Comments (19)

By Larry, November 4, 2011 5:12 am

Head over to Amen Brother to check out the mix and the set list!

Greetings all.

I know that after my post on Monday, it seems incongruous that I should be returning to this very space on Friday.
However, there are explanations aplenty.

I should start by giving a brief recap of the situation, that being, that after a week of feeling fatigued, my beloved wife has landed in the hospital with a case of leukemia.

In a short two weeks our world has been turned upside down, with everything we considered secure and normal shaken to its roots.

She’s weathering this disturbing (understatement alert) experience with a good deal of grace and courage, and I can only hope that I can try to match that from my side of things.

This is proving to be a painful lesson in the value of rolling with the punches, or at least attempting to do so, since no one likes to go through life catching punches, literal or figurative.

That said, we’re just trying to hang on, adjusting to the new (abnormal) ‘normal’, and doing what we can to stitch the whole mess back together as best we can.

Earlier this week, we were discussing life in general and Jen said that she’d had an opportunity to read Monday’s post (wireless internet and hand-held devices facilitating such things in the hospital setting) and she expressed her wish that I continue writing during this time.

I won’t argue with her, but I will state that anything I get posted here or over at Iron Leg will have to be wedged into the schedule as time (and sanity) allows.

I certainly have tons of stuff recorded and ready to go, so it’s only a matter of the writing and the interwebbing.

There is definitely something to be said for the restorative nature of creative pursuits, but if the old engine isn’t firing on all cylinders (said engine being what’s left of my brain) I can’t even take advantage of that, so bear with me.

I have to say that I am especially thankful for all the messages of support.

This Friday marks the seventh anniversary of the Funky16Corners blog.

It was on November 4th of 2004 that I transitioned from the old web zine format into something different, which in the beginning didn’t bear much resemblance to what you see today, unless of course you were to take Funky16Corners and Iron leg and stitch them together.

It wasn’t very long until things were purely soulful, and here we all are, seven years later, still riding the rails of the interwebs, engaged in a shared love of music.

I have always found the most satisfying part of this thing to be when one of you good people steps forward to add some info to the conversation, or merely to say thanks.

I guess that the blog is my way of expressing my thanks to all of you, at least as a reflection of how much I have always loved when someone turned me on to new sounds.

The really groovy thing is, that where I used to have those same conversations with my crate digging buddies in person, through the Funky16Corners blog I get to have the same kinds of exchanges with people from all over the world.

In this day and age where McLuhan’s Global Village seems like a dark place, it’s heartening to discover that some of us can find our own rays of light in the murk.

What you see before you is a brand new mix, conceived of and completed long before our current problems.

My man Pete Cadden of the Amen Brother crew over in Ireland saw that the anniversary of the blog was approaching and asked if I might be interested in putting together a guest mix for their site to mark the occasion.

Naturally, I said yes, and got to work on the mix you see before you (details over at MNtothat), just about an hour of tasty mid-tempo funk seasoned liberally with breaks.

There are a couple of familiar tunes, some very groovy b-sides and perhaps a few things you’ve never heard of before.

Also, make sure you check in with the Funky16Corners Radio Show, Friday night at 9PM on Viva Radio (archived here on Saturday as an MP3).

I hope you dig it, and I’ll see you all soon.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (26)

By Larry, October 30, 2011 8:56 pm

AWWWOOOOOOOO!!!

Listen/Download – Johnny Watson – Wolfman

Greetings all, and Happy Halloween.

I hope the new week, and the arrival of the holiday find you all well.

Unfortunately, a very (very) serious and wholly unexpected health crisis has descended upon the House of Funky16Corners, and it behooves me to devote what time I have to helping my wife and sons in any way I can. Until such time as things are back to normal (or at least some semblance thereof) all blogging will be suspended.

Some things (a lot of things, actually) are more important than blogging, and so I must (temporarily) take your leave.

That said, this Monday is Halloween (and these posts were written before the hand of fate slapped us down) , so I figured I’d dip into the archives and whip something a little spooky on you all.

I’m not an avid collector of holiday material (Halloween or Christmas), but every once in a while I pick something up that fits the bill, and today’s selection is especially interesting.

There aren’t a whole lot of folks out there so identified with their chosen instrument that it gets appended to their name, and certainly none better known in the world of R&B, funk and soul than Johnny ‘Guitar’ Watson.

So, you can imagine my surprise when I discovered that in 1967 he put out a piano instrumental 45.

Watson, along with his fellow legend and running buddy Larry Williams hooked up with the Okeh label in 1966 and 1967 for a brief but fruitful period in which they recorded the epic ‘Two For the Price of One’ album, collaborated with the LA psyche band the Kaleidoscope as well as releasing a few solo 45s each.

‘Wolfman’ was on the Watson solo 45 for the label (with a version of ‘Hold On I’m Coming’ on the flip) and is a great curiosity in his long discography.

Opening with the generic ‘spooky’ riff, the tune opens up into a slightly jazzy, vaguely Latin sounding piano instro with the rhythm section and horn backing.

Watson was a pretty good piano player too!

Okeh had the good sense to bill him simply as ‘Johnny Watson’, probably figuring that the ‘guitar’ would only confuse people.

In the end it didn’t matter, since the 45 doesn’t seem to have met with any success on either the R&B or Pop charts (unlike the Williams/Watson duets that hit the R&B Top 40 in 1967 and 1968).

Either way, it’s a very groovy 45 (scan the Funky16Corners Radio Show archives for the other side of the record) and I hope you dig it.

Don’t take any unwrapped candy, and I’ll see you all as soon as life allows.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (3)

By Larry, October 23, 2011 11:34 am

Curley Moore

Listen/Download – Curley Moore – Soul Train

Greetings all.

How’s things?

Allow me to welcome you all to a new week here at Funky16Corners.

The tune I bring you today has something of a saga attached to it, at least in reference to the quest to acquire it.

Way back in the day, one of the comps that was instrumental in pointing me in the direction of New Orleans was an import collection on the Charly label that included two songs that would become longtime favorites, Diamond Joe’s ‘Gossip Gossip’ and Curley Moore’s ‘Don’t Pity Me’.

When I started down the long, dusty road of digging for original New Orleans 45s, I happened upon a copy of ‘Gossip Gossip’ fairly quickly, mainly because it is a record of undeniable greatness that also happens to be, how the kids say, ‘slept on’.

However, lo these many years later, Curley Moore’s ‘Don’t Pity Me’ still eludes me, in fact holding the position of the only 45 on the Sansu label that I do not own (and probably never will unless I get astoundingly lucky and find it out in the field). The few times it has shown up in the last few years it has sold for several hundred dollars, once for over a thousand! It’s one of those 45s that has dual appeal, with one side slightly funky and the other Northern-ish, so that it is not only rare, but coveted by two very eager constituencies.

That of course is neither here nor there, but to get closer to somewhere, I should also mention that the first time I heard ‘Soul Train’, it was not by Curley Moore, but rather by another New Orleans group by the name of Bobby and the Heavyweights (you can hear their cover in Funky16Corners Radio v.24).

Their version was included on the stellar Soul Jazz ‘Saturday Night Fish Fry’ comp (which is where I first heard it). Bobby and the Heavyweights slightly faster take on the song was released in 1967, first (locally) on the Mor-Soul label and then nationally on Atlantic (I’ve managed to find both).

It was only a few years later that I discovered that Curley Moore had done it first in 1965, at which point I set out to get myself a copy.

Here’s where we take a turn down Easier Said Than Done Street.

While Moore’s version of ‘Soul Train’ was released on two different New Orleans labels, first on Hot Line and then on Nola, it is fairly hard to find, especially in good condition. My first copy (on Nola) was exceedingly over-graded (@!!?%$) and not suitable for either home listening or posting here on the blog.

It was a few more years before I finally got myself a decent copy (on the groovy, if incredibly faded Hot Line label), which you see and hear before you today.

Curley Moore was the owner of one of my favorite soul voices to come out of the Crescent City, a little bit thin, kind of high pitched, but possessed of a tremendous amount of soul.

He recorded a 45 for Nola, three more for Sansu, at least one for Teem (which I’ve never heard), one for Scram and the excellent (drum heavy) ‘Sophisticated Sissy’ for Instant. He was also the voice heard at the beginning of Eddie Bo’s (billed as Curley Moore and the Kool Ones) House of the Fox 45 ‘Shelly’s Rubber Band’.

His version of ‘Soul Train’ is a positively sublime bit of soul with the tiniest pop edge to it. Arranged and produced by the mighty Wardell Quezerge, the instrumental backing is fairly spare, with piano, bass and very understated drums, with a subtly arranged horn chart that bubbles under, breaking in periodically for emphasis.

The record was pressed at least three times (I’ve seen two Hot Line variations and the one on Nola), so I’m guessing that it must have had some local success, but as my man Dan Phillips at the Home of the Groove notes, the record has a kind of odd, underlying sadness to it which makes it so special, but might have kept it a connoisseurs choice, falling short of chart success.

It was definitely worth the years it took to track it down, and I hope you like it too.

See you on Wednesday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (0)

By Larry, October 20, 2011 11:43 am

Freddy King

Listen/Download – Freddy King – San-Ho-Zay

Greetings all.

The end of yet another week has arrived which means it’s time for me to remind you all that the Funky16Corners Radio Show will be back pulsing through the airwaves of the interwebs this Friday night at 9PM on Viva Radio with the finest in funk, soul, jazz and rare groove all engineered to keep your ears wiggling and your feet sliding across the floor. If you can’t make the soiree, fall by this very blog on Saturday to pick up the show in easy to use MP3 form to be listened to at your leisure.

I come to you today to tell you that Freddy King was a mighty man.

Nine feet tall, hands like country hams, feet like canal boats and a high, shiny conk that outshone the sun whenever he picked up his tiny guitar.

Of course none of that is true, but were this a just world Freddy King would stand astride the world of the guitar the same way Paul Bunyan towered over any run of the mill forest.

He was a master of the guitar, but not in any of the teenage wet dream virtuoso way of so many of those he influenced.

Freddy King made it look easy.

I have to thank my buddy the Bluesman, who lo these many years ago hit me up with a handful of cassettes (remember those?) of cats like Slim Harpo, Albert King and of course Freddy, all of which helped me lock into the blues, at least enough so that I could proceed on my own.

The thing I remember most, especially with Freddy and Albert (no relation) is how much of the UK rock ‘masters’ I realized had appropriated their sounds and styles. Had either of these gents succumbed to a childhood illness old Slowhand would still be mopping up a chip shop somewhere instead of rolling around naked in piles of hundred pound notes.

That said, I don’t dig out my Bluesbreakers albums much these days, but I do find myself dialing up Freddy King on the old iPod, digging the way the power of his guitar solos rise up and transcend the pops and crackles of the 45s they were recorded from.

As I mentioned a few weeks back, I pick up JBs 45s wherever I find them, and the same goes for Freddy King. While some of his rarer discs have evaded me, I have all the bigguns, and they don’t get any bigger than the mighty ‘San-Ho-Zay’.

He laid down today’s selection for the good folks at Federal in Nineteen and Sixty One, and though he barely hit the pop charts, ‘San-Ho-Zay’ was a Top 5 R&B hit. It wasn’t his biggest (the influential ‘Hideaway’ would hit Top 5 R&B and Top 40 Pop that same year) but it’s among his boldest, led by his axe in a way that guitar instros just don’t seem to be capable of anymore.

Interestingly, ‘San-Ho-Zay’ might also ring a bell because it was, how do they say, borrowed from a couple of New Orleans cats (see Dan Phillips great article on the history of the tune at the mighty Home of the Groove blog).

It’s a killer record and a great start to the weekend.

I hope you dig it,and I’ll be back on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (1)

By Larry, October 6, 2011 2:19 pm

Old school O’Jays!

Listen/Download – The O’Jays – Now That I Found You

Greetings all.

Welcome to the end of yet another week.

Please make a note in your datebook that this Friday – as all others – sees the return of the Funky16Corners Radio Show on Viva Radio. We take to the air at 9PM on the East Coast (and in ensuing time zones) and can also be found in MP3 form here at the blog over the weekend.

It’s not often that I can say that I’m pleasantly surprised by anything I see on TV, but this was definitely the case when I happened upon the series ‘Unsung’ on TVOne.

Devoted to a wide variety of 60s, 70s and 80s era soul and R&B performers, ‘Unsung’ is composed of hour long documentary style features, many on artists I know only in passing. The first episode I saw was about Roger Troutman and Zapp (stay tuned for more on them) and after that I started watching the listings for episodes that interested me.

One of the better known groups they featured was the O’Jays.

Though the group’s 1970s hits were a big part of my AM radio consciousness as a kid, it was only as an adult soul collector that I had any inkling of their early, pre-Gamble/Huff work.

The first such record I encountered was their 1965 R&B Top 40 hit cover of Benny Spellman’s ‘Lipstick Traces (On a Cigarette)’. I had tuned into their Unsung episode in the hopes that it would include a vintage clip of the group performing this song and I was not disappointed.

Since I scored that 45, I have always been on the lookout for their Imperial and Bell label recordings, which included today’s selection, ‘Now That I’ve Found You’.

Released in 1968, and one of the few 45s the group recorded for Bell that didn’t chart at all (three of their records for the label made it into the R&B Top 40 as well as the Pop Top 100), ‘Now That I’ve Found You’ is a fantastic bit of sweet harmony soul.

It features lead vocals by both Walter Williams (who co-wrote the song) and Eddie Levert, and the arrangement by Richard Tee is outstanding. The way it alternates between a basic rhythm section (dig the great guitar work) and the addition of strings and horns is great, and the O’Jay’s harmonies are wonderful.

During their tenure with the label the O’Jays released five singles, with one other (of similar, mid-60s vintage) being released in 1973 to capitalize on their success with Philadelphia International.

I hope you dig the tune, and I’ll be back on Monday with something groovy.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (2)

By Larry, October 4, 2011 2:10 pm

The one, the only, Jackie Wilson!

Listen/Download – Jackie Wilson – Soul Galore

Greetings all.

I hope all is well in your corner of the soulful universe.

As mentioned on Monday, the fam and I had ourselves a nice little vacation down in Washington, and while I did no digging whatsoever, I was lucky enough to have a buddy in the area who had done some for me, picking me up a nice stack of records (some at my specific request) which he was kind enough to pass along while we were visiting.

I got some of it digimatized already, and it will surely appear in this space, as well as on the Funky16Corners Radio Show in the near future.

That – in addition to the stuff that finds its way into the crates via the mailslot – makes for a grip of excellent material now aging in the ‘to-be-blogged’ folder, so stay tuned.

The tune I bring you today is another great example of how I sometimes need to grab my ears and aim them away from the more obscure things in my orbit and concentrate on the bedrock (as it were).

Jackie Wilson is one of the most important soul/R&B artists of the 60s, and while I have a fair amount of his 45s and LPs, I cannot honestly say that I’ve made a serious study of his oeuvre. This is certainly true of many big-name/big-talent, marquee artists of the classic soul era, but I feel especially bad about my neglect in this case, since so many people whose opinions I respect hold Jackie in such high esteem.

One such person, a good friend in records and otherwise is my man Tarik Thornton.

He was up in the hinterlands of Minnesota a while back sitting in with the Hot Pants crew, and I was listening in to his radio set remotely when I heard the tune I bring you today for the first time.

My ears are seasoned enough that I recognized Jackie Wilson’s voice instantly, yet it was immediately obvious that I had never heard the song – ‘Soul Galore’ – before.

I set out to find myself a copy post haste.

Though the tune was first issued in the US by Brunswick in 1966, my copy is a late 60s (1969?) issue from the UK, where it was pressed as a kind of ‘double A-side’ with ‘I Get the Sweetest Feeling’, where both cuts were big with the English soulies.

Where ‘I Get the Sweetest Feeling’ is one of the finest examples of stylish, finely honed Northern Soul (and a melodic masterpiece as well), ‘Soul Galore’ is a storming, dance floor explosion with a relentless drum beat and a powerful horn section, both of which just happen to pale in comparison to Wilson’s vocal.

What is particularly perplexing is the fact that ‘Soul Galore’ does not appear to have charted in either the US or the UK, which might explain why it escaped my notice for so long.

That said, it is without any shadow of a doubt and ass-kicker of the first order.

I hope you dig it and I’ll see you all on Friday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (4)

By Larry, October 2, 2011 1:58 pm

An early incarnation of the mighty JBs

Listen/Download – The JBs – Damn Right I Am Somebody Pt1
Listen/Download – The JBs – Damn Right I Am Somebody Pt2

Greetings all.

Having just returned from a little end-of-summer/beginning-of-fall sojourn to our nation’s capital, I am exhaust-o-mified.

I remember back in the day where I wouldn’t think twice about packing 10 hours travel time into a long weekend. What better time to jam on some mix tapes and chill behind the wheel?

In two decades I’ve gone from that to becoming a mirror image of my (and anyone else’s) father, fielding inquiries from the back seat, struggling to keep my eyes on the road, my hands on the wheel and my brain in one piece. It’s a whole different proposition when you assume leadership of the family caravan.

That said, a good time was had by all, with the sightseeing, and the museums and the wealth of groovy ethnic cuisine available in and around DC.

The tune I bring you today is a prime bit of mid-period (1974) J.B.s.

I don’t know about you guys, but I have a tendency to pick up J.B.s 45s wherever I find them, which explains why I have doubles of several of them.

I mean, why on earth, when given the opportunity to take home a solid serving of funky grooves by one of the tightest bands that ever was, would you refrain from doing so?

This is not to say that I prefer the work of the J.B.s minus the vocalizations of the mighty man for whom they were named, but rather that sometimes an instrumental will hit the spot where a vocal might just get in the way (aside from the fact that Mr Brown is all over these records anyhoo).

Today’s selection, ‘Damn Right I Am Somebody Pts 1&2’ was the title track on the album of the same name, billed as Fred Wesley and the J.B.s, since every once in a while you have to give props to the man burning up the trombone.

Not only is ‘Damn Right…’ one of the tightest grooves ever laid down by this storied ensemble, but it carries in it just a taste of jazz, as well as one of the finest horn charts to grace a JBs record, as well as a tasty percussion breakdown in part 2.

We’ve discussed the clockwork wonders of the James Brown style in this space before, but it bears mentioning yet again. Take yourself a minute and slap on the headphones and listen to the way the warp and weft of the JBs intersect without ever colliding. The lead guitar shoots around the bass, which itself winds around the horns and the rhythm guitar and the drums, providing a deceptively simple base for the soloists (mainly Fred and Maceo) to do their thing.

It is indeed a wonder to behold.

God bless the JBs and all who sailed with them.

See you on Wednesday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (6)

By Larry, September 27, 2011 10:10 am

The Originator: Babatunde Olatunji

Carlos Santana, wailing at Woodstock

Candido Camero on the congas…

Listen/Download – Michael Olatunji – Gin-Go-Lo-Ba

Listen/Download – Santana – Jin-Go-Lo-Bah (Jingo)

Listen/Download – Candido – Jingo

Greetings all.

I have something very special indeed for your ears this fine day.

Early last year I ran a series of posts under the ‘Disco/Not Disco’ banner celebrating the sounds played by pioneering DJ David Mancuso at his legendary Loft parties in NYC in the early 70s.

Mancuso had become something of an idol/guiding force for me, in so far as I have tried to emulate his DJing ethos as it were during my own sets.

He was a trailblazing record wrangler because he always kept one specific thing in mind, that being the dance and played anything that kept things moving. His Loft sets were filled with unusual sounds, including in his sets music from the worlds of rock, soul, funk, world music and anywhere else he could find the groove.

The Loft predated and strongly influenced the ‘disco’ scene and Mancuso’s eclecticism was carried out into the clubs by the other DJs that attended and had their minds blown at his parties.

One of the records that was a cornerstone of his sets, and has on its own a very interesting history, was a cut by the name of ‘Gin-Go-Lo-Ba’ by Michael ‘Babatunde’ Olatunji.

Olatunji was a Nigerian drummer and educator who emigrated to the United States as a student to attend Morehouse College.

He eventually moved to New York City to attend NYU where he put together his own percussion group and drew the attention of two especially influential figures, the mighty John Coltrane and record impresario John Hammond.

Olatunji recorded the LP ‘Drums of Passion’ in 1960, which included the track ‘Gin-Go-Lo-Bah’*, as well as the less influential (but also important) ‘Akiwawa’.

I first heard of Olatunji back in 1990 when I read Mickey Hart’s remarkable book ‘Drumming at the Edge of Magic: A Journey into the Spirit of Percussion’** which led me to Olatunji’s 1988 recording ‘Drums of Passion: The Invocation’. It was many years later when I first read about David Mancuso that I made the Loft connection.

Mancuso would make the Olatunji version of the song a cornerstone of his Loft sets for obvious reasons. It has a driving rhythmic force and the accompanying chanting that would no doubt grab and shake any mass of dancers, and would also mix well with any number of more ‘conventional’ dance records.

It was at the end of the 1960s that Carlos Santana and his band would adapt and record the tune under the title ‘Jingo’ (which is the version that most people have heard). I’m including that version (the 45 edit at least) here for reference, and because it kicks all kinds of ass. Interestingly, the Santana 45 uses an approximation of the Olatunji title, though the album (and subsequent 45 releases) truncates it to ‘Jingo’. It’s amazing to listen to how a pack of electrified (in all senses), racially integrated hippies get deep inside the rhythm and blow it up.

A full decade after the Santana recording, the song would be resurrected yet again by another fixture of Mancuso’s Loft sets, Cuban conguero Candido (born Candido Camero), also under the title ‘Jingo’.

Candido’s version of the song takes the African percussion and chant of the original and recasts it inside an electric/disco setting and despite the fact that the edges may have been smoothed a little, the cut loses none of its propulsive power. Even after almost two decades, the song was still dance floor gold.

The mix here is the 45 edit, which clocks in at only 3:17. I wish I had a copy of the 12”, which goes for almost six more minutes.

‘Jingo’ was later redone for the dancefloors yet again in 1987 by Jellybean.

Babatunde Olatunji passed away in 2003 after a lifetime of teaching, social activism, and above all, drumming.

I hope you dig the tune (and maybe dance a little) , and the drums and I’ll be back on Friday.

Peace

Larry

*Oddly, the catalog number of the Olatunji 45 suggests that it was released sometime in 1967, long after the LP released but before the Santana cover

** If you have any interest at all in the power of drums and rhythm and the way they can propel human consciousness through the dance ritual I recommend Hart’s book highly.

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (2)

By Larry, September 22, 2011 11:20 am

The Platters

Listen/Download – The Platters – Shing-a-Ling-a-Loo

Greetings all.

The weekend is almost here, and I don’t know about you, but I am in a groovy place (geographic and spiritual).

I should remind you that the Funky16Corners Radio Show takes to the airwaves of the interwebs this (and every) Friday night at 9PM on Viva Radio. You can also pick it up as an MP3 right here at the blog over the weekend.

Like soulful records by blues cats, I’ve always had a special place in my heart for classic-era soul by R&B performers that you would normally file in an earlier era.

I’ve posted sides before by groups like the Rivingtons, Flamingos, and Little Anthony and the Imperials, and a few times previous, by today’s performers, the Platters.

One of the great hitmaking vocal groups of the doowop era, the Platters had their last big hit in 1960.

Their producer/songwriter Buck Ram carried the group on into the mid-60s, where, reconstituted (Herb Reed being the only original Platter) they recorded a couple of (excellent) albums and some 45s for the Musicor label between 1965 and 1971.

It was during this period that they waxed some brilliant Northern Soul floor fillers like ‘With This Ring’, ‘Sweet Sweet Loving’, ‘Washed Ashore (On a Lonely Island In the Sea)’ and ‘Get a Hold of Yourself’.

Today’s selection ‘Shing-a-Ling-a-Loo’’ was included on the group’s 1967 LP ‘Going Back to Detroit’. It is by no means a dense arrangement, basically a rhythm section augmented by saxophone, with the group’s vocals providing most of the rhythmic punch.

I always find it surprising that a group with this much name recognition, and material this strong was unable to make much of a dent on the charts (‘With This Ring’ was their only Top 40 hit during this time), but then I remember that it was 1966 and 1967, the charts were densely packed with quality, and lots of performers found themselves making brilliant (and unjustly ignored) records.

That said, this stuff isn’t very expensive or hard to find, so get yourself some and whip it on your pals at your next soiree.

I hope you dig it and I’ll be back on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (1)

By Larry, September 20, 2011 12:10 pm

T-Bone Walker

Listen/Download – T-Bone Walker – She’s a Hit

Greetings all.

Here we all are, burrowed deep inside the week, so far in fact that we can neither turn around nor be entirely sure we’ll find our way out.

What better time for some gritty Texas blues with soul?

The name T-Bone Walker should be a familiar one, by which I am not suggesting that you do know who he is, but rather that you should, on account of he is justly legendary in the lineage of the electric blues.

Born in 1910 (as Aaron Thibeaux Walker in Linden, TX) he made his first record in 1929 for Columbia, billed as ‘Oak Cliff T-Bone’.

It was in the early 1940s, after spending the previous 15 or so years as a working musician (crossing paths with both Blind Lemon Jefferson and Charlie Christian) , and experimenting with electric guitars that T-Bone returned to wax and, in the words of the great philosophers, blew that shit wide open.

The T-Bone Walker of the 40s and 50s was in many ways the very model of the modern blues guitarist (though his sound was much more sophisticated than that, incorporating R&B and jazz) , that being a singing soloist. Walker wrote and recorded the original of one of the genre’s greatest classics, ‘Stormy Monday’, as well as groundbreaking instrumentals like ‘T-Bone Shuffle’. One of the first great lead guitar soloists, Walker was also a showman supreme, introducing sounds and stage moves that would emerge years later in the repertoire of none other than Chuck Berry, and via osmosis, one James Marshall Hendrix.

That said, by the 1960s, T-Bone was in the very same boat of many of the players of his era that being one full of holes and in immediate danger of sinking into the unforgiving brine of obscurity.

We’ve addressed the issue of blues performers stirring some soul and funk into their cauldrons, and T-Bone Walker was no exception.

By the mid-60s he had intersected with Huey P Meaux, and recorded at least an album’s worth of material, and two singles for the Crazy Cajun’s Jetstream label.

The tune I bring you today, ‘She’s a Hit’ (written by Meaux) was released in 1966 and sees Walker with his feet still planted firmly in the blues, yet managing to soul things up just enough. The song wouldn’t sound out of place coming out of Doug Sahm’s mouth at around the same time, and it manages to give T-Bone a little of the 1966 appeal without tossing out his past like so much moldy bread.

The flip, ‘T-Bone’s Back’ is a much more conventional blues shuffle.

I hope you dig the sounds, and if you have a taste for the blues, and don’t know T-Bone’s classic material, get yourself out and find some, as I can assure you that you will not regret it.

See you on Friday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (2)

By Larry, September 15, 2011 2:09 pm

(Clockwise from the top) Sarah, Patti, Nona & Cindy

Listen/Download – Patti LaBelle and the Bluebelles – Always Something There To Remind Me

Greetings all.

The end of the week is here, and I have dipped into the archive to pull out a supreme bit of soul singing for you all to savor.

But first, I should remind you that the Funky16Corners Radio Show takes to the airwaves of the interwebs this (and every) Friday night at 9PM on Viva Radio. You can also pick it up as an MP3 right here at the blog over the weekend.

It’s been a few years since the mighty voice of Patti LaBelle graced this page.

LaBelle has always been an exceptionally powerful singer, but with the exception of some of the funky LaBelle (group) stuff, it is this writer’s opinion that her superior instrument was never put to better use than the time she and the Bluebelles were recording for Atlantic (1965-1970).

Today’s selection is an epic reading of the Bacharach/David classic, ‘There’s Always Something There To Remind Me’.
Famous in disparate versions, my personal fave was always the original recording by Lou Johnson, but as a fan of the UK Beat era, I always dug Sandie Shaw’s as well.

I think once you’ve heard the LaBelle version (recorded in 1966) all others will fade into the background.

Produced by Bob Finiz and Richie Rome (two names that show up on a lot of Philly records) the cut is a study in dynamics, opening quietly and then literally exploding in the chorus, eventually downshifting (but not quite all the way) in the following verses.

While I think it’s safe to say that nobody (sane) is going to try to dance to this one (I really dig the rhythmic change-up at the ‘Always be a part of me’ section at the end of the chorus), it’s fantastic to listen to.

Finiz and Rome (the arrangement isn’t credited) have built themselves their very own section of the Wall of Sound, except they managed to leave just enough space between the layers (Cake of Sound?) so that individual elements – lead vocal, backing voices, drums, strings, horns – all get to be heard properly.

I hope you dig it, and I’ll be back on Monday.

And don’t forget…

______________________________________________________________________________

Don’t forget that I’ll be spinning some tunes during the annual Point Pleasant Lions Seafood 5K and 1 Mile FUN Run/Walk on this Saturday, September 17th in Pt Pleasant Beach, NJ. The run benefits the JT Foundation for Autism Awareness and runs right before the Seafood Fest (which starts at 10AM). I’ll be spinning all of the funk soul and disco you’d expect, so if you’re in the area, come on down and run, sit and watch people run while listening to music, or get your groove on before hunting down some delicious seafood. It’s a great cause and there’ll be good music, good people and good food, so what else do you need to know?

____________________________________________________________________________________

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (1)

By Larry, September 13, 2011 11:16 am

The mighty Swamp Dogg astride Sparky the Funky Rat

Listen/Download – Swamp Dogg – Sal-A-Faster

Greetings all.

How’s by you?

I’m still not reconciled to the loss of summer, and while we still have a little taste of it to savor here at the shore, it has been an especially brisk week. It’s like Labor Day happened and someone threw a switch somewhere, sucking all the “hot” out of the air.

I don’t know about you guys, but I’m not done sweating yet, so how about something hot and sassy for the middle of the week?

Swamp Dogg is one of those cats who’s name I’ve known forever, but who’s music had evaded me almost completely.

The first time I heard one of his songs it was via a cover version of ‘Total Destruction To Your Mind’ by Eric Ambel of the Del-Lords, which got some airplay on our local alternative station about 20 years ago.

Dogg, who hailed from southern Virginia, recorded for years under his given name, Jerry Williams (and as Little Jerry Williams) for a wide variety of labels through the 60s, including Calla, Loma and Musicor before mutating into Swamp Dogg at the end of the decade.

As Swamp Dogg he recorded for the Canyon label, and wrote songs with another Virginia Tidewater native, Gary US Bonds, for artists like Doris Duke (and Swamp Dogg himself).

Today’s selection, the wild and somewhat incomprehensible ‘Sal-A-Faster’ has a serious New Orleans vibe (with no real connection to the region other than any of the Crescent City zeitgeist that might have taken root in Swamp Dogg’s fevered brain).

The magical substance of the title is recommended for the self, the disobedient wife and the dog that has fits, and the rabbit “that only sits”. Whether ‘sal-a-faster’ is a relation to the contents of a trick bag, or just something that Swamp Dogg pull out of, um, thin air, remains a mystery.

What is not mysterious is the groove of the record, which is, without question, heavy.

I hope you dig it, and I’ll be back on Wednesday.

______________________________________________________________________________

Don’t forget that I’ll be spinning some tunes during the annual Point Pleasant Lions Seafood 5K and 1 Mile FUN Run/Walk on Saturday, September 17th in Pt Pleasant Beach, NJ. The run benefits the JT Foundation for Autism Awareness and runs right before the Seafood Fest (which starts at 10AM). I’ll be spinning all of the funk soul and disco you’d expect, so if you’re in the area, come on down and run, sit and watch people run while listening to music, or get your groove on before hunting down some delicious seafood. It’s a great cause and there’ll be good music, good people and good food, so what else do you need to know?

____________________________________________________________________________________

I hope you dig the tunes, and I’ll see you all on Wednesday

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.