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By Larry, May 19, 2013 12:51 pm

Tommy Tucker

Listen/Download Tommy Tucker – Long Tall Shorty

Listen/Download Tommy Tucker – Mo’ Shorty

Greetings all

Welcome once again into the inner sanctum of all things soulful.

Welcome to another groovy week here at Funky16Corners.

I thought we’d get things started with one of the truly great slabs of R&B/soul.

‘Long Tall Shorty’ is one of the UR documents of the mod/beat sound, having been covered by both the Kinks and the Graham Bond Organization and holding a place of honor on many a sweaty basement club turntable during the early 60s.

Tommy Tucker had already had a hit with ‘High Heel Sneakers’ in 1963, before laying down ‘Long Tall Shorty’ (co-written by none other than Don Covay) the following year.

Tucker, born Robert Higginbotham in 1933 was a singer, pianist/organist who recorded in a variety of settings (groups and solo) between 1951 and 1967.

‘Long Tall Shorty’ is an especially interesting cut. It – like ‘High Heel Sneakers’ is built on a pretty standard, uncomplicated, Jimmy Reed-esque frame, but thanks to a sly build up and some very tasty guitar turns into something else entirely by the time its 2:23 are done.

Though Tucker worked extensively with guitarist Welton ‘Dean’ Young, it would seem that the guitarist on this 45 is in fact Timmy Oliver, as Young was on the road performing as one half of Dean and Jean.

The song starts off chugging amiably, but gathers steam gradually, almost imperceptibly until the band is running at top speed. It’s not hard to imagine a cellar full of pilled up modernists moving and grooving to this one.

Though the record has obvious roots in a slightly earlier bag, by the time the organ kicks in it’s obvious that Tucker is operating in a fully modern context. Aside from a couple of Bo Diddley sides, I can hardly think of an artist dragging quite so much old school R&B into a soulful setting this late in the game (though I have full confidence that one of you fine souls will provide an example or two that blows that thesis out of the water).

If you can get your hands on a copy of this 45 – which shouldn’t be too terribly difficult – you need to get to the end of ‘Long Tall Shorty’ and continue on to the b-side, the instrumental take thereon, entitled ‘Mo’ Shorty’. The guitar work is outstanding, and if anyone out there knows anything about Timmy Oliver (I haven’t been able to find anything) please let me know.

So roll back the rug, throw back a pint or two and get to dancing.

I’ll see you on Wednesday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (3)

By Larry, May 16, 2013 11:05 am

Vic Waters (center, dig the spats) and the Entertainers

Listen/Download Vic Waters and the Entertainers – I’m White – I’m Alright

Greetings all

The end of the week approaches and so does the Funky16Corners Radio Show, which comes to you this and every Friday night at 9PM on Viva Radio with the best in funk, soul, jazz and rare groove, all on original vinyl. If you can’t be there at airtime, you can always catch up by subscribing to the show as a podcast in iTunes, or by grabbing an MP3 out of the archive here at the blog.

The tune I bring you today first came to my attention when a couple of people started discussing it on an internet message board ( a pursuit that makes up a solid percentage of all internet content).

The record in question ‘I’m White – I’m Alright’ by Vic Waters and the Entertainers was seen by some (apparently people that didn’t actually listen to the record) as a misguided, racist rant. The other folks, the ones that took the time to get past the title, and with a little bit of perspective under their belt, recognized the tune as an “answer” record of sorts (to JB’s ‘Say It Loud I’m Black and I’m Proud’).

Vic Waters and the Entertainers were a white showband that were pretty big stuff in Tampa Bay, FL during the 60s.

They recorded three 45s with Dan Penn and Spooner Oldham behind the boards, one (a nice cover of the Eddie Floyd composition ‘Taking Inventory’, also recorded by the Ferris Wheel and Danny White) on Capitol proper, and then two more (one of which you see before you today) on Capitol’s Crazy Horse subsidiary.

The Entertainers were not unlike the countless white R&B/soul bands that populated the night clubs, frat houses and various and sundry other dance floors of the American south during the 60s, like the Tempests, the Rubber Band, Bill Deal and the Rhondels and many others.

‘I’m White – I’m Alright’ is indeed funky, and can be best described as “the white brothers can get down too”, which they can and do.

It’s worth the ride to hear Vic deliver lines like :

“I’m light, white and out of sight. I ain’t tan but I can jam.”

Surely, some of this stuff – 45 years on – sounds culturally tone-deaf, but it appears that Vic and the Entertainers had their hearts in the right place.

Would it have been better if he’d said “I’m pale but I can wail” or ‘I may be pink but I’m funkier than you’d think’?

Of course not.

I hope you dig the tune, and have yourselves a great weekend.

I’ll see you all on Monday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (5)

By Larry, May 14, 2013 11:30 am

Artee Duke Payne (left) and Curtis Prince (top) with Odell Brown and the Organizers

Listen/Download Duke Payne – The Bottom

Listen/Download Duke Payne – Reaction

Greetings all

Welcome to the midweek festivities.

I thought it might be a good time to dip into the pantry and bring out something on a groovy soul jazz tip.

It was a while back, whilst doing some of what the record hounds refer to as “e-digging” that I happened upon a 45 that piqued my interest.

The name Duke Payne rang a bell, and after racking my brain for a few minutes I recalled that I was used to hearing it with the name ‘Artee’ in front of it, as in Artee Duke Payne, saxophonist with Odell Brown and the Organizers.

I did a little bit of research, discovered that ‘M and M’ was in fact a Chicago-based imprint, and then (once the record fell through the mail slot) saw the name ‘C. Prince’ (as in Odell Brown’s drummer Curtis Prince) credited as the writer on today’s selection and the cipher was complete.

The record, which dates to sometime in the late 60s, is sought after for the slightly funky bagpipe feature ‘The Bottom’ on the A-side. That track features Payne working it out on the bagpipe – much less irritating than you might think – with vibes and some far out wah-wah guitar.

If you dig into the catalog of Odell Brown and the Organizers, it’s Duke Payne, sometimes treading the border between in and out that gave the group its edge.

Though the late 60s saw a lot of jazzers getting loose and trippy, the results were rarely this cool.

The flipside, ‘Reaction’ is a brilliant bit of soul jazz, with electric saxophone, vibes, organ (doesn’t sound like Odell Brown to me, but who knows?) and guitar, all cranking double time in a groovy modal bag.

The M&M label started out in the mid-50s, releasing all manner of R&B, blues and jazz and seems to have continued at least until the early 80s.

I hope you dig the sounds, and I’ll see you all on Friday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (2)

By Larry, May 12, 2013 11:39 am

Ralph Soul Jackson

Listen/Download Ralph Soul Jackson – Sunshine of Your Love

Greetings all

Welcome once again into the inner sanctum of all things soulful.

I have to admit that I was totally ignorant as to the existence of today’s selection until it popped up on a friend’s sale list last year.

Always on the lookout for a groovy cover tune, I pulled the ripcord on the sound file, had my ears singed and requested (nay, demanded) that the 45 be put in reserve until I could send some semolians coursing through the ether.

Ralph Soul Jackson, aka the Alabama Love Man was a son of that great state, cousin to none other than Jo Jo Benson, and recorded this (and many other great 45s) with the good folks at Fame Studios in Muscle Shoals.

He laid down his cover of ‘Sunshine of Your Love’ in 1969, a year after Cream had their hit.

I’ve always been a huge fan of Cream, especially this song, which is the tune that drew me toward the band as a kid.

‘Sunshine of Your Love’ is remarkably cool, despite being a fairly simple piece of work, relying on the interpreter for that extra added something. Hand it to a garage full of teenage troglodytes and it doesn’t sound quite as magical.

Jack, Eric and Ginger whipped their particular brand of fuzzed out, psychedelic plod onto it and the audience – even the Top 40 – ate it up.

Mr Jackson went into Fame studios with Spooner Oldham and managed to one-up the lads from the UK in a big way.

You get a stunning horn chart, some groovy electric piano and a big fat bass, with Ralph riding it all like a bronco buster. The band adds a little more conventional forward thrust to the beat (on account of you’d maybe want to have people dance to the record), and while Ralph takes the occasional liberty with the lyrics, I don’t think Peter Brown would mind.

The extra cool thing is, that Ralph Soul Jackson is still at it today! He released the ‘Alabama Love Man’ CD last year and all reports indicate that he is still at the top of his game.

I hope you dig the tune (and grab the new stuff as well) and I’ll see you on Wednesday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, May 9, 2013 12:21 pm

Bobby Williams

Listen/Download Bobby Williams – Let’s Jam

Greetings all

The end of the week is here, and so is your weekly helping of the Funky16Corners Radio Show. I come to you every Friday night at 9PM on Viva Radio, spinning the best in funk, soul, jazz and rare groove, all on original vinyl. If you can’t be there at airtime, you can subscribe to the show as a podcast in iTune, or grab an MP3 here at the blog.

In other news, the Funky16Corners 2013 Allnighter and Pledge Drive will be arriving at the end of the month. I have many of your old favorites lined up, as well as some very cool new names bringing mixes to the table. I also have a cool premium on the way for folks that donate this year. Keep your eyes and ears peeled for news!

The tune I bring you today is a very groovy, very gritty slab of Florida funk.

Originally released in the US (on the Normar label) as by Bobby Williams and the Mar Kings, what you see before you is the contemporaneous (within a couple of years) release on the UK Contempo-Raries imprint (with the name truncated).

This is the Florida-based Bobby Williams (as in ‘Funky Superfly’) as opposed to the New Orleans-based Bobby Williams (as in ‘Boogaloo Mardi Gras’).

This Bobby Williams laid down a series of excellent 45s through the years for labels like Lu-Pine, Sure Shot, Duplex and R&R, ranging from storming Northern Soul (‘I’ve Only Got Myself To Blame’), blazing funk (‘Funky Superfly’ and today’s selection) to smooth, late night soul (‘You Need Love Like I Do’).

His funky stuff – like most of the ish from the early 70s – is heavily influenced by the mighty Godfather of Soul (Williams’ ‘Let’s Work A While’ is a barely disguised reworking of ‘Give It Up Or Turn It A Loose’), and ‘Let’s Jam’ is no exception.

Though the overall sound isn’t too James Brown-y (especially the instrumental side of things) Bobby’s vocal, and the call and response action (including a tip of the hat to Isaac Hayes) definitely owes a debt to JB.

The bass guitar (BIIIIG BASS!) , wah wah guitar and horns whip up a mighty racket, and Bobby is working very, very hard.

This is one I think you’re gonna want to spin a bunch of times, until you have gotten all the way (not half way) down.

I hope you dig it, and I’ll see you all on Monday.

Keep the faith

Larry

*The LP version of ‘Love Potion Number 9’ sounds like the same band but the 45 labels I’ve seen don’t provide a credit in that regard
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, May 7, 2013 10:30 am

The Coasters

Listen/Download The Coasters – Cool Jerk

Greetings all

I hope the middle of the week finds you all well.

The Coasters loom large in the transition from R&B to soul, especially in relation to their work with the mighty Leiber and Stoller.

Their ATCO recordings, stretching from the mid-50s to the mid-60s are unmatchable.

Unfortunately for all concerened, the Coasters had their last taste of chart action in 1964.

The years after they left ATCO were commercially unsuccessful, yet – no surprise here – artistically rewarding.

Though the group bounced between a few different labels (Date, Turntable, King) they continued to work with Leiber and Stoller and their later catalog, though often hard to come by, is quite good.

The tune I bring you today hails from the tail end of the group’s productive years (i.e. making new material as opposed to capitalizing on old ones).

Though I don’t know how they ended up on King, they recorded three 45s and an LP for the label, all released in the early 70s.

The LP contains re-recordings (or possibly remixes) of Date material like ‘D.W. Washburn’, ‘Soul Pad’ and ‘Down Home Girl’ as well as new material.

The tune I bring you today is another cover, but with a very cool twist.

‘Cool Jerk’ first recorded by the Capitols in 1966 is reworked with distinctly Latin touch.

Not only do you get the Leiber and Stoller production, but the arrangement is by Marty Sheller and the orchestra is conducted by none other than Larry Harlow. I’m not sure if it is in fact Orchestra Harlow, but it certainly sounds like it.

The pairing of the Coasters with the boogaloo sound is an inspired one and makes me wish that they’d done more in this vein*. Their King material was released between 1971 and 1973, though it all sounds to me like it was recorded on the earlier end of the time line.

It’s a fantastic dance floor mover, and I hope you dig it.

Keep the faith

Larry

*The LP version of ‘Love Potion Number 9’ sounds like the same band but the 45 labels I’ve seen don’t provide a credit in that regard
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, May 5, 2013 11:57 am

Obrey Wilson

Listen/Download Obrey Wilson – Soul Satisfaction #1

Greetings all

Here’s an interesting one.

The last time we discussed Obrey Wilson, it was in the negative, i.e. in relation to having his name (unjustly) appended to the writing credits for ‘(Love Is Like) A Ramblin’ Rose’, the record made famous by Jerry Lee Lewis, Ted Taylor and of course the mighty MC5.

The song was written by Fred Burch and Maryjohn Wilkin, which is how the song was credited until Ted Taylor made his way to Nashville to record his version, where the tune came away from the experience with Wilson’s name stuck to it.

I have no idea why this happened – though the world of soul music in the classic era is packed with similar copyright shenanigans – but it did.

That said, Obrey Wilson was no mere record business suit/copyright pirate, but was a fine singer who recorded a dozen 45s between 1961 and 1973 (thanks to Sir Shambling for the discographical information).

I encountered today’s selection on a list a few years back, dug the sound and grabbed it.

‘Soul Satisfaction #1’, written and produced by another mysterious figure – Eddie Polo – is an unusual late 60s (1969 to be exact) hybrid, of gritty southern soul, gospel and just a touch of funk. Too slow for all but the most lubricated dance floor, but very groovy nonetheless, ‘Soul Satisfaction #1’features a great vocal by Wilson.

The record was recorded in Nashville, where Wilson seems to have been spending a lot of time in the late 60s.

The flipside, ‘Break Away Baby’, also written by Polo, is an excellent, deep soul ballad.

All in all a very groovy record, by an artist I wish I knew more about.

I hope you dig it.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, May 2, 2013 10:40 am

Richie Barrett

Listen/Download Richie Barrett – Some Other Guy

Greetings all

The weekend is once again upon us, and so is the Funky16Corners Radio Show. Coming to you this and every Friday night at 9PM on Viva Radio, we bring you the finest in funk, soul, jazz and rare groove, all on original vinyl. If’n you cannot dig at airtime, you can always subscribe to the show as a podcast in iTunes, or grab yourself an MP3 copy out of the archive here at the blog.

The tune I bring you today is without question one of my all-time favorites, and a 45 that eluded me for quite a while.

This is odd, because Richie Barrett’s ‘Some Other Guy’ is not a crazy expensive disc (between 50 and 100 USD on a good day), but it is in demand, so when copies pop up, the get knocked down rather quickly with a certain amount of competition in the bidding and so forth.

I was lucky enough to get my copy on the cheap side of things, and have probably given it a spin (or a digital play) every day since then.

Thing is, this record is one that loomed large in my musical tutelage for many years, thanks in large part to the fact that ‘Some Other Guy’ became one of the go-to covers for Liverpool bands of certain vintage, that being the heart of the beat era, and naturally, the Beatles.

The song was part of the playlist of the Fabs (it is the song they were playing when they were first filmed playing at the Cavern Club) and it was also recorded by bands like the Big Three, Johnny Kidd and the Pirates and a bit later on by ex-Beatle Pete Best.

It was the killer version by the Big Three that caught my ear first and made me want to track down the original.

Richie Barrett is a particularly interesting figure in the history of R&B and soul in that he was not first and foremost a recording artist.

Barrett made his mark as a producer and songwriter for groups like the Chantels, and hadn’t done a ton of recording before he found himself in the studio alongside the mighty Leiber and Stoller in 1962.

The record they made, ‘Some Other Guy’ is a brilliant bit of R&B well on the way to soul, with rumbling bass, electric piano and even a groovy organ solo.

Those widely separated opening notes on the electric piano build a tremendous amount of drama, especially considering what follows.

What ‘Some Other Guy’  also is, is one of the most blatant bits of imitation Ray Charles as has ever been impressed on a lump of vinyl.

‘Some Other Guy’ sounds like Leiber, Stoller and Barrett took a pile of Brother Ray’s late-period Atlantic ish, tossed it into a blender and poured the resulting slop into a microphone.

Not only do you get the rolling electric piano rhythm of ‘What’d I Say’, but Barrett is all but channeling Charles’s voice in every possible way.

It’s positively shocking that they didn’t try to release it under some name like ‘Charles Ray’, or ‘Brother Ray’ or some such tomfoolery.

Of course we are talking about Leiber and Stoller, who managed to kick ass just about every time they entered a studio, so despite any similarities to records living or dead, ‘Some Other Guy’ is epic.

Oddly enough, despite the obvious greatness of this record, L&S didn’t bother to mention it in their autobiography.

Slap this on at your next ripple and potato chip party and watch every last soul tear their way out onto the floor fighting over which part of the rug they get to slice.

In fact, I suggest that you go get lubricated, pop this one on at high volume and tear up the joint yourself, as best you can.

It is – after all – almost the weekend.

Capisce??

Groovy.

See you cats on Monday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, April 30, 2013 12:13 pm

Listen/Download Delores Riley – Hey Boy!

Greetings all

Welcome once again to the point where all sixteen corners of the musical universe intersect.

One of the busiest corners therein is located in the great city of New Orleans.

I have certainly made mention in this space before of the ‘high end’ of the Instant Records discography.

Instant, which ran from 1961 to 1972 released records by many of the big names in New Orleans soul and funk, from Chris Kenner (their biggest hitmaker) to Ernie K Doe and Huey ‘Piano’ Smith.

Though the overall quality of their roster was excellent, if you were looking for the funky stuff, you’d want to start browsing up around number 3300 in the catalog.

There are of course exceptions – especially Larry Darnell’s ‘Son of a Son of a Slave’ and Curley Moore’s ‘Sophisticated Sissy’ – but before, though quite groovy, things were mostly soulful.

Once that Rubicon is crossed, all bets are off, processes change to naturals and in comes the funk.

Though I have chased many of these post-3300 sides over the years (and caught a bunch), there are a few that still elude me, as well as a number that I’ve never heard.

One of these – at least until a few years ago – was the record you see before you today, Delores Riley’s ‘Hey Boy!’.
I had never heard the record before when a friend suggested I check it out.

It was a nice, hard-driving funky 45, so I set out find myself a copy, and got one in short order (for not a lot of dough).

I have not been able to find anything out about Riley, or the writer of the song Justin James. I don’t see any evidence that she recorded anything else, for Instant or any other NOLA label.

The one familiar name on the label is that of Earl Stanley, of Earl Stanley and the Stereos, aka Roger and the Gypsies.

The production on ‘Hey Boy’ is pretty tight, with a great horn section, some groovy wah-wah guitar and even a little bit of electric sitar in the mix.

The most distinctive part of the gumbo (aside from Delores’s singing) , is – as is often the case – the drums. Whoever was manning the kit was hitting hard that day.

The style is a little bit rough, but full of verve. I’d love to know who it was.

That said, should it tickle your fancy, you ought to be able to grab yourself a copy of this one to stuff into your crates for well under fifty clams.

I hope you dig it, and I’ll see you all on Friday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, April 28, 2013 2:19 pm

Dave Hamilton

Listen/Download Dave Hamilton and His Peppers – Beatle Walk

Greetings all

Welcome to another week here at the Corners.

The tune I bring you today is – once you get past the title – a cool one.

Dave Hamilton (accompanied here by his Peppers) is a name that should be familiar to both fans of Detroit soul, but also of funky instrumentals like ‘Cracklin’ Bread’.

Hamilton, who was born in Georgia in 1920 (!?!) relocated to Detroit, where he started to record R&B and blues in the late 40s.

Though he started out playing vibes and the xylophone, the guitar eventually became his bread and butter.

Over the years he released 45s for labels like Chess. Fortune and Hi-Q, before eventually starting his own Tempo, Topper and TCB imprints.

Hamilton was one of the original Funk Brothers, but a strong independent streak caused him to part ways with Motown and work on his own.

He produced and arranged for a wide variety of Detroit acts like Little Ann, OC Tolbert and Sugar Billy Garner.

‘Beatle Walk’ which was released in 1964, yet sounds like it could have been waxed half a decade earlier, has a title that was an obvious (if wholly dishonest) stab at the charts.

I’m not saying that the Fabs themselves wouldn’t have dug ‘Beatle Walk’ but rather that the vast majority of their audience, some of whom might have purchased this 45 because of the title, would have flipped out.

You can just imagine some teenybopper in her maryjanes picking this up at the local record store, coming home, slapping it on the Victrola and passing out.

Instead of the jangly guitars, yeah yeah yeahs and moptops, what you get here is the kind of straight-ahead R&B you’d hear cranking out of any urban strip club or tavern. The production on the sax and the drums is plenty raw, and the guitar has a lot of bite as well.

Plus, you get that classic Fortune Records label design.

It’s a nice, gritty workout, and I hope you dig it.

See you on Wednesday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, April 25, 2013 11:16 am

Bob Theile, Steve Allen and Oliver Nelson

Listen/Download Steve Allen/Oliver Nelson – Son of Preacher Man

Greetings all

The end of the week is coming up fast, which means that the Funky16Corners Radio Show is too. You can tune in this and every Friday night at 9PM on Viva Radio, or subscribe to the show as a podcast in iTunes, or grab an MP3 at the blog.

Now,I hope that those of you old enough to remember who Steve Allen was are still here. Any familiarity with the late funnyman might have been enough to scare you away, but I assure that once you pull down the ones and zeros, you’ll be happy you stayed.

Steve Allen was a funny dude, in many ways the precursor to guys like David Letterman.

He was also an accomplished songwriter and musician.

Along with arranger Oliver Nelson (who can probably be credited with any musical power herein), Allen recorded three volumes of ‘Soulful Brass’ LPs for Bob Theile’s Flying Dutchman label, with the initial volume being the first LP released by the label.

I sought out ‘Soulful Brass Volume 2’ because I’d heard that it contained a groovy version of ‘California Soul’ (which it did) but was also very pleased to see that it also included covers of ‘Soulful Strut’ and today’s selection, ‘Son of a Preacher Man’.

Allen’s main contribution to the efforts here seem to be a combination of (mostly) name recognition and the occasional electric piano solo.

‘Son of a Preacher Man’ is an excellent, funky, brass-driven take on the Dusty Springfield hit, with hard-hitting drums by Jim Gordon, funky bass by Max Bennett and guitar by David Cohen.

The brass arrangements by Nelson are – of course – top notch.

The combined results make this the only Steve Allen record you ever need to buy.

I hope you dig it, and that you have a great weekend.

I’ll see you all on Monday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, April 23, 2013 11:50 am

Gary McFarland

Listen/Download Gary McFarland – Fried Bananas (45 edit)

Greetings all

It has – by and large – been a chilly, gray Spring so far.

It has always been thus here in NJ, but you can’t blame me for hoping that the door into summer would swing wide, just this once.

It is in that spirit that I bring you a 45 that is the very essence of summery warmth.

Gary McFarland was one of the preeminent vibists and arrangers of the 1960s working extensively with others as well as building a fairly substantial catalog of his own work.

He was, with Gabor Szabo and Cal Tjader one of the founders of the short-lived (but excellent) Skye label, and died, not yet 40, when someone mysteriously poisoned his drink in a New York bar.

As a performer, McFarland had a style that seemed light on the surface, but always had a lot of complexity running underneath.

He also had some idiosyncratic tendencies as a performer, that were occasionally transcendently groovy, and sometimes annoying.

The track I bring you today falls on the groovy side of things.

Released on his 1966 ‘The In Sound’ LP, ‘Fried Bananas’ is a laid back, sexy Latin groove, featuring a nice guitar solo by Szabo, trombone by the great Bob Brookmeyer, and flute by Sadao Watanabe.

What it also features is McFarland’s wordless singing (a weakness on some of his other records).

The version heard here is the slightly truncated single edit, with the LP version running about 90 seconds longer.

If you get a chance to grab a copy of the original album, do so. It features a number of excellent tracks, but also one of the coolest pop-art covers of the era.

Cal Tjader covered ‘Fried Bananas’ on his 1968 ‘Solar Heat’ album, which featured arrangements by McFarland.

As far as I can tell none of McFarland’s Verve LPs are available in reissue, though much of the Skye catalog can be purchased on iTunes.

I hope you dig the tune (and warm up a bit) and I’ll see you on Friday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.