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By Larry, February 24, 2013 2:55 pm

Funky16Corners Presents: No Bad Trip – Black Wah-Wah 1969-1974

Magictones – Good Old Music (Westbound)
Doug Anderson – Hey Mama Here Comes the Preacher (Janus)
Earth Wind and Fire – Bad Tune (WB)
Bloodstone – Bo Diddley (London)
Bo Diddley – Pollution (Chess)
Jake Wade and the Soul Searchers – Searching for Soul Pt2 (Mutt)
Nat Turner Rebellion – Plastic People (DelValiant)
Fantastic Epics – Fun and Funk Pts 1&2 (Tories)
Jackson 5 – I’ll Bet You (Motown)
Eddie Bo and the Soul Finders – The Rubber Band Pt1 (Knight)
Young-Holt Unlimited – The Devil Made Me Do Dat (Cotillion)
Joe Simon Band – Oon-Guela Pt2 (SS7)
Jimmie Preacher Ellis – I Gotta See My Baby (Round)
The Eight Minutes – Here’s Some Dances (Jay Pee)
Fugi – Mary Don’t Take Me On No Bad Trip Pts1&2 (Cadet)
E. Rodney Jones, Larry and the Hippies Band – Right On Right On (Sex machine) (Westbound)
Brothers of Hope – Nickol Nickol (Gamble)

Listen/Download -Funky16Corners Presents No Bad Trip – 109MB Mixed Mp3/256K

Greetings all.

The mix you see before you is another one of those jams that I previewed on Mixcloud for a while before whipping it on you here at the Corners.

Though you may recognize a couple of the tracks as things you’ve seen here in the past, No Bad Trip is one of those things that was bouncing around in my head for a good long time, taking form gradually,adding tracks here and there as I remembered something groovy that fit just right. It was revised and reworked a few times until I thought I had happened upon the perfect admixture.

The overall feel – as it were – is one of the time after psychedelia and all of its practical trappings – wah wah pedals, echoplex and freak flags of all varieties hoisted high – began to make their way into black music.

Though there were other people of color getting heavy at the time, much of this can be traced directly to the dayglo doorstep of Jimi Hendrix – with the Experience and Band of Gypsys – as well as Sly Stone,  Funkadelic, Norman Whitfield and any other artist during that time period liberally mixing psychedelics into their funk and vice versa.

This is really a story of “gates swinging both ways”, with all manner of “you got your funk in my rock”, “but you got your rock in my funk” going on, as well as an expression of the general eclecticism of the time, with African sounds making themselves heard with Joe Simon and Earth Wind and Fire, the evolution of Bo Diddley from old-school charger into fairly convincing new-style far outness and the explicit psyche out of Fugi.

As your physician I strongly recommend that you ingest this mix through headphones of some kind, so that you don’t miss any of the sonic goodness.

I hope you dig it, and I’ll see you all on Wednesday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, February 21, 2013 11:07 am

Lou Bond

Listen/Download Lou Bond – That’s the Way I Always Heard It Should Be

Listen/Download Lou Bond – To the Establishment

Greetings all

This is the end of another week, so it is – as always – time to remind you to tune in to the Funky16Corners Radio Show. It airs this and every Friday night at 9pm on Viva Radio, and can be subscribed to as a podcast in iTunes or picked up as an MP3 here at the blog.

I was saddened the other day when word came down the line that Lou Bond had passed away.

Bond (born Ronald Edward Lewis) , who in his short career laid down just two 45s and one amazing LP is less a “cult” artist than an unjustly/tragically forgotten one.

Bond recorded two very cool 45s in 1966 and 1967 while in Chicago (rooming with none other than Sidney Barnes!), the groovy midtempo ‘What Have I Done’ for Fontana and the uptempo Northern flavored ‘You Shake Me Up’ for Brainstorm.

He recorded his only LP, the self-titled ‘Lou Bond’ for the short-lived Stax subsidiary We Produce in 1974.

‘Lou Bond’, which was reissued by Light In the Attic in 2010 (there was a brief digital reissued by Stax prior to that) is a truly remarkable piece of work.

Record collectors/music hounds are constantly bombarded with “lost” albums and rediscoveries that – following the flavor of the month pattern – are often less interesting than they first appear.

‘Lou Bond’ is a rare and powerful exception to that rule.

I first heard about the record years ago when it was popping up with regularity in ‘finds’ lists on a message board I used to frequent.

I finally got my hands on a copy of the album back in 2007 and had my mind blown.

Though he was unmistakably a soul singer, one need only look at the pictures of Bond on his album cover to get the message that he was in other bags as well.

Bond was starting off in a soul groove, but also mixing jazz, folk and contemporary pop into his sound.

‘Lou Bond’ draws from a wide range of influences, most notably Marvin Gaye and Isaac Hayes, but also a variety of early 70s singer songwriters (soul and non).

It’s important to note that among the album’s six tracks, three of them were written or co-written by Bond, the other three being covers of songs by Bill Withers, Carly Simon and Jimmy Webb.

The album moves effortlessly between intimate moments and lush orchestration, with Bond touching on love, the environment and politics.

The two tracks I bring you today are my favorites from the album.

I’ve always found Carly Simon’s ‘That’s the Way I Always Heard It Should Be’ to be one of the most haunting and uniquely dark singles of the early 70s. Bond’s take on it rinses out some of the darkness, replacing it with a hopeful tone (due in large part to a short, spoken prelude).

The eleven-minute-plus ‘To the Establishment’ bears the influence of Gaye’s ‘What’s Going On’, with Bond taking things in a looser, free-form direction that might almost be described as a hippie vibe.

Both tracks are solid stylistic indicators of the sounds that can be found on the rest of the album.

The big mystery in relation to Bond has always been two-fold.

First, how did Stax/We Produce decide to let an unknown commodity like Bond stretch out like he did, with the backing of the Memphis Symphony Orchestra?

Second, why didn’t an album this good make a bigger impression?

The answer to the first question may very well be that this was 1974, and record companies were still taking chances like that all the time. Bond was prodigiously talented, and it’s not hard to imagine someone hearing Bond singing his (and others) songs and handing him a blank check.

The answer to the second question probably has something to do with the impending collapse of Stax.

Bond was already on one of the most sparsely populated Stax sub-labels. We Produce only released albums by three artists – the Temprees, Ernie Hines and Bond, releasing a 45 by one additional artist – Lee Sain (who brought Bond to the attention of Stax), at a time when when the mothership was spreading itself mighty thin.

As far as I can tell ‘Lou Bond’ was poorly promoted/distributed, and Bond himself had to contend with the fact that the concept of a black singer/songwriter (outside of the accepted funk/soul mold) was not an easy fit in the musical landscape of the time.

The sad fact is that after his one LP, Bond never recorded again.

His music was sampled a number of times (by Outkast and Prodigy among others), and the Light In the Attic reissue brought his amazing talent back into the light of day.

If you get the chance, check out the nearly hour-long interview (audio) with Bond posted at the Light In the Attic web site.

You can still get the Light In the Attic reissue (with bonus tracks) on iTunes. If you dig what you’re hearing here today, I assure you that you’ll like the rest just as much.

I hope you dig it, and I’ll see you all on Monday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, February 12, 2013 3:38 pm

Frank Wilson – Do I Love You (Indeed I Do)
Charlie Rich – Dance Of Love
Darrell Banks – Our Love Is In the Pocket
Jackie Wilson – I Get the Sweetest Feeling
Eddie Bo and Inez Cheatham – Lover and a Friend
Charlie Earlands Erector Set – Cherie Amour
JJ Barnes – Hold On To It
Spinners – Sweet Thing
Sand Pebbles – Love Power
Platters – Sweet Sweet Loving
Lee Dorsey and Betty Harris – Love Lots of Lovin’
Len Barry – I Struck It Rich
Producers – Love Is Amazing
Lee Williams and the Cymbals – It’s Everything About You That I Love
Broadways – You Just Don’t Know Good You Make Me Feel
Velvelettes – Since You’ve Been Loving Me
Soul Brothers Six – Your Love Is Such a Wonderful Love
Wilson Pickett – Everybody Needs Somebody To Love

Listen/Download -Funky16Corners Valentine’s Mix: Dance of Love – 86MB Mixed Mp3/256K

Greetings all.

What you see before you is a mix i put together last year at this time in celebration of love, especially mine for my wife, who was going through an especially rough time in regard to her health.

I am very happy to say that this Valentine’s Day her health has improved dramatically, thanks to a stem cell transplant she received last Spring (make sure to click on the Be The Match link at the end of any F16C post for more information about how you can help).

This mix is filled with dynamite soul including a couple of huge faves of mine (and yours, I hope).

Give it a spin and tell someone you love them.

I’ll see you all on Friday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, February 10, 2013 1:20 pm

Miss Amanda Ambrose

Listen/Download Amanda Ambrose – Gimme Shelter

Greetings all

Welcome to another week in the land of vinyl.

I drop those three genres because they all have a hand in the tune I bring you today.

Anyone fairly deep (or maybe not so deep) into the soul/funk record collecting ‘thing’ will have crossed paths with singers who (like Amanda Ambrose) made their bread and butter in the world of jazz, but crossed over (for whatever reason) into a grittier sound.

Here at Funky16Corners I’ve featured music by artists like Nina Simone, Irene Reid, Gloria Lynne, and others who felt the need – whether artistically, commercially or both – at some point in their career to step outside of the world of jazz (or bring it with them into another context).

More often than not – as long as the material and delivery were on point – the results ended up being quite groovy.

This is not suggest that singing jazz and soul are interchangeable disciplines (they are not) but rather that one would expect a jazz singer to at the very least bring a level of technical facility to the table.

Whether or not they were able to deliver the goods once they got there was another question entirely.

Someone like Nina Simone – though often thought of as a jazz singer – spent her entire career moving fluidly between genres.

Others – like Amanda Ambrose – had common gospel roots with most soul singers of the classic era, and that tied things together on another level.

Born in St Louis in 1925, Ambrose spent the early part of her career recording jazz for small labels (though she did an album for Dunwich in the mid-60s).

Her storming take on the Rolling Stones ‘Gimme Shelter’ was recorded for Bee Gee records in 1973.

I know little about the label, other than that it seemed to specialize in funk and soul.

Where Merry Clayton’s better known cover of the song remains in the stylistic orbit of the original, Ambrose’s take on the tune has the feel of a Leon Russell session, with a pounding rhythm section (especially the piano) and powerful horns.

Ambrose’s vocals are equally powerful and it’s a shame that this record didn’t catch on with a wider audience, though by 1973 this sound was on its way out.

She passed away in 2007 at the age of 82.

I hope you dig the track and I’ll see you all on Wednesday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, February 3, 2013 1:56 pm

Ace Cannon and his sax-o-ma-phone

Listen/Download Ace Cannon – Drunk

Greetings all

Welcome to another week here at the Corners.

I do not recall where I first heard today’s selection, but I do remember my surprise when I heard it.

The name Ace Cannon was already a very familiar one.

Cannon had a string of saxophone instrumental hits beginning in 1961 with ‘Tuff’ (#3 R&B #17 Pop) and continuing through the 60s and 70s. he recorded more than three dozen singles and several albums for the Hi label.

Though his best known numbers were in a blues/R&B vein, he recorded a wide variety of pop material through his career, but as far as I can tell, nothing else like ‘Drunk’.

Released as a single in 1971 (it also appeared on the ‘Blowing Wild’ LP that same year) ‘Drunk’ is an outlier in the Cannon oeuvre.

I would not hesitate for a second to classify ‘Drunk’ as funk, with the drums, bass, the chanky guitar and the organ, and of course Ace, “singing” the song and chanting the title over and over again.

A cover (and radical reworking) of Jimmy Liggins 1953 jump blues tune, ‘Drunk’ is the kind of record that ought to be better known, not only as an anomaly in the catalog of an otherwise well known performer, but also as a solid funk outing.

I have no idea who’s backing Ace on this one, but I wouldn’t be at all surprised if some of the Hodges brothers were in the house.

That said, as far as I can tell, ‘Drunk’ made no impact whatsoever (I can’t find any evidence of Cannon charting after the mid-60s).

I hope you dig the tune, and maybe find one for your own record box.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, January 31, 2013 1:17 pm

Roger and the Gypsies – Pass the Hatchet Pt1 (Seven B)
Professor Longhair – Big Chief Pt2 (Watch)
Bobby Marchan – Shake Your Tambourine (Cameo/Parkway)
Diamond Joe – Gossip Gossip (Sansu)
Eddie Bo – Hook and Sling Pt1 (Scram)
Lee Dorsey – Four Corners Pt1 (Amy)
Dixie Cups – Two Way Poc A Way (ABC)
Earl King – Street Parade (Kansu)
Meters – Cardova (Josie)
David Batiste and the Gladiators – Funky Soul Pt2 (Instant)
Bobby Williams – Boogaloo Mardi Gras Pt2 (Capitol)
Curly Moore – Sophisticated Cissy (Instant)
Ernie K Doe – Here Come the Girls (Janus)
Larry Darnell – Son of a Son of a Slave (Instant)
Explosions – Hip Drop Pt1 (Gold Cup)
Rubaiyats – Omar Khayyam (Sansu)
Warren Lee – Funky Belly (Wand)
Willie Tee – Sweet Thing (Gatur)
Danny White – Natural Soul Brother (SSS Intl)
Lee Dorsey – Who’s Gonna Help Brother Get Further (Polydor)
Oliver Morgan – Roll Call (Seven B)
Eddie Bo – Can You Handle It (Bo Sound)

Listen/Download -Funky16Corners Presents Boogaloo Mardi Gras! – 85MB Mixed Mp3/192K

Greetings all.

I hope you all are well.

I should start by reminding you that the Funky16Corners Radio Show will air (as it does every week) Friday night at 9PM on Viva Radio. If you can’t be there at airtime you can subscribe to the show as a podcast in iTunes or grab yourself an MP3 here at the blog.

The mix you see before you is something I put together last year to commemorate Mardi Gras, and in a rare show of foresight on my part I got it up and ready to go on time this year.

It is packed with old faves including some stellar Mardi Gras-specific numbers with which you can second line to your heart’s content.

I hope you dig it, and I’ll be back with some more groovy stuff on Monday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, January 27, 2013 12:33 pm

The Ohio Players: Sugarfoot at top left (sporting that awesome conk)

Listen/Download -Ohio Players – Find Someone To Love

Greetings all.

I had something else lined up for today, but then word came down that the mighty Leroy ‘Sugarfoot’ Bonner, guitarist and singer of the Ohio Players had passed away.

Though details are scarce at this time, Bonner was in his early 70s and had previously suffered one or more strokes.

He joined the Ohio Players in the mid-60s after the group’s initial incarnation as the Ohio Untouchables and recorded with them during their time with Compass, Capitol and their peak years on Westbound.

I first posted today’s selection a little less than two years ago, and it’s a great window into the kind of thing the group was doing in their early years.

I hope you dig it, and raise a glass in tribute to one of the true icons of 70s funk.

Keep the faith

Larry

________________________________________________________________________________________

Originally posted 3/17/11

The tune I bring you today is a bit of instrumental genius from the early days of the mighty Ohio Players.

With a lineage that goes back to 1959 (when the group came together as the Ohio Untouchables), on into their mid-decade rebirth as the Ohio Players, after which they worked in New York as the house band for Compass Records (releasing two singles for the label in 1967 and 1968).

They were working with producer Johnny Brantley’s Vidalia productions when they hooked up (for one album) with Capitol Records.

The tune I bring you today comes from that partnership.

Interestingly, their recording from this period, for both Compass and Capitol had been recirculated on the exploit/ripoff label Trip/Upfront as the album ‘First Impressions’, which is where I first heard ‘Find Someone To Love’. Their Capitol LP, ‘Observations In Time’ isn’t incredibly rare, or expensive (copies go for between 40 and 100 bucks) but it doesn’t show up that often.

The group’s vocal material from this period has always reminded me of the Parliaments stuff from the mid-60s, with a slightly more raucous edge.

‘Find Someone To Love’ features Sugarfoot Bonner’s wobbly, deeply funky guitar prominently, as well as hard hitting drums, droning organ and the band’s horn section. It’s a much deeper, grittier groove than the flashy, fonky stuff they’d hit the charts with a few years later.

Not exactly the Love Rollercoaster, more like the funhouse on the way there.

I dig it a lot, and I hope you do too.

__________________________________________________________________________________________

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some insane surf instros.

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By Larry, January 20, 2013 11:33 am

Listen/Download X-Citers Unlimited – Soul To Billie Joe

Greetings all

Welcome to the week, this one devoted, in a completely arbitrary manner, to instrumentals.

I just happened to be wading through the digimatization/storage folders deciding what to post, and one instrumental led to another and before you know it – Bob’s yer uncle – here we are.

We begin the week with a record that fits the very definition of ‘un-Google-able’.

First and foremost, the band in question, the X-Citers Unlimited, had a name that invites all manners of misspelling and misplaced punctuation (a hyphen…really?).

Second, and this is the real killer, both sides of the disc are covers of other people’s material, meaning that you have no “in-band” songwriting credits to expand a search.

Third, it would appear that this is the only record ever released by this band, making it impossible to triangulate using other 45s.

The only available clues come courtesy of the fact that the X-Citers Unlimited recorded for a well-known label – which makes it possible to date the record to 1967 – and that it was produced by a guy that should be familiar to fans of 60s soul, Mr Wally Roker.

Using that date and name, and combining it with previous knowledge of Mr Roker’s working environment during that time, I’d be willing to venture a guess that this was a West Coast band.

And that – as they say – is that.

Dead Endsville.

That said, one can always take solace in the quality of the music in the grooves, which in this case is fine indeed.

The reworking of Bobbie Gentry’s ‘Ode To Billie Joe’ (presented here as ‘Soul To Billie Joe’) is a hard charging bit of funky soul with some tasty Latin percussion and plenty of brass.

It’s groovy because unlike the vast majority of the probably hundreds of cover versions of the tune, it does not hew to the original tempo.

The flip, a cover of ‘Hang On Sloopy’ is much more explicity boogaloo-ish.

It is a very cool 45 indeed, and I hope that you dig it (and that, if you know anything else about it, you’ll drop me a line).

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, January 10, 2013 12:05 pm

Bill Deal and the Rhondels

Listen/Download Bill Deal and the Rhondels – Tuck’s Theme

Greetings all

I hope that the end of another week finds you well.

As Friday is upon us, I should remind you that the Funky16Corners Radio Show returns to the airwaves of the interwebs this and every Friday night at 9PM on Viva Radio. You can also subscribe to the show as a podcast in iTunes, or grab an MP3 here at the blog.

The tune I bring you today has been languishing in my crates for a long ass time, mainly because of a bad case of lost-in-the-shuffle-it is.

I picked up my 45 of Bill Deal and the Rhondels ‘Tuck’s Theme’ years ago and for no good reason at all, forgot all about it.

I say for no good reason because once you hear ‘Tuck’s Theme’ you will – as would any sane person – realize that it is a superb bit of funk with a big, fat, swaggering drum break.

The name Bill Deal may be a familiar one, especially if you have access to oldies radio here on the East Coast, the further south the better.

Deal was a keyboardist and bandleader out of the Tidewater area of Virginia who – along with the Rhondels – hit the charts a number of times in the late 60s with their rollicking brand of brass-inflected, blue-eyed soul (covering cuts by artists like Maurice Williams and the Tams).

The band recorded half a dozen 45s (and an LP) for the Heritage label (also home to the Show Stoppers), of which ‘Swingin’ Tight’ b/w ‘Tuck’s Theme’ (released in 1969) was the fourth, it’s A-side grazing the Top 40 in a number of regional markets.

The cut features Deal working it out on some kind of clavinet-like electric keyboard, backed by the brass section, with a fuzzed out guitar eventually chiming in.

Things really get cracking when drummer Ammon Tharp lays down that big, swinging break.

It’s really is a killer, one of those that’ll have your head nodding as you get into the groove.

The record has ben sampled a few times, by groups like Jurassic 5 and People Under the Stairs.

Bill Deal and the Rhondels became an institution on the Beach Music scene, carrying on in one form or another until Deal’s passing in 2003 (though a version of the group, billed as Bill Deal’s Band still tours today).

I hope you dig the cut, and I’ll see you all on Monday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (6)

By Larry, January 8, 2013 1:00 pm

Listen/Download Cal’s Tricks – Who’s Gonna Take the Weight

Greetings all

Before we get things started today, I should let you know that I was asked to put together a list of crucial 45s for the new Deserted Island blog. You should pop on over and check it out when you get a chance.

The track I bring you today is something I picked up whilst grazing at the last Allentown All 45 show.

It’s hard not to be overwhelmed in a room packed to the gills with 45s, but since a lot of the dealers (and the kind of stock they bring with them) have become familiar to me over the years, I try to maintain a s small amount of focus.

These days my “want list” (as it is) isn’t very long.

There are a couple of very crucial things that I’m always on the lookout for, but outside of those, I tend to cast a pretty wide net. The old frame of reference is sharp enough that I come away with more gold that gravel, and the record you see before you today is evidence thereof.

I’d never heard of Cal’s Tricks, or the Secant label, but as soon as I noted the presence of a groovy Kool and the Gang cover, I placed the disc on the keeper pile and kept digging.

Once I got the record home I was very happy with my selection, and moved on to digging for information.

There’s not a lot out there, but what I have found is interesting.

It would seem that the Secant label was active in the Washington, DC/Maryland area during the 70s, releasing a wide variety of styles.

The DC Soul Recordings site noting that only three of their releases seemed to fall into the realm of soul and funk, two of them being records by Cal’s Tricks.

‘Who’s Gonna Take the Weight’ – taken here at a slightly faster, dare I say discofied, tempo than the OG – was the second 45 by Cal’s Tricks, released in 1976.

The band’s name seems to be a variation of the name of producer Caltrick Simone.

I don’t think this track or any of Cal’s Tricks tunes have been comped.

I hope you dig the track, and I’ll see you all on Friday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (5)

By Larry, January 1, 2013 3:08 pm

Miss Marva Whitney

Listen/Download Marva Whitney – It’s My Thing

Listen/Download Marva Whitney – Things Got To Get Better (Get Together)

Listen/Download Marva Whitney – This Girl’s In Love With You

Greetings all

It was just a few days short of Christmas (the very day that the Godfather of Soul slipped the surly bonds of earth but six years ago) that word filtered down to me that the mighty Marva Whitney had died.

Marva Whitney – one of the great divas of the classic era of the James Brown Revue – was born in Kansas City, KA in 1944, where she grew up performing gospel music.

It wasn’t until the mid-60s that she made the move to the secular side of soul, eventually joing James Brown and recording her first 45 with his organization in 1967.

During her tenure with Brown, running from 1967 to 1970, she recorded more than a dozen 45s and three albums (one unreleased) before moving on to record sides for T-Neck, Forte and Excello.

She left music for a time in the 1980s before returning to perform with various and sundry James Brown alumni, eventually working with Osaka Monauril (big ups to DJ Pari who was instrumental in her return to the studio), recording new music and touring extensively in the 2000s.

Whitney had one of the most powerful voices in the realm of classic funk.

Though she didn’t have much in the way of commercial success in her heyday, Whitney is treasured both by crate diggers, who verily worship her hard-hitting funk sides, but also by the hip hop side of things for heavily sampled tracks like ‘Unwind Yourself’.

The three tunes I’m posting today have all appeared at Funky16Corners over the years and are staples in my crates and playlists.

The first is my personal favorite. ‘It’s My Thing’ – an obvious “answer” to the Isleys – was her biggest hit, making it into the R&B Top 20 in the Spring of 1969.

It’s a killer from its opening notes, and right up there with the best singles of James Brown’s King-era. The instrumental backing is rock solid, yet fairly rudimentary, with Marva’s remarkable voice dragging the whole show behind her in the dust.

The second is another banger, which ought to be familiar to listeners of the Funky16Corners Radio Show, via the whole song, but also from the sample of her voice that graces so many drops. ‘Things Got to Get Better (Get Together)’ is a fast mover with a tasty horn chart that propels the song from the bottom up. There’s a fantastic live performance clip from he show ‘Music Scene’ in 1969, with Marva laying it down in front of the mighty James Brown band that must be seen,not just for the undeniable power of the music, but for Ms Whitney’s platinum afro, which is a thing to behold.

The last track is something extra special that I was introduced to some years back when Dave Withers guested at the Asbury Park 45 Sessions.

Marva Whitney’s ‘This Girl’s In Love With You’ (a distaff remake of the huge Herb Albert hit) from 1969 is one of those records that ought to be much better known. Every time I play it out I see the same reaction that I had the first time I heard it, that being “where has this record been all my life?”.

It is in turns sweet, funky and a remarkable contrast to the harder edged stuff in Marva’s catalog. I’m not sure who did the arrangement, but it’s fantastic and the fact that this record doesn’t seem to have charted anywhere just makes me shake my head.

Though some of Marva Whitney’s old-school vinyl can be hard to come by and costly, you can find her 2006 comeback LP with Osaka Monaurail ‘I Am What I Am’ in iTunes, and most of her classic tracks can be found on the ‘James Brown’s Funky Divas’ collection (along with a lot of other indispensable music).

I hope you dig the sounds, and when you get a chance, get down in memory of the great Marva Whitney.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (3)

By Larry, December 30, 2012 3:45 pm

Bobby Hollaway – Cornbread, Hog Maws and Chitterlins (Smash)
Ben E King – What Is Soul (Atco)
Nina Simone – Save Me (RCA)
Pieces of Eight – Come Back Girl (A&M)
Len Barry – I Struck it Rich (Decca)
Papa Don Association – Souled Out (Amy)
Vibrations – Expressway To Your Heart (Neptune)
Russell Evans and the Nighthawks – Send Me Some Cornbread (Atco)
Shirelles – Last Minute Miracle (Scepter)
Garnet Mimms – Prove It To Me (UA)
Exciters – Blowing Up My Mind (RCA)
Etta James – I Got You Babe (Cadet)
Billy Preston – Greazee Pt1 (Derby)
Freddie Scott – You (Got What I Need) (Shout)
Lloyd L Williams – Be Mine Tonight (ABC)
Marvelle and the Blue Mats – The Dance Called the Motion (Dynamic Sound)
The Poets – She Blew a Good Thing (Symbol)
Titus Turner – Soulville (Enjoy)
Betty Harris – Mojo Hannah (Jubilee)
Dean Parrish – I’m On My Way (Laurie)

Listen/Download -Funky16Corners 2012 Year In Review Mix – 93MB Mixed Mp3/256K

Greetings all.

What you see before you is the Funky16Corners 2012 Year In Review Mix, in which we take a look at the tracks that I consider to be the finest posted here since January.

You get all manner of soul and funk (mostly of the 45RPM variety), breakbeats and grooves of all kinds.

I gave this a listen the other night and came to the conclusion that this has been an especially good year.

My memories of recent digs, as well as the “to be blogged’ folder indicate that there’s a lot more where that came from.

I hope you dig the mix, and I’ll be back next week with some more groovy gravy.

Don’t forget to hit up the Funky16Corners Radio Show, this and every Friday night at 9PM on Viva Radio, or, if you can’t be there at airtime, subscribe to the show as a podcast in iTunes, or grab an MP3 for the archive here at the blog.

Happy New Year,

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.