Category: Soul 45

OV Wright – Eight Men, Four Woman

By , October 27, 2015 1:11 pm

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OV Wright

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Listen/Download – OV Wright – Eight Men, Four Women MP3

Greetings all.

As regular visitors well know, I dig me some deep, deep soul ballads (see several mixes in the archive), and one of the finest creators of said sounds, was the mighty O.V. Wright.

I have been a fan of Wright’s since my earliest days of soul collecting, having picked up ‘Love the Way You Love’ (which quicky became a favorite) more than 30 years ago.

Wright was one of the truly great southern soul singers, with a flexible, raspy voice that was as adept delivering upbeat, danceable fare, as it was songs like today’s selection.

‘Eight Men, Four Women’ is one of those songs that seems almost impossibly slow, sorrowful and deep, yet it was a Top 5 R&B hit in 1967*.

Wright is pushed along by a tight lead guitar, subtle, almost churchy organ, and a saxophone that sounds like the player was wandering in and out of the studio unpredictably.

The female backing chorus has a looseness that sounds to my ears like a moonlighting gospel group, and you can almost picture Wright, perched on the edge of the stage, delivering his tale of woe.

The song is credited to Don Robey’s ‘D. Malone’ pseudonym, and I for one would love to know who really wrote it (Robey apparently had a habit of taking copyright for himself, sometimes at the point of a gun).

It’s a very solid number, and if you’re not already down with O.V. Wright, it should provide a gateway to appreciating a truly great singer.

I hope you dig it, and I’ll see you all on Friday.

Keep the faith

Larry

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*I compare this to records like ‘Heart Full of Love’ by the Invincibles and ‘Crying In the Street’ by George Perkins and the Silver Stars as songs that were big hits in the 1960s that would probably be excluded from the charts today by virtue of their rawness.

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

Johnny Sayles – The Concentration

By , October 22, 2015 11:27 am

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Johnny Sayles

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Listen/Download – Johnny Sayles – The Concentration

Greetings all.

The end of the week is here so I will remind you once again to join me Friday night at 9PM on Viva Radio for the Funky16Corners Radio Show. You can also subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn app, or grab yourself an MP3 here at the blog.

The burner I bring you today is a smoking bit of Chitown soul by the mighty Johnny Sayles.

Though Sayles never really had any chart success to speak of (outside of Chicago) he recorded a grip of excellent, hard-edge 45s for a variety of Chicago labels like Mar-V-Lus, Chi Town, Chess, St Lawrence, Dakar and Brunswick between 1963 and 1973.

Sayles was born in Tennessee, and later moved to St Louis where he hooked up with Ike Turner.

He toured with a variety of bands before ending up in Chicago in the early 60s, where he would work as a singer, as well as having a second career as a prison guard!

Sayles recorded ‘The Concentration’ in 1965, and the song (written by the mighty Andre Williams!) comes off like a much wilder/rougher take on the same basic source material as Junior Walker and the All Stars ‘Shake and Fingerpop’ which was released earlier that year.

‘The Concentration’ leads off with a wailing saxophone, before Sayles drops in with a fiery vocal. The whole thing is driven along by a punchy horn section and a deceptively low-key lead guitar line.

Though the tune is built on a basic ‘dance craze’ frame, Sayles’ vocal and the deep, reverbed production take it to a higher level.

It is a groovy record, indeed, and I hope you dig it as much as I do.

Have a great weekend and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

Homer Banks – A Lot of Love

By , October 20, 2015 11:44 am

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Homer Banks

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Listen/Download – Homer Banks – A Lot of Love

Greetings all.

The track I bring to you today is like Monday’s tune, a precursor to (if not an outright OG) of one of the big tunes of the British Invasion.

Homer Banks was both a fine songwriter, and an excellent (if underappreciated) soul singer.

Banks recorded a string of brilliant Memphis-based 45s for Minit between 1966 and 1968, all the while writing for other artists, many in the Stax organization.

If you give a listen to any of the records that banks made under his own name, it leaves you shaking your head, wondering how he wasn’t a success on his own (and why Jim Stewart never signed him to his own deal at Stax).

Banks had a high, flexible tenor that reminds me of a lighter version of Sam Moore (which is interesting since Banks co-wrote ‘I Can’t Stand Up For Falling Down’ for Sam and Dave), able to soar on ballads but with enough grit to deliver harder edged material.

‘A Lot of Love’ (co-written with Deanie Parker) was the A-side of Banks’ first Minit 45 in 1966 (he had already recorded a pair of 45s for the small, Memphis-based Genie label) and while it wasn’t a hit, it did make it over to the UK where a young cat by the name of Steve Winwood heard it and lifted its basic riff, reworking it into ‘Gimme Some Lovin’, a huge hit in the US and the UK, and ultimately a much better-known record than Banks OG.

I’m here to tell you (though your ears ought to be able to figure it out on their own) that while ‘Gimme Some Lovin’ is a classic, ‘A Lot of Love’ is in the end a much better record, with an outstanding lead vocal by Banks, and a fine arrangement with enough kick for the dance floor.

Oddly enough, Banks would be ripped off (by proxy) again, when Flavor (who may or may not have been aware of ‘A Lot of Love’) re-ripped the tune as ‘Sally Had a Party’, which is also an amazing record.

Homer Banks went on to write/cowrite a number of hits, including Luther Ingram’s smash ‘If Loving You is Wrong (I Don’t Want To be Right)’, and would hit the charts himself in a duo with Carl Hampton in 1977 with ‘I’m Gonna Have To Tell Her’.

Banks passed away in 2001 from cancer.

All of Banks’ Minit 45s are excellent and worth picking up when you can find them.

I hope you dig the tune, and I’l see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

Bessie Banks – Go Now

By , October 18, 2015 10:42 am

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Bessie Banks

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Listen/Download – Bessie Banks – Go Now MP3

Greetings all.

I hope the new week finds you all well.

The record I bring you today is one of those 45s that haunted my want list for years (maybe decades) before I finally bagged a copy.

It’s not that ‘Go Now’ by Bessie Banks is an incredibly expensive record (probably grab-able for around 50 bucks on a good day) but thanks to the fact that it was later made into a hit (their first) by the Moody Blues, and its status as a mod soul classic, there is a high level of competition when copies do come on the market.

I probably could have had myself a copy sooner, had I been willing to throw a pile of money at it, but I don’t always have a pile of money ready to throw (or I may have already thrown it elsewhere…).

That said, the record you see above is proof that me and my money finally found ourselves a copy of this most excellent 45, which is why I can bring it to you fine people today.

Bessie Banks had been performing and recording for a few years before she found herself in a New York studio with none other than the mighty Leiber and Stoller working the board.

The song was written by Larry Banks (Bessie’s husband) and Milton Bennett, and though it is taken at a slightly slower pace, it is immediately evident that the Moody Blues (the early Denny Laine version of the band, not the psychedelic Justin Hayward version) didn’t change much at all.

Banks’ original garnered some airplay and made a small dent on the R&B charts, but was pretty much a done deal (having been released in January 1964) when the Moody Blues cover was released in the US a full year later.

Their version was a much bigger hit, making it into the US Top 20 early in 1965.

Banks’ version was released on two Leiber/Stoller imprints, Tiger and Blue Cat, both with the same excellent flipside, the slow-burning R&B of ‘Sounds Like My Baby’.

Bessie Banks would go on to record a few more 45s during the 60s (for Wand and Verve), and then a few more in the 70s for Volt and Quality.

I hope you dig the tune, and I’ll see you all on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

The New Young Hearts – A Little Togetherness

By , October 15, 2015 12:02 pm

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The Younghearts

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Listen/Download – New Young Hearts – A Little Togetherness MP3

Greetings all.

The end of the week is finally here, and so then is the Funky16Corners Radio Show. We come to you each and every Friday night at 9PM on Viva Radio with the best in funk, soul, jazz and rare groove, all on original vinyl. If you can’t be there at airtime you can subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn app or grab yourself an MP3 right here at the blog.

I wanted to close out the week with a bang, so I dipped into my Northern box and pulled out one of my all-time favorites.

The Young Hearts (Younghearts, New Young Hearts) were together for about a decade, releasing records from 1967 to 1977 for a variety of labels like Canterbury, Pick A Hit, Minit, Zea and 20th Century.

The LA-based group, which recorded under the aegis of songwriter/producer Bobby Sanders, hit the R&B charts a number of times between 1968 and 1975, but they are best remembered for their 1967 record, ‘A Little Togetherness’ which became a Northern Soul classic.

The song/record has an interesting history. It was originally recorded and released on the Canterbury label in 1967. The Younghearts went on to record several singles and an album for Minit in 1968, which included a re-recorded, slowed down version of ‘A Little Togetherness’ (as well as a new version of the other big Northern 45 on Canterbury, the Tempos ‘Countdown (Here I Come)’).

Sometime after the Minit recordings, Sanders and the original Younghearts split, with the producer putting together a new group, the New Young Hearts. It was under this name that the 45 you see before you today was released, the catch being, that even though Sanders was using a new name, the version of ‘A Little Togetherness’ was the exact same version that was released on Canterbury three years before!

There’s even another New Young Hearts 45 of ‘A Little Togetherness’, released on the Zea label in 1971, but I can’t say for sure if it’s the same track or a rerecording.

That said, one listen to ‘A Little Togetherness’ will instantly reveal why it became an anthem on the Northern scene.

Opening with chiming guitar and piano, the song soon takes off into the stratosphere with soaring lead and backing vocals and a relentless four-on-the-floor dance beat. The falsetto lead vocal floats along on a brilliant, hook-filled melody, and the when the chorus hits the record shoots to another level entirely.

Like the best Northern Soul, ‘A Little Togetherness’ is packed with drama and dynamic tension that lifts the dancers.

It’s one of those records that I want to play over and over again.

As it is, if you want to get yourself a copy of this work of soulful genius, the Soultown version of ‘A Little Togetherness’ isn’t cheap, but it is usually cheaper than the Canterbury issue, which can go for a couple of hundred dollars.

Until you get that lucky, you can grab yourself this recording and put it on repeat.

I hope you dig it, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

ZZ Hill – Don’t Make Promises (You Can’t Keep)

By , October 13, 2015 1:17 pm

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ZZ Hill

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Listen/Download – ZZ Hill – Don’t Make Promises (You Can’t Keep) MP3

Greetings all.

There are few things better (for me anyway) than finding a new version of one of my favorite songs.

I have always been a big fan of Tim Hardin’s first few Verve albums, which yielded a number of folk rock standards, like ‘If I Were a Carpenter’, ‘Reason to Believe’ and the original version of today’s selection, ‘Don’t Make Promises (You Can’t Keep)’.

Oddly enough, it wasn’t Hardin’s original that introduced me to the song, but rather a cover version by Rick Nelson.

Then, last year a friend posted the version you see before you today, by southern soul legend Z.Z. Hill, on Facebook, and as is often the case, I set out immediately in search of a copy for my playbox.

Hill is one of those guys that I knew of for years, but never really dug down into his music because he was best known for a kind of blues-inflected soul that was never really my speed.

As it turns out, I should have kept digging.

Hill’s recording of ‘Don’t Make Promises (You Can’t Keep)’ is from 1968, and it features his warm, slightly raspy voice, female backing singers, and a really nice arrangement with enough kick that this record has become a favorite on soul dance floors in the decades since it was first released.

The bass and drums are tight and crisp, pushed along by rhythm guitar, handclaps and just enough strings to give the record a touch of uptown class.

Despite the fact that Hill had been recording for Kent since 1964, he didn’t really start hitting the R&B charts until 1971, after which he had a steady string of hits that lasted until his untimely passing in April of 1984, from injuries suffered in a car accident a few months earlier.

I will certainly be exploring the Z.Z. Hill discography in more depth.

I hope you dig the tune, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

Wayne Cochran – Harlem Shuffle

By , October 11, 2015 10:23 am

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Ladies and Gentlemen, once again, Wayne Cochran!

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Listen/Download – Wayne Cochran- Harlem Shuffle MP3

Greetings all.

What say we light us a fire under this week?

Repeated appearances of the mighty (and mightily quoiffed) Wayne Cochran here on the blog, and on the Funky16Corners Radio Show will attest to my admiration for the man and his music.

Cochran was in the first rank of white soul men in the 1960s, making some absolute killers for labels like Mercury, Chess and King, among them legendary sides like the unbeatable ‘Going Back to Miami’.

It was a while back, out digging in the field when I was lucky enough to happen upon the record you see before you today, Cochran’s version of the oft-recorded ‘Harlem Shuffle’.

Originally (and best-ly) done by Bob and Earlit is impossible to beat that opening fanfare – ‘Harlem Shuffle’ was laid down many times over the years, vocally and instrumentally, by a string of soul and R&B performers.

Cochran waxed his take in 1965, and I’m here to tell you (though you really should pull down the ones and zeros and give it a spin yourself, because who are you going to believe, me or your own ears…) that it is among the best covers of the tune.

First off, Wayne Cochran hit everything like a sledgehammer, and he and his band plow into ‘Harlem Shuffle’ without a lick of mercy. The horns are up front, but it’s all about the bass guitar, which is the real furnace heating things up here.

Wayne himself is at his raw-voiced best, and I don’t doubt that were you to drop the needle on this the dance floor would fill up post haste.

The flip ‘Somebody Please’ is a great slice of JB/Famous Flames-influenced heat.

I hope you dig the track, and I’ll see you all on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

Dave Pike 1938-2015

By , October 8, 2015 12:43 pm

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Dave Pike

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Listen/Download – Dave Pike – Sweet Tater Pie MP3

Greetings all.

The end of the week is nigh, and so then is the Funky16Corners Radio Show,which comes to you each and every Friday night at 9PM on Viva Radio. If you can’t be there at airtime, you can keep up with the show by subscribing to the podcast in iTunes, listening on your mobile device via the TuneIn app, or grabbing yourself an MP3 here at the blog.

This has been a rough week for music, with the passing of New Orleans drumming giant Smokey Johnson, singer Billy Joe Royal, and then yesterday the news came down that the mighty Dave Pike had slipped the surly bonds of earth.

If you don’t know (though you should) Pike was one of the pioneers of the groovy side of 60s and 70s soul jazz.

He got his start playing straight ahead jazz with Paul Bley in the late 50s, then moving on for an extended period of time playing in the bands of flautist Herbie Mann (who produced today’s selection), an artist that he was similar to in artistic temperament, if not long term commercial success.

Pike was, as a master of the vibes and the marimba, and explorer in musical styles (amplifying his vibes early on in his career), working (like Mann) all manner of world music sounds into his work as well as healthy doses of soul, funk and even pop.

His late 60s/early 70s) work with the Dave Pike Set alongside guitarist Volker Kriegel included groundbreaking soul jazz and rare groove, sought after by DJs and collectors the world over.

The selection I bring you today is a single, which originally appeared on Pike’s 1966 LP ‘Jazz for the Jet Set’, which featured him exclusively on marimba with a group that also included Herbie Hancock making a rare appearance on organ.

Written by Rodgers Grant (who also penned ‘Yeh Yeh’ for Mongo Santamaria, which went on to be a cornerstone of Georgie Fame’s repertoire), ‘Sweet Tater Pie’ (originally waxed by Mongo in ’63)  is a classic bit of hard-charging, dance-floor-ready soul jazz.

Pike manages to rein in the woodier sound of the marimba, and it’s very cool to hear Herbie working it out on the Hammond. Jimmy Lewis’s bass adds a throbbing undercurrent to the proceedings, helping Grady Tate to keep it in the pocket.

If you dig what you hear, I would highly suggest that you head out and find yourselves some of the Dave Pike Set, especially the ‘Infra-Red’ album, the deep track ‘Mathar’, and my personal fave (of which I wish I owned an OG), his 1969 ‘Got the Feelin’ set, which is a classic.

Pike was a master, and continued to play and record until 2010, when ill health forced his retirement.

I hope you dig the sounds, and that you take the opportunity to head out and dig deeper into the music of Dave Pike.

See you on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

Larry Foster – Funky Belly Pts 1&2

By , October 6, 2015 3:34 pm

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Listen/Download – Larry Foster – Funky Belly Pt1 MP3

Listen/Download – Larry Foster – Funky Belly Pt2 MP3

Greetings all.

How about some tasty funk to get us all through the middle of the week?

I first happened upon Larry Foster’s ‘Funky Belly’ after picking up Warren Lee’s New Orleans-made, Meters-backed record of the same name from 1970.

In fact, Foster’s was the third ‘Funky Belly’ I added to my crates, following OD Williams song on the Bar-Bare label.

Though I haven’t ever found any specific information in this regard, the presence of three geographically close 45s with the same title around the same time, makes me think that there was in fact a dance called the “funky belly”, and that funky people on the Gulf Coast of the USA (specifically Mississippi and Louisiana) were doing it.

Foster’s ‘Funky Belly’ features some funky bass, wah wah guitar and pumping combo organ, and a high-tenor vocal by Foster.

Interestingly – and you should jet on over to my man Kris Holmes’ ‘Greenville and Beyond’ site – the Big Beat label was part of a Mississippi-to-Chicago connection covering blues, soul and funk.

While my guess would be that Larry Foster was in fact working in the Miss/LA area, and tapping into the ‘Funky Belly’ thing in the region, it would certainly be interesting if the dance craze (albeit on a very small scale) made its way up to Chitown.

That said, it’s a groovy little record, and I hope you dig it.

I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

The Resurgence of Wee Willie Walker

By , October 1, 2015 10:37 am

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Wee Willie Walker, then and now

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Listen/Download – Wee Willie Walker (feat Curtis Salgado) – Help!

Listen/Download – Wee Willie Walker – Ticket To Ride

Greetings all.

The end of the week is here, so I will remind you once again that the Funky16Corners Radio Show takes to the airwaves of the interwebs each and every Friday night at 9PM on Viva Radio. If you can’t be there at airtime, you can subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn app, or grab yourself an MP3 right here at the blog.

I am going to break with tradition today and do something I don’t normally do, which is take the time to hype a new release.

What made me do this, is the release of an outstanding comeback album by Wee Willie Walker.

I first came upon Walker’s music back in the day when I unearthed his sole Goldwax 45, a blinding cover of the Beatles ‘Ticket To Ride’.

Having been in the habit of grabbing any and all Goldwax ish found in the field, I was thrilled times two, first by putting another notch in my Goldwax discography, and second (but really “first”) finding a killer soul 45 formy play box, where it has held a position of honor for years.

Walker got his start singing gospel with the Redemption Harmonizers (alongside songwriter Roosevelt Jamison*), he relocated from his home base in Minnesota to Memphis, where he hooked up with the Goldwax label.

Quinton Claunch recorded a bunch of sides on Walker, but only one ever came out on Goldwax, a few others being leased to Checker in the 60s. Walker went on to record for a variety of labels in the 70s.

His new album, ‘If Nothing Ever Changes’ is an outstanding mix of new songs and well chosen covers (including numbers by Eddie Hinton, the Southside Movement and Calvin Arnold, as well as a wonderful reworking of John Conlee’s old country hit ‘I Don’t Remember Loving You’), with Walker, still in fine voice and backed by an excellent band.

The overall feel is less retro-soul, than a modern offering by a singer with deep roots in the classic era.

The playing and production are first rate, and while the album is filed under ‘blues’, this is a soul outing through and through, with Walker able to wail like back in the day, as well as deliver depth in the quieter moments.

I first posted Walker’s version of ‘Ticket to Ride’ back in 2008, and I’m reposting it today alongside another Beatles cover from the new album, a take on ‘Help!’ in a duet with Curtis Salgado.

Walker and Salgado take the song at a slower pace, stirring in bits of gospel and deep southern soul.

‘If Nothing Ever Changes’ was released by the non-profit Little Village Foundation, and you can pick it up in iTunes, or at Amazon.

I dig it a lot, and I hope you do too.

See you all on Monday.

Keep the faith

Larry

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*Composer of ‘That’s How Strong My Love Is’

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

F16C Soul Club Presents – Tarik Thornton – To Russia With Love

By , September 29, 2015 10:57 am

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Gene Chandler – Good Times (Constellation)
Eddie Bo – Falling In Love (Seven B)
Mad Lads – No Time Is Better Than Right Now (Volt)
The Valdons – Stop Wait A Minute Girl (Secret Stash)
The De vonns –One- Sided Lover (REDD)
Donald Jenkins & The Delighters -My Lucky Day (Black Beauty)
The Parliament- I Wanna Testify (Revilot)
Witches & Warlocks – Nowhere to Run (Sew City)
Lee Rogers – Go Go Girl (D-Town)
Bobby Byrd – I’m Lonely (Smash)
Jerry O – Funky Four Corners(Boo-Ga-Loo)
The Exciters – The Bag (Loyola)
James & The Incredible Showmen – James Brown Boogaloo (Disco)
Friday Saturday Sunday- Potato Salad (Dig)
Mod Singers & Mod Lads – Let’s Have Some Fun Part 1 (Savern)
Gregory Washington- Pamla Lamour

Listen/Download – Tarik Thornton – To Russia With Love 48MB Mixed MP3

Greetings all.

I have a special treat for you all today!

My man Tarik Thornton – frequent guest mix/Allnighter flyer – has returned to the ones and twos and whipped up a very tasty new mix indeed, entitled ‘To Russia With Love’.

It gets its Bond-ish title as it was originally prepared for the Grooves collective in Russia (see the accompanying interview here).

What you get here is a great selection of upbeat, classic-era soul 45s from one of the genre’s preeminent collectors and spinners. I’ve already added a couple of the selections to my want list, so you get that endorsement as well!

It’s always a gas when I get to pass along one of Tarik’s mixes to y’all, so dig in, dig it, and I’ll see you all on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

Chuck Jackson and Maxine Brown – Can’t Let You Out of My Sight

By , September 27, 2015 9:18 am

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Chuck Jackson and Maxine Brown

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Listen/Download – Chuck Jackson and Maxine Brown – Can’t Let You Out Of My Sight MP3

Greetings all.

Welcome to another groovy week here at the Corners.

Though I knew of both Chuck Jackson and Maxine Brown, it took me a good, long time to finally get a grip on their best stuff.

I owe that eventual success to the motherlode of 45s that arrived at my door more than ten years ago, courtesy of my father-in-law, who came upon the horde at an estate sale.

I spent the better part of a summer – and several ensuing years – working my way through the records, and it was quite an education.

The records had clearly been accumulated by a hoarder, and as a result there was a surprising (and rewarding) variety to the selection. Instead of box after box of the same kind of stuff, there were all kinds of sounds therein, from soul, funk and R&B, to rock, rockabilly, psych and garage.

Among the first wave of records, were a number of 45s by Chuck Jackson and Maxine Brown, both as a duet, and solo.
They recorded together for Wand in the mid-60s, recording albums in 1965 and 1967, and a bunch of 45s (many of them LP tracks) as well.

A couple of these managed to make it onto the pop and R&B charts.

Today’s selection, ‘Can’t Let You Out of My Sight’ was a minor hit in the Northeast in the summer of 1965.

The 45 that it appeared on was an interesting study in contrasts, with the b-side, the gritty ‘Don’t Go’ penned by Ashford, Simpson and Armstead, and today’s selection written by a pair of Brill Building writers, Helen Miller and Roger Atkins.

‘Can’t Let You Out of My Sight’ is a fast-paced number that opens with chiming piano notes before a chugging rhythm section takes over,moving the dancers out onto the floor.

Pushed along by an odd (but winning) background vocal, Jackson and Brown do a fantastic job trading lines.

The tune walks the pop/soul line so well, that I’m surprised that it wasn’t a much bigger hit, but in the mid-60s, that’s kind of the way things were.

I hope you dig it, and I’ll see you all on Wednesday.

See you on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

 

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PS Head over to Iron Leg too.

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