Ruth McFadden – Rover Rover

By , August 9, 2016 11:07 am

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Ruth McFadden

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Listen/Download – Ruth McFadden – Rover Rover MP3

Greetings all.

Back in the day, when I was digging up (and taking home) all the Philadelphia soul I could find, I was lucky enough to find all three 45s released on a short-lived label called Huff Puff.

The ‘Huff’ was of course Leon Huff (of Gamble and…) and the releases, by the Landslides, The Producers and Ruth McFadden (all 1968) were all arranged by Bobby Martin (though he’s not explicitly credited on the Producers 45) and produced by Kenny Gamble and Leon Huff.

The music – as is to be expected – is all first rate, played by the Philly rhythm section guys (Baker, Harris, Eli, Montana etc) and of course amazingly written songs.

They’re all interesting (I wrote up the Producers a while back and all three 45s have been played on the Funky16Corners Radio Show), but the Ruth McFadden 45 especially so.

McFadden had had a career as an R&B singer back in the 1950s, and then dropped off the radar almost completely (other than a 1965 one-off for Sure Shot) until she reappeared on Huff Puff with ‘Rover Rover’ in 1968.

‘Rover Rover’ is a funky, atmospheric (dig those strings) number with a great, gritty vocal by McFadden and a Bobby Eli guitar line that would pop up again in the Brothers Of Hope 45 ‘Nickol Nickol’ on Gamble that same year.

Though she would go on to record another great single for Gamble and Huff (‘Ghetto Woman Pts 1&2’ in 1972) none of her stuff charted (even locally in Philly) and she remains a fairly obscure artist (though there appears to be a compilation of her earlier recordings).

That said, this is a very groovy 45 that grows on you with repeated listens.

I hope you dig it, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Funky16Corners Presents: Revolving In Soul

By , August 7, 2016 11:51 am

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Junior Parker – Taxman (Capitol)
Jackie Wilson – Eleanor Rigby (Brunswick)
Don Randi Trio – Love You To (Reprise)
Gary McFarland – Here There and Everywhere (Skye)
London Jazz 4 – Yellow Submarine (Polydor)
Don Randi Trio – She Said She Said (Reprise)
Linda Divine – Good Day Sunshine (Columbia)
Maceo and All the Kings Men – For No One (Excello)
Don Randi Trio – I Want To Tell You (Reprise)
Chris Clark – Got To Get You Into My Live (Motown)
Junior Parker – Tomorrow Never Knows (Capitol)

Pictured: Jackie Wilson, Junior Parker, Linda Divine and Maceo Parker

Listen/Download – Funky16Corners Presents: Revolving In Soul 54MB Mixed MP3

NOTE: The always excellent Any Major Dude With Half a Heart blog did a similar (though more stylistically all-encompassing) mix that you should definitely check out. There’s some crossover, but I think you’ll dig both mixes – Larry

Greetings all.

I was puttering around in the Funky16Corners Blogcasting Nerve Center and Record Vault the other day and some friends brought it to my attention that the 50th anniversary of the release of the Beatles epic ‘Revolver’ LP – one of the most important and paradigm-shifting albums of the 60s – was upon us.

Naturally, having devoted several mixes to the songs of the Beatles (as covered by soul, funk and jazz artists) I had to see if I could put together a mix of covers that approximated the track listing and running order of the original.

I had to cheat a little bit (what you see here matches the track listing of the US issue of the album, i.e. the one I grew up with, but not the longer/more interesting UK issue, which you see on CD reissues of ‘Revolver’) and the running time is almost the same (with the mix running about two minutes over).

That is due to the fact that there aren’t many covers of material from the UK album that fit inside the (admittedly broad) stylistic brackets I mentioned above. There are a grip of soul/funk covers of songs like Eleanor Rigby, but none at all of ‘I’m Only Sleeping’, ‘And Your Bird Can Sing’ or ‘Doctor Robert’.

That said, I did have bunch of cool things on hand.

The saving grace was Don Randi’s 1966 ‘Revolver Jazz’ LP, contributing no less than three tracks to the mix, the swinging version of ‘Yellow Submarine’ by the London Jazz 4 (good luck finding a version of that song that isn’t meant for kids or played for comedy), and Maceo Parker’s stunning and wholly unexpected version of ‘For No One’.

A couple of the tracks in this mix have appeared here in some form before, but I couldn’t resist the pure novelty and record nerd-ery of recreating Revolver.

So, I hope you dig it, and I’ll see you all on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Fabulous Emotions – Number One Fool b/w Funky Chicken

By , August 4, 2016 11:24 am

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Clockwise from top left: Thom Bell, Bobby Martin, Sam, Erv & Tom

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Listen/Download – Fabulous Emotions – Number One Fool MP3

Listen/Download – Fabulous Emotions – Funky Chicken MP3

Greetings all.

The end of the week is upon us, so I will remind you all to dig into the Funky16Corners Radio Show podcast, which drops each and every Friday with the best in soul, funk, jazz and rare groove, all on original vinyl. You can subscribe to the show in iTunes, listen on TuneIn, Mixcloud or grab an MP3 right here at the blog.

The tunes we end the week with compose both sides of one of my favorite Philadelphia 45s, and part of an interesting story as well.

I first picked up the local, Nico release of the Fabulous Emotions ‘Number One Fool’ b/w ‘Funky Chicken’ more than ten years ago from my buddy Haim.

The a-side is a hard charging number with a following on Northern Soul dance floors. Produced by Philly mainstays Bobby Martin and Thom Bell (with writing credited to an otherwise unknown ‘F. Hill’, but more on that in a minute), ‘Number One Fool’, is a really well produced, prefect representation of the late 60s Philly sound.

The flip, ‘Funky Chicken’ is merely an instrumental dub of ‘Number One Fool’, but this time is credited to Martin and Bell! It was actually a minor local hit, charting on two different Philly stations, WDAS and WHAT (home of the Mighty Burner Sonny Hopson, Make no mistake-a Jake-a!).

The story takes an interesting turn when the track was released again on the Tamboo label, then recycled/reissued yet again (also on Tamboo) this time credited to the NY Jets!?!

Check out this old Funky16Corners web zine article where I go into detail on the multiple releases, but I will say that the 45 picked up a new track in its last version, this time with writing and singing by Sam, Erv and Tom of ‘Soul Teacher’ fame!

All versions of this record are excellent, as well as fairly hard to put your hands on these days. It is highly recommended that you grab one for your playbox should you encounter one in the field.

I hope you dig the tunes, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

The Untouchables – Free Yourself / I Spy (For the FBI)

By , August 2, 2016 4:39 pm

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The Untouchables (Clyde Grimes on the right)

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Listen/Download – The Untouchables – Free Yourself MP3

Listen/Download – The Untouchables – I Spy (For the FBI) MP3

Greetings all.

A little while back (the blog moves at a different speed during the summer due to an adjusted work schedule) I heard about the passing of guitarist Clyde ‘City Gent’ Grimes of the mighty SoCal mod band the Untouchables.

Back in the day, when MTV was still young and foolish, the video for the Untouchables ‘Free Yourself’ was a certified mindblower.

First of all, it was visually arresting in a way that most videos weren’t even close to. Second, it tapped into the mod soul thing (a sound I was just starting to devour) like absolutely nothing else on MTV, and the band was (unlike any other mod/retro band of the day) mostly black.

They formed in the early 80s, and their style was a very cool mix of ska, mod and soul.

Though they were largely one (and a half) hit wonders on this side of the country, they were hugely important to the Southern California mod scene of the time.

‘Free Yourself’ (written by Grimes) – which I find every bit as vital today, after more than 30 years – was a Top 30 hit in the UK. It’s a retro-soul banger that manages to capture, then reinvent a classic soul sound in a spectacular way.

Their cover of Jamo Thomas’s ‘I Spy (For the FBI)’ is also very cool. Produced in the UK by Jerry Dammers of the Specials for their second album (after the band had signed with Stiff) ‘Wild Child’, their version adds horns and a mod/ska edge to the soul classic.

This record is an EP released in 1985 combining their previous hit with two new cuts.

Though their recording heyday was over a long time ago, the Untouchables continued (with a dwindling number of original members) for years.

These are both killers, and I hope you dig them.

See you all on Friday.

Keep the faith

Larry

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PS Head over to Iron Leg too.

Chuck Edwards – Bullfight

By , July 31, 2016 11:55 am

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Chuck Edwards

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Listen/Download – Chuck Edwards – Bullfight MP3

Greetings all.

Today we return to the catalog of one of my favorite soul artists, one who was covered at length back in the webzine days, the mighty Chuck Edwards.

Edwards, who was a Pittsburgh, PA institution until he relocated his family and his career to California, is best known for the incredible ‘Downtown Soulville’, one of the truly great records of the classic era.

Edwards had a long discography stretching back into the 1950s on labels like Apollo, Duke, Rene (his own imprint), Roulette, Punch and Kapp.

Though he never had any significant R&B or Pop chart success, today’s selection was an important regional hit in and around Pittsburgh.

‘Bullfight’, released in 1966, first on Rene, and the picked up for national distribution by Roulette made it into the Top 20 on local radio.

It’s important to take a minute to talk about the unique local music scene in Pittsburgh in the 50s, 60s and 70s.

Spearheaded by local DJs like Mad Mike and Porky Chedwick, tons of otherwise obscure R&B, soul, garage or rock records became regional classics in Western PA while making almost no noise anywhere else. These have been collected over the years on a number of locally released compilations, and had an influence on local bands, who ended up covering some of these songs (as in Pittsburgh’s Swamp Rats covering tunes by Seattle’s Sonics).

Some of these compilations have been in print on and off for almost 50 years, and still change hands today.

‘Bullfight’, which features Edwards guitar prominently (as well as the repeated cry of ‘Hey Dino!’ which also appears in the 1969 sequel ‘Bullfight #2’) and chugs along at a brisk pace, yet only clocks in at an extremely brief 1:49!

Even at this late date, Edwards classic recordings have yet to be compiled, and his remains fairly obscure outside of collector circles (and Pittsburgh…).

Hopefully someone will get on the ball, because there’s a lot of very cool stuff in his catalog.

I hope you dig the track, and I’ll see you all on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Rulie Garcia and the East LA Congregation – Que Pasa (What’s Happening?)

By , July 28, 2016 11:53 am

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Rulie Garcia

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Listen/Download – Rulie Garcia and the East LA Congregation – Que Pasa (What’s Happening) MP3

Greetings all.

The end of the week is nigh, and so then is the Funky16Corners Radio Show, which drops each and every Friday with the best in funk, soul, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn app, check it out on Mixcloud, or grab yourself an MP3 here at the blog.

If you follow Funky16Corners, Iron Leg or the podcasts associated with either blog, you have probabky heard me going on about my love for the East LA Chicano music scene of the 60s and 70s.

The most famous proponents of the sound, groups like Cannibal and the Headhunters, Thee Midniters, the Premiers, El Chicano and the Village Callers, are known for their mixing of Latino music, rock, R&B and soul and making some extremely cool records.

I have made chasing down and collecting these records a minor sideline (minor, since some of these 45s and LPs are extremely rare) and try to discover as much as I can about the musicians.

Today’s selection is a record by one of the busiest, yet more mysterious characters on the East LA scene, Rulie Garcia, aka Johnny Chingas, aka The Brown Brothers of Soul.

You can Google him all you like, but aside from the records his made, there’s not a lot of info out there about him.

It would appear that his real name was Raul Garcia, and that he was recording – at least as a sideman – as early as the late 1950s.

He recorded music under all of the names listed above (including the East LA Hammond classic ‘Cholo’ on Specialty in 1971) and was especially active in the 80s (he died in 1992, only 52 years old).

The record I bring you today is the last of three singles he recorded for United Artists in 1972 and 1973 as Rulie Garcia and the East LA Congregation.

‘Que Pasa (What’s Happening)’ is – like much of his other work – a celebration of low rider culture.

The song features a funky beat, fuzz guitar, lots of Latin percussion and Garcia’s raspy growl.

Though none of his records made the national charts, there is evidence that he had a significant following in Southern California, selling tons of records locally, some on his own Billionaire label.

That all said, if you head on over to Youtube and seek out the sounds associated with his various and sundry aliases, you will discover that he played all kinds of music.

I hope you dig the track, and keep your eyes (and ears) peeled for more East LA stuff in the future.

See you on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Jimmy Smith – Chain of Fools Pt1

By , July 26, 2016 11:23 am

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Jimmy Smith: The Master Wrestling With the Monster

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Listen/Download – Jimmy Smith – Chain of Fools Pt1 MP3

Greetings all.

I was wandering through the hallways of the windmills of the caverns of my iPod and it occurred to me that we could all stand a dose of some midweek Hammond.

Who better to whup a little B3 on us all that the elevated past master of the organ, the mighty Jimmy Smith.

Smith is an interesting character in the annals of the Hammond – at least as far as organ 45 nuts like me go – because while he is the best known of the instruments proponents from the classic era, and recorded both as a straight ahead jazzer and a soul jazz/funk guy, he hasn’t ever really been my go-to guy for heavy, really greasy organ sides.

This has a lot to do with the fact that while a master musician, Smith was also probably the most mainstream organist of his time, with long associations with both Blue Note and Verve records. He was prolific, and fairly good-selling, so his records pop up a lot more commonly than most of his contemporaries.

He was also consistently an LP artist – thanks to his major label gigs – so he wasn’t dependent on, or laying his best stuff down for, the 45RPM format (as opposed to a guy like Hank Marr who did some of his best stuff on the smaller discs).

That said, he was no slouch, and when he wanted to he could dish out the grits and gravy with the best of them.

One of my fave Smith 45s is his version of the Don Covay (and Aretha Franklin, naturally) classic ‘Chain of Fools’ from his 1968 LP ‘Stay Loose’, on the cover of which he is inexplicably dressed in skydiving gear, and jumping up and down (though his previous album ‘Respect’ had him doing karate poses in a gi, so maybe it was in his contract).

Featuring snappy, in the pocket drums by Grady Tate and some very tasty guitar from a moonlighting Phil Upchurch (the LP was recorded in NYC), as well as a female backing chorus, Smith wails on the tune, managing to (in this first of two-parts) really do the track justice.

As Hammond 45s go, ‘Chain of Fools’ is pretty hot, and I’m sure it got more than a few feet moving when their owners dropped a nickel in the jukebox.

It would also seem that ‘Chain of Fools’ had some success (it charted locally in New York) since it was repressed a bunch of times and even got a European release.

So, if by some strange coincidence this is the first time you’ve heard Smith’s stuff (which I doubt, but bear with me) head out to your nearest used record store, garage sale or flea market and add some more Jimmy Smith to your crates, though a truckload of his Blue Note and Verve titles are available digitally, as well.

So dig it, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

The Mad Lads – No Time Is Better Than Right Now

By , July 24, 2016 12:13 pm

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The Mad Lads

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Listen/Download – The Mad Lads -No Time Is Better Than Right Now MP3

Greetings all.

Before we start, if you haven’t checked out last week’s mix, ‘Testify’, please do so and pass it along.

The tale of “sometimes a record just sneaks up and knocks you on your ass” is one as old as time (and one that has been told in this space many a time).

That said, it bears retelling with every new incident because, a. a new record is involved, and b. that feeling of discovery/gratitude is such a gas.

The record in question this fine day was brought to my attention by my man Tarik Thornton (a giant among collectors/selectors and a righteous dude in all other ways) who included it in his guest mix ‘To Russia With Love’, right here, last September.

The song was ‘No Time Is Better Than Right Now’ by the Mad Lads.

I can remember vividly my feelings the first time I heard this song, starting with the usual “Where has this been all my life?”, followed by “Where can I get my own copy?” and then “Holy shit, what a cool tune!”.

‘No Time Is Better Than Right Now’ – written by Stax bassist Allen Jones and produced by no less a light than drumming master Al Jackson, Jr. (who had quite a sideline producing artists like Albert King, The Bar-Kays and Johnny Taylor for Stax), is a remarkable mix of heavy beat (which presages the feel of New Jack Swing), brilliantly applied harmony vocals (the way the Mad Lads soar into falsetto during the chorus is a thing of beauty), horns and funky piano.

That this wondrous song languished on the B-side of a minor R&B hit (Whatever Hurts You) and was never included on one of the group’s albums is criminal.

I mean, what were the folks at Stax thinking? Surely 1967 was a banner year for the label, and sometimes even great records get lost in the shuffle, but honestly, ‘No Time Is Better Than Right Now’ is so different, so tuneful, so artfully arranged and produced, so joyful a representation of where Memphis soul was (and was going), its obscurity boggles the mind.

The Mad Lads were formed at Booker T Washington High School in Memphis by John Gary Williams, Julius E. Green, William Brown and Robert Phillips and recorded for Stax/Volt between 1964 and 1973.

This record features a different lineup of the group – Sam Nelson, Quincy Billups, Julius Green and Robert Phillips – that recorded when John Gary Williams was in the Army.

I have no idea who did the arrangement, though I would be shocked to discover that it was anyone but Jackson on the drums (that swinging, sock soul sound was like no other).

The group released more than a dozen 45s and three LPs during their first incarnation.

None of the group’s records are terribly expensive (though their debut 45, and their LPs, especially the second one can be pricey), with this one usually gettable for around 20-25 bucks.

It’s a killer 45, and I hope you dig it as much as I do.

See you on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Funky16Corners: Testify

By , July 21, 2016 10:32 am

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Brother JC Crawford
Syl Johnson – Is It Because I’m Black (Twinight)
Staple Singers – For What It’s Worth (Epic)
Malcolm X
Equals – Police On My Back (President)
Majestic Choir and the Soul Stirrers – Why Am I Treated So Bad (Checker)
Huey Newton
Junior Murvin – Police and Thieves (Island)
Salem Travelers – Give Me Liberty or Death (Checker)
Dr Martin Luther King Jr
Earth Wind and Fire – Come On Children (WB)
Commodores – Rise Up (Atlantic)
Afro American Ensemble – Free the Black Man’s Chains (GSF)
Angela Davis
Baby Huey – Mighty Mighty Children (Unite Yourself This Hour) (Curtom)
Amanda Ambrose – Gimme Shelter (Bee Gee)
Saul Alinsky
John Hamilton and Doris Allen – Them Changes (Minaret)
Impressions – Keep On Pushing (ABC/Paramount)
Judy Clay – Get Together (Atlantic)
Abbie Hoffman
Buddy Miles- We Got To Live Together (Mercury)
Fighting Bob Lafollette
Lee Dorsey – Who’s Gonna Help Brother Get Further (Polydor)
Curtis Mayfield – Move On Up (Curtom)
Hugh Masekela – Bajabula Bonke (Healing Song) (UNI)
Arthur Lee and Love…

Listen/Download – Funky16Corners: Testify 151MB Mixed MP3

Greetings all.

Brothers and Sisters…the time has come….

Something very ugly is going down in Cleveland, Ohio.

Cleveland is where the wave crested, the Republican deal with the devil was sealed, and it is where the point of no return was fixed on the national timeline.

The forces of regression have been gnawing away at the heart of American for the last three and a half decades and the rise of Donald Trump is evidence that they have done considerable damage.

Though it didn’t start with Trump, his candidacy could not have existed without a foundation of anger, hatred, corruption and chaos on which to settle and grow.

There has been a lot of conjecture of late about whether or not history is repeating itself in relation to another pivotal election year, 1968. Things have changed a lot since then – especially in relation to politics and the media – but many of the ingredients that led to civil unrest then (poverty, racism, political division) have been simmering the entire time.

Thanks in large part to the unholy alliance between the worlds of high finance, industry, and socially regressive movements (often purporting to be religious in nature), and abetted by propagandists able to take advantage of the rapidly (and constantly) changing media environment, we turned on our TVs this week and were greeted by the sight of a racist, neo-fascist, ‘Potemkin Village‘ version of a tycoon as the Republican candidate for President.

Figures like Donald Trump are not new or unique in the history of the United States or the world. Ugly, nativist demagogues have repeatedly surfaced in times of strife, embraced by people eager for seemingly quick, easy solutions to deeply complex problems. Lacking the humility or courage necessary to tear down the walls that divide us, he and his followers choose instead to build new ones where they feel we should be separated.

So rises the very personification of a fist, with which they hope to pound what they perceive as  problems into submission, to try and assert their domination of a culture they see slipping from their grasp.

This is not to say that everyone that finds themselves drawn into his orbit is evil, or understands (in the bigger picture) what it is that they’re doing.

These are very hard times for a lot of our friends and neighbors. Decades of American companies bleeding the economy dry – through offshoring, deregulation and tax avoidance – have left large sections of the population either un-or-underemployed, unable to pay their mortgages (if they were ever able to afford a house at all) or rent, drowning in debt (often from medical bills or student loans) and unable or unwilling to fight back with collective bargaining, thanks to the wholesale demonization/destruction of the labor movement.

They are left terrified and anxious, living paycheck to paycheck, easy prey for those that blame their problems not on people actually running/ruining the economy, or corrupt politicians, but rather on minorities of all types (race, nationality, sexuality) and anyone else they think is contributing to the death of the white hegemony.

One of the worst by-products of this poisonous atmosphere is the breakdown of trust between minorities communities (of all kinds) and the police.
Many of America’s police forces have become increasingly militarized, poorly trained, and unwilling to deal with these weaknesses, seeing any call to do so as an unjust attack on their ranks.

As a result, we have been faced with a seemingly endless string of abuses of police power, culminating in a highly publicized series of police killings of civilians, which are rarely followed by successful prosecutions. When these cases do manage to make it into the justice system, they are often handled by prosecutors unwilling to bring rogue policemen to justice, and policemen unwilling to breach their own wall of silence. The few cases that do make it to trial, often end in acquittals or a slap on the wrist.

This pattern results in the aforementioned breakdown in trust (and more recently/tragically in assassinations of police), and many whites, awash in privilege, convinced that the police are all that remain between them and a world they’re terrified of (and have no stake in), look the other way.

One of the prominent responses to the epidemic of police violence has been the Black Lives Matter movement. BLM has become a flashpoint for racists who respond to its calls for police accountability by accusing them (unjustly) of advocating violence and racial division (thus the pathetic return volleys of “All Lives Matter”).

When police violate their oath, do their jobs so poorly that people end up dead, or otherwise break the law, and they are either let off entirely or disciplined in a much lighter way than the general public, it erodes their authority and public trust not only in the police but in the integrity of the law. That’s why the solutions to this problem must start with, or at least concentrate on the police.

But the response from law enforcement (not exclusively, but mostly, and very loudly from police unions) has been recalcitrance, refusal of accountability, and deflection of responsibility onto the victims.

When one of the two major national political parties uses their presidential convention as a vehicle to perpetuate this cycle, it puts the entire country in a horrible position.

This week we saw speakers in Cleveland (and the attendees) cheering the acquittal of the policemen in the Freddie Gray case and reinforcing the idea that everyone outside of their ranks (especially BLM) was anti-cop (as opposed to pro-rule of law).

I put together ‘Testify’ as a companion piece to a set that was first posted here back in 2010, ‘Things Got To Get Better (Get Together)’.

The specific points of reference might have been different then, but the root causes, and the people behind them were the same. At that point, we were barely a year into President Obama’s first term. Today, we are nearing the end of his second term, and approaching the election that will determine his successor.

This has been an especially divisive campaign, on both sides of the aisle, marked by the (sadly unsuccessful) ascendance of Senator Bernie Sanders in response to the rightward drift of the Democratic Party, and on the other side, the rise of Trump.

We approach the election with the GOP solidifying their support for racist policies, the repeated use of fear as a weapon, and the Democrats left trying to unify around the controversial and widely unpopular Hillary Clinton.

There’s a little more than three months until Americans head to the polls and make the decision that will determine how (or whether) this country moves forward.

This mix gathers together black artists from the worlds of soul, funk, gospel and rock, with songs that were created in response to oppression and racism (here in the US, Jamaica, the UK and Apartheid-era South Africa), crying out for an end to both and many of them asking not for separation, but for recognition, unity and progress.

The voices in between the songs are from some of the most important progressive figures of the past century, many of them controversial, but all of who worked for an end to destructive forces, advocating for the less fortunate and against the oppressors.

Some of them may be unfamiliar to younger readers (Look them up! You won’t be sorry.) and some of them may be people that you’ve heard bad things about (Again, educate yourself), but all of them are important.

Ultimately, despite all of the words I’ve managed to wring out of my tired brain, I would hope that the mix speaks on its own. If you listen, and like what you hear, pass it along to someone who you think would might dig it, and/or learn from it, and do whatever else you can to counter the dark forces eating away at the country, and our culture (first and foremost, registering to vote, don’t one of the “one in three”).

I hope you dig it, and I’ll see you next week.

Keep the faith

Larry

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PS Head over to Iron Leg too.

Alley Pat – Pat’s Rubber Band

By , July 19, 2016 1:34 pm

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Alley Pat

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Listen/Download – Alley Pat – Pat’s Rubber Band MP3

Greetings all.

The record I bring you today found its way into my crates years ago via the advice of the mighty Agent45.

Alley Pat was in fact James Patrick, a long time Atlanta radio fixture (and one time bail bondsman for civil rights figures!) who was nearing 60 when he made this record (is this senior citizen’s week?).

I originally picked up the 45 because I had assumed that it was tied in with the string of New Orleans/Gulf Coast ‘Rubber Band’ records (Eddie Bo, Meters, Curley Moore and the Kool Ones) from 1970/71.

As it turns out, this ‘rubber band’ stretches several years into the future, closer to the Spinners ‘Rubber Band Man’ and Bootsy’s Rubber Band, both from 1976.

Though sitting right in the middle of the disco era, ‘Pat’s Rubber Band’ is good and funky, with tight rhythm guitar, popping bass, electric piano, punchy horns and some sexy girls on the background vocals. The song was written by Alley Pat, along with Atlanta soul men Tommy Stewart and Calvin ‘Funky Way’ Arnold.

Pat drops in here and there with some funny patter (I’m not 100% sure but it sounds like he might reference ‘Shelly’s Rubber Band’* which would connect this to the first round of ‘rubber band’ 45s) no doubt polished by years of experience on the radio.

It’s a groovy one, and a little harder to find and more expensive these days.

I hope you dig it, and I’ll see you all on Friday.

Keep the faith

Larry

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*”Shelly” , in Curly Moore and the Kool Ones ‘Shelly’s Rubber Band’ was another DJ, New Orleans radio man Shelly Pope

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Pigmeat Markham – The Hip Judge

By , July 17, 2016 11:19 am

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Here Comes Pigmeat!

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Listen/Download -Pigmeat Markham – The Hip Judge MP3

Greetings all.

It’s summer. We’re all hot and sweaty. We sit stupefied, watching the droplets of humidity run down the outside of our beer, swatting flies away.

What better time to strip the gears with something funky?

If you’re anywhere pre-middle age, it’s unlikely that the name Pigmeat Markham will ring a bell.

He was born near the beginning of the last century, and started in show business right around the end of World War One, but he managed to put his name – and his growl – on the 45 you see before you today, in 1968.

Dewey ‘Pigmeat’ Markham was a comedian who got his start in the vaudeville era and was a very popular comedianon the chitlin circuit, plying his trade for almost exclusively black audiences for most of his career.

It was only in 1968, when Sammy Davis Jr went on Laugh-In and worked it out to one of Markham’s best known routines, ‘Here Come the Judge!’ that Pigmeat (momentarily) broke through to a much wider audience.

As far as I can tell, Markham first recorded the routine in the early 60s for Chess, but had been doing it on stage for years.

Sammy made the routine viral (by 1968 standards) and there was a veritable ‘Judge’ craze, with a grip of records (funk, soul and pop), all kinds of ephemera, and last but not least, the resurgence of the career of Pigmeat Markham.

Chess put some of their finest to work,and before you know it, ole Pig (64 years old!) was trampling the charts, his ‘Here Comes the Judge’ making it to the R&B Top 5, Pop Top 20 in the US and the UK!

His follow up single (the record you see before you today) found him in the studio with Gene Barge, working it out on songs written by Maurice Dollison (aka Cash McCall), Maurice McCallister of the Radiants, and Barge.

‘The Hip Judge’ features grooving bass, tight drums, saxophone, and Pigmeat’s ‘singing’. The extent of the singing isn’t too far removed from your average Jerry-O record, reduced to comedic interjections and interaction with the backing singers.

That said, the 45 is quite funky and an excellent entry into the ‘Funky Judge’ discography.

I hope you dig it, and I’ll see you all on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Fred Hughes – Can’t Make It Without You

By , July 14, 2016 10:53 am

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Fred Hughes

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Listen/Download -Fred Hughes – Can’t Make It Without You MP3

Greetings all.

The end of the week is here and so is the Funky16Corners Radio Show, coming to you each and every Friday with the best in funk, soul, jazz and rare groove, all on original vinyl. You can dig the show as a podcast in iTunes, listen on your mobile device via the TuneIn app, check it out on Mixcloud, or grab an MP3 right here at the blog.

The record I bring you today yet more evidence of the importance of Chicago soul.

Fred Hughes is best known for his big 1965 hit ‘Oo Wee Baby, I Love You’ (a big fave here at Funky16Corners). He recorded for a couple of (mostly Chicago-based) labels in the 60s, including Vee-Jay, Cadet, Wand and Brunswick, racking up a few more R&B hits in 1968 and 1969.

The tune I bring you today was – aside from some minor local Chitown airplay for the flipside – ignored at the time, but is one of the best things he ever did.

‘Can’t Make It Without You’ was assembled by a Chicago soul all-star team. Written by Richard Parker (who wrote ‘Oo Wee Baby, I Love You’ as well as ‘Just Like the Weather’ for Nolan Chance and ‘The Bird’ for the Dutones), produced by Gerald Sims, who had produced sides for the Artistics, Major Lance, Walter Jackson and Otis Leavill among others, ‘Can’t Make It Without’ you is a slow-building masterpiece of moody soul. The arrangement comes on gradually, with some beautiful vibes and string accents, and a great vocal by Hughes, who is joined by female backing singers in the chorus.

There are some echoes of his big hit, but not enough to take away from the greatness of this record.

The flipside, ‘Come Home Little Darlin’ is also excellent.

As far as I can tell, Hughes’ work has never been compiled in one place, which is a damn shame. Hopefully someone out there will get on the stick and put it together.

I hope you dig the tune, and I’ll see you all on Monday.

Keep the faith

Larry

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PS Head over to Iron Leg too.

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