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By Larry, April 26, 2016 10:58 am

The Soul Survivors

Listen/Download – Soul Survivors – Tell Daddy MP3

Greetings all.

Today’s selection comes to you courtesy of the Funky16Corners ‘Hey, I didn’t Know They Had Another Record’ department.

The Soul Survivors (of Philadelphia, PA) are best known as the band that put Gamble and Huff on the map with their huge 1967 hit ‘Expressway To Your Heart’.

Though they had a minor hit with 1967’s ‘Explosion In Your Soul’, their chart presence was in steady decline throughout their career.

Their Crimson LP and 45s are all cool, but for most people (myself included for a long time) that was the end of the story.

So, imagine my surprise some years ago when I found their 1969 Atco LP ‘Take Another Look’ at a garage sale. I honestly had no idea they’d ever recorded post-Crimson (they even went on to record for TSOP into the 70s!), so I grabbed the album and took it home.

While I wouldn’t describe the record as a complete success, I will say that it has some definite highlights.
Recorded partly in Philly with Gamble and Huff at the boards, and partly in Muscle Shoals with Rick Hall, ‘Take Another Look’ is definitely worth a listen.

My favorite track on the album is the Soul Survivors return to the original “masculine” version (the song was after all written by Clarence Carter, prior to its legendary recording by Etta James as ‘Tell Mama’) of ‘Tell Daddy’.

The arrangement adds a slightly more modern/swampy edge to the familiar sound, but the overall effect is classic soul, with great vocals by the band and some tight hornwork. There’s very little of the 1969, bare feet in the mud white boy over-singing, with the Soul Survivors keeping it right, tight and outtasite.

This LP doesn’t turn up a whole lot, but it is definitely worth picking up if you find it.

I hope you dig it, and I’ll see you on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

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By Larry, April 24, 2016 9:49 am

Sandy Nelson

Listen/Download – Sandy Nelson – Love Is Like an Itching In My Heart MP3

Greetings all.

Today’s selection sees us returning to the “you find groovy music in the strangest places file”, as well as another visit from our friend Sandy Nelson.

Long story short, Sandy Nelson was one of the most ubiquitous instrumental artists of the 1960s. The drummer had his first hits with ‘Teen Beat’ in 1959 and ‘Let There Be Drums’ in 1961, and though he didn’t make much of a stir on the charts after that, he churned out a steady succession of LPs (mostly for Imperial) in the 60s and early 70s, covering rock, pop and soul hits with a fair amount of style and verve, backed by the cream of LA sessioners.

Today’s selection is Nelson’s 1966 cover of my all-time favorite Supremes cut ‘Love Is Like an Itching In My Heart’.

Released on his ‘Superdrums’ LP, Nelson’s version of the tune has enough punch and style to make it on a soul dance floor. He hits that snare drum like it owes him money, and the arrangement, heavy on guitar and sax is a killer.

Nelson had enough style imbue his soul covers with plenty of heat (I really wish I had this one on a 45), and managed to attack garage and pop tunes with the same verve.

His records are cheap and easy to find at your better garage sales and flea markets (or on-line if that’s how you roll), and there is always something cool on them.

So get digging, and I’ll see you on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

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By Larry, April 21, 2016 11:06 am

Eddie Kendricks

Listen/Download – Eddie Kendricks – Boogie Down MP3

Greetings all.

The end of the week is upon us, so I will remind you once again to dig into this week’s Funky16Corners Radio Show podcast. The show drops each and every Friday and can be had by subscribing to it as a podcast in iTunes, listening on your mobile device via the TuneIn app, on Mixcloud, or as an MP3 right here at the blog.

There also may be some positive news in regard to a new internet radio home for the show, so stay tuned for details!

We end the week with one of my all time favorite slices of funky disco, that I have been a fan of since its original release back in 1973.

I can state unequivocally that I first heard Eddie Kendricks’ mighty ‘Boogie Down’ on WABC-AM (in NYC) while staying up all night in a pup tent on a Boy Scout trip. I can distinctly recall this one, as well as ‘Rock On’ by David Essex and ‘Until You Come Back To Me’ by Aretha Franklin (alongside ads for the local dragstrip, Raceway Park) winding their way deep into my impressionable, 12-year-old ears.

‘Boogie Down’, written by Leonard Caston, Anita Poree and Frank Wilson was Kendricks’ second consecutive R&B #1 hit, as well as a substantial Pop hit, making it all the way to #2.

‘Boogie Down’ is a fantastic example of the early days of disco, in which the records still had a decent amount of funk welded onto their frames. It is highly danceable (pushed along by a rolling piano line and percussion), and of course features Eddie’s mighty falsetto out in front.

While Kendricks continued to place records high on the R&B charts, this was his last significant Pop hit.

I hope you dig it (and get up and dance).

I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

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By Larry, April 19, 2016 11:32 am

The Crusaders on the cover of ‘2nd Crusade’

Listen/Download – The Crusaders – Gotta Get It On MP3

Greetings all.

I though we’d all ease into the middle of the week with something funky by the mighty Crusaders.

If you’re a seasoned digger, it’d just about be a miracle if you weren’t already deep into the Crusaders catalog.

Their records, both in their earlier incarnation as the Jazz Crusaders (for World Pacific/Pacific Jazz) and then in their time as the Crusaders (the funky instrumentals on Blue Thumb/Chisa, like today’s selection) and the smoother hitmakers (like ‘Street Life’ on MCA), are ubiquitous and almost always affordable, and in most cases, worth taking home.

Today’s tune, the very groovy ‘Gotta Get It On’ hails from their 1972 LP ‘2nd Crusade’.

Written by drummer Stix Hooper, the tune is pushed along by Joe Sample’s electric piano, the horns of Wayne Henderson and Wilton Felder, and Larry Carlton’s guitar.

The Crusaders always had a funky edge (‘small ‘f’ funky’ in the old school, down and dirty soul jazz stylee), and their early 70s albums pump it into upper case, creating a very tasty, bright, somewhat laid back Southern California groove that you can hear echoes of in early Steely Dan albums.

You probably won’t be spinning this stuff for a funk 45 crowd, but its ability to get heads nodding is second to none.

I hope you dig it, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

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By Larry, April 17, 2016 11:03 am

Jimmy Cliff as Ivanhoe Martin

Listen/Download – Jimmy Cliff – The Harder They Come MP3

Greetings all.

Before we get started today I would like to get in a couple of plugs for things that I am, and you should, be interested in.

First off, if you happen to be in the vicinity of Florence/Northampton, Massachusetts, make sure you stop in to my man Andy Crespo’s outstanding new record store, Electric Eye Records, at 52 Main St, Suite 6 in Florence. Andy is a righteous dude and he has put together a very nice place to stop and dig for vinyl. He has excellent taste and it shows in the selection at Electric Eye. I was lucky enough to stop in recently and left with a big pile of LPs and 45s.

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Second-ly, and while we’re on the subject of Jamaican-related sounds, you should check out the new EP by the Twilights, in which they work in the old-school ska stylee with a touch of dub flavor added in. I’ve been listening and digging their sounds, especially ‘Singer Man’ and ‘The Lonely Man Rides Away’.

You can check them out on YouTube, and purchase the EP at their site, or in iTunes.

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If you follow the comings and goings of the Funky16Corners blog you know that I love Jamaican music, from ska, to reggae on up into dub.

I owe my love for these sounds to the late 70s Two Tone explosion, and its propagation through the mods that I hung out with during the garage days of the 80s.

I cannot say with any certainly when I first heard Jimmy Cliff’s ‘The Harder They Come’. It is by any measure one of the most ubiquitous classic reggae songs. The title song of a the cult movie of the same name, and covered by a grip of artists better known in the pop world, like Joe Jackson, Madness (both of which, unlike Cliff’s original, charted), the Jerry Garcia Band, Cher (?!?), Keith Richards and even Willie Nelson.

Jimmy Cliff is particularly interesting, in that he was one of the first Jamaican performers to make a significant dent in the US charts, with ‘Wonderful World, Beautiful People’ in 1969.

When I started to dig for info on ‘The Harder They Come’ I was shocked to discover that Cliff’s version doesn’t seem to have charted anywhere (thought the soundtrack album was a hit in Sweden and reached #140 on the US LP charts in 1973).

I’ve tried, but I can’t recall another song that is both so well known/appreciated, yet also as commercially unsuccessful.

That said, ‘The Harder They Come’ is (whether you’ve seen the movie or not) unquestionably an anthem that transcends its reggae origins (I’d be willing to bet that it’s one of the only reggae songs some people know).

It has a brisk, percolating rhythm – dig the way the lead guitar and the organ weave in and out of each other – a pleading vocal by Cliff and a chorus that’s pure gold.

It’s a stone classic, and I hope you dig it as much as I do.

See you on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

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By Larry, April 14, 2016 9:26 am

Big Jay McNeely and Band – The Squat (Swingin’)
Big Jay McNeely and Band – Without a Love (Swingin’)
Leon Haywood – The Fat Fish (Fat Fish)
Leon Haywood – A River’s Invitation (Convoy)
Leon Haywood – Soul Cargo (Fat Fish)
Leon and the Burners – Whiplash (Josie)
Leon and the Burners – Crack Up (Josie)
The Packers – Hole In the Wall (Pure Soul Music)
The Packers – Go Head On (Pure Soul Music)
The Hideaways – Hide Out (Mirwood)
Leon Haywood – Soul On (Imperial)
Leon Haywood – Cornbread and Buttermilk (Imperial)
Leon Haywood – 1-2-3 (Imperial)
The Soul Machine – Bag of Goodies (Pzazz)
The Soul Machine – Twitchy Feet (Pzazz

Listen/Download – Funky16Corners Presents: Leon Haywood at the Organ 1962-1968 MP3

Greetings all.

The end of the week is here, and so is the Funky16Corners Radio Show, dropping each and every Friday with the best in funk, soul, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen online via the TuneIn app or Mixcloud, or grab an MP3 right here at the blog.

News came down the pike last week that the great Leon Haywood had passed away at the age of 74.

Fans of 60s and 70s soul would have been familiar with vocal hits like ‘It’s GotTo Be Mellow’, ‘Mellow Moonlight’ or ‘I Want’a Do Something Freaky To You’.

However, as I discovered – quite by accident, years ago – Leon Haywood was not only a smooth singer, but a Hammond wrangler of the first order.

Turning over a few of his Decca and Imperial 45s revealed organ instrumentals, and then delving deep into the mystery behind that recording of the Packers’ ‘Hole In the Wall’, it was gradually revealed that in addition to a great singing voice, Haywood was just as comfortable on the keys.

He recorded on organ and piano frequently through the 1960s, often as a backing musician, or under a group alias, and then pretty much abandoned the sideline as he got more popular in the 70s.

I had this mix simmering long before he passed away, but as soon as I heard he was gone, I moved it to the front burner.

Born in Texas, he moved to California in the early 60s where he hooked up with the band of R&B saxophonist Big Jay McNeely, with whom he made his first records as an organist. I’ve included both sides of one of his 1962 McNeely 45s, both tunes co-written by Haywood. ‘The Squat’ and ‘Without a Love’ both feature Haywood using a wide open, slightly distorted/overmodulated organ sound in a heavily reverbed production. ‘The Squat’ is a wild R&B dancer, with it’s flipside working a more sedate, bluesy side of the street.

The next few songs fall into the window of 1965-1966, and I wouldn’t be surprised if they weren’t in exact chronological order.

Haywood recorded a full album for the LA label Fat Fish in 1966, which included a few vocal numbers (but did not include his big Northern Soul number ‘Baby Reconsider’ which was on a later Fat Fish 45), as well as a grip of piano and organ instrumentals. I’ve included three tracks from this album, including the tunes ‘Fat Fish’, ‘Soul Cargo’ and his swinging cover of Percy Mayfield’s ‘A River’s Invitation’, which appeared on the album as well as a Convoy 45 (where I first heard it).

Next up is both sides of a 45 that I had for at least 15 years before I realized it was Haywood, by Leon and the Burners. ‘Whiplash’ – which uses a similar organ sound to the McNeely 45 – owes a debt to Alvin Cash’s ‘Twine Time’. The flipside, ‘Crack Up’ has a lean, Memphis sound to it.

The next two sides see Leon Haywood walking into the midst of the one of the most interesting musical mysteries of the classic soul era. The Packers ‘Hole In The Wall’ was a Top 5 R&B/Top 40 Pop hit in the Fall of 1965. The session was put together by LA DJ the Magnificent Montague, and included most of Booker T and the MGs (minus Duck Dunn) who were in LA recording with Bobby Darin, saxophonist Packy Axton of the Mar-Keys, and none other than Leon Haywood on organ (Booker T on piano) and Earl Grant on bass.

All would have been clear enough had this been the only record the Packers did, but Axton went on (with a variety of other players) to record a bunch of “Packers” records over the next few years, as well as both sides of the ‘Hole In the Wall’ 45 being issued in the US and the UK as two differently named songs by someone named Joe S. Maxey (more here).

Complicating matters even more, is the fact that Nat Nathan, sometimes with Haywood (sometimes without) would also record a bunch of ‘Hole In the Wall’-esque 45s (you can see the roots of the Packers “sound” in Haywood’s Fat Fish sides), including ‘Hide Out’ by the Hideaways on the LA Mirwood label.

As I mentioned earlier, Haywood included organ and piano instrumentals on his Decca LP ‘It’s Got To be Mellow’ and on the B-sides of his Decca and Imperial 45s. Included here are the originals ‘Soul On’ (45 only) and ‘Cornbread and Buttermilk’ (from the LP) and the 45-only cover of Len Barry’s ‘1-2-3’.

The last two tracks in this mix are the two sides of a great, funky 1968 Hammond 45 that I was after for years, only bagging a copy late last year. The Soul Machine’s ‘Twitchie Feet’ b/w ‘Bag of Goodies’ (recently covered by the Incredible Say Whats) were played, produced and written by Haywood, during his time with the LA-based Pzazz label (where he also recorded with Little Janice).

Now, I have no doubt whatsoever that there are gaps in this mix, especially where Haywood’s work as a sideman, or pseudonymous bandleader are concerned. I have a few 45s that I suspect are his handiwork, but no hard evidence to go on. If any of you have any records to add to the list, please let me know.

Haywood spent time between his 60s and 70s hits working in the studio, backing people like Shuggie Otis. He also started his own Evejim label, and worked as a producer.

He was a talented performer, and will be missed.

I hope you dig the mix, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Comments (3)

By Larry, April 12, 2016 11:57 am

Listen/Download The Chitlins – Sugar Woman

Greetings all

I first posted the Chitlins ‘Sugar Woman’ (a big fave) almost three years ago, with the small amount of info that I was able to unearth, mixed with some speculation.

Last week, group member Pete Killingsworth posted a comment fleshing out the details significantly.

“Hi Larry,
I somehow ran across your article about The Chitlins and Sugar Woman. I played guitar on that record. Decon John Moore also played guitar. Deacon John did most of the guitar work and I just played chops. The horns were from Deacon John and the Ivories. My brother Sonny Killingsworth played bass. Sonny Tanner is incorrect as he wasn’t on it. Chris Miller was the vocalist and piano player. Sam Roe played drums. Chris Miller and my brother has passed away so Sam and I are the only ones still alive. The producer was Allen Toussaint. Stanley Chaission was our Manager. It’s true we were The Soul Brothers from Pascagoula Mississippi and consisted of Chris Miller, Sam Roe, myself, and my brother Sonny Killingsworth. Deacon John and the Ivories were brought in for sweetening. The record company came up with name “The Chitlins”. We said we’d change our name only if it was a nationwide hit which it wasn’t. It did well in New Orleans though. I can’t comment on the record company itself as I don’t know anything about it except that they were out of New York. It was recorded at Cosimo’s recording studio in New Orleans. So there you have it from the horses mouth. Man that was a long time ago but I remember it like it was yesterday.
Best Regards,
Pete Killingsworth”

Thanks to Pete we now know that there were some NOLA heavy hitters in the studio, including Deacon John Moore and none other than an uncredited Allen Toussaint (the label lists Chase Records honch Stanley Chaisson) working the board!

I thought that it behooved me to re-post this most excellent record, along with the new info (original post below).

I hope you dig the record (or still dig it if it’s already a fave) and I’ll see you all on Friday with a special tribute to the keyboard expertise of the great Leon Haywood.

Keep the Faith

Larry

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Originally posted September 2010

Welcome to the middle of another groovy week.

The track I bring you today is both a fairly recent discovery for me and a major fave.

It is also something of a mystery.

A few months back I was perusing a new (to me) record site on the intertubes, and a glimpse of the Pala records label caught my eye.

One half of the York-Pala construct, it was run by two cats named Charlie Greene and Brian Stone. These operators are best known as music managers who came to prominence in mid-60s LA working with acts like Sonny and Cher, the Buffalo Springfield, the Poor and a cat you may have heard of named Dr John.

I had always seen the York/Pala credit on many records, but it was only in the last few years that I actually found a record on either label.

I have two 45s by The Poor (LA-based folk rock) but the Chitlins ‘Sugar Woman’ was the first Pala disc I’d ever encountered.

The label appears to have been very short-lived, with only one other release (by Larry Marks).

The Chitlins appear to have gotten their start – and spent much of their existence – as a white show band called the Soul Brothers, in Pascagoula, Mississippi.

The first time I heard ‘Sugar Woman’, what grabbed me was the New Orleans guitar (sounds like George Davis to me).

As it turns out the band did in fact record their sole 45 in New Orleans for Stanley Chaisson’s Chase Records imprint.

I have not been able to confirm whether or not there was actually a Chitlins 45 released on Chase, or if it was a production deal that was licensed to Pala.

My suspicion – without any hard evidence, mind you – is that Green and Stone happened upon the Chitlins via one of the many New Orleans connections in their orbit. Harold Battiste was Sonny and Cher’s musical director, and both Mac ‘Dr John’ Rebennack and Alvin Robinson were both working on the West Coast during this period.

That said, ‘Sugar Woman’ is a positively scorching bit of garagey soul with fantastic lyrics like

Let her know she’s a real Jim Dandy, feed her candy!

And

Let her know she’s a ring-dang-doo sir, don’t lose her!

The guitar, bass and drums are in a deep, deep groove, and the horns and backing vocalists are spot on.

I don’t know who the lead vocalist is but he’s killing it!

Via some cross-referencing (and following a few hunches) I’m led to believe that the band included guys named Chris Miller, Sam Roe, Pete Killingsworth, Sonny Tanner, having had some crossover with a group called the New Grooves.

As I mentioned earlier, I hear the distinct guitar stylings of George Davis, but the entire record has such a New Orleans feel to it, I wouldn’t be surprised to discover that this was the Soul Brothers/Chitlins singer fronting an entire studio full of NOLA pros.

In another interesting twist, the song is credited to country songwriter/producer Billy Sherrill, but I can’t find any instance of anyone else having recorded the tune.

The flip side, ‘The Next Time You See Me’ is an upbeat, bluesy shuffle.

“Sugar Woman’ was a local Top 40 hit in New Orleans in the Spring of 1967.

It is a truly remarkable tune, and one that I wish I’d had in my crates a long time ago.

I hope you dig it as much as I do, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, April 10, 2016 11:18 am

Travis Wammack

Listen/Download – Travis Wammack – Night Train MP3

Greetings all.

It behooves me to warn you that listening to the 45 you see before you may cause heart palpitations, nervous collapse or both, depending on how much coffee and or sugar you have ingested.

Travis Wammack is one of those names that keeps popping up on compilations of instrumental hits, due to his 1964 hit ‘Scratchy’.

Wammack was born in Mississippi but made his name playing in Memphis as a leader, sideman and working as a hired gun for giants like Little Richard (he was Mr Penniman’s bandleader for a decade).

Today’s selection, a cover of the strip club perennial ‘Night Train’. Written and performed by Jimmy Forrest in 1951, ‘Night Train’ was covered countless times by R&B, soul, jazz and rock performers, including the mighty James Brown.

Wammack’s version of the song is one of those instances of source material taken out back, draped over a pile of hand grenades, soaked in nitroglycerine and then blowed up (real good).

I mean, hot damn if this isn’t two and a half minutes of pure, unadulterated insanity. Wammack’s guitar sounds as if it’s being pumped through a Leslie speaker, and the band (just guitar, bass and drums) is recorded in as raw a fashion as I have ever heard on a major-label 45.

Ostensibly a showcase for Wammack’s guitar bad-assery, it serves more as a vivid example of what will happen when intoxicated people are let loose on musical instruments and recording equipment.

The flipside, ‘Karate Time’ is infinitely more subdued, but also quite groovy.

I hope you dig the sounds, and I’ll see you on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Comments (0)

By Larry, April 7, 2016 12:50 pm

These are the JBs!

Listen/Download – The JBs – Music For the People MP3

Greetings all.

The end of the week is here, and so is the Funky16Corners Radio Show podcast, which drops every Friday with the best in soul, funk, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn app, check it out on Mixcloud, or grab an MP3 right here at the blog.

Today’s selection is yet another of the countless chapters in the saga of the mighty JBs.

‘Music for the People’ written by “Sweet” Charles Sherrell, and released in 1977 (as the flipside of ‘Crossover’, actually the backing track of Lyn Collins ‘We Want To Parrty Parrty Parrty’) is a funky groover in the late-period JBs stylee.

It has that clockwork James Brown groove to it – dig the bass and guitar – and a group vocal running on top of things. Deep in the disco era, it still delivers the funk (especially the reference to ‘sardine sandwiches’!) even if the production is a tiny bit slick.

It is still – as are all JBs records – essential, so go out and get you some.

See you on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Comments (1)

By Larry, April 5, 2016 11:39 am

Listen/Download – The Majestic Choir and the Soul Stirrers – Why Am I Treated So Bad MP3

Greetings all.

I hope the middle of the week finds you all well.

The tune I bring you today is a favorite of mine (which has appeared here –on the blog or the podcast – in other versions by the Staple Singers (Pop Staples wrote the song), the Sweet Inspirations, Bobby Powell, the Wildare Express and Brian Auger Trinity).

Not only is it a very groovy song on its own – sonic – merits, but also because it has a certain genre flexibility and depth that made it a standard, but in several different settings.

Originally recorded by the Staple Singers in 1965, the song was a perfect distillation of the group’s unique mixture of blues, soul and gospel, bringing with it an explicit civil rights message that couldn’t have been more timely. The Staples even took another – more modern/soul – run at the tune a few years later, with Larry Williams at the board.

The version I bring you today was recorded in 1967 (released in 1968) combining the voices of Harold Smith’s Majestic Choir (who had done a few gospel albums for Checker) and the legendary Soul Stirrers (who were also recording for Checker at the time).

Sounding as if it were recorded 100% live in the studio, their version of ‘Why Am I Treated So Bad’ manages to come on with a soulful edge, due in large part to the funky backing band and the tight harmonies.

Interestingly enough, Checker appears to have been reaching for a soul/gospel crossover with the Majestic Choir (starting with a 1967 45 including versions of ‘People get Ready’ and ‘What the World Needs Now’) that predates the breakthrough of the Edwin Hawkins Singers by two years.

I dig this version a lot, and I hope you do too.

See you on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Comments (0)

By Larry, April 3, 2016 1:40 pm

Listen/Download – The El Dorados – The Knock Knee MP3

Listen/Download – The El Dorados – The New Breed MP3

Greetings all.

The record I bring to you this fine day is something of a mystery.

First and foremost, it doesn’t appear in most discographies I’ve found of Port Records, and R&B and soul imprint that started in the 50s and went into the late 60s (though there is no doubt that the label and the catalog number check out, placing it sometime in 1965).

It also doesn’t help that the group has the same name as the storied Chicago R&B/doowop group the El Dorados that had a string of hits for VeeJay, including 1955’s ‘At My Front Door’.

This does not appear to be that group, though apparently they broke up and the name got reused a few times, so anything is possible.

That said, ‘The New Breed’ is a fast moving mod soul dancer pushed along by pounding drums and some tasty fatback guitar winding in and out of the proceedings.

The A-side, ‘The Knock Knee’ is the kind of greasy soul that is just a half-step and a heavy downbeat away from funk (dig the bass and the horns especially).

One name of interest on the record is Johnny Terry, who produced the record and co-wrote ‘The Knock Knee’ who I think may be the same Johnny Terry that was a member of the Famous Flames (and a somewhat prolific songwriter).

If any of you can string any of these facts together (or pull them apart where need be) please do so in the comments.

Either way, it’s a groovy 45, and I hope you dig it.

See you on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Comments (1)

By Larry, March 31, 2016 10:42 am

Listen/Download – The Bobby Sockers – Sock It To Me Bobby MP3

Greetings all.

The end of the week is near, and so is the appearance of the latest episode of the Funky16Corners Radio Show podcast. The show drops every Friday with the best in soul, funk and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn app, check it out on Mixcloud, or grab yourself an MP3 right here at the blog.

Today’s selection is the unusual (soulful) by-product of a string mid-1960s comedy-novelty 45s by a guy named Bill Minkin.

Minkin, along with an assembledge known as the Hardly-Worthit Players (the name being a play on then famous newsmen (Chet) Huntley and (David) Brinkley) released a version of the Troggs’ ‘Wild Thing’, as performed in the (impersonated) voice of Senator Bobby Kennedy. Though this is little-known to anyone that wasn’t around to hear it the first time, it was a fairly substantial pop hit in the Winter of ‘66/’67.

As has always been the case, the parties involved decided to milk the success as much as they could, eventually releasing three 45s (and two LPs on Cameo/Parkway called ‘Boston Soul’ and ‘Senator Bobby’s Christmas Party’) between 1966 and 1968, with covers of Donovan’s ‘Mellow Yellow’ and finally Mitch Ryder’s ‘Sock It To Me Baby’.

The tune I bring you today was the flip side of that final 45. Billed as ‘Sock It To me Bobby’ by the ‘Bobby Sockers’, what you get here is a straight cover of the Mitch Ryder tune, with the ridiculous Bobby Kennedy imitation stripped off, returning it to its roots as an upbeat dancer.

The only downer (as it is) is the inclusion of a super-white-sounding female chorus running under things.

That said, it’s still a groovy record, which I included in one of my 2014 Pledge Drive mixes.

It’s a cool 45 (with a cool story) and I hope you dig it.

Have a great weekend, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.