Hack Bartholomew – La La You

Herman ‘Hack’ Bartholomew

Listen/Download – hack Bartholomew – La La You MP3
Greetings all.
I hope the new week finds you well.
I thought we’d get things started this week with an absolutely certifiable banger.
The sounds of Hack Bartholomew first found their way into my ears some time back, via a Facebook post (I think) and I set out immediately in search of a copy for my own playbox.
This is one of those singles that not only ought to be better known, but should also be in the midst of a thick, juicy discography, instead of being a spectacular one-off, which it is.
What I have been able to find out about Hack Bartholomew is both very interesting, and only serves to make this 45 all the more mysterious.
His real name is Herman, and he was (and is) a trumpeter/vocalist from the mighty Crescent City of New Orleans.
As far as I can tell, this is not only the only record he ever made for CTI (more on that in a minute), but also the only record he ever made for a major label, PERIOD.
Bartholomew recorded ‘La La You’ and it’s flipside ‘Let Me Tell You What I Found’ sometime in 1969 or 1970 at Rudy Van Gelder’s legendary studio in Englewood Cliffs, NJ.
How Bartholomew found his way to CTI in the first place is unkown, but I suspect it may have had something to do with his New Orleans homeboy Leo Morris, better known as drum master Idris Muhammad, who was recording in the New York area, for CTI and Prestige during the time period.
‘La La You’ is remarkable in many ways, but first and foremost because it’s an anomaly in the CTI bag, as it were. You all know I dig the smooth, urbane CTI sound, and ‘La La You’ is light years funkier, rougher and wilder than just about anything else I can think of on the label.
Was it a speculative one-off, meant to make inroads into the world of soul and R&B? As far as I can tell he never recorded more than the two sides on the 45 (there is a much rarer stock issue of the 45 with both tracks. The copy I have is the two-sided promo).
As it is, ‘La La You’ is an amazing record, combining heavy, churning, guitar-heavy funk with an homage to the Delfonics ‘La La Means I Love You’ (from the previous year) in the chorus. You also get some sassy female backing vocals, and a trumpet solo by Hack!
This is one of those funk 45s that – were it rarer, as is you can probably find one for 30 to 40 bucks – people would be killing each other to get their hands on a copy.
Batholomew apparently spent more than a decade in New York, before returning to New Orleans where he continues to play the trumpet outside the Café Du Monde (his playing has been featured on the soundtrack to the TV series ‘Treme’), as well as playing in church.
I hope you dig the 45, and if you have any information on who else might have played on the session, please let me know.
See you on Wednesday.
Keep the faith
Larry
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