Posts tagged: Funk

Bobby Hutcherson 1941 – 2016

By , August 16, 2016 12:36 pm

Example

Bobby Hutcherson

Example

Example

Listen/Download – Bobby Hutcherson feat. Harold Land – Ummh MP3

Listen/Download – Bobby Hutcherson feat. Harold Land – Goin’ Down South MP3

Greetings all.

I woke up this morning to the extremely sad news that one of my musical heroes, the mighty vibraphonist Bobby Hutcherson had passed away.

I have been a jazz fan my entire life, but there was a period in the late 80s and early 90s, in the years right after I stopped playing in bands and decided to spend my time intently listening, that I bought, studied and listened to almost nothing but jazz.

Though I was digging everything from Bix Beiderbecke to Archie Shepp, the broadest area of my focus was applied to the post-bop/modal/out years from the late 50s to the early 70s, and in large part to the sounds of the Blue Note label.

At the time, Blue Note was engaged in an aggressive CD reissue campaign, part of which was the Connoisseur Series, in which they pressed up some of the more obscure, challenging and interesting titles from their back catalog in limited quantities. I picked up the discs in that series religiously, as well as anything else I could find that I dug, sometimes to the tune of three or four albums a week.

It was during that time that I discovered and fell in love with the music of Bobby Hutcherson.

If you come here on the reg, or dig the podcast, you know that I am a certified vibes nut, and Hutcherson was a master of the instrument (as well as the xylophone and marimba) who played in a wide variety of settings as a leader and a sideman, and in styles ranging from bebop, to modal, to inside/outside to free jazz with just about every great musician associated with Blue Note.

Head on over to Discogs and take a look as his own catalog, as well as his work as a sideman.

I was lucky enough to see him play (and meet him briefly) back in the 90s when he played in New York City.

The tracks I bring you today are from the funkiest date he did, 1971’s ‘San Francisco’, recorded with the giant of the tenor saxophone, Harold Land.

Land, who had been working steadily since the late 40s, and had been a crucial member of the Clifford Brown/Max Roach band, formed a partnership with Hutcherson in the late 60s, with the pair recording a number of albums (trading the leader’s position) over the next decade for a variety of labels.

‘San Francisco’ was a west coast date, featuring Joe Sample (of the Crusaders) on electric and acoustic piano (he also wrote ‘Goin’ Down South’),  Hutcherson and Land stretching out on some more groove-oriented material, and great production by Duke Pearson.

You’ve heard ‘Ummh’ and ‘Goin’ Down South’ in mixes here at Funky16Corners, but neither has been featured on the blog.

Both tunes have been sampled, ‘Goin’ Down South’ by Us3 and ‘Ummh’ by Ice Cube.

I’m also re-posting below, an all-vibes mix I put together in 2010 called ‘Positive Vibrations’, which features Hutcherson, as well as a number of his contemporaries from the 60s and 70s laying down funky and soulful vibes.


Example

Funky16Corners Radio v.79 – Positive Vibrations!

Playlist

Lionel Hampton – Greasy Greens (Glad Hamp)
Jack Wilson feat Roy Ayers – Sidewinder (Vault)
Freddie McCoy – Peas and Rice (Prestige)
Jack Brokensha and the Baroqe-a-delics – Boogaloo (Contrast)
Bobby Hutcherson – Goin’ Down South (Blue Note)
Cal Tjader – Ode to Billie Joe (Skye)
Ulysses Crockett – Sunshine Superman (Transverse)
Gary Burton – Leroy the Magician (Atlantic)
Milt Jackson – People Make the World Go Round (CTI)
Bobby Christian – Mooganga (Ovation)
Johnny Lytle – Above the Clouds (SS)
Lionel Hampton- Them Changes (Brunswick)
Freddie McCoy – Beans’n’Greens (Prestige)
Soulful Strings feat Billy Wooten – One Night Affair (Cadet)
Cal Tjader – Soul Sauce (Verve)

____________________________________

 

If you get the chance, look for any of Hutcherson’s Blue Note albums, but especially ‘Patterns’, which was recorded in 1968 but shelved (inexplicably) until the 80s. It is by far my favorite Hutcherson album, and featured the underrated/underrecorded reedman James Spaulding as well.

Hutcherson was a giant, and he will be missed.

See you all on Friday.

Keep the faith

Larry

Example  

____________________________________________________________________________

PS Head over to Iron Leg too.

The Mystic Moods – Cosmic Sea

By , August 14, 2016 9:15 am

Example

Listen/Download – The Mystic Moods – Cosmic Sea MP3

Greetings all.

The tune I bring you today has been a huge fave since I first heard it pumping from the speakers of the Asbury Park 45 Sessions, courtesy of my man DJ Prime Mundo.

‘Cosmic Sea’ by the Mystic Moods (Orchestra) is one of those records that simply has to be heard on a big sound system, or at least on some high quality headphones.

It is a breakbeat classic ans sought after by funk 45 heads, but it has a really unusual history.

The Mystic Moods Orchestra was founded in the mid-60s by Brad Miller, one of the founders of the Mobile Fidelity Sound Lab (which record collector types will recognize as the source of the sought after MFSL/Original Master records), who got his start recording and releasing audiophile sound effects records (like stereo recordings of trains, etc). The “group” released over 20 albums between 1966 and 1990 (mostly for Philips and Warner Brothers), composed of a mixture of symphonic mood music, pop and easy listening, meant for the high end HI-FI sets in the bachelor pad listening rooms of the world. Over the course of more than two decades Miller, assisted by a group of arrangers and studio musicians, created a successful series of ‘musical environments’ meant to be used as the soundtrack of a variety of relaxing pastimes, up to and including lovemaking.

Their albums are not terribly hard to find, and for the most part, not anything that most Funky16Corners fans would be interested in.

However, a couple of times in the 70s, Miller and Co decided to get funky, and the finest of their efforts in that direction was ‘Cosmic Sea’.

‘Cosmic Sea’ was included on the 1973 LP by the Mystic Moods (they dropped the Orchestra the previous year), and was also released as a 45 (see above).

The record is – as you would expect from a dedicated audiophile – great sounding, with lots of phasing, and panning of synthesizers and drums for full use of stereo (especially on headphones). It is also quite funky, with some hard-hitting drums, clavinet solos, and just enough sweeping strings to capture the Barry White/boudoir market.

‘Cosmic Sea’ seems to have gotten some airplay on Pop stations (mostly on the west coast) and it’s presence on a major label has guaranteed that despite demand, it still isn’t terribly expensive.

It is a very groovy disc, indeed, and I hope you dig it.

See you all on Wednesday.

Keep the faith

Larry

Example  

____________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Al Thomas – I Had a Good Thing (But I Blew It)

By , August 11, 2016 1:27 pm

Example

Al Thomas solo, and with the Sweet Delights

Example

Listen/Download – Al Thomas – I Had a Good Thing (But I Blew It) MP3

Listen/Download – Al Thomas Ork – Cornbread and Molasses MP3

Greetings all.

The end of the week is here, so I will beseech you once again to tune in to the Funky16Corners Radio Show. You can subscribe to the show as podcast in iTunes (maybe review and rate it while you’re there?), listen on your mobile device via the TuneIn app, check it out on Mixcloud, or grab an MP3 right here at the blog.

We’re going to close out the week with a groovy Philly 45 that I’ve had in my crates for years but only just recently made a discovery about.

I picked up the Al Thomas Ork 45 ‘Cornbread and Molasses’ after hearing it in a mix back in the day. I was already buying up any Philly soul and funk I could get my hands on, especially anything on the Virtue label.

My assumption at the time was that Al Thomas was the same cat as ‘Big Al T’ who did the two-sided instrumental funk 45 of ’25 Miles’ b/w ‘Do the Slide’ which I already had.

So – as is often the case – I didn’t really dig into the flipside, the vocal version of the song ‘I Had a Good Thing (But I Blew It)’ until years later.

When I did, with my aptitude and taste for sweet soul more highly developed, it really made a mark. It has that groovy, slightly funky, late 60s (1968) vibe that you heard a lot coming out of Philadelphia, Chicago and Detroit.

So I started digging around, looking for information on the participants and I discovered some interesting things.

First off, ‘Al Thomas’ was in fact Albert Thomas Byrd. Secondly, Al Thomas was the sole male member of the Sweet Delights, who made an excellent 45 for Atco ‘Baby Be Mine’ that same year.

As it turns out, ‘I Had a Good Thing (But I Blew It)’ is in fact the Sweet Delights. It should have been their second 45, but someone decided that they’d be better off marketing it as a solo single by Thomas/Byrd.

Unfortunately, neither 45 seems to have made a dent either inside or outside of Philadelphia, though the funky, instrumental side of the Sweet Delights ATCO 45, ‘Paul’s Midnight Ride’, credited to the Delights Orchestra got some regional airplay in the Midwest and the South.

It’s an excellent 45, and I hope you dig it.

See you all on Monday.

Keep the faith

Larry

Example  

 

____________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Fabulous Emotions – Number One Fool b/w Funky Chicken

By , August 4, 2016 11:24 am

Example

Clockwise from top left: Thom Bell, Bobby Martin, Sam, Erv & Tom

Example

Listen/Download – Fabulous Emotions – Number One Fool MP3

Listen/Download – Fabulous Emotions – Funky Chicken MP3

Greetings all.

The end of the week is upon us, so I will remind you all to dig into the Funky16Corners Radio Show podcast, which drops each and every Friday with the best in soul, funk, jazz and rare groove, all on original vinyl. You can subscribe to the show in iTunes, listen on TuneIn, Mixcloud or grab an MP3 right here at the blog.

The tunes we end the week with compose both sides of one of my favorite Philadelphia 45s, and part of an interesting story as well.

I first picked up the local, Nico release of the Fabulous Emotions ‘Number One Fool’ b/w ‘Funky Chicken’ more than ten years ago from my buddy Haim.

The a-side is a hard charging number with a following on Northern Soul dance floors. Produced by Philly mainstays Bobby Martin and Thom Bell (with writing credited to an otherwise unknown ‘F. Hill’, but more on that in a minute), ‘Number One Fool’, is a really well produced, prefect representation of the late 60s Philly sound.

The flip, ‘Funky Chicken’ is merely an instrumental dub of ‘Number One Fool’, but this time is credited to Martin and Bell! It was actually a minor local hit, charting on two different Philly stations, WDAS and WHAT (home of the Mighty Burner Sonny Hopson, Make no mistake-a Jake-a!).

The story takes an interesting turn when the track was released again on the Tamboo label, then recycled/reissued yet again (also on Tamboo) this time credited to the NY Jets!?!

Check out this old Funky16Corners web zine article where I go into detail on the multiple releases, but I will say that the 45 picked up a new track in its last version, this time with writing and singing by Sam, Erv and Tom of ‘Soul Teacher’ fame!

All versions of this record are excellent, as well as fairly hard to put your hands on these days. It is highly recommended that you grab one for your playbox should you encounter one in the field.

I hope you dig the tunes, and I’ll see you all on Monday.

Keep the faith

Larry

Example  

____________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Rulie Garcia and the East LA Congregation – Que Pasa (What’s Happening?)

By , July 28, 2016 11:53 am

Example

Rulie Garcia

Example

Listen/Download – Rulie Garcia and the East LA Congregation – Que Pasa (What’s Happening) MP3

Greetings all.

The end of the week is nigh, and so then is the Funky16Corners Radio Show, which drops each and every Friday with the best in funk, soul, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn app, check it out on Mixcloud, or grab yourself an MP3 here at the blog.

If you follow Funky16Corners, Iron Leg or the podcasts associated with either blog, you have probabky heard me going on about my love for the East LA Chicano music scene of the 60s and 70s.

The most famous proponents of the sound, groups like Cannibal and the Headhunters, Thee Midniters, the Premiers, El Chicano and the Village Callers, are known for their mixing of Latino music, rock, R&B and soul and making some extremely cool records.

I have made chasing down and collecting these records a minor sideline (minor, since some of these 45s and LPs are extremely rare) and try to discover as much as I can about the musicians.

Today’s selection is a record by one of the busiest, yet more mysterious characters on the East LA scene, Rulie Garcia, aka Johnny Chingas, aka The Brown Brothers of Soul.

You can Google him all you like, but aside from the records his made, there’s not a lot of info out there about him.

It would appear that his real name was Raul Garcia, and that he was recording – at least as a sideman – as early as the late 1950s.

He recorded music under all of the names listed above (including the East LA Hammond classic ‘Cholo’ on Specialty in 1971) and was especially active in the 80s (he died in 1992, only 52 years old).

The record I bring you today is the last of three singles he recorded for United Artists in 1972 and 1973 as Rulie Garcia and the East LA Congregation.

‘Que Pasa (What’s Happening)’ is – like much of his other work – a celebration of low rider culture.

The song features a funky beat, fuzz guitar, lots of Latin percussion and Garcia’s raspy growl.

Though none of his records made the national charts, there is evidence that he had a significant following in Southern California, selling tons of records locally, some on his own Billionaire label.

That all said, if you head on over to Youtube and seek out the sounds associated with his various and sundry aliases, you will discover that he played all kinds of music.

I hope you dig the track, and keep your eyes (and ears) peeled for more East LA stuff in the future.

See you on Monday.

Keep the faith

Larry

Example  

____________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Funky16Corners: Testify

By , July 21, 2016 10:32 am

Example

Brother JC Crawford
Syl Johnson – Is It Because I’m Black (Twinight)
Staple Singers – For What It’s Worth (Epic)
Malcolm X
Equals – Police On My Back (President)
Majestic Choir and the Soul Stirrers – Why Am I Treated So Bad (Checker)
Huey Newton
Junior Murvin – Police and Thieves (Island)
Salem Travelers – Give Me Liberty or Death (Checker)
Dr Martin Luther King Jr
Earth Wind and Fire – Come On Children (WB)
Commodores – Rise Up (Atlantic)
Afro American Ensemble – Free the Black Man’s Chains (GSF)
Angela Davis
Baby Huey – Mighty Mighty Children (Unite Yourself This Hour) (Curtom)
Amanda Ambrose – Gimme Shelter (Bee Gee)
Saul Alinsky
John Hamilton and Doris Allen – Them Changes (Minaret)
Impressions – Keep On Pushing (ABC/Paramount)
Judy Clay – Get Together (Atlantic)
Abbie Hoffman
Buddy Miles- We Got To Live Together (Mercury)
Fighting Bob Lafollette
Lee Dorsey – Who’s Gonna Help Brother Get Further (Polydor)
Curtis Mayfield – Move On Up (Curtom)
Hugh Masekela – Bajabula Bonke (Healing Song) (UNI)
Arthur Lee and Love…

Listen/Download – Funky16Corners: Testify 151MB Mixed MP3

Greetings all.

Brothers and Sisters…the time has come….

Something very ugly is going down in Cleveland, Ohio.

Cleveland is where the wave crested, the Republican deal with the devil was sealed, and it is where the point of no return was fixed on the national timeline.

The forces of regression have been gnawing away at the heart of American for the last three and a half decades and the rise of Donald Trump is evidence that they have done considerable damage.

Though it didn’t start with Trump, his candidacy could not have existed without a foundation of anger, hatred, corruption and chaos on which to settle and grow.

There has been a lot of conjecture of late about whether or not history is repeating itself in relation to another pivotal election year, 1968. Things have changed a lot since then – especially in relation to politics and the media – but many of the ingredients that led to civil unrest then (poverty, racism, political division) have been simmering the entire time.

Thanks in large part to the unholy alliance between the worlds of high finance, industry, and socially regressive movements (often purporting to be religious in nature), and abetted by propagandists able to take advantage of the rapidly (and constantly) changing media environment, we turned on our TVs this week and were greeted by the sight of a racist, neo-fascist, ‘Potemkin Village‘ version of a tycoon as the Republican candidate for President.

Figures like Donald Trump are not new or unique in the history of the United States or the world. Ugly, nativist demagogues have repeatedly surfaced in times of strife, embraced by people eager for seemingly quick, easy solutions to deeply complex problems. Lacking the humility or courage necessary to tear down the walls that divide us, he and his followers choose instead to build new ones where they feel we should be separated.

So rises the very personification of a fist, with which they hope to pound what they perceive as  problems into submission, to try and assert their domination of a culture they see slipping from their grasp.

This is not to say that everyone that finds themselves drawn into his orbit is evil, or understands (in the bigger picture) what it is that they’re doing.

These are very hard times for a lot of our friends and neighbors. Decades of American companies bleeding the economy dry – through offshoring, deregulation and tax avoidance – have left large sections of the population either un-or-underemployed, unable to pay their mortgages (if they were ever able to afford a house at all) or rent, drowning in debt (often from medical bills or student loans) and unable or unwilling to fight back with collective bargaining, thanks to the wholesale demonization/destruction of the labor movement.

They are left terrified and anxious, living paycheck to paycheck, easy prey for those that blame their problems not on people actually running/ruining the economy, or corrupt politicians, but rather on minorities of all types (race, nationality, sexuality) and anyone else they think is contributing to the death of the white hegemony.

One of the worst by-products of this poisonous atmosphere is the breakdown of trust between minorities communities (of all kinds) and the police.
Many of America’s police forces have become increasingly militarized, poorly trained, and unwilling to deal with these weaknesses, seeing any call to do so as an unjust attack on their ranks.

As a result, we have been faced with a seemingly endless string of abuses of police power, culminating in a highly publicized series of police killings of civilians, which are rarely followed by successful prosecutions. When these cases do manage to make it into the justice system, they are often handled by prosecutors unwilling to bring rogue policemen to justice, and policemen unwilling to breach their own wall of silence. The few cases that do make it to trial, often end in acquittals or a slap on the wrist.

This pattern results in the aforementioned breakdown in trust (and more recently/tragically in assassinations of police), and many whites, awash in privilege, convinced that the police are all that remain between them and a world they’re terrified of (and have no stake in), look the other way.

One of the prominent responses to the epidemic of police violence has been the Black Lives Matter movement. BLM has become a flashpoint for racists who respond to its calls for police accountability by accusing them (unjustly) of advocating violence and racial division (thus the pathetic return volleys of “All Lives Matter”).

When police violate their oath, do their jobs so poorly that people end up dead, or otherwise break the law, and they are either let off entirely or disciplined in a much lighter way than the general public, it erodes their authority and public trust not only in the police but in the integrity of the law. That’s why the solutions to this problem must start with, or at least concentrate on the police.

But the response from law enforcement (not exclusively, but mostly, and very loudly from police unions) has been recalcitrance, refusal of accountability, and deflection of responsibility onto the victims.

When one of the two major national political parties uses their presidential convention as a vehicle to perpetuate this cycle, it puts the entire country in a horrible position.

This week we saw speakers in Cleveland (and the attendees) cheering the acquittal of the policemen in the Freddie Gray case and reinforcing the idea that everyone outside of their ranks (especially BLM) was anti-cop (as opposed to pro-rule of law).

I put together ‘Testify’ as a companion piece to a set that was first posted here back in 2010, ‘Things Got To Get Better (Get Together)’.

The specific points of reference might have been different then, but the root causes, and the people behind them were the same. At that point, we were barely a year into President Obama’s first term. Today, we are nearing the end of his second term, and approaching the election that will determine his successor.

This has been an especially divisive campaign, on both sides of the aisle, marked by the (sadly unsuccessful) ascendance of Senator Bernie Sanders in response to the rightward drift of the Democratic Party, and on the other side, the rise of Trump.

We approach the election with the GOP solidifying their support for racist policies, the repeated use of fear as a weapon, and the Democrats left trying to unify around the controversial and widely unpopular Hillary Clinton.

There’s a little more than three months until Americans head to the polls and make the decision that will determine how (or whether) this country moves forward.

This mix gathers together black artists from the worlds of soul, funk, gospel and rock, with songs that were created in response to oppression and racism (here in the US, Jamaica, the UK and Apartheid-era South Africa), crying out for an end to both and many of them asking not for separation, but for recognition, unity and progress.

The voices in between the songs are from some of the most important progressive figures of the past century, many of them controversial, but all of who worked for an end to destructive forces, advocating for the less fortunate and against the oppressors.

Some of them may be unfamiliar to younger readers (Look them up! You won’t be sorry.) and some of them may be people that you’ve heard bad things about (Again, educate yourself), but all of them are important.

Ultimately, despite all of the words I’ve managed to wring out of my tired brain, I would hope that the mix speaks on its own. If you listen, and like what you hear, pass it along to someone who you think would might dig it, and/or learn from it, and do whatever else you can to counter the dark forces eating away at the country, and our culture (first and foremost, registering to vote, don’t one of the “one in three”).

I hope you dig it, and I’ll see you next week.

Keep the faith

Larry

Example  

____________________________________________________________________________

 

PS Head over to Iron Leg too.

Alley Pat – Pat’s Rubber Band

By , July 19, 2016 1:34 pm

Example

Alley Pat

Example

Listen/Download – Alley Pat – Pat’s Rubber Band MP3

Greetings all.

The record I bring you today found its way into my crates years ago via the advice of the mighty Agent45.

Alley Pat was in fact James Patrick, a long time Atlanta radio fixture (and one time bail bondsman for civil rights figures!) who was nearing 60 when he made this record (is this senior citizen’s week?).

I originally picked up the 45 because I had assumed that it was tied in with the string of New Orleans/Gulf Coast ‘Rubber Band’ records (Eddie Bo, Meters, Curley Moore and the Kool Ones) from 1970/71.

As it turns out, this ‘rubber band’ stretches several years into the future, closer to the Spinners ‘Rubber Band Man’ and Bootsy’s Rubber Band, both from 1976.

Though sitting right in the middle of the disco era, ‘Pat’s Rubber Band’ is good and funky, with tight rhythm guitar, popping bass, electric piano, punchy horns and some sexy girls on the background vocals. The song was written by Alley Pat, along with Atlanta soul men Tommy Stewart and Calvin ‘Funky Way’ Arnold.

Pat drops in here and there with some funny patter (I’m not 100% sure but it sounds like he might reference ‘Shelly’s Rubber Band’* which would connect this to the first round of ‘rubber band’ 45s) no doubt polished by years of experience on the radio.

It’s a groovy one, and a little harder to find and more expensive these days.

I hope you dig it, and I’ll see you all on Friday.

Keep the faith

Larry

Example  

*”Shelly” , in Curly Moore and the Kool Ones ‘Shelly’s Rubber Band’ was another DJ, New Orleans radio man Shelly Pope

____________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Pigmeat Markham – The Hip Judge

By , July 17, 2016 11:19 am

Example

Here Comes Pigmeat!

Example

Listen/Download -Pigmeat Markham – The Hip Judge MP3

Greetings all.

It’s summer. We’re all hot and sweaty. We sit stupefied, watching the droplets of humidity run down the outside of our beer, swatting flies away.

What better time to strip the gears with something funky?

If you’re anywhere pre-middle age, it’s unlikely that the name Pigmeat Markham will ring a bell.

He was born near the beginning of the last century, and started in show business right around the end of World War One, but he managed to put his name – and his growl – on the 45 you see before you today, in 1968.

Dewey ‘Pigmeat’ Markham was a comedian who got his start in the vaudeville era and was a very popular comedianon the chitlin circuit, plying his trade for almost exclusively black audiences for most of his career.

It was only in 1968, when Sammy Davis Jr went on Laugh-In and worked it out to one of Markham’s best known routines, ‘Here Come the Judge!’ that Pigmeat (momentarily) broke through to a much wider audience.

As far as I can tell, Markham first recorded the routine in the early 60s for Chess, but had been doing it on stage for years.

Sammy made the routine viral (by 1968 standards) and there was a veritable ‘Judge’ craze, with a grip of records (funk, soul and pop), all kinds of ephemera, and last but not least, the resurgence of the career of Pigmeat Markham.

Chess put some of their finest to work,and before you know it, ole Pig (64 years old!) was trampling the charts, his ‘Here Comes the Judge’ making it to the R&B Top 5, Pop Top 20 in the US and the UK!

His follow up single (the record you see before you today) found him in the studio with Gene Barge, working it out on songs written by Maurice Dollison (aka Cash McCall), Maurice McCallister of the Radiants, and Barge.

‘The Hip Judge’ features grooving bass, tight drums, saxophone, and Pigmeat’s ‘singing’. The extent of the singing isn’t too far removed from your average Jerry-O record, reduced to comedic interjections and interaction with the backing singers.

That said, the 45 is quite funky and an excellent entry into the ‘Funky Judge’ discography.

I hope you dig it, and I’ll see you all on Wednesday.

Keep the faith

Larry

Example  

____________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Little Joe Cook and the Thrillers – Funky Hump

By , July 7, 2016 10:43 am

Example

Little Joe Cook

Example

Listen/Download -Little Joe Cook and the Thrillers – Funky Hump MP3

Greetings all.

The end of the week is near so I will remind you once again to check out the Funky16Corners Radio Show, which drops each and every Friday with the best in funk, soul, jazz and rare groove, all on original vinyl. You can subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn app, check it out on Mixcloud or grab yourself an MP3 right here at Funky16Corners.com.

Today’s selection is by another one of those groups with roots that lead back into the early days of R&B and doowop.

Little Joe Cook was a Philly-based singer who got his start in gospel in the 1940s, moving into secular music and forming the Thrillers in the early 50s. Little Joe Cook and the Thrillers went on to have R&B hits for Okeh with ‘Let’s Do the Slop’ in 1956 and then their biggest hit ‘Peanuts’ in 1957.

Cook also managed his daughter’s group the Sherrys who had a hit with ‘Pop Pop Pop-Pie’ in 1962.

The Thrillers continued to release 45s for labels like 20th Century, Reprise, Fury and Loma through the 60s.

I haven’t been able to date today’s selection definitively but it sounds like it would fall nicely sometime between 1969 and 1971. Released on the Philadelphia-based Soultown label (and as far as I can tell their only release) ‘Funky Hump’ sees Little Joe Cook and the Thrillers getting funky (of course…). The tune has a very groovy rhythm guitar figure repeated through the song, with a cool dance craze lyric delivered by Cook.

Cook retired in 2007 and passed away in 2014 at the age of 91.

I hope you dig the tune, and I’ll see you all on Monday.

Keep the faith

Larry

Example  

____________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Sonny Ross – Alakazam

By , July 5, 2016 11:42 am

Example

Sonny Ross and a Euro Picture Sleeve for ‘Alakazam’

Example

Listen/Download – Sonny Ross – Alakazam MP3

Greetings all.

Every once in a while, no matter how deep your crates, or how jaded you’ve become, a record comes along from out of nowhere and knocks you right on your ass. One of those 45s that explodes from confounding obscurity, a hit, fully formed, that just never happened.

I forget exactly where I first heard Sonny Ross’s ‘Alakazam’, but it just blew me away. I couldn’t believe that I’d never heard it, or that it hadn’t been a hit when it was released in 1971.

Opening with what sounds like an overmodulated kick drum, and then vibes accents, the snare and some fantastic fuzz guitar (how has this not been sampled?) come in with the main riff. Ross then comes in with a raspy voice, just this side of Teddy Pendergrass.

I haven’t been able to find out much about Ross. He appears to have been from Philadelphia and was a member of a mid-60s incarnation of the Flamingos alongside Eddie Edgehill who was connected to the Sweet Delights/Delights Orchestra, and was brought to Event Records in a licensing deal by Philly singer/songwriter George Tindley (who co-wrote the song).

Why ‘Alakazam’ failed to break through in 1971 is a mystery. It is a great song/record, well produced and arranged and on a major label. Whether it just didn’t get into the right hands, or there were some other forces at work, I cannot say.

Aside from two Midwestern markets (Cleveland and Wichita) it didn’t make a dent (though it did get released in the UK on Mojo, and on Polydor in Germany the following year).

And so, it languished in obscurity, the province of some of your hipper UK collectors (Northern, Funk and Modern) and DJs, waiting to be rediscovered.

It isn’t a terribly expensive record – the highest price I can find is just over 50USD – but it is hard to put your hands on. I had it as a saved search for a long time before a copy surfaced, so keep your eyes peeled if you want to add it to your playbox.

I hope you dig it as much as I do, and I’ll see you all on Friday.

Keep the faith

Larry

Example  

____________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

McKinley Jackson and the Politicians – Love Machine Pts 1&2

By , June 28, 2016 11:12 am

Example

McKinley Jackson

Example

Listen/Download – McKinley Jackson and the Politicians – Love Machine Pt1 MP3

Listen/Download – McKinley Jackson and the Politicians – Love Machine Pt2 MP3

Greetings all.

I’d like to start by thanking everyone that participated in the Funky16Corners 2016 Allnighter/Pledge Drive, either as a donor or selector. Your generosity continues to inspire me, and helps the podcast, blog and archives up and running.

The drawing for the M-Tet 45 will be announced on Friday.

__________________________________________

The world of funk and soul is filled with stars, but they wouldn’t be anything without the studio bands that provided the foundation for much of their music.

Groups like the Funk Brothers (Motown and many smaller Detroit labels), the Philly rhythm section/MFSB who can be heard on just about everything that came out of Philadelphia for a decade, the Chess/Cadet house band, and today’s artists, McKinley Jackson and the Politicians.

Jackson had been a Detroit trombone player and arranger (working on records for folks like Lee Rogers, the Fabulous Peps, Ortheia Barnes and Gloria Taylor) who followed Holland/Dozier/Holland when they went left Motown to form Invictus/Hotwax, eventually leading the house band for those labels (the Politicians).

Jackson and the Politicians recorded and album for Hotwax in 1971 and went on to have a minor R&B hit with the fuzz-guitar led ‘Free Your Mind’.

Though the Politicians were mainly and instrumental outfit, they brought in songwriter, producer and Invictus/Hotwax A&R man Ron Dunbar on vocals for part one of today’s selection ‘Love Machine’.

Unlike most of their album, which is composed of fairly hard edged funk, ‘Love Machine’ is pure early 70s soul with a style that was aimed (however unsuccessfully) at the charts.

‘Love Machine’ was actually the first single released by the Politicians, and I’m surprised that it wasn’t a hit. It’s a great song, with plenty of hooks and a great vocal by Dunbar, and the instrumental take (which also appeared as the B-side to ‘Free Your Mind’) on the flipside is cool as well.

Their album is outstanding (and expensive) funk and well worth tracking down.

I hope you dig the sounds and I’ll see you all on Friday.

Keep the faith

Larry

Example  

____________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

F16C 2016 Allnighter/Pledge Drive – Bonus! – Larry Grogan – Groove In

By , June 26, 2016 11:33 am

Example

Example

Seven Souls – Groove In (Venture)
Sam and the Soul Walkers – Soul Walk (Trans-American)
Jimmy (Preacher) Ellis and the Odd Fellows – (C’Mon) Dance To the Drum Beat (Kris)
Floyd Smith – Soul Strut (Dakar)
King Solomon – Louisiana Groove (Cadillac)
Obie Plenty – Beef Stew (Verve)
Sam Rhodes – Shake Your Soul Honey (Capitol)
Chuck Bridges and the LA Happening – Bad Sam (Vault)
Sam Moultrie – Funky Jerk (Roulette)
Alvin Cash and the Hundred Dollar Bills – Party Time (Seventy Seven)
Dynamic Eight – Sardines and Turnip Greens (Atlantic)
Versatile Gents – You’ve Blown My Mind Pt2 (Linco)
Leon Haywood – Clean Up Your Own Back Yard (Atlantic)
Johnny Cameron and the Camerons – Funky John (Atlantic)
Robert Parker – Get To Steppin’ (Island)
Willie Henderson and the Soul Explosions – Off Into a Black Thing (Brunswick)
Soul Continentals – Goobah (Sound Stage 7)
Pazant Brothers – Skunk Juice (RCA)

Listen/Download – Funky16Corners/Larry Grogan – Groove In 85MB Mixed MP3

_______________________

 

Greetings all 

Just when you thought you were out, they pulled you back in again!

What you see before you today is a very special bonus mix in this year’s Funky16Corners 2016 Allnighter/Pledge Drive.

Back a few months ago, when I was just getting things organized for this year’s event, I started out by putting together one funk mix, and one Northern Soul mix.

Then, taken by inspirado, I decided to slide the funky mix to the side and make two, related Northern mixes, which is what I ended up posting.

So, last week, as the Allnighter was winding up, I thought, ‘Hey…why not go ahead and post that funky mix?”

I’d been listening to it a lot in the car, and thought you folks might want to hear it to,

So, in furtherance of the idea that a tasty mix should be served when ripe, I bring you ‘Groove In’, in which we try to balance on that narrow ledge where soul was morphing into funk, with a few detours into out-and-out funk 45 action.

There are a lot of cool records in this one, and I hope you dig it.

I’ll be back later in the week with a return to routine posting.

___________________________




Your donations help to keep Funky16Corners up and running, with the blog, Funky16Corners Radio Show podcast and hundreds of hours of archived mixes.

Example

Everyone that donates will get the new 2016 Funky16Corners badge and bumpersticker, with which you can adorn the garment and flat surface of your choosing.

Also, everyone that donates will be entered into a drawing to win a copy of the new 45 by the M-Tet!

Example

So pull down the ones and zeros, dig deep and Keep the Faith!

___________________________




Keep the faith

Larry

Example  

____________________________________________________________________________

 

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

PS Head over to Iron Leg too.

Panorama Theme by Themocracy