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By Larry, March 2, 2014 1:18 pm

Roger and the Gypsies – Pass the Hatchet Pt1 (Seven B)
Professor Longhair – Big Chief Pt2 (Watch)
Bobby Marchan – Shake Your Tambourine (Cameo/Parkway)
Diamond Joe – Gossip Gossip (Sansu)
Eddie Bo – Hook and Sling Pt1 (Scram)
Lee Dorsey – Four Corners Pt1 (Amy)
Dixie Cups – Two Way Poc A Way (ABC)
Earl King – Street Parade (Kansu)
Meters – Cardova (Josie)
David Batiste and the Gladiators – Funky Soul Pt2 (Instant)
Bobby Williams – Boogaloo Mardi Gras Pt2 (Capitol)
Curly Moore – Sophisticated Cissy (Instant)
Ernie K Doe – Here Come the Girls (Janus)
Larry Darnell – Son of a Son of a Slave (Instant)
Explosions – Hip Drop Pt1 (Gold Cup)
Rubaiyats – Omar Khayyam (Sansu)
Warren Lee – Funky Belly (Wand)
Willie Tee – Sweet Thing (Gatur)
Danny White – Natural Soul Brother (SSS Intl)
Lee Dorsey – Who’s Gonna Help Brother Get Further (Polydor)
Oliver Morgan – Roll Call (Seven B)
Eddie Bo – Can You Handle It (Bo Sound)

Listen/Download -Funky16Corners Presents Boogaloo Mardi Gras! – 85MB Mixed Mp3/192K

Greetings all.

Hey everybody!

Guess who paid attention to the calendar and was prepared for Mardi Gras this year?

That’s right, ME!

As a result I dipped back into the archives and resurrected one of my fave mixes, ‘Funky16Corners: Boogaloo Mardi Gras!’

This one is packed from start to finish with a grip of Crescent city killers, including a number of second line favorites. There is a LOT of heat in this one, and if you are inclined to crack open a brew or two  and get your New Orleans-style party on, this should provide a more than adequate soundtrack.

I hope you dig it, and I’ll see you all on Wednesday.

Keep the Faith

Larry

  _________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, February 13, 2014 12:09 pm

Miss Yvonne Fair

Listen/Download Yvonne Fair – Say Yeah Yeah

Greetings all

The end of the week is upon is, so it is once again time to run the flag up the pole and send out the soul signal to remind you that the Funky16Corners Radio Show will be taking to the airwaves of the interwebs this (and every) Friday night at 9PM on Viva Radio. If you cannot be there at airtime you can always keep up with the show by subscribing to it as a podcast in iTunes.

I thought I’d end the week with a bang.

The 45 you see before you is one that I picked up many (many) years ago, out in the field for a pittance. If memory serves, I wasn’t even able to give it a listen at the time, having to wait until I got home.

When I did, I could scarcely believe my ears.

The record in question, ‘Say Yeah Yeah’ by Yvonne Fair was a funky, ever so slightly lo-fi banger, and if that was as far as things got, then I’d still be a happy boy.

But wait, there’s more…

When I started to dig around a little, I discovered, much to my surprise that ‘Say Yeah Yeah’ was not only a James Brown production, but it was recorded and released in 1963!?!

You read it right, Nineteen Hundred and Sixty Three, the very same year that the Godfather hit with ‘Prisoner of Love’.

Not even James Brown was this funky that early.

The safe assessment is that ‘Say Yeah Yeah’ was an outlier, a freak occurrence if you will.

Yvonne Fair’s vocal wasn’t in and of itself that odd, even though it was admirably heavy and raw.

Where things get crazy is the drums.

KA-BOOM.

Whoever was playing the drums was beating them like they stole his lunch money, and syncopating the bejeebus out of them as well.

Only the slightly old-timey organ, and the smoother, R&B horn section anchor it in 1963 at all.

Fair recorded with the James Brown organization (recording for King, Dade and Smash) until the mid-60s, after which she resurfaces at Motown in 1969.

She would record with Motown (working with Norman Whitfield for a time) through the 70s, having a string of R&B hits in 1974 and 1975.

She passed away in 1994, only 51 years of age.

I hope you dig the tune, and I’ll see you all on Monday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, February 9, 2014 12:17 pm

Billy Lee Riley

Listen/Download Megatons – Shimmy Shimmy Walk Pt1

Greetings all

I thought we’d get the week rolling with something from the pride of Pocahontas, Arkansas, the great Billy Lee Riley.

If you have even a passing knowledge of classic rockabilly, the name Billy Lee Riley ought to be familiar.

Riley laid down legendary sides like ‘Flyin’ Saucers Rock and Roll’ and ‘Red Hot’ for Sun Records, both in 1957.

‘Red Hot’ would be revived in the late 70s by Robert Gordon and Link Wray (which is where I first heard it).

Riley and his band the Little Green Men also did a lot of work backing other artists.

In 1962, Riley and his new band (featuring several of the Little Green Men) went into the studio in Memphis, and as the Megatons recorded the record you see before you, ‘Shimmy Shimmy Walk’.

Initially released on the Dodge label, it was eventually picked up and reissued by Checker, where it made it into the Hot 100 later that year.

If the tune sounds familiar, it is because it is a reworking of the R&B standard ‘You Don’t Love Me’.

Originally recorded under that title in 1960 by Willie Cobbs for Mojo records (his version was basically a reworking of Bo Diddley’s 1955 ‘She’s Fine She’s Mine’), it was a local hit n Memphis and was picked up for national distribution by VeeJay.

The song went on to become a rock/blues standard in the 1960s, being recorded by a wide variety of artists, including the Kaleidoscope, John Mayall’s Blues Breakers, The Al Kooper/Stephen Stills Super Session, Junior Wells and the Allman Brothers Band as well as the legendary 1967 Jamaican version by Dawn Penn.

The Megatons version features rolling guitar, a very nice reverbed harmonica solo and some groovy combo organ.

It was also released in the UK on Sue, where it became popular with the Mod/soul crowd.

I hope you dig it, and I’ll see you all on Wednesday.

Keep the faith

Larry

  ________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, February 2, 2014 11:02 am

Gus Jenkins

Listen/Download Gus Jenkins – Chittlins

Greetings all

A while back I was reading the always excellent Echoes In the Wind blog and I saw that my man Whiteray had posted a very interesting looking song.

As an inveterate soul 45 hound, I am constitutionally unable to pass by a song entitled ‘Chittlins’ for any reason, so I had to stop, unsheathe my ears and have a listen.

Good thing I did, too, on account of the fact that Gus Jenkins’ ‘Chittlins’ is a little slice of late night, smoky, uptown bar perfection.

Jenkins was a pianist/singer who had an earlier hit (as ‘Gus Jinkins’) in 1956 with the tune ‘Tricky’ on the Flash label.

A lo-fi affair, with Gus’s piano dueling with an organ and some groovy guitar, ‘Tricky’ sounds like it could have been recorded at any time between 1945 and when it actually hit the charts.

Jinkins/Jenkins appears to have recorded a handful of 45s for Flash in the late 50s, one for Pioneer International in 1960, and then a few years of radio silence before a couple of discs for Tower in 1964.

‘Chittlins’, which made it into the R&B Top 30 in November of 1964 is the kind of thing you’d expect to hear on the radio during a late night road trip.

The production is much better than his earlier hit, and the piano and the guitar (especially the guitar) sound as if they’d been woven in and out of a skyline full of electric lights and clouds of cigarette smoke.

The flip side – ‘You’ll Be The One’ – is a pretty straight ahead blues vocal with some nice horn backing and a great vocal by Jenkins. Once again, the guitarist is outstanding (I’d love to know who it was).

Jenkins went on to record one more 45 for Tower, and then a couple of sides, including the funky ‘Funk With a Feeling’ for the General Artist imprint (it seems ‘Chittlins’ was either reissued, or rerecorded for General Artists at some point).

So turn down the lights, pour yourself a drink, and give this one a spin or three.

I hope you dig it, and I’ll see you on Wednesday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (2)

By Larry, January 31, 2014 12:10 pm

Listen/Download The Mighty Hannibal – Jerkin’ the Dog (Special Tribute)*

Greetings all

The word came down yesterday that James Shaw, better known as the Mighty Hannibal had passed away at the age of 74.

Hannibal was a master (as well as a charter member of the Turban Hall of Fame!), recording some remarkable soul and funk 45s in a career that lasted – with some detours along the way – more than 50 years.

His 1965 opus ‘Jerkin’ the Dog’ has a secure place in my Top 5 soul 45s of all time.

It is – much like Rex Garvin (eulogized in this space less than a month ago) and the Mighty Cravers ‘I Gotta Go Now (Up On the Floor)’ – a killer diller and a floor filler. A 45 so powerful that it held a place of honor in my play box, where it would be held in reserve for just the right moment, when it would be whipped on the crowd, taking them and leading them to the promised land.

It is far from the only incredible tune that the Mighty one laid down, but it is the one against which all others must be judged.

The record opens with his voice:

And then immediately drops into the hypnotic chank of the rhythm guitar which forces even the most stolid members of the audience to start moving, from their heads to their feet.

Then Hannibal stops things again and asks:

After which everyone in the room that knows what’s good for them (and hasn’t already collapsed) starts stomping, because when the Mighty Hannibal suggests (nay, demands) that you do something on the dance floor you put your drink down (or not) and do it.

There’s an incredible video of Hannibal performing ‘Jerkin’ the Dog’ on ‘The Beat!!!’ that has to be seen to be believed.

There stands Hannibal clad in a white silk tunic, bell bottoms, silver Beatle boots and a gold turban, with two go-go dancers behind him, surrounded by brightly colored giant plywood exclamation points, ampersands and asterisks, calling the shots, doing the jerk, walking the dog and just generally being bad-ass.

There are some crazy video artifacts out there, but this is like a transmission from another galaxy, where Hannibal is just now returning to his throne after dropping a lifetime of cool onto the earth.

The Mighty Hannibal did not have an easy life, and never really got the kind of shine that the creator of such amazing music deserved.

Fortunately, late in his life, thanks to devoted friends, fans and record hounds, he was able to return to the stage where he would bask in the adoration of the faithful once again.

He was a master.

He will be missed.

Rest in peace Mr. Shaw.

Keep the faith

Larry

* The file above includes an unexpected namecheck for the Mighty Hannibal that blew my mind the first time I heard it.

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (2)

By Larry, January 28, 2014 1:44 pm

Booker T and the MGs

Listen/Download Booker T and the MGs – Boot-Leg

Greetings all

Welcome to the middle of the week, in which we endeavor to assist you in your journey over the hump.

The tune I bring you today is an old favorite of mine that I recently pulled from the crates, dropped into my playbox and reappraised, as it were.

I have always dug Booker T and the MGs ‘Boot-Leg’, but it was one of those sides that I never really listened to closely, or at least closely enough that I really ‘got’ it.

The tune, which made it into the R&B Top 10 in 1965, and was one of the 45s in John Lennon’s famed portable jukebox, is classic, down and dirty Stax groove.

Written by Packy Axton (of the Mar-Keys, Packers etc), Duck Dunn, Isaac Hayes and Al Jackson Jr., ‘Boot-Leg’ opens with some remarkably distorted guitar from Steve Cropper which then drops down into a positively booming guitar/bass tandem line. The bass sound is crazy deep.

Al Jackson is – as was the norm – screwed right down into the pocket, and there’s even a groovy sax solo (not sure if it’s Packy or Andrew Love of the Memphis Horns).

It is a particularly tasty Booker T and the MGs side, and worthy of your attention.

I hope you dig it as much as I do, and I’ll see you all on Friday.

Keep the faith

Larry

NOTE: Reading Robert Gordon’s Stax history ‘Respect Yourself’ and discovered that this recording has Isaac Hayes replacing Booker T (who was away at college) on organ, and features the very first appearance by Duck Dunn (replacing Lewie Steinberg) on bass!

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, January 20, 2014 4:29 pm

Martin Luther King

Listen/Download Chris Kenner – Memories of a King (Let Freedom Ring) Pt1

Greetings all

This is an extra special, unscheduled, surprise post, tied in with my chronic inability to be prepared for any special occasion on the calendar.

To be sure, this situation has improved over the years, as I’ve built up a massive store of music, pictures and information that make these things easier.

Unfortunately, my mind is – to borrow a phrase from the autobiography of the great Dave Van Ronk – like the attic of the Smithsonian, and sometimes no matter how special something is, it gets filed, misplaced or forgotten.

I mention this because I finally remembered – at the last possible minute, naturally – to dig out and digimatize the record you see before you today.

Back in 1968, not long after the assassination of Dr. Martin Luther King, Chris Kenner, his hitmaking days long behind him, wrote and waxed a tribute to the great civil rights leader.

Entitled ‘Memories of a King (Let Freedom Ring) Pts 1&2’, it is a departure for Kenner, best known for penning and recording some of the greatest R&B to come out of New Orleans in the 1960s, as well as laying down some of the most obviously inebriated records I’ve ever heard.

That said, ‘Memories of King’ is an earnest and heartfelt, and at times the tiniest bit funky, tribute to Dr. King.

While it’s nothing earth shattering, it is a little known/heard 45, and was the second to last 45 Kenner recorded before he was sent to jail later that year. It was the beginning of a downhill slide that ended in his premature death in 1976.

Give it a listen, and remember the work and life of the mighty Dr. King.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, January 16, 2014 12:08 pm

Miss Tina Britt

Listen/Download Tina Britt – Who Was That

Greetings all

The end of the week is nigh, so I will once again inform you that the Funky16Corners Radio Show takes to the airwaves of the interwebs this and every Friday night at 9PM on Viva Radio. If you have a previous engagement, you can always keep up with the show by subscribing to it as a podcast in iTunes, or by grabbing and MP3 here at the blog.

The song I bring you today is the second and last hit that Tina Britt placed in the R&B charts.

Though she was fairly well-recorded – a half dozen 45s and an LP – there isn’t much information out there on Miss Tina.

I first found my way to her mighty voice via her powerful 1969 cover of Don Covay’s ‘Sookie Sookie’, a funky classic.

Britt, who first hit the charts with the Ashford/Simpson/Jo Armstead penned ‘The Real Thing’ in 1965 (also recorded by the Chiffons and Betty Everett), seems to have hailed from Florida. Her singing had a bluesy edge to it, displayed to fine effect on ‘Who Was That’.

An R&B Top 40 hit in November of 1968, is a funky blues, with some tasty guitar (perhaps composer James Peterson?) and a punchy drum/bass sound.

There’s an interview with Britt where she mentions that she really considered herself a blues singer, she didn’t like ‘The Real Thing’, and that Juggy Murray wasn’t forthcoming with the royalties for her hits.

Though I’m not sure when the interview was from, Britt mentions recording some new music, so be on the lookout for that.

I hope you dig the track, and I’ll see you all on Monday.

Keep the faith

Larry

  _______________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, January 12, 2014 11:20 am

The Contours

Listen/Download The Contours – First I Look at the Purse

Listen/Download The J Geils Band – First I Look at the Purse

Greetings all

I hope the new week finds you all well.

The tune I bring you today is one of those soul tunes I knew and loved years before I started collecting 45s.

My record collecting/listening past is filled with a variety of landmarks, some which make complete sense (i.e. the shortest distance from point a to point b) and some a little bit more circuitous.

Back when I was a longhaired teenager who wanted little more out of life than to bash on my drums, listen to music and sleep (not necessarily in that order) I found myself – as was often the case – browsing the cut-out bins at the local Music Den.

Music Den was that fossil of a bygone age, a chain record store which could be found in various guises (depending on your region) in malls all over the country.

Aside from the local flea market, that was pretty much the only place I had to go to buy music, which was then records and cassettes.

Though I can’t be 100% positive, I suspect that I had little or no folding money on my person, but I was no doubt determined to bring some new music home with me.

What I found that day was one of a series of WEA cassette twofers. The massive, multi-label conglomerate was reissuing albums, two per tape, in budget cardboard slipcases (no fancy shmancy plastic cases here) by a variety of artists in their vast catalog.

If memory serves, over the course of a year I picked up more than a few of these, at least one by Joni Mitchell, and the second (the pertinent one for today’s post) by the J. Geils Band.

Those of you that weren’t there in the 70s may not think much of the Geils band as more than a relic of the album rock age, but those that know (especially as the band’s early years are concerned) will tell you that they were once something heavier indeed.

I’m not completely certain what the second album on that cassette was (though I think it might have been ‘Monkey Island’) but it was the first side of the tape that cracked open my ears a little bit wider.

The band’s self-titled debut – from 1970 – was a surprise indeed.

It sounded nothing like the stuff I’d heard by the band on the radio, sounding more like a fired up version of Chicago blues than anything.

The greasier, 1970 edition of the J. Geils Band

That album not only introduced me to a hotter side of the J. Geils Band, but also to Otis Rush (‘Homework’), John Lee Hooker (‘Serves You Right To Suffer’) Albert Collins (‘Sno Cone’) and most importantly, the Contours (I would learn later that lead singer Peter Wolf was an inveterate record collector and probably had a lot to do with the variety of sounds covered by the group).

It was the Geils Band cover of ‘First I Look At the Purse’ – which I wouldn’t have recognized as a cover if I hadn’t seen Smokey Robinson’s name on it – that really grabbed me.

The song had a solid groove, and the lyrics were hilarious.

In retrospect the J. Geils Band must have been quite a breath of fresh air in the hippified scene of 1970.

Flash forward about ten years, and I finally got to hear the original by the Contours and I dug it even more.

Though they are best known for their 1962 classic ‘Do You Love Me’, the Contours are for me (much like the Velvelettes) a Motown group that should have (and probably would have, given the opportunity) been much bigger.

The Contours original (it just missed the R&B Top 10 in the summer of 1965) is a fast moving (much faster than the Geils cover), soul-clapping killer, with the rhythm guitar and piano pounding in tandem and the drums (listen to the kick drum hits) punching through the mix.

The Contours would make it into the R&B Top 40 eight times between 1962 and 1967.

The J. Geils Band would end up in much poppier (and more successful) place than they started, with 80s hits like ‘Centerfold’.

It was a long way from Otis Rush, but sometimes that’s just how it is.

I hope you dig the track. And I’ll see you on Wednesday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (4)

By Larry, January 8, 2014 12:42 pm

Funky16Corners Set, Friars Club 01/07/14
Sam and Dave – May I Baby (Stax)
Astors – Candy (Stax)
Booker T and the MGs – Boot-Leg (Stax)
Homer Banks – 60 Minutes of Your Love (Minit)
The Packers – Soul Time, Part1 (Tangerine)
Timmy Thomas – Whole Lotta Shaking Going On (Goldwax)
Willie Mitchell – That Driving Beat (Hi)
Ike and Tina Turner – Good Bye, So Long (Modern)
Ray Charles – I Don’t Need No Doctor (ABC/Paramount)
Tommy Tucker – Long Tall Shorty (Checker)
Jimmy Robins – I Can’t Please You (Jerhart)
Jimmy Hughes – Neighbor Neighbor (Fame)
Rodge Martin – Lovin’ Machine (Bragg)
Mickey Murray – Shout Bamalama (SSS Intl)
Sugar Pie DeSanto – Go Go Power (Checker)
Johnny Otis – Keep the Faith Pt1 (Eldo)
The Megatons – Shimmy Shimmy Walk Pt1 (Dodge)
Rex Garvin and the Mighty Cravers – I Gotta Go Now (Up On the Floor Now) (Like)

Listen/Download Funky16Corners Set: Friars Club NYC 01/07/14 78MB/256K Mixed MP3

Greetings all

I come to you today, completely exhausted but very happy.

Last night I had the very great pleasure of taking part in an evening honoring the mighty Memphis soul legend David Porter.

Organized by Keenan Popwell as part of the ongoing ‘Take My Tuesdays, Please’ series at the Friars Club in New York City, the Conversation with David Porter was a stellar evening indeed.

ESSC’s W.Lee Interviews the mighty David Porter

Popwell himself got things rolling on the turntables, followed by an hour long interview – conducted by Empire State Soul Club legend W. Lee – and then an audience Q&A session.

Keenan Popwell manning the decks

Following the discussion (during which I happened to be seated next to TV’s Paul Shaffer!), yours truly and the mighty Connie T Empress laid down a couple of hours of solid soul that had some of the New York area’s heaviest music heads shaking it on the dance floor.

Yours Truly, relaxing between selections…

Connie T Empress making with the wax!

The assembled multitudes and the ceremonial “cutting of the rug”!

Earlier in the evening the DJs had the opportunity to dine with Mr Porter and his family and friends in the Friars dining room.

It would be an understatement indeed to say that David Porter is the personification of the old sobriquet “gentleman and a scholar”.

He was warm, engaging and more than willing to entertain our collective music hound questions, sharing stories about his songs, colleagues like Isaac Hayes and Otis Redding (he considered both musical geniuses with a remarkable talent for “head arrangements”), Al Jackson Jr. (and his ability to find “the pocket”), the Stax studio and his most recent project, the music education charity, The Consortium MMT.

It was an honor to shake the hand of the man who co-wrote some of the greatest soul songs of all time, a privilege to ask him about the creation of some of them and a bonus to discover how humble and genuine a man he is.

I started my set on the mellower side with a couple of songwriting and production (in the case of Homer Banks, both) credits from Mr. Porter’s catalog, but quickly threw a little grease on the fire with some other Memphis faves and a grab bag of Southern soul and R&B faves from my record box*.

Despite the fact that there was record-breaking cold outside, it was a spectacular evening that few that were present will ever forget.

I hope you dig the sounds, and I’ll see you all on Friday.

Keep the faith

Larry

*The mixer was misbehaving periodically, causing some drop-out in one channel,so I mixed my set down to mono

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (2)

By Larry, January 5, 2014 11:14 am

Rex Garvin

Listen/Download Rex Garvin and the Mighty Cravers – I Gotta Go Now (Up On the Floor)

Greetings all

I hate to get the week started on a sad note, but hang tight and I promise that I’ll bring things around at the end.

I was chilling the other night, scrolling through Facebook when I spotted a post by my man Agent45, noting that the mighty Rex Garvin had died.

If you have been following my comings and goings (ranting and raving) here over the years you will already know that I hold the music of Rex Garvin (and his Mighty Cravers) in the highest possible esteem, especially the sounds of one very special record.

As I sit here tapping away at the keyboard in the middle of my record room I am surrounded by many thousands of records, tens of thousands of songs, and I love many of those songs deeply, but there are a select few that are genuinely important to me.

Some of these are Rosetta Stones of a sort in that they unlocked doors for me, whether in a purely sonic sense, or providing a gateway into a particular artist or style.

Others are important in that they represent that rare, perfect intersection of composition, production and above all performance.

I have posited here in the past that the best records (in any genre) contain a certain magic, and that a DJ, with the proper amount of taste and practice understands how to release that power properly, mixing the right records together in such a way as to lift the feeling in a room. You release the joy, energy and rhythmic drive in a record and if things are just right and the people are feeling it you achieve, whether for a minute, or an hour, a kind of ecstasy.

There is joy in music, amplified by movement (not just dance) that is ancient and essential and resides in the spirit of every man, woman and child and one of the great tragedies is that we do not release ourselves into that state and partake in its elevating, restorative nature often enough.

When I pack my record box for a particular night, I select things according to the proscribed style and tempo (usually varying), sometimes adding in a “wild card” or two that can be inserted into the mix should the opportunity arise.

What I also include nestled securely in the deep end of the box, usually handled with protective equipment, are the killers.

These are the records that carry in their grooves that exceptional, often explosive power on which an entire set can pivot into another dimension.

A record like this must be used sparingly and with the utmost care.

Spun in the wrong place, at the wrong time – when the audience isn’t ready – its energy can be wasted, but released properly it can do remarkable things.

‘I Gotta Go Now (Up On the Floor)’ by Rex Garvin and the Mighty Cravers is one such record.

It needs to be stated at this point that Rex and the Cravers were no one-shot wonders. Their 1960s recordings for a variety of labels (Epic, Okeh, Like, Atlantic, Tower) are packed with winners like ‘Emulsified’, ‘Sock It To Em JB’, ‘Queen of the Go Go’ and ‘Raw Funky’, but ‘I Gotta Go Now (Up On the Floor)’ is in a class by itself.

Released in 1967, ‘I Gotta Go Now (Up On the Floor)’ did not – as far as I can tell – chart anywhere, at any level, which, once you listen to the record, seems inexplicable.

Co-written by Garvin, saxophonist Clayton Dunn and drummer Pete Holman, it has an unrelenting tempo, pushed forward by the drums, bass and rhythm guitar, along with the occasional soul clapping and the wailing of a combo organ in the background.

Where the record really takes off, though, is in the vocal performance by Rex Garvin.

The influence of gospel music on soul is incalculable, but it isn’t always this obvious.

Here, Rex Garvin and the Mighty Cravers have taked the sound of the amen corner, packed it with TNT and sent it over a cliff.

Garvin isn’t merely singing, he’s preaching the gospel of soul, in a song that is quite literally about being carried away by the power of music.

He’s telling you that through the music he is compelled to launch himself out onto the dance floor, feeling the music in his soul, rising from his seat, clapping his hands as hard as he can. He is filled with the spirit (holy or otherwise) and he has to move.

Listen to this record and imagine everyone in choir robes, bouncing the call and response back and forth between Rex and the band.

I GOTTA GO NOW!

(GO AHEAD!)

OUT ON THE FLOOR NOW!

(GO AHEAD!)

SAID I GOTTA GO NOW!

(GO AHEAD!)

OUT ON THE FLOOR NOW!

HIT IT!

(HIT IT!)

DON’T QUIT IT!

This is the ecstatic religious experience secularized (or not, depending on what music means to you) and moved out into the club.

If this record doesn’t send shivers up and down your spine and out into your limbs I don’t know what to tell you.

This is the kind of record that soul music is all about, and the kind of record that moves me to the bottom of my soul.

It is that powerful, and in the 20 or so years since I first heard it, over countless listens has never lost an iota of its power for me.

No matter how many times I listen to it, or pull it from my box and place it on the slipmat in a club, it is always as amazing as the last.

Oddly enough, after almost 30 years, Rex Garvin put music behind him, calling it quits in 1985.

He eventually settled in Atlanta, where he passed away early in December at the age of 72.

I’ll be DJing this week, and I can assure you that I will have this record in my box, and I will spin in in the memory of the mighty Rex Garvin.

I’ll see you on Wednesday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, December 29, 2013 12:07 pm

The Knockouts, Bob D’Andrea at right (hugging gorilla…)

Listen/Download The Knockouts – Mo Jo (Got My Mo Jo Working) Pt1

Listen/Download The Knockouts – Mo Jo (Got My Mo Jo Working) Pt2

Greetings all

Every once in a while I find myself entranced by a record that despite coming from an artist/scene outside of the ‘traditional’ soul/funk orbit.

There are countless examples of performers taking a temporary detour down soul street. Granted, most of these folks were on some sort of parallel course, whether it be R&B, jazz, or even (in this particular case) doowop, but the records in question are often extraordinary.

As far as I can tell Bob D’Andrea and the Knockouts started out like many other Italian harmony groups in the New York area, working a ballad-heavy twist on late 50s/early 60s doowop.

There are traces of Dion and the Belmonts, but their ballad performances are not my cup of tea.

However, there are a few items in their discography (roughly 1959-1965) that suggest that the group had a taste for wilder stuff.

Their 1961 b-side ‘You Can Take My Girl’ is a much more raucous affair, with touches of actual R&B making their way into the mix, but even then, it barely prepares you for today’s selection.

Released in 1964, ‘Mo Jo (Got My Mo Jo Working)’ sounds like Joey Dee and the Starliters got their hands on some slightly poisonous hooch and went right out of their minds.

The arrangement runs at roughly 100 miles an hour, pushed along by bass, drums, handclaps and a churning combo organ, with a wild vocal by D’Andrea.

What little information I’ve been able to find on the group suggests that they were first and foremost a live band, working it out in the clubs along the Jersey Shore.

‘Mo Jo (Got My Mo Jo Working)’ sounds like 100 sweaty nights of whipping drunken revelers into a frenzy compressed into roughly five minutes (both sides, natch) of madness.

Someone in this band had a taste for the (musical) hard stuff and it comes through on this record.

I’ve done the math a hundred times, and no matter how I run the numbers, there’s no sane reason that this record should be as good as it is, but it is.

The Knockouts made an LP called ‘Go Ape With the Knockouts’ that included both sides of this 45 as well as a serviceable version of ‘I Got a Woman’.

Lead singer Bob D’Andrea still performs today in Atlantic City as part of the music/comedy duo of Andre and Cirell.

I hope you dig the sounds, and I’ll see you all on Wednesday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.