Category: Soul Jazz

Brian Auger and the Trinity – I Wanna Take You Higher b/w Listen Here

By , April 14, 2013 10:03 am

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Brian Auger (Top left) and the Trinity

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Listen/Download Brian Auger and the Trinity – I Wanna Take You Higher

Listen/Download Brian Auger and the Trinity – Listen Here

Greetings all

Welcome to yet another week in which the digital artifacts of the analog age are unearthed and put on display for the edification (and edumacation) of all involved.

If you were following the coming and going hereabouts you will have noted that the Funky16Corners fam vacated for a short time, in which we went in search of rest, relaxation, and in my case, records.

I was very lucky indeed, having been tipped off to an excellent digging spot or two by a friend.

Though I had never visited Pittsburgh before (odd, I know) I was aware that the good people of the region had excellent taste in music, especially where R&B and soul were concerned. I figured that it must follow (and it did) that records of that ilk must be available thereabouts.

The first spot I hit gave up the goods (if only I’d had 10 or 15 more hours, and the cash that would have required), with yours truly exiting the store with a nice fat stack of funk, soul and all kinds of Iron Leg ish (the popsike and what not).

One of the disks I was most pleased to have encountered is the one you see before you today.

I have had the ‘Befour’ LP (1970) by Brian Auger and the Trinity for years, but had no idea that there were any 45s (or the edits there-on) released from the album, which is why finding the 7” with versions of ‘I Wanna Take You Higher’ and ‘Listen Here’ was such a groove.

Auger was in the top rank of UK Hammond wranglers, first in the Steampacket, then alongside the mighty Julie Driscoll , then onward with the Trinity and the Oblivion Express, getting progressively jazz-funkier as he went on.

I dig both his earlier and later stuff, and ‘Befour’ is an excellent example of the latter, as well as being fairly easy to find on the cheap.

The excellent version of Sly and the Family Stone’s ‘I Wanna Take You Higher’ runs the same 5:00 on the 45 as on the album, with some excellent organ and guitar.

The version of ‘Listen Here’ is what makes this 45 worth grabbing.

‘Listen Here’, written and originally recorded by the great Eddie Harris is one of the true ‘standards’ of the soul jazz genre, recorded in many ways, by many people and having appeared in this space a time or two over the years.

The LP version of ‘Listen Here’ runs almost nine and a half minutes, substantial portion of which is devoted to a long (way too long) drum solo by Clive Thacker. It’s not that old Clive wasn’t up to the task, but – and I say this as a drummer – the hippie era drum solo was one of the more unfortunate musical traditions, thankfully gone by the wayside.

The 45 edit of the song truncates the percussion breakdown to a tasteful 27 seconds, keeping the forward momentum of the musical enterprise intact, while also giving the drummer his oft requested “some”.

It is a groovy disc indeed, and well worth grabbing should you come across a copy of your own.

I hope you dig it and I’ll see you all on Wednesday.

Keep the faith

Larry

 

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

The Memphis Soul Band – That’s Me Boy / Mrs Robinson

By , April 4, 2013 11:34 am

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Ingfried Hoffman aka Memphis Black aka The Memphis Soul Band

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Listen/Download Memphis Soul Band – That’s Me Boy

Listen/Download Memphis Soul Band – Mrs Robinson

Greetings all

The end of the week is here, and that means it’s Funky16Corners Radio Show time again. We take to the airwaves of the interwebs every Friday night at 9PM on Viva Radio. If your ears aren’t available then, you can always subscribe to the show as a podcast in iTunes, or grab an MP3 out of the archive here at the blog.

The tracks I bring you today are yet another example of the pseudonymous work of Teutonic Hammond wrangler Ingfried Hoffman.

You have already sampled his work when I posted ‘Why Don’t You Play the Organ Man’ by Memphis Black a few years ago.

Hoffman, who worked in the band of saxophonist Klaus Doldinger before creating the Memphis Black persona (one 45 and an LP under that name) recorded the tunes you see before you today under the name of the Memphis Soul Band in 1969.

Working again – as he did as Memphis Black – with expat guitarist/vocalist Joe Quick, Hoffman laid down some very groovy covers of contemporary soul material, as well as two originals in the same basic style.

Hoffman went on to record a number of library titles, and the Memphis Soul Band sides bear the same, hard charging, au go go vibe as much of the UK-based material in the same vein, such as the Mohawks (or any Hawkshaw related jams) or the New London Rhythm and Blues Band.

The first cut, ‘That’s Me Boy’ opens with a spoken intro by Quick, which doesn’t make a whole lot of sense no matter how many times I listen/re-listen to it. That said, once Hoffman drops in the band kicks into a very cool groove (the horns are especially nice).

The second cut, a cover of Simon and Garfunkel’s ‘Mrs Robinson’ hews pretty closely to the Booker T and the MGs take on the song but kicks up the tempo a notch. This is one of those tracks that seems purpose built for the Mod dance floor.

If you desire to place any of Hoffman’s vinyl in your own crates, the Memphis Soul Band LP is probably the most affordable option running 30 or 40 bucks in good shape. The Memphis Black 45 on Ascot is much harder to grab, hovering in the$100 range, with the German issued Memphis Black LP (on Sunset) grabbing $50 more than that (though it has been reissued).

I hope you dig the tunes, and I’ll see you all on Monday.

Keep the faith

Larry

 

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

Jimmy Smith – 8 Counts For Rita

By , March 7, 2013 12:28 pm

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Jimmy Smith

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Listen/Download Jimmy Smith – 8 Counts For Rita

Greetings all

Welcome to the end of the week.

As usual, I im;lore you to screw your ears on and haed over to Viva Radio, this and every Friday night at 9PM, where you might fill them up with the best in soul, funk, jazz and rare groove (all on vinyl) on the Funky16Corners Radio Show. If that is an inconvenient time, you can always subscribe to the show as a podcast on iTunes, or grab yourself an MP3 from the archive right here at the blog.

It’s Hammond time again my friends (but then again, it’s ALWAYS Hammond time in my crib) and I have something extra tasty for you today.

Jimmy Smith’s ‘Unfinished Business’ is one of those albums that I used to see in crate diggers finds lists all the time, but never seemed to encounter whilst digging myself.

This was a conundrum of sorts, until I discovered that it had been sampled by the one and only DJ Shadow on the legendary ‘Number Song’ on ‘Endtroducing’, which leads me to believe that all available copies of an already (kinda) scarce LP were being Hoovered up by eager train(sample)spotters leaving nothing for those of us who also dig the music nestled around the samples (especially when it’s Mr. Smith and his Hammond).

That said, I found myself a copy in a most unusual location in the hinterlands/outback of upstate New York during an unexpected digging session (the best kind).

Now, I had picked up a 45 or two from Smith’s late-period time with the Mercury label, and had been decidedly underwhelmed.

This was of course the late 70s, not exactly the heyday of the funky organ, an era where the last remaining few Jurassic key-slingers were probably being urged to modernize their sound with the synthesizers and the modern soul-isms and what not.

However, realizing that this was a Jimmy Smith album I had never had my hands on, and because it was cheap, I decided to grab it and take it home.

Good thing too, since the tune you see before you today is – contrary to the 1978 date on the album – quite funky indeed, with an extended drum break coming at about 3:30 into the track.

It is groovy indeed, and proof that even in the peak disco years, a master could still find a way to work it out in an old(er) school stylee.

I hope you dig it, and I’ll see you all on Monday.

Keep the faith

Larry

 

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___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

Cal Tjader – Evil Ways / You keep Me Hanging On

By , February 26, 2013 1:06 pm

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Cal Tjader

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Listen/Download Cal Tjader – Evil Ways

Listen/Download Cal Tjader – You Keep Me Hangin’ On

Greetings all

Though you have most certainy seen his name and heard his music in this space many times before, like Jello, there is always room for Cal Tjader.

Tjader, master of the Latin vibes (does it get any better than ‘Soul Sauce’?) is one of those artists that is an automatic pick-up, as in I’m out in the field flipping through albums and I see see a Tjader LP that I don’t already have, it goes right onto the keeper stack.

At this point, there aren’t too many from his Verve era and after that I don’t have.

That said, a few years back I was down in DC and I managed to score two longtime Tjader wants, i.e. ‘Cal Tjader Plugs In’ (gotta have that groovy cover of the Banana Splits theme) and the disc you see before you today, entitled simply ‘Tjader’.

At first glance, Tjader’s Fantasy catalog can get a little confusing, since it bookends his time with Verve and the short-lived Skye era. You get all of the early, mambo grooves, and then some later, extremely rare groovy ish like his cover of ‘Gimme Shelter’ and the album from which we draw today’s selections.

The two cuts I bring you today are a very tasty version of the Willie Bobo (though known to most by Santana) tune ‘Evil Ways’ and a trippy excursion into the Supremes ‘You Keep Me Hangin’ On’.

‘Evil Ways’ is a smooth groover, with some organ and horns stating the theme, before Cal drops in with vibes, handclaps and timbales (a breakdown very much like the one in ‘Soul Sauce’) and goes to town. There’s also a nice organ solo.

‘You Keep Me Hangin’ On’ gets a pretty straight ahead dancefloor treatment, until about halfway in, when things suddenly fade out and then back in again with some far out synthesizer, back out again and then right back into the original groove. It’s an odd arrangement for Tjader, and a little late in the game in 1971 (as are some of the other covers on the album, including two Donovan songs), but I can’t complain.

It’s a strong album, and surprisingly hard to come by.

I hope you dig the sounds.

Keep the faith

Larry

 

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

Stanley Turrentine – Home Town

By , February 19, 2013 12:51 pm

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Stanley Turrentine

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Listen/Download Stanley Turrentine – Home Town

Greetings all

The tune I bring you today is something low key, yet very groovy indeed.

I tend to like my soul jazz with a slightly harder edge, yet every once in a while you get a class act like Stanley Turrentine, dipping his toe (or his saxophone) into the water just a little bit, sprinkling the fine compositional (and arranging) talents of Thad Jones with just a pinch of groove grease.

The tune in question ‘Home Town’ comes from Turrentine’s 1968 Blue Note LP ‘Always Something There’.

Though the album by and large is a little easy for my taste (they lay the strings on kind of heavy, and not in a good way), there are some cool covers and the horn arrangements are very nice in a purely jazz context.

The one marked exception, not quite anomalous but edging outside of the mellow bag just a touch, is ‘Home Town’.

Opening with some brass harmonies, the band (a tentet with Turrentine out in front) states the theme, before settling into the groove around the 1:15 mark where you get to hear Kenny Burrell on guitar and Bob Cranshaw on bass pushing the whole outfit forward.

Turrentine gets to lay down a great solo, and the rhythm section (including Hank Jones on piano and Mickey Roker on drums) really lay into it.

The overall sound reminds me of the kind of stuff that Quincy Jones was putting out around the same time.

I dig it, I hope you do too, and I’ll see you all on Friday.

Keep the faith

Larry

 

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___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

Louis Chachere – A Soulful Bag

By , February 17, 2013 1:17 pm

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Dig the groovy promo shot of Louis Chachere that I picked up a few years ago!

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Listen/Download Louis Chachere – A Soulful Bag

Greetings all

I hope the day finds you well, and ready for some solid Hammond grooves.

Regular visitors to Funky16Corners as well as Hammond aficionados will already be familiar with the name Louis Chachere via his mighty slice of funky jazz, ‘The Hen’.

That 45 is just this side of brutal and unrelenting, packed not only with Chachere’s blazing organ, but also the guitar and drums, both of which (though the players are unknown to me) brilliant.

‘The Hen’ is both danceable and satisfying on a purely musical level, which is why it is sought after by DJs the world over.

I though for many years (erroneously as it turns out) that ‘The Hen’ was a one-off bit of genius, and that Chachere, having made his mark, vanished into the ether.

The fact is, that while his discography cannot in any way be described as extensive, what he did put his hands on was first rate.

In addition to his own recordings (which you see before you today), Chachere also produced the legendary ‘Remember Me’ b/w ‘Black Is Beautiful’ 45 by the Trinikas.

I first found out about ‘Soulful Bag’ b/w ‘Shout Down’ when it popped up in an auction years ago.

The thought of a Louis Chachere 45 that was not already inside my Hammond crates drove me nuts, so I followed the auction, tossed a little long green in that direction and within a week that very record was mine.

As far as I can tell, ‘Soulful Bag’ predates ‘The Hen’ (1968/1969) by a year or two. The only other 45 I’ve been able to track down on this label is a rockabilly 45 (Max Brown) from 1964 with a lower catalog number.

It was released on the Kansas City, MO label Central (two of the three 45 issues of ‘The Hen’ came out on other KC labels, MJC and Forte) and has an earlier, soulful but not yet funky sound.

There’s a definite groove going on, and while I haven’t been able to date it, my educated guess is that it sounds like a mid-60s release (and if anyone knows for sure, please do not hesitate to let me know).

Chachere opens strong, playing in unison with a sax, repeating the theme until he gets to open up a little on the organ. The sax player takes his turn, then the guitarist, then Chachere gets to solo extensively (at least as extensively as you can on a 45).

It’s got enough get up and go for the dancefloor, so if you’re lucky enough to find yourself a copy, don’t hesitate to whip it out at your next shindig.

I hope you dig it, and I’ll see you soon.

Keep the faith

Larry

 

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___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

James Brown – You Know It

By , January 24, 2013 12:28 pm

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JB at the B3

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Listen/Download James Brown – You Know It

Greetings all

The end of the week is nigh so it’s time to remind you about the Funky16Corners Radio Show, which takes to the airwaves of the interwebs this and every Friday night at 9PM on Viva Radio. You can also subscribe to the show as a podcast in iTunes or grab an MP3 from the archive here at the blog.

The last instro of the week is a testament to the truism that sometimes you just never know what’ll turn up in your crates.

I was digging around for Christmas material late last year when I flipped over ‘Santa Claus Go Straight to the Ghetto’* (never having done so before) wondering if the b-side was also a holiday track.

What I found was not more jingling bells, but in fact another of that rare species, the James Brown organ instrumental.

Many times over the years have I waxed wistfully about my love for the Godfather’s repeated dalliance with that giant mound of wood and wires known as the Hammond organ.

James was not a superior technician, but he did bring a certain joie de vivre to his playing which – though it occasionally descended into flights of fancy that sounded as though he had eschewed his hands for his elbows – were often quite cool.

This track, ‘You Know It’ is an especially groovy surprise since it is both funky, and has a cool arrangement, with the strings and the horns and what not.

This is proof that no matter how much you think you know, the James Brown discography is filled with all kinds of blind alleys, dark corners and cul de sacs.

I hope you dig the cut, and I’ll see you all on Monday.

Keep the faith

Larry

 

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*’You Know It’ also appeared as a track on the ‘Soulful Christmas’ LP
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

Rubin Mitchell – Loosen Up

By , January 22, 2013 4:13 pm

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Rubin Mitchell

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Listen/Download Rubin Mitchell – Loosen Up

Greetings all

The middle of the week is here, and so is our second groovy instro.

This is another one of those 45s that I happened upon when perusing a friend’s sale list.

Never heard if it before, but as soon as I played the clip, knew I wanted a copy.

The tune – ‘Loosen Up’ – is a titular, if not sonic response to Archie Bell and the Drells and the sounds within are every interesting indeed.

A close look at the label and a little digging provide some perspective as to why.

The first thing I noticed – after listening, of course – was the name ‘Curtis Ousley’ on the label. This was of course, the mighty King Curtis, whose publishing company Kilynn is given production credit. King Curtis co-wrote ‘Loosen Up’ and gets full credit for the flipside ‘Summer Dreams’.

The artist, Rubin Mitchell was an Albany, NY-area based lounge pianist who was described in a local paper at the time as having a repertoire that included “funky jazz, showcase numbers like ‘Sabre Dance’ and straight classical’. Once you give ‘Loosen Up’ a listen you begin to realize how telling that description is.

Mitchell – who recorded at least one private issue LP and two more for Capitol (I think this is a non-LP 45) sounds like a guy in the vein of Liberace, who made putting on a show of skill a crucial part of his act, with lots of speed and flourish.

That’s what you get here, sprinkled in liberally atop a soulful sounding rhythm section (dig that drum break at the beginning!) that may or may not include some Kingpins.

It’s not the kind of thing I’d spin for dancers, but it certainly is interesting to slip into your ears.

The flipside is a much mellower, bluesier number that sounds (unsurprisingly) like a cousin of ‘Soul Serenade’.

From what I’ve been able to discover about the rest of his catalog, my suspicion is that this single is a stylistic outlier.

I’m not sure what happened to Rubin Mitchell after his tenure with Capitol, but my suspicion is that it included a hotel lounge or two.

I hope you dig the cut, and I’ll see you all on Friday.

Keep the faith

Larry

 

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___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

Larry Coryell – Gypsy Queen (45 Edit)

By , December 13, 2012 2:22 pm

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Larry Coryell


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Listen/Download Larry Coryell – Gypsy Queen (45 edit)

Greetings all

The end of the week is here, and so is the Funky16Corners Radio Show.

Coming to you this and every Friday night at 9PM on Viva Radio, the Funky16Corners Radio Show brings you the best in funk, soul, jazz and rare groove, all on original vinyl. If you can’t be there to dig the show at airtime, you can always pick up episodes by subscribing to it as a podcast via iTunes, or by grabbing a straight MP3 download here at the blog.

The tune I bring you today is a little something I picked up while out digging earlier this year.

I – like many of my generation – first became aware of the song ‘Gypsy Queen’ via the version by Santana, recorded for the ‘Abraxas’ album in 1970.

It was a few years on down the line that I was hepped to the original version by the master Gabor Szabo on his 1966 ‘Spellbinder’ album (you can hear that version by checking out Funky16Corners Radio v.24.5 in the archive).

I had no idea that Larry Coryell had recorded ‘Gypsy Queen’ until I happened upon the 45 you see before you today.

He waxed in in 1971 for his debut on Bob Thiele’s Flying Dutchman label, ‘Barefoot Boy’.

The LP version of the track runs over eleven minutes, with the 45 coming in at just under three minutes.

I have heard the LP edit, and unless you have a taste for extended jazz freakouts/solos, the 45 really delivers all you need to hear.

The band, with Coryell leading on guitar included Steve Marcus on soprano sax (heard a lot here) and Roy Haynes on drums, among others.

This truncated version of the tune encapsulates the crossover between jazz and late 60s rock that Coryell and Marcus were both a big part of.

Things are jazzy enough, with a fair amount of psychedelia mixed in and the band really does justice to Szabo’s OG.

I hope you dig it, and I’ll see you all on Monday.

Keep the faith

Larry

 

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___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.

 


Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

Funky16Corners Soul Club Rewind: Spindletop Early Set 1/10/11

By , December 9, 2012 3:32 pm

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Funky16Corners @ Spindletop – Early Set 1/10/11

Playlist

Cals – Stand Tall (Loadstone)
Jackie Hairston – Hijack (Atco)
JB & The V-Kings – Lazy Soul (Zap Zing!)
Bobby Cook and the Explosions – On the Way (Compose)
Ulysses Crockett – Major Funky (Transverse)
Three Souls – Chittlins Con Carne (Argo)
Prime Mates – Hot Tamales Pt1 (Sansu)
Fuzzy Kane Trio – Monday Monday (Bay Sound)
Roy Budd – Get Carter (Pye)
Mary Lou Williams – The Credo (Mary)
Mel Brown – Ode to Billie Joe (Impulse)
Jr Walker & the All Stars – Cleo’s Mood (Soul)
The Rhine Oaks – Tampin’ (Atco)
Dorothy Ashby – Soul Vibrations (Cadet)
Johnny Lytle – Screaming Loud (Tuba)

Listen/Download 80MB/256kb Mixed MP3

Greetings all.

As you all know, I spend as much (or more) time listening to the mixes I put together for Funky16Corners than anyone.

This has everything to do with the fact that all of the content here on the blog has to pass my own “ear test” before you hear it, so the mixes/posts reflect what I’m digging at any given point.

Though – due to circumstances beyond my control -I haven’t played out in more than a year, 2011 was an especially cool/busy time in that respect.

Between stints at Master Groove and Spindletop, and guest spots at Subway Soul (all NYC), Wooly Bully and Sweet Exorcist (both in Mass) I had plenty of opportunities to spin vinyl for groovy people.

The Spindletop night (at Botanica) was an especially cool night (while it lasted) because I had an exceptional amount of freedom in the styles of music I could spin as well as providing an opportunity to play especially long sets.

Back in January of last year, I had a chance to play almost three full hours of soul jazz 45s, and I decided to get things started with a slow-to-midtempo set.

The results – which you see before you (again) – ended up being one of my favorite sets* of the last few years, and I’ve cued it up on the iPod several times since then.

I decided that I’d re-post it for those that might have missed it the first time out.

I hope you dig it, and I’ll see you all on Wednesday.

Keep the faith

Larry

 

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*As mentioned when this was originally posted, the line-out on the house mixer was not functioning, so I spun and rerecorded this set live on my decks at home the following day.
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.

 


Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

Kai Winding – Watermelon Man

By , November 22, 2012 1:58 pm

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Kai Winding won’t you blow one time!


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Listen/Download Kai Winding – Watermelon Man

Greetings all

The end of the week is near, so don’t forget to tune into the Funky16Corners Radio Show, this and every Friday night at 9PM on Viva Radio. If you cannot join us at airtime, you can pick up episodes by subscribing to the show as a podcast in iTunes or picking up an MP3 download here at the blog.

The name Kai Winding was a very familiar one in my house when I was a kid.

My father is a huge jazz fan and had several ‘Jay and Kai’ albums (the duo of trombonists JJ Johnson and Kai Winding) in his collection.

It was only when I started collecting 45s in earnest – especially Mod soul/jazz – that I discovered that Mr Winding had waxed some very groovy stuff during the 60s.

The Danish-born Winding, who passed away at the age of 61 in 1983, recorded in a wide variety of settings from the 1940s (he played on Miles Davis’ ‘Birth of the Cool’ sessions) on until his death.

He recorded for the Verve label in the 60s, which is when he laid down the very tasty version of Herbie Hancock’s ‘Watermelon Man’.

Like many of his contemporaries, Winding experimented with adding all kinds of pop/R&B flavor into his records, and this is one of his best.

You get lots of that sonorous trombone, mixed in with some grovy combo organ and percussion that makes for a fusion of soul jazz and au-go-go flavors.

It has a discotheque vibe that I dig very much, and I hope you do too.

Get your groove shoes on, and I’ll see you all on Monday.

Keep the faith

Larry

 

Example
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.

 


Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

Example

Example

 

PS Head over to Iron Leg too.

Les James Trio – Joe’s Thing

By , November 20, 2012 2:53 pm

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The Les James Trio


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Listen/Download The Les James Trio – Joe’s Thing

Greetings all

I hope the day finds you all well.

Ioften find myself running out of steam around the middle of the week.

You know how it is.

Truth be told, I have discovered that the remedy to such a lull is not – as might be expected – a solid and powerful boot in the ass, like you might require on a Friday to get you in gear for the weekend, but rather something subtly powerful.

Enough of a push to restore momentum, but nothing too sudden.

It is in furtherance of this idea that I have dipped into the crates and whipped out something that just might do the trick.

A while back, I was perusing the interwebs in search of some tasty vinyl to add to my record box, when I happened upon an auction for an unfamiliar, but very interesting looking record.

The disc in question was a mid-70s joint by a crew called the Les James Trio out of the Rocky Mountain metropolis of Denver, CO.

Now, I know that “Denver jazz’ doesn’t light any fire in your ears – unless you are a Paul Quinichette aficionado – but this auction came with a tantalizing soundclip.

So tantalizing in fact that I chased this record down like a lion after a juicy springbok, landed it and devoured it forthwith, if by “devour” it is meant to be understood as recording and digimatizing said record for the delectation of you good people.

There’s not much out there about Les James, other than a few links that suggest that he was something of a local institution in Denver, and the liner notes to the album which intimate that he might have hailed from Eastern Europe and made his way west, piano in tow.

The tune I bring you today – he one that made me covet the album so fiercely – is entitled ‘Joe’s Thing’, written by and named for James’ bassist Joe Lopez.

Much like the record that I brought you all on Monday, the things that happen on this record in regard to the alchemy of bass and drums is truly something to behold.

‘Joe’s Thing’ is in no way a “funk” record, but it is immediately obvious once the ones and zeros start to flow that is is monumentally funky, in a way guaranteed to make you sit up, notice, and groove, all at the same time.

Unlike so many self-released combos (Century was a famous “press your own”outfit out of California) the Les James Trio was actually a pretty tight unit. James was an excellent pianist, Lopez a shit-hot bassist and the drummer (listed only as Jo Jo) does his part admirably.

‘Joe’s Thing’ is a groover’s treasure because it starts out with a mighty riff, and then returns to the well a number of times, including a couple of phased drum breaks.

This is a banger – a subtle one – but a banger nonetheless.

You can send your thank you notes via the comments below.

NOTE: Speaking of which, the comment capcha system I was using died unexpectedly, so I replaced it with another one in which you – the commenter – gets to solve a simple math problem instead of squinting at an impossible to read “phrase”. Easy, educational, and best of all, spam-obliterating!

You’re most welcome.

Keep the faith

Larry

 

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.

 


Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

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