, soul, country, blues, psychedelia and R&B all intersecting in a variety of ways – the only real common denominator (at least in this mix) being the caucasianosity of the perpetrators.

You get some of the bigger names associated with the stylistic miasma, like Tony Joe White, Joe South and Bobbie Gentry, some of the lesser known folks, like Kin Vassy, Billy Lee Riley and John Randolph Marr, background characters like Kelly Gordon, Nashville heads like Charlie McCoy, Area Code 615 and Nat Stuckey and even a couple of unexpected names like Cher, Lonnie Mack and Buzz Clifford.

It’s sometimes funky (with a couple of very tasty drum breaks), usually twangy, often soulful, and with the soul of a mud-caked cottonmouth snake hidden out in the wheel well of bus taking Highway 55 from Memphis to New Orleans.

So pull down the ones and zeroes, and dig it.

I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Soul Continentals – Goobah (African Twist)

By , March 7, 2017 10:17 am

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Jackey Beavers

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Listen/Download – Soul Continentals – Goobah (African Twist) MP3

Greetings all.

The record you see before you is an old fave, which I picked up on (though didn’t get a copy of until a couple of years ago) way back in the early days of my Hammond organ obsession.

When I started digging around for info about the Soul Continentals, I was initially surprised to see that they seemed to have hailed from Detroit (their one other 45 was on the Jaber label out of Michigan), but after digging further, was even more surprised to find out that they were led by none other than Jackey Beavers!

You read about Jackey in this space before relating to his work in Johnny (Bristol) and Jackey, who did the original version of ‘Someday We’ll Be Together’. Beavers went on to record a bunch of 45s on his own for a variety of labels.

It was only recently that I discovered that the ‘R. Beavers’ listed as the composer/producer of ‘Goobah (African Twist)’ and its flipside ‘Bowlegs’ was in fact Jackey Beavers (his real name being Robert).

I’m not sure, but I suspect that Beavers is the keyboard player on this track, which features piano and organ.

Though the flipside ‘Bowlegs’ is faster moving number with some very hard hitting drums, ‘Goobah (African Twist)’ , released in 1968, moves at a more deliberate pace, with a groovy organ soloing over drums and hand percussion, with minor vocal interjections, and a very cool reverbed guitar solo.

As Hammond instros go, it’s a killer, and well worth whatever it takes to move one into your playbox (and a lot cheaper than their earlier Jaber 45 which can cost hundreds).

I hope you dig it, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

F16C – Tribute to the Funky Drummer: Clyde Stubblefield

By , February 21, 2017 1:42 pm

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Tribute to the Funky Drummer

Clyde Stubblefield Spoken Intro
James Brown and the Famous Flames– Cold Sweat Pts 1&2 (King)
James Brown – Say It Loud (I’m Black and I’m Proud) Pts 1&2 (King)
Marva Whitney – It’s My Thing (King)
James Brown – Mother Popcorn Pts 1&2 (King)
Clyde Stubblefield Live Solo 1968
James Brown – Shhhhhhhh For a Little While (King)
James Brown and the Famous Flames – I Got the Feelin’ (King)
James Brown – Popcorn With a Feeling (King)
James Brown – Funky Drummer Pts1&2 (King)

 

Listen/Download – Funky16Corners Presents: Tribute to the Funky Drummer: Clyde Stubblefield 65MB Mixed MP3

Greetings all.

This is something I would have put together earlier but the fam and I were on the road when word came down that the mighty Clyde Stubblefield, aka the Funky Drummer had slipped the surly bonds of earth.

Between 1965 and 1970 Stubblefield was deep, deep inside the pocket, driving the James Brown band from the drummer’s throne, often alongside John ‘Jabo’ Starks.

Stubblefield was as tasteful and economical a drummer as ever played soul and funk, with a tight, crisp style that managed to swing like hell.

Back when the Godfather of Soul passed away, I wrote about his work on ‘Cold Sweat’ thusly:

“It was in ‘Cold Sweat’ that James Brown, after three years of work, decided to ‘give the drummer some’, and things were never the same. With that record, he gathered together all of his innovations since ‘Out Of Sight’ – along with all the other musicians that he had inspired in the ensuing three years – and broke through yet another wall. ‘Cold Sweat’ is the ‘groove’, expanded upon, then further refined so as to concentrate its’ power. The beat is more experimental, the song structure now reduced to it’s essence (as if the ‘groove’, at one time adjacent to the song, had now become the song). This is never more apparent than in Pt2, where the aforementioned ‘drummer’, gets the also aforementioned ‘some’ – and blows soul music out of the water.

The drum break on side two of ‘Cold Sweat’ is a remarkable testament to exactly how far ahead his peers James Brown had gone.
In the sound of funk, there is no more important component than the drummer(s). Without the drummer, the groove has no foundation. Certainly a groovy bass line can get you moving side to side, but without the forward propulsion of the drummer, you aren’t really going anywhere. The most important element of the drummers importance to funk, is that it is through him (or her as the case may be) that funk received it’s most radical elements. These elements are the rhythms of Afro-Cuban music, and most importantly modern jazz. Anyone familiar with Elvin Jones, Max Roach or Art Blakey will hear their echoes in the beats of funk. These are the sounds of percussionists that got inside the rhythm and stretched it into all kinds of new shapes, designed to grab the body at it’s core and move it, i.e. make it dance. The BeBoppers and the modern jazzers provided an obsession with open spaces and explosive punctuation. They brought rhythm up out of the viscera, through the heart and into the head. This ‘intellectualism of the beat’, in combination with the polyrhythmic fire of congueros like Chano Pozo and Mongo Santamaria (later quite the funkster himself) timbaleros like Tito Puente, and the freedom of the New Orleans ‘Second Line’ drummers (Earl Palmer, June Gardner, Smokey Johnson and James Black) – which in turn has it’s parallels in the samba drummers of the Brazilian carnival – all contributed to the funky stew. This is not to say that Clyde Stubblefield had his ears turned to New Orleans, Rio or even the Village Gate – directly (he may well have), but that all of those sounds were swirling around in the mid-60’s, and all found their way into the sound of the funky drummer.

The break in Cold Sweat Pt2 is presaged, at about 45 seconds with six pleas (commands?) to ‘Give the drummer some” before turning to Stubblefield with ‘You got it drummer!’. The Flames drop away as Stubblefied works the kit, keeping time on the ride cymbal, booming on the toms and popping the beat on the bass drum. Ten seconds later JB brings in Bernard Odum on bass, and for almost ¾ of a minute he and Clyde break it on down. At 1:59 the horns come back in and ride all the way to the end. At nearly a full minute, Stubblefield’s ‘break’ is hovering dangerously close to the land of the drum solo, yet the energetic self indulgence of a Ginger Baker, Keith Moon (or even Buddy Rich) is absent, and has been replaced by a deeply funky vibe. This is a drum solo you can dance to. It is devoid of pyrotechnics yet full of ideas – subtle yet consistently explosive. It’s no mistake that Stubblefield is the man who’s work found it’s way into dozens of samples. The man who inspired JB to chant ‘The Funky Drummer!’, over and over again.”

The mix you see before you includes most of Clyde Stubblefield’s best known work with JB, as well as a clip from the famed 1968 Boston Garden concert which is like a punch in the gut.

I spent a lot of time playing the drums when I was younger, but I could only sit back wide-eyed (and eared) at the work of Clyde Stubblefield, who played the drums like James Brown danced.

He was a master.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Marie Queenie Lyons – Drown In My Own Tears b/w Try Me

By , February 19, 2017 9:40 am

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Marie Queenie Lyons

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Listen/Download – Marie Queenie Lyons – Drown In My Own Tears MP3

Listen/Download – Marie Queenie Lyons – Try Me MP3

Greetings all.

Marie Queenie Lyons is the epitome of the kind of artist that resided in the back of my mind – courtesy of other DJs finds/mixes – for years before I ever managed to put my hands on any of her music.

Her sole LP, recorded for Deluxe in 1970 is a crate diggers favorite, and is also quite rare and expensive.

Lyons was born in Louisiana, and worked with King Curtis before hooking up with the Deluxe label where she recorded the LP and a handful of 45s (all of which were LP tracks).

She was a powerful, raw singer, dragging elements of gospel shouting into James Brown (who was a significant influence) territory.

The tracks I bring you today are from a 1970 Deluxe 45, and both appeared on her ‘Soul Fever’ LP.

‘(I’ll) Drown In My Own Tears’ was written by Henry Glover (who also wrote Annie Had a Baby, California Sun, Peppermint Twist, and was the co-writer of Soulville) and was first recorded by Ray Charles in 1957. Lyons take on

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