Posts tagged: Funky16Corners

The People’s Choice – Do It Any Way You Wanna

By , February 26, 2012 4:02 pm

Example

The People’s Choice

Example

Listen/Download -The People’s Choice – Do It Any Way You Wanna

Greetings all.

Welcome to another week at the Funky16Corners!

First, a very brief technical note, it occurred to me that if you use the RSS feed you’ll have to reset the link you use, as the feed has changed.

The tune I bring you today is one of those records that should have been glaringly obvious (or at least it seemed so when I finally heard it) but I managed (in classic Larry Grogan fashion) to find my way there by the most circuitous route possible.

I first knew the People’s Choice via their early 70s 45s for the Phil-LA of Soul label (‘I Likes To Do It’ was R&B Top 10 in 1971), which were very early digging scores of mine during the first days of my Philly obsession.

Then, a few years later my man Tony C dropped a mix with a track that blew my mind, which opened up with a stunning version of this song (later featured in this very space after I managed to get my grubby little fingers on a copy of my own) by Louie Ramirez on Cotique (which can be heard in this past Friday’s Funky16Corners Radio Show).

It was only after that, that during a bit of dusty, outdoor, flea market digging that I happened upon a copy of the record you see before you today, which is of course the original (hit) version of the song by the People’s Choice.

As soon as I gave it a spin it was obvious that I had indeed heard it before, which spurred me to dig out my Billboard R&B chart book, which confirmed that ‘Do It Any Way You Wanna’ was a number one R&B hit and Top Ten pop hit in the summer of 1975, right smack in the middle of my AM radio listening years.

This is of course indicative of one variety of the diggers disease, wherein the obvious seems to get washed away in a torrent of obscurity, which happens to us all but still shames me when I manage to step in it (I really ought to know better).

That all said, the People’s Choice version of ‘Do It Any Way You Wanna’ is a prime piece of funky disco (disco-y funk?) with enough heat for the dance floor and enough edge for the ears, which goes a long way in explaining why it was such a big hit.

I hope you dig it, and I’ll see you all next week.

 

Peace

Larry

 

Example

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Friday Update

By , February 24, 2012 1:00 pm

Example

Greetings all.

This is just a brief update to let you all know where things are at.

First, remember that the Funky16Corners Radio Show takes to the airwaves of the interwebs tonight at 9PM at Viva Radio.

If you can’t be there at airtime you can always come by here over the weekend to pick up an MP3 of the broadcast.

It does bear mentioning that tonight’s show is the first since the technical specifications for assembling the show have changed. Due to Viva Radio’s requirements about tagging the songs used in the broadcast, I have had to make serious changes in the way the show is put together for broadcast.

Normally I would create the show in chunks of 15 minutes or less (according to Viva’s server requirements) and upload them to the server, basically dividing the broadcast into separate segments of music and spoken word. This would allow me to EQ the individual tracks and mix them together with bumpers and drops for a fairly seamless delivery.

I would then mix all the segments together into the single, downloadable MP3s that you see in the radio show archive here at the blog.

Now, I have to upload the songs to their server individually, with the bumpers and drops mixed into my spoken passages, which means that the normal, audible flow of the show will be changed somewhat, with some variations in the volume and breaks present where there were none previously.

This won’t make a huge amount of difference in what you hear at broadcast (and almost none at all in the download) but I take pride in what I present to you and I’m not 100% thrilled in the way it works now.

I have heard suggestions that I create the show in a program like Garage Band and then break it into pieces and tag the pieces separately, but I have neither the money to buy new software, nor the time to do it that way. I currently use Acid to mix the segments and rip to MP3, and if the capability for such a process is in there, I am not currently aware of it.

I’ll keep working on a solution so that I can meet Viva’s requirements and still bring you the kind of show that you’re used to hearing.

__________________________________________________________________________

In regard to the changes in the blog that have transpired this week, the situation is thus…

The server provider that I use apparently sent out a message last year about the end of the subdomain I was using and I missed seeing it in the flood of solicitations that they send out.

The deadline for the changeover came due this week with only 72 hours notice this week and I had to get things done in short order.

If I was a little more internet savvy, this process might have been easier, but I’m not, so it wasn’t and for some people the blog dropped off the face of the interwebs with little or no notice.

It was still “here” but was in actuality “somewhere else” (the “new” here) and I could definitely have done a better job getting that news out.

As it stands I have notified all of the blogs in my blogroll, as well as all the members of the Funky16Corners Facebook group (about 1400 folks) as well as the Twitter followers (around 700 folks, many probably duplicated from the Facebook numbers) as well as readers of a couple of message boards I frequent.

The good news is that alot of the incoming links to the blog have been updated.

The bad news is that the search engines still haven’t found the blog and webzine, at least not at the levels previous to this week.

The good news is, as a result, the spambots haven’t re-found me yet either, which means that I have temporarily been spared the trouble of deleting the thousands of pieces of spam that hit the blog on a weekly basis.

The bad news is that a lot of people still think the blog has vanished (which sucks).

All I can ask is that if you have the ability to somehow spread the word about the change of address (to Funky16Corners.com) please do so, knowing that you have my gratitude (and big ups to those that have already done so).

This has been – thanks to stress about my wife’s treatment and all of this blog-related bullshit – a very, very stressful week, so please bear with me as I get things straightened out.

Otherwise, have a great weekend and I’ll be back with some new stuff on Monday.

Peace

Larry

 

Example

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

The Martinis – Hung Over

By , February 22, 2012 11:56 am

Example

Packy Axton (2nd from left) with some Memphis heavies…

Example

Listen/Download -Martinis – Hung Over

Greetings all.

First, some important news.

The day before yesterday I found out that I was going to have to change the domain where the Funky16Corners Blog and web zine reside. Unfortunately I had very little notice and the change was made rather hastily.

As a result, a lot of people that come looking for the blog using the old funky16corners.lunarpages.net links are going to find NOTHING. If you use the www.funky16corners.com, or just funky16corners.com (no WWW) you’ll still get here.

The problem is, blogging being what it is, a lot of the incoming links are located in places where they aren’t likely to get changed any time soon, and it’s going to take Google a while to rediscover the content here.

In the interim, I would appreciate it, that if you’re associated with a blog or website that links here, please adjust the links accordingly. If not, please just pass the word along, via Twitter or Facebook, that we have moved.

As I explained briefly yesterday, the switch over to the new domain should appear largely seamless – completely so in regard to new content – but there will be some effect on older stuff.

The graphics have to be restored to all posts prior to last November.

The links should be working in the Radio Show, Podcast, Guest Mix and Soul Club archives. If you find any broken links, please let me know.

This is an especially hectic and stressful time already, and I may have missed something here or there.

Thanks – as always – for your patience.

__________________________________________________________________________________

That said, today’s selection is one of those records that have been staple in my crates for a long, long time, and I can’t honestly say why I never featured it before.

Why am I posting it now, you may ask?

Because it is, quite suddenly, timely.

A while back I provided some very minor assistance in the research for the folks assembling the Light In the Attic compilation ‘Charles Packy Axton: Late Late Party: 1965-1967’ for which they very graciously (and surprisingly) thanked me in the liner notes.

Long-time readers of the blog will be aware that packy Axton features prominently in one of my favorite sagas, that being the story of the Packers ‘Hole In the Wall’ (more here) and its reappearance as a single by a cat named Joe S Maxey (as well as the vocal cover by the Other Brothers).

Ever since being clued into the various recorded exploits of Charles Packy Axton in Rob Bowman’s excellent book ‘Soulville USA: The Story of Stax Records’ I have picked up Packers record where and whenever I find them.

Axton, the son of Stax co-founder Estelle Axton, was a saxophonist and a hard living party animal who expired prematurely in 1974 at the age of 32.

He was, through the 60s a member of the Mar-Keys, and recorded with a revolving cast of characters (that often included Stax heavies and the Hodges brothers of the Hi records house band) under the names the Packers, the Martinis and the Pac-Keys, as well as providing backing for singles by singers LH White and Stacy Lane.

Thes 45s are collected in the aforementioned Light In the Attic comp, which if greasy, low down R&B and soul is your bag, ought to be on your shopping list.

The tune I bring you today, ‘Hung Over’ is the very essence of smoky, late night grooves, until it is rudely interrupted by the sound of someone making a very loud noise, which I (and many others) assumed was simulated (?) vomiting, but according to the liner notes of the comp, was actually Packy’s version of an angry growl.

The flip side, ‘Late Late Party’ is built on the same frame.

The various and sundry Axton-related 45s run from not too expensive to very much so, so if you’re not dedicated to finding them and shaking out your wallet, picking up the CD might be a better idea.

I hope you dig the tune, and I’ll see you all on Friday.

 

Peace

Larry

 

Example

 

 

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Funky16Corners Presents Boogaloo Mardi Gras!

By , February 19, 2012 3:15 pm

Example

Roger and the Gypsies – Pass the Hatchet Pt1 (Seven B)
Professor Longhair – Big Chief Pt2 (Watch)
Bobby Marchan – Shake Your Tambourine (Cameo/Parkway)
Diamond Joe – Gossip Gossip (Sansu)
Eddie Bo – Hook and Sling Pt1 (Scram)
Lee Dorsey – Four Corners Pt1 (Amy)
Dixie Cups – Two Way Poc A Way (ABC)
Earl King – Street Parade (Kansu)
Meters – Cardova (Josie)
David Batiste and the Gladiators – Funky Soul Pt2 (Instant)
Bobby Williams – Boogaloo Mardi Gras Pt2 (Capitol)
Curly Moore – Sophisticated Cissy (Instant)
Ernie K Doe – Here Come the Girls (Janus)
Larry Darnell – Son of a Son of a Slave (Instant)
Explosions – Hip Drop Pt1 (Gold Cup)
Rubaiyats – Omar Khayyam (Sansu)
Warren Lee – Funky Belly (Wand)
Willie Tee – Sweet Thing (Gatur)
Danny White – Natural Soul Brother (SSS Intl)
Lee Dorsey – Who’s Gonna Help Brother Get Further (Polydor)
Oliver Morgan – Roll Call (Seven B)
Eddie Bo – Can You Handle It (Bo Sound)

Listen/Download -Funky16Corners Presents Boogaloo Mardi Gras! – 85MB Mixed Mp3/192K

Greetings all.

I hope you all are well.

I had some other things planned for today, then while I was out running errands I drove past a church with a sign up about Ash Wednesday, which meant only one thing to my deeply lapsed, heathen, ex-Catholic self (I’m so far gone I usually don’t catch on until I see people walking around with ashes on their foreheads), that being that Mardi Gras was at hand.

Despite my obvious affinity for and devotion to the music of New Orleans, for some reason I have a fairly consistent mental block when it comes to remembering Mardi Gras.

It seems that every single year it comes into my sightline either on the day of or after and I end up sitting here like a schmo wondering why I couldn’t get it together to commemorate that most significant of New Orleans-based festivities.

Fortunately, this year fate stepped in, I saw that sign and mixed you up a nice, spicy bowl of New Orleans funk and soul gumbo.

I don’t think there’s anything in this mix that hasn’t appeared in this space at least once over the years, but that shouldn’t stop you from digging in.

There are a few Mardi Gras-specific numbers here, including the record that gives the mix it’s title by Bobby Williams, the mighty Professor Longhair and ‘Big Chief’, the Dixie Cups and their Mardi Gras Indian chant Two Way Poc A Way’ and Earl King’s ‘Street Parade’.

There are also a grip of drum-heavy, NOLA party burners as well, powerful enough to get you up out of your seat and on to the floor.

I hope you dig the sounds and I’ll be back on Wednesday with something cool.

Also, don’t forget to check out the latest episode of the Funky16Corners Radio Show via the Flash player in the sidebar.

 

Peace

Larry

 

Example

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Slim Harpo – Baby Scratch My Back (and some news)

By , February 16, 2012 2:06 pm

Example

Slim Harpo

Example

Listen/Download -Slim Harpo – Baby Scratch My Back

Greetings all.

It has been another busy week here at the Funky16Corners compound, with hospital visits and sundry other responsibilities that simply must be taken care of lest the world wind off of its axis.

First, a bit of important business to get out of the way.

As most of you probably know, these are dark times for music blogs.

The copyright wars are getting hotter all the time, with domains seized, blogs shut down and threats being issued on the reg.

Funky16Corners, one of the longer lived blogs of its kind, has been extraordinarily lucky over the years in that we have not once (knock wood) been on the receiving end of threats, take-down notices or other negative feedback related to the posting of music.

For the longest time, I kept things going as usual, with all of the Funky16Corners Radio Podcast mixes posted in the archive containing the individual files and a fairly relaxed attitude to breaking the links on the single tracks in the regular posts.

A while back I tightened the reins a bit on the regular posts, pulling down the tracks after a 10 day period so that Funky16Corners remained true to its spirit as an educational resource.

Then, a few months ago it became apparent that less, shall we say, “dedicated” bloggers were indemnifying themselves against difficulty by deep linking (posting links on their blogs directly to the URLs on my server) to my tracks, not to mention the same thing being done (in a much more mechanical fashion) by rogue MP3 services that scour the internet for content to offer their visitors.

Despite the fact that I was breaking the links in my posts, they were still available to anyone who had deep-linked or in some other way recorded the full URL of the tracks.

My initial reaction to this was to relocate my on-line archive (which I use frequently to access tracks for mixes and tribute posts to artists that had passed on) and to move tracks to “off-line” locations after the aforementioned 10-day period.

The more I thought about the situation the more I decided that I needed to take whatever steps I could to protect Funky16Corners without compromising the “mission” (for lack of a better word) of the blog.

As a result, I did some restructuring at the server level, as well as removing the ZIP file links from the Podcast Archive.

All of the mixed MP3 files remain, but access to individual tracks has, at least for the time being, been removed.

I know that some of you will be disappointed – the archive is one of the most heavily traveled parts of the site – but this is something I felt needed to be done.

I have always felt that what I do here at Funky16Corners – as well as most of the blogs I link to – is much different than the popular idea of music blogging.

I have never posted full albums here, and the music I do post is always posted along with commentary and historical context.

I’m happy to say that in the many cases where I have been contacted by an artist that was featured here or a member of their family, the feedback has always been positive.

Unfortunately, the reality of blogging in 2012 is that the worst possible scenario could descend at at minute, and I owe it to myself to make this environment as “safe” as possible.

Hopefully the status quo will be maintained.

___________________________________________________________________________________

That said, I should also remind you that the Funky16Corners Radio Show takes to the airwaves of the interwebs Friday night at 9PM on Viva Radio. If you cannot make the scene at airtime, you can always come by the blog on Saturday and pick up an MP3 of the show.

Also (yes, there’s more…) the post I recently did about the passing of the great Johnny Otis has been republished on the Greek culture website The Goddess of the Hunt!

___________________________________________________________________________________

What better way to face such chaos than a bit of mellow (bot not too mellow), soulful (just the right amount of soul) Louisiana blues.

Does the name Slim Harpo set your ears vibrating and your feet moving just so?

Though I can’t remember the exact day, I do know the year that the sounds of Mr James Moore (aka Slim Harpo) first breached the redoubts of my ears.

It was sometime back in Nineteen and Eighty Seven that my brother from another mother, the Bluesman handed me a brick of cassettes, all of which contained the sounds from whence he got his sobriquet.

There, alongside the Kings (Albert and BB) was a tape featuring the sounds of the mighty Slim Harpo.

While the name was at the time familiar (no doubt due to British Invasion coverage of his catalog by cats like the Rolling Stones, the Kinks and Them) I had never heard the originals.

I was in for a treat.

While I listened to all of those tapes, the one that took up permanent residence in my automobile was the Slim Harpo collection.

There was something very groovy about Slim’s voice and harmonica that shot right into the pleasure centers of my brain.

Years of reflection have led me to the conclusion that this was probably due to the fact that the music of Slim Harpo, while bluesy, was not entirely “the blues”, swimming in a swamp of R&B, soul and even country sounds, and it was all wrapped up in his unique voice.

He recorded his first record for Excello in 1957, and had his first hits in the early 60s and his first (and only) R&B Number One hit with the record you see before you today ‘Baby Scratch My Back’ in 1966.

The groovy thing is, that while there is something undeniably laconic about Slim Harpo’s music, the more you listen to this record in particular the more you realize how danceable it is.

It’s not a hard-charger, but it possesses a groove as thick as molasses.

Sadly, Slim Harpo died in 1970 at the age of 46, felled by a heart attack.

If you dig this cut, head out and grab yourself a copy of ‘The Best of Slim Harpo’ and get hip to a master.

See you on Monday.

 

Peace

Larry

 

Example

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Funky16Corners Valentine’s Mix: Dance of Love

By , February 13, 2012 10:32 pm

Example

Frank Wilson – Do I Love You (Indeed I Do)
Charlie Rich – Dance Of Love
Darrell Banks – Our Love Is In the Pocket
Jackie Wilson – I Get the Sweetest Feeling
Eddie Bo and Inez Cheatham – Lover and a Friend
Charlie Earlands Erector Set – Cherie Amour
JJ Barnes – Hold On To It
Spinners – Sweet Thing
Sand Pebbles – Love Power
Platters – Sweet Sweet Loving
Lee Dorsey and Betty Harris – Love Lots of Lovin’
Len Barry – I Struck It Rich
Producers – Love Is Amazing
Lee Williams and the Cymbals – It’s Everything About You That I Love
Broadways – You Just Don’t Know Good You Make Me Feel
Velvelettes – Since You’ve Been Loving Me
Soul Brothers Six – Your Love Is Such a Wonderful Love
Wilson Pickett – Everybody Needs Somebody To Love

Listen/Download -Funky16Corners Valentine’s Mix: Dance of Love – 86MB Mixed Mp3/256K

Greetings all.

What you see before you is an impromptu musical love letter/box of chocolates that I put together to evoke the soulful spirit of love.

I do so in the general, Valentine’s Day sense, but also in the specific sense of the love that I have for my wife.

As regular readers of the blog know she’s been going through some tough stuff the last few months, which she has weathered with exceptionally good spirits and courage.

She had a particularly hard day today, and I was mulling over the idea of a lover’s mix that she might download and play to lift her spirits in the hospital, and that others, in the embrace of their own love might listen to as well.

There’s a wide variety of great tunes here – and no, I do not own an original copy of the Frank Wilson 45, but I can dream, can’t I? – all on the upbeat, positive tip.

It’s just over 45 minutes of great stuff.

I hope you dig the sounds and play them for someone you love.

Oh…one more thing…I just added a Flash player in the sidebar so you can play the most recent episode of the Funky16Corners Radio Show while you’re browsing the site!

I’ll see you all later in the week.

 

Peace

Larry

 

Example

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Bobby Hollaway – Cornbread, Hog Maws and Chitterlins

By , February 12, 2012 2:53 pm

Example

Listen/Download -Bobby Hollaway – Cornbread, Hog Maws and Chitterlins

Greetings all.

Welcome to another week here at the madhouse with sixteen funky corners.

I have to begin by telling you all, that if you intend to click on the MP3 link in today’s post that you should really strap yourselves in.

One of the most important part of being a good DJ is taste, not only ones own, but the ability to recognize it in others.

Over the years I’ve come to trust the opinions of several DJs/collectors, one of whom is the mighty Midnight Cowbwoy down in Crackalack.

He’s one of those guys who has excellent taste in music, and who is always putting excellent stuff in his playlists that I haven’t heard before.

Late last year, when I posted a couple of versions of ‘The Little Drummer Boy’ in this very space, he mentioned to me that I ought to pick up a 45 by a cat named Bobby Hollaway called ‘Funky Little Drummer Boy’.

It wasn’t long before I found a copy and grabbed it sight unheard.

So, a few days go by and the record in question falls through the mail slot and I promptly carry it to the turntable where I placed it under the needle with care.

As soon as it started spinning I knew it would be featured prominently during the Funky16Corners Christmas 2012 festivities.

That said, I then flipped the disc over and saw that the B-side was entitled ‘Cornbread, Hog Maws and Chitterlins’, and since I can’t very well see a title like that and not play the record, I gave it a spin.

Holy shit…

It was like finding a ten dollar bill, flipping it over and realizing that the number in the corner was really ‘100’!

The song in question is just a hair under two minutes of fast-moving, spellbinding, hair-raising, ass-kicking (there was a special on hyphens down at the blog store!) instrumental soul.

Wham bam thank you ma’am – as the saying goes – what you get here is some greasy organ, hard-hitting drums, saxo-mo-phone and fatback guitar – all piled up on a paper plate and slathered in gravy.

The whole thing is like a stick of dynamite, but it’d be worth it if all you got to hear was the drums at the beginning of every chorus.

I haven’t been able to nail down any info on Bobby Hollaway, but once again, reading the fine print on the label provides some important clues.

I noticed that the record had been produced by Bobbie Howard (which sounded familiar) so I set out into the interwebs and discovered that this was in all likelihood the very same Bobbie Howard who had been in Washington, DC-area band the British Walkers.

The British Walkers were an R&B/garage/beat band who’s ranks included the likes of Roy Buchanan and John Hall.

Howard was also responsible for the Mod fave ‘Sh’Mon’ – released under the name Mr. Dynamite – and was in a band called The Sweet (not the UK band).

Interestingly enough, The Sweet’s 45 on Smash, produced by and featuring Bobbie Howard is exactly one catalog number down the list from the Bobby Hollaway 45.

Whether ‘Bobby Hollaway’ was a DC-area musician (sax or organ?) or a pseudonym for somebody else, I do not know, and if one of you does know, I would appreciate you dropping me a line clearing this whole thing up on account of I LOVE this record.

I hope you dig it as much as I do, and I’ll see you all on Wednesday.

 

Peace

Larry

 

Example

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Jimmy Sabater 1936 – 2012

By , February 9, 2012 1:17 pm

Example

Jimmy Sabater

Example

Listen/Download -Joe Cuba Sextet – El Pito (I’ll Never Go Back To Georgia)
Listen/Download -Joe Cuba Sextet – Que Son Uno
Listen/Download -Odell Brown and the Organizers – Que Son Uno

Greetings all.

Welcome to the end of another funky week here at the Corners Sixteen.

I hope you’ve all weathered the work week well, or at least well enough to get some enjoyment out of the weekend.

I should take a moment to remind you that the Funky16Corners Radio Show drops Friday night at 9PM on Viva Radio, followed of course by the MP3 version thereof, posted right here at the blog over the weekend.

I had something else planned for today, but then I heard of the passing of the great Jimmy Sabater.

Sabater, one of the great Nuyorican movers of the boogaloo era (and beyond) was a timbalero, singer and composer who first met Joe Cuba (then Gilberto Calderon) during a stickball game on the streets of Spanish Harlem in the early 50s.

The Joe Cuba Sextet had their first crossover hit in 1966 with ‘El Pito (I’ll Never Go Back To Georgia)’ and then into the R&B Top 20 and the Pop Hot 100 later that same year with ‘Bang Bang, a million seller and one of the cornerstones of the boogaloo movement’.

Sabater was a key member of the Sextet, writing or co-writing (see Odub’s excellent post at Soul Sides for some info on Cuba taking undeserved writing credit on ‘Bang Bang’) some of their finest records (eight of the eleven tracks on the album above).

The two tracks I bring you today are the aforementioned ‘El Pito’ and ‘Que Son Uno’, both co-written by Sabater.

‘El Pito’ is one of the breat Latin soul party starters of all time. With its fast moving piano riff and percussion, as well as its stop-start pattern in which the band reaches a frenzied pace only to come crashing to a halt (and then rise again from the ashes) ‘El Pito’ is positively explosive. The production is remarkable, with the percussion coming alive (slap on the headphones for this one), the vibes moving at a breakneck pace, and the band’s foot stomping rattling everything in the studio.

The second cut, ‘Que Son Uno’ is probably my favorite cut by the Sextet. Diverging from the boogaloo feel of much of the ‘Wanted Dead or Alive’ album, ‘Que Son Uno’ is a beautiful, sublimely powerful piece of Latin jazz.

I’m also including the groovy cover of the tune by none other than Odell Brown and the Organizers, which they recorded in 1967 on the ‘Mellow Yellow’ album. Considering the popularity of the ‘Wanted Dead or Alive’ LP, I’m surprised that ‘Que Son Uno’ wasn’t covered more often.

Jimmy Sabater went on to record  a lot of solo material (including this funky gem), but also remained with the Joe Cuba Sextet into the late 70s.

I hope you dig the tunes, and I’ll be back on Monday.

 

Peace

Larry

 

Example

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Evergreen Blues – Bring It On Back

By , February 7, 2012 4:18 pm

Example

The Evergreen Blues

Example

Listen/Download -Evergreen Blues – Bring It On Back

Greetings all.

The tune I bring you today is a little something from my ongoing horn rock obsession, crossed with the sounds of East LA.

I picked up the Evergreen Blues album while I was out digging, knowing nothing of their music, but sure (thanks to various and sundry context clues) that they were of a 1960s vintage.

When I got the record home and gave it a listen I was surprised to hear a lot of soul where I was expecting something a little psyche and decided that I ought to see what I could discover.

As it turns out, the Evergreen Blues got their start in East LA as the Two Thirds Majority, changing their name to the Evergreen Blues around the time they signed their first major label record contract (with Mercury) in 1967.

They recorded their first album that year, which included the original version of song that would become much better known in a recording by the Grass Roots, ‘Midnight Confession’.

That song was written by Lou T Josie, who would contribute a few songs to their second album (recorded for ABC) , including today’s selection ‘Bring It On Back’ (not the same song that was recorded by Dyke and the Blazers).

The Evergreen Blues sound, led by vocalist Manny Esparza, was organ and horn driven soul/rock. Unlike a lot of their contemporaries, the horn section wasn’t employed as a jazz proxy, but rather in the classic Stax/Volt style.

The Evergreen Blues were a great example of the kind of fusions going on in East LA where Chicano musicians were mixing R&B and rock in lots of interesting ways.

Following their second album, Evergreen Blues changed their name to Elijah and recorded two albums (at least one with the help of Al Kooper) during the early 70s.

I hope you dig the tune, and I’ll be back on Friday.

 

Peace

Larry

 

Example

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Jesse Gresham Plus Three – Bust Out

By , February 5, 2012 1:23 pm

Example

Listen/Download -Jesse Gresham Plus Three – Bust Out

Greetings all.

Welcome to another week here at the Corners.

The tune I bring you today is something I’ve had warming up my crates for many years, that I knew almost nothing about.

I picked up my first Jesse Gresham Plus Three 45, ‘Shootin’ the Grease’ way back in the way back, and dug it for its organ groove grease, but also because it was on a strange label (Head) with a Robert Parker hit (‘Barefootin’) inexplicably placed on its flip side.

A few years after that score, I happened upon today’s selection, ‘Bust Out’ and then later heard (but have yet to score a copy of) ‘The Penguin’.

‘Bust Out’ has always tickled my fancy because, in the late period Merl Saunders/Toussaint McCall stylee,  it features the keyboard player doing double duty on the organ and the electric piano.

I had been unable to find any information about Gresham, until I recently set to Googling and happened upon a page on the Mississippi Blues Trail site, where in an article about the Staple Singers, they happened to mention several other musicians who worked out of the Drew, Mississippi area, one of whom was Jesse Gresham.

The site mentioned that Gresham was a keyboard player, who also worked as a school teacher and who had become a minister.

I adjusted my search criteria, and found a comment on the mighty Home of the Groove blog from the researcher who had written the Blues Trail page, who fleshed out the Jesse Gresham Plus Three story somewhat.

Apparently Gresham and his band worked out of the Clarksdale, MS area and recorded their one session in Memphis, TN. The group featured Gresham on keys, Johnny Agnew on guitar, Larry Haggans on bass and Nathaniel Jefferson on drums (Agnew and Haggans get writing credit on this cut).

That the group’s entire output was limited to a single session isn’t surprising, since all that appears to exist is the two sides of today’s 45, plus two different edits of the song that appeared first as ‘Shootin’ the Grease’ and later as ‘The Penguin Pts 1&2’.

All told, for a three-song run, they were pretty much batting .1000.

I hope you dig the sounds, and I’ll be back on Wednesday with something cool.

 

Peace

Larry

 

Example

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Booker T and the MGs – Plum Nellie

By , February 2, 2012 4:11 pm

Example

Booker T and the MGs

Example

Listen/Download -Booker T and the MGs – Plum Nellie

Greetings all.

The end of another week is finally upon us.

Things are so busy/topsy turvy these days that the end of the week has lost almost all meaning (other than the fact that the boys get the weekend off).

It seems sometimes as if we’re lost in a blur marked by the analog “hospital/no hospital”.

This is not to say that that my wife’s health situation has gotten worse, because it hasn’t, but rather that the grind of treatment and the ensuing disruption of what little routine we could depend on tends to leave us in a fog of sorts, composed of equal parts confusion, boredom and angst.

That said, one of the things you can depend on is that if Friday is here, so is the latest episode of the Funky16Corners Radio Show. We have a very special episode this week, composed entirely of a tribute to Etta James and Johnny Otis. It will hit the airwaves of the interwebs this Friday night at 9PM on Viva Radio. If you can’t make it at airtime, you can always fall by this very spot over the weekend when and where I post a downloadable MP3 of every week’s show (see the Radio Show tab in the header).

The tune I have chosen to close out the week this time is a veritable audio grease fire from the Memphis law firm of Jones, Cropper, Jackson and Dunn.

I am not ashamed to admit that the first time I heard the song ‘Plum Nellie’ is was on a Small Faces record, since Messrs Marriott, Jones, McGlagan and Lane were a big part of my ear-filling during the Mod/garage days of the 80s.

Though the Small Faces version (released in 67, but a part of their repertoire prior) of the tune is a killer, there is simply no getting past the fact that when Booker T and the MGs set foot in the Stax studio in 1963 they were gunning for bear.

Though – like every other largely instrumental unit of the day – the MGs recorded their share of filler (though even that was soulful) when they were at their best they were very, very heavy, and ‘Plum Nellie’ is a great example of that very heaviosity.

Opening with some whipcrack guitar from Steve Cropper, the tune settles into a ‘Green Onion’-y pace, but with a much grittier overall vibe. The horn arrangement is inspired, boiling up menacingly when needed. There’s a particularly inspired moment (at around 1:20) when the horns rise up and seemingly morph into Cropper’s guitar which then opens up into a raging solo.

The whole affair comes to a close at around the two-minute mark, and my thought is, had they taken it any further, they may have burned the studio down.

It’s that hot.

I hope you dig it, and I’ll see you all next week.

 

Peace

Larry

 

Example

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Don Cornelius RIP

By , February 1, 2012 2:09 pm

Example

Mr Don Cornelius

Example

Example

Listen/Download -The Ramrods – Soul Train Pts 1&2

Listen/Download -The Rimshots – Soultrain Pts 1&2

Greetings all.

I come to you on what would normally be a ‘between-posts’ day because the news came down today that the great Don Cornelius had died.

Cornelius was the host of the long-running ‘Soul Train’, the premiere showcase for black music on national TV in the 70s, 80s and 90s.

I spent many a Saturday morning watching the best dancers in America groove on the Soul Train line and listening to his deep, rich voice end every show with the phrase “You can bet your last money it’ll be a stone gas honey!”

Cornelius got his start as an insurance salesman, but moved into entertainment as a DJ on Chicago’s legendary WVON in 1966.

Soul Train started as a local Chicago show on 1970, moving into national syndication in 1971 (Cornelius was the host until 1993).

Though the theme that most people associate with the show is ‘TSOP’ by MFSB and the Three Degrees, which was the show’s theme from 1973 to 1975, the original theme was an unusual, very groovy, and totally recycled record.

The original ‘Soul Train’, as credited by the Ramrods was used as the theme to the show from 1971 to 1973. It may very well have sounded familiar to some of the older heads in the audience, because it had originally been released almost ten years before as recorded by the Rinky Dinks (actually a group led by King Curtis on guitar) under the title ‘Hot Potato’.

I had never heard this ‘version’ of the Soul Train theme until a few years after I picked up a copy of the Ramrods 45, when I saw a clip from the early years of the show and heard it playing in the background.

When it was released on Rampage records in 1972 under the Ramrods name, it grazed the R&B Top 40, remaining on the charts for several weeks.

That same year, the Rimshots covered the song and released their version on the All Platinum subsidiary A-1 records.

I present both two-part versions in full today in remembrance of the mighty Don Cornelius, and because they both represent a good, greasy, soulful groove.

He will be missed and we wish him love, peace and soul.

 

Peace

Larry

 

Example

 

 

 

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Panorama Theme by Themocracy