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By Larry, April 9, 2013 11:26 am

Ike and Tina Turner

Listen/Download Ike and Tina Turner – Ooh Poop A Doo

Greetings all

How’s about a little Ike and Tina to get you through the middle of the week?

This is an especially groovy one, because you get some of that soulful action, delivered in the form of one of the classic New Orleans R&B numbers.

Released in 1964 on the flipside of the epic ‘Merry Christmas Baby’, Ike and Tina’s version of Jesse Hill’s ‘Ooh Poop A Doo’ (spelling of title will vary from artist to artist) has the rough and ready sound of a ‘live in studio’ joint.

While I’m not positive, I think this might be the same version that appeared on the ‘Ike and Tina Show Live’ LP in 1965.

There’s a decidedly lo-fi vibe to the proceedings, but Tina and the Ikettes are – as always – in rare form (dig the call and response at the beginning).

Hill’s OG was an R&B Top 5 hit (Pop Top 30) in 1960, and it seems that every act of the time, rock and soul alike either recorded it or made it a staple of their live sets.

Ike and Tina released the song at least two more times, in 1971 and 1974 (on the flips of ‘I Want To Take You Higher’ and ‘Nutbush City Limits’), so you know they dug it.

Though it seems to jump across a few different labels, I’d love to see someone assemble Ike and Tina’s live recordings from the 60s into some kind of comp. Ike always had a hot band going, and of course with Tina and the Ikettes out in front they could do no wrong.

I hope you dig the cut, and I’ll be back on Friday with some more soul.
.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, April 7, 2013 1:14 pm

The Drifters

Listen/Download The Drifters – If You Don’t Come Back

Greetings all

I have something very cool to get the week started.

To repeat a story that has been told here many times (in many ways) before, I first encountered the song I bring you today in a much different form.

Thanks to my time as part of the 80s mod/garage scene, and due to the fact that I had friends with xcellent musical taste and healthy record collections, I first heard a grip of R&B and soul songs as filtered through the prism of the British Invasion (R&B, beat, mod etc).

More often than not, the distance between the original presentation and the cover was fairly small, i.e. white acts trying to replicate the sounds they heard on imported 45s and LPs as closely as possible.

Occasionally, that distance was expanded considerably.

The first time I heard ‘If You Don’t Come Back’ it was via the 1968 psyched out cover version by Gary Walker and the Rain.

The Rain was Gary Walker’s band following the dissolution of the Walker Brothers, and included in its ranks guitarist Joey Molland who would later go on to join Badfinger.

Their sole LP ‘Album #1’ – only ever legitimately released in Japan, but heavily bootlegged – is one of the truly great psych albums of the day.

That said, I always dug ‘If You Don’t Come Back’ but it was years before I discovered that it was a cover of a record originally recorded by the Drifters in 1963.

Written by Jerry Leiber and Mike Stoller, and recorded not long after they started working with the Drifters, ‘If You Don’t Come Back’ has lyrical echoes of the kind of tunes the pair had been recording with the Coasters.

Leiber and Stoller manage to take a song that would have worked in a more humorous setting with the Coasters, and tone it down a little, giving the Drifters record (with a lead vocal by Johnny Moore) a bit of an edge.

It’s one of the rougher, more soulful things the Drifters ever laid down, with a great guitar/horn riff repeated in the verse and some cool group harmonies in the chorus. The lyrics are brilliant.

“Well a noise woke me up this morning
I looked through the venetian blind
The car was gone and you were gone
And I almost lost my mind

If you don’t come back
If you don’t come back today baby, well
They can call up the people from the crazy house
And take this crazy man away

I threw myself up against the wall now
I tore my clothes and I sobbed
I ran out on the street in my stockinged feet
Calling “Police, I been robbed!”

Chorus

Mrs Brown been talking about me
To the people way across the street
Said “I cooked that boy a bucket of stew
But the poor thing just won’t eat”

Chorus

Well the doctor came up to see me
Check me with a fine tooth comb
You ain’t sick, but you’re gonna die
If you don’t get your baby back home

Interestingly, there’s a fantastic version of the song by an earlier British group. The Undertakers (featuring Jackie Lomax) recorded a blistering cover of ‘If You Don’t Come Back’ (billed as the ‘Takers) in 1964. Whether or not this was the version that inspired Gary Walker and the Rain, I cannot say, but it is certainly worth hearing.

I hope you dig the track, and I’ll see you all on Wednesday.

Keep the faith

Larry

PS Please to forgive the roughness of this 45. The person that sold it to me had an odd way of grading records…
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, April 4, 2013 11:34 am

Ingfried Hoffman aka Memphis Black aka The Memphis Soul Band

Listen/Download Memphis Soul Band – That’s Me Boy

Listen/Download Memphis Soul Band – Mrs Robinson

Greetings all

The end of the week is here, and that means it’s Funky16Corners Radio Show time again. We take to the airwaves of the interwebs every Friday night at 9PM on Viva Radio. If your ears aren’t available then, you can always subscribe to the show as a podcast in iTunes, or grab an MP3 out of the archive here at the blog.

The tracks I bring you today are yet another example of the pseudonymous work of Teutonic Hammond wrangler Ingfried Hoffman.

You have already sampled his work when I posted ‘Why Don’t You Play the Organ Man’ by Memphis Black a few years ago.

Hoffman, who worked in the band of saxophonist Klaus Doldinger before creating the Memphis Black persona (one 45 and an LP under that name) recorded the tunes you see before you today under the name of the Memphis Soul Band in 1969.

Working again – as he did as Memphis Black – with expat guitarist/vocalist Joe Quick, Hoffman laid down some very groovy covers of contemporary soul material, as well as two originals in the same basic style.

Hoffman went on to record a number of library titles, and the Memphis Soul Band sides bear the same, hard charging, au go go vibe as much of the UK-based material in the same vein, such as the Mohawks (or any Hawkshaw related jams) or the New London Rhythm and Blues Band.

The first cut, ‘That’s Me Boy’ opens with a spoken intro by Quick, which doesn’t make a whole lot of sense no matter how many times I listen/re-listen to it. That said, once Hoffman drops in the band kicks into a very cool groove (the horns are especially nice).

The second cut, a cover of Simon and Garfunkel’s ‘Mrs Robinson’ hews pretty closely to the Booker T and the MGs take on the song but kicks up the tempo a notch. This is one of those tracks that seems purpose built for the Mod dance floor.

If you desire to place any of Hoffman’s vinyl in your own crates, the Memphis Soul Band LP is probably the most affordable option running 30 or 40 bucks in good shape. The Memphis Black 45 on Ascot is much harder to grab, hovering in the$100 range, with the German issued Memphis Black LP (on Sunset) grabbing $50 more than that (though it has been reissued).

I hope you dig the tunes, and I’ll see you all on Monday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (3)

By Larry, April 1, 2013 7:53 pm

Funky16Corners Presents: Light It Up for World Autism Awareness Day

Kool and the Gang – Who’s Gonna Take the Weight (Deelight)
Sir Joe Quaterman and Free Soul – I Got So Much Trouble In My Mind (GSF)
Aretha Franklin – Save Me (Atlantic)
Marvelettes – I’ll Keep Holding On (Tamla)
Ikettes – Don’t Feel Sorry For Me (Modern)
Donald Height- Life Is Free (You Can Be What You Wanna Be) (Hurdy Gurdy)
Lyn Collins – Things Got To Get Better (Get Together) (People)
Lee Dorsey – Who’s Gonna Help Brother Get Further (Polydor)
Johnny Otis Show – Keep the Faith Pt1 (Eldo)
James Brown – Get Up Get Into It Get Involved (King)
Isley Brothers – Fight the Power (T-Neck)
Billy Butler – Right Track (Okeh)
Etta James – I’m So Glad (Chess)
Gladys Knight and the Pips – Thank You (Fallettinme Be Mice Elf Agin) (Motown)

Listen/Download -Funky16Corners Presents Light It Up for World Autism Awareness Day – 80MB Mixed MP3/256K

Greetings all.

The mix you see before you – though it contains music that should be familiar to readers of Funky16Corners – is a departure of sorts.

I’ve been writing the Funky16Corners blog for almost a decade. Over the years, in addition to the music and the history behind it, I’ve written (to varying degrees) about the events of my life.

Though I haven’t gone into great detail on the subject, I have made references in the past to that fact that autism has made an impact on our family (in case you were wondering about that link in the sidebar…).

Both of our sons – now 6 and 9 – have a diagnosis on the autism spectrum, and as a result, I have – for the last four years – been a stay-at-home-dad.

Even though being a single-income household comes with its own challenges, having a full-time parent at home to coordinate multiple therapies, meetings and the various and sundry unplanned/unexpected challenges that come with having children with Autism Spectrum Disorders (ASD) made a tremendous amount of sense.

Back in 2008, when our sons were initially diagnosed, we had already spent a considerable amount of time dealing with issues that we did not understand.

When we finally managed to weather the batteries of tests, doctor visits and paperwork, and identified the issues at hand, we found ourselves at the end of one journey and the beginning of much longer one.

A diagnosis of autism is a singularly difficult thing for any parent to deal with.

I recall at the time feeling a mixture of relief, in that we finally had a framework to deal with the problems our sons had been having, but also trepidation about finding ways to deal with them going forward.

What kinds of therapies would the boys need, and how would we arrange for them?

How would we work with the professionals in our local schools to make sure that they got the proper education?

As daunting as these questions might seem, they were just the beginning.

The next few years were like navigating an especially challenging maze, in which every turn could reveal either a new way forward – with opportunities to educate ourselves about how to do the best for our children – or another dead end where we would have to push aside our disappointment, regroup and reset the course.

The biggest challenge that every parent of an ASD child has to meet, is when you realize that there are no easy answers. This is the point when it becomes apparent that most progress will be incremental at best, and that you’re dealing with the “long game”.

It has always seemed appropriate to me that one of the public symbols of autism has been the puzzle piece.

Not only does it represent the unique nature of every child, but also that once a parent – or any family member – has begun to deal with the emotional and practical ramifications of an autism diagnosis (and there are many), they have to begin to assemble what amounts to a huge puzzle, laid out before them.

Aside from the obvious things like therapy and school, there are all of the underlying issues that have to be dealt with, such as insurance, work (and time away from it), socialization, and behavioral training inside and outside the home.

In many of these things our family has been extraordinarily lucky.

We were able to get both of our sons diagnosed fairly early – which in the case of our youngest, who was experiencing developmental delays, was incredibly important – and we were fortunate enough to have health insurance.

Though some families can take this kind of foundation for granted, many cannot.

Parents often struggle to find treatment for their children. If and when they do, they are often met with a new set of hurdles, whether complications with insurance, uncooperative/poorly prepared school districts, and/or friends and family that do not fully grasp the nature of the problem.

I mention all of this because April 2nd is World Autism Awareness Day.

This is a day first set aside by the United Nations in 1989 to spread the word about Autism spectrum disorders, the children and families that deal with them every day, and the organizations that study them and work toward a cure.

The mix above is in my own small way an attempt to convey an impression of the struggles, joys and rewards of raising children with autism.

While there aren’t – as far as I know – any soul or funk songs that deal directly with issues of autism, there are certainly a wide variety of tunes that deal with the palette of emotions that children with ASD and their families encounter every single day.

One need only look to the titles of the songs in the playlist above to get a feeling for what kinds of things we go through in our lives.

Parents need to deal with assessment (Who’s Gonna Take the Weight), emotional turmoil (I Got So Much Trouble In My Mind), self pity (Save Me), perseverance (I’ll Keep On Holding On), strength (Don’t Feel Sorry For Me), possibility (Life Is Free You Can Be What You Want To Be), optimism (Things Got To Get Better), reaching out for help (Who’s Gonna Help Brother Get Further), steadfastness (Keep The Faith), doing what you can to spread the word (Get Up, Get Into It, Get Involved), taking on the system when necessary (Fight the Power), assuring yourself that you’re doing the right things (Right Track), taking the time to cherish your kids in their uniqueness (I’m So Glad) and in the end, being thankful for what you’ve got (Thank You Fallettinme Be Mice Elf Agin).

I became a fan of soul music so many years ago, and eventually started writing about it because I find it to be uniquely powerful and transcendent. Though it’s true about any good music, soul music has touched me, and many of the people that read Funky16Corners deeply.

My feelings about great records, and spinning them, are that the best of them carry in their grooves a sort of magic.

Whether it’s that a song effects the listener specifically, i.e. connects them to a memory, or in a general sense where their emotions are stirred and they feel compelled to get up and dance, when I dip into my record box and pull out a particularly powerful 45 (or post one here at the blog, or on the radio show) I get to facilitate that process.

Having children is one of the most amazing, challenging, sometimes frustrating, but always rewarding experiences I can imagine.

Raising children with ASD is all of that amplified significantly.

And, oddly enough, this experience has given me (and continues to give me) a deeper appreciation for the power of music, in how it affects me, and my children as well.

I hope you take the time to follow the link to Autism Speaks, and if this is all unfamiliar to you, maybe take a little time to read up on your read ups.

If you know someone with ASD in their family, see what you can do to help.

Until we meet again

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, March 31, 2013 12:50 pm

The Mighty Eldridge Holmes

Listen/Download Eldridge Holmes – A Love Problem

Greetings all

For the next week or so, while the F16C fam get in a well deserved bit of rest and relaxation, I’ll be republishing some of my favorite tunes from the Funky16Corners Archives. I hope you dig the sounds, and I’ll be back soon.

Larry

Originally posted 2/11/2005

Eldridge Holmes is a name that most people outside of old-time New Orleans residents and record collectors will fail to recognize.

This is a shame because Holmes (in partnership with songwriter/producer/arranger Allen Toussaint) made some of the most memorable funk and soul sides to come out of the Crescent City in the 60’s.

For the full story on Eldridge Holmes click here…

‘A Love Problem’ was released in 1967 as the flip side to his cover of Lee Dorsey’s ‘Working In A Coal Mine’ (not one of Holmes’ best records and an otherwise unnecessary remake). It’s a slow ballad, highlighted throughout by Toussaint’s piano.

Holmes, best known for his storming funk sides like ‘Pop Popcorn Children’ and ‘The Book’ was a great soul shouter, but for a glimpse of the truly sublime, one needs to check out his ballad performances.

Opening with a horn section (featuring a decidedly uncharacteristic muted trumpet) and settling into a slow tempo ‘A Love Problem’ sees Holmes addressing his woman, who’s parents think they’re too young to be in love. Unfolding like some French Quarter Romeo and Juliet story (ending short of the twin suicides of the Bard), Holmes pleading vocal is one of the finest examples of Southern soul balladry from the era.

He manages to move from an almost conversational tone to moments when his voice soars over the rest of the song. As earthy and soulful as it is, the arrangement at times takes on a kind of “prettiness”, especially when Toussaint lays in piano accents alongside Holmes’ voice.

Together (along with the anonymous musicians and background singers) Holmes and Toussaint managed to create something of great beauty (something they did again the following year with Holmes spellbinding cover of Tim Hardin’s ‘If I Were A Carpenter’).

One of the things you hope for when listening to good (dare I say great) music, are those moments when all the elements (writers, performers, lyrics) that make up the little three and a half minute dramas blend into something transcendent.

One of those moments comes at the beginning of the second verse where Holmes sings (in a pas de deux with Toussaint’s bluesy piano):

‘Something tells me, your Mom and your Daddy they don’t like me. But what they fail to realize baby, is whatever will be will be.’

Holmes becomes the boy in the song. The listener gets the feeling that this isn’t just another poetic anthem to heartbreak but a brief window into someone else’s pained memories. The fact that Holmes himself wrote this song (his collaboration with Toussaint was fairly unusual in that he composed many of the songs they recorded together) suggests that pure autobiography is a possibility.

On the other hand, I like to think that a truly great singer is an actor of a sort – bringing the story in a song to life with their performance – and even though Holmes may be “method acting” in bringing to life his own memories in the composition and performance of ‘A Love Problem’, he does so in a way that is supremely evocative.

For a brief moment he makes the listener forget that they are witnessing an artistic conceit, and instead appear to be privy to a real confession, as if you were sitting next to Holmes on a New Orleans bar stool listening to his tale of woe.

Whether or not this record effects you as deeply as it does me, it deserves a listen (or four or five), if only to bring back to life this great, but largely forgotten performer.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, March 28, 2013 10:30 pm

The Spellbinders

Listen/Download – Spellbinders – Help Me (Get Myself Back Together Again)

Greetings all.

For the next week or so, while the F16C fam get in a well deserved bit of rest and relaxation, I’ll be republishing some of my favorite tunes from the Funky16Corners Archives. I hope you dig the sounds, and I’ll be back soon.

Don’t forget to tune in to the Funky16Corners Radio Show, Friday night at 9PM on Viva Radio!

Larry

Originally posted 04/14/2011

My acquisition of the Spellbinders ‘Help Me (Get Myself Back Together Again)’ is yet another one of those twisted tales that winds its way back to the big mountain of 45s that came into my life lo these many years ago.

I’ve gone on about it many times, so I’ll keep it short. My father-in-law, while out scouting for antiques happened upon a huge stash of 45s, called and asked if I wanted them (naturally I said yes) and then brought them down to our house.

When they got here I was stunned by the sheer quantity (several thousand), and my wife and I spent the better part of a summer going through them, pulling out the stuff I knew was good, culling the stuff I knew was bad, and trying to figure out the difference on everything else.

Thanks to the huge amount of records, this proved to be an inexact science, and in addition to several boxes of the good stuff, I ended up with a couple of hundred things that at least looked interesting (or too interesting to throw out) and I’ve been picking at those ever since.

Every once in a while, when I have a little time on my hands I head back into those boxes, and recently such a trip resulted in one of the great ‘how the hell did I miss this?’ moments.

I must have given the Spellbinders 45 a spin at some point (since I had it filed as ‘soul’) but I suspect that I only listened to the other side (‘Danny Boy’), since it did not make a significant impression on me, which, had I listened to today’s selection, would not have been the case (am I making any sense here?).

That said, when I did drop the needle on ‘Help Me (Get Myself back Together Again)’ I was immediately drawn in by the wonderful intro, with the bass, vibes and percussion, followed immediately by the drums bringing in the pounding four on the floor beat. The rest of the record is pure Northern Soul genius, combining a great song, stellar arrangement and production (by Van McCoy) and fantastic vocals by the group.

What little I’ve been able to find out about the Spellbinders is that they were only together for a few years, recording a handful of 45s and an LP for Columbia (and one 45 for Date), with ‘Help Me…’ being issued as a non-LP 45 in 1966.

The group also had New Jersey roots, which is always a cool thing (for me) to find out.

I’m just thankful now that this 45 didn’t languish for another few years, or get sucked back into the vinyl maelstrom forever.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, March 26, 2013 5:27 pm

Listen/Download – Henry Lumpkin – Soul Is Takin Over MP3

Greetings all.

For the next week or so, while the F16C fam get in a well deserved bit of rest and relaxation, I’ll be republishing some of my favorite tunes from the Funky16Corners Archives. I hope you dig the sounds, and I’ll be back soon.

Larry

Originally posted 11/09/2008

I hope all is well on your end and you found the weekend to be both restorative and fun-filled (not always the same thing, y’know).

I figured I get the week started with something lively, raw and soulful.

The tune I bring you today is one of the last 45s recorded by Mr. Henry Lumpkin.

Lumpkin was one of the early lights of Motown, recording two 45s for the label in 1962. One of those 45s happened to be the original version of the R&B/soul standard ‘Mojo Hannah’ later covered by Larry Williams, Betty Harris and Tammi Lynn among others.

Lumpkin’s time at Motown was over almost as soon as it got started, but it was there that he made an important connection, that being songwriter and producer Robert Bateman.

Five years after his stint with Motown he hooked up again with Bateman, and the man who was by then Bateman’s partner – and a big favorite here at Castle Funky16Corners – Mr. Lou “Hot Butter’n’All” Courtney.

It was with Bateman and Courtney (as co-composers and producers) that Lumpkin made what is perhaps the greatest record of his career, 1967s ‘Soul Is Takin’ Over’.

If you’ve been sitting around, wasting away, wondering when your next dose of soul clapping was going to arrive, I’m here to let you know that Dr. Soul is about to fall by with your prescription.

‘Soul is Takin’ Over’ is a dance-floor pounder from the git go, with the aforementioned soul clapping, throbbing bass, guitar, piano and drums, all dragged around the studio by Lumpkin’s razor sharp delivery of the anthemic chorus. If ever a soul 45 was seeming engineered specifically for use as a drunken sing/dance-along, ‘Soul Is Takin’ Over’ is it.

Unfortunately, no matter how good the record is – and it is, good that is – it’s yet another example of a fantastic 45 that got lost in the shuffle, ultimately doing nothing to advance its singer’s career.

Lumpkin would make one more 45 for Buddah, and the promptly fell off the face of the earth.

No matter.
Make sure you pull down the ones and zeros, and the next time you have the gang over for a rug-cutting session, get’em lit and throw this one on, open the windows and piss off your neighbors.

I hope you dig it.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (2)

By Larry, March 24, 2013 3:15 pm

The lovely Miss Mary Wells

Listen/Download – Mary Wells – Can’t You See (You’re Losing Me)

Greetings all.

For the next week or so, while the F16C fam get in a well deserved bit of rest and relaxation, I’ll be republishing some of my favorite tunes from the Funky16Corners Archives. I hope you dig the sounds, and I’ll be back soon.

Larry

Originally posted 10/19/2010

Once again I’m neck deep in a busy week, but what better time for an invigorating and restorative shot of soul?

Like anyone who tuned into an oldies station in the 1970s (or 80s, 90s or 00s) Motown looms large.

Unfortunately – and I’ve spoken on this issue at length in the past – what you basically get in that format is the same dozen of so songs by the label’s biggest artists, repeated ad infinitum to the point of nausea.

It was just such a situation that turned me off to the wonders of Motown for a long time, until many years later, when the sounds of Northern Soul came into my life.

Though the phrase Northern Soul, used as a descriptive can be unbelievably wide-ranging, were you to approach it from the broadest possible angle, what you’re hearing is musicians and singers, in and out of Detroit making an effort to duplicate the soul sounds coming out of that city, in and out of Motown (and I say in and out because so many Motor City records on other labels were played by the same general group of musicians creating the magic for Berry Gordy).

One of those oft-repeated songs was ‘My Guy’ by Mary Wells. A big hit in the Spring of 1964, that song cemented Mary Wells in the minds of a generation (and beyond).

What a lot of folks don’t know, is that Wells left Motown soon after, and spent the rest of the decade bouncing to 20th Century Fox, Atco and Jubilee, making a few minor dents in the charts but nothing like her time at Motown.

Despite that fact, she continued to make great music, including today’s track, recorded in 1966 for Atco.

I first heard this tune via my man Agent 45, who had picked it up on a mispressed/labeled 45. When I heard ‘Cant’ You See (You’re Losing Me)’ I flipped my wig.

What a fucking stormer!

Not only is the song a bit of Northern Soul genius (that honking baritone sax is the shit!), with a powerful, propulsive dancer’s beat, but the song itself is a killer.

Written by none other than Barrett Strong (another tie back to Motown), and recorded in Chicago with a brilliant arrangement by Sonny Sanders, another former Detroiter who had worked on a number of classics at the Golden World label, ‘Can’t You See (You’re Losing Me)’ is yet another example of a record that should have been a huge hit, yet only finds its reward in the hearts of soulies decades on.

‘Can’t You See (You’re Losing Me)’ has since become a staple of my Northern Soul box, and always brings someone up to the decks to see what’s playing.

Love, love, love this record.

I hope you do too,

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (5)

By Larry, March 21, 2013 11:42 am

Funky16Corners Presents: Soul Version

Jackie Mittoo – Hip Hug (Coxsone) – Booker T & The MGs
Gaylettes – Son of a Preacherman (Steady) – Dusty Springfield
Dobby Dobson – Don’t Make Me Over (Pama Supreme) – Dionne Warwicke
Federalman – Soul Serenade (Steady) – King Curtis
Ken Boothe – Gonna Take a Miracle/Version (Hulk) – Royalettes
Winston Wright – Heads or Tails (Green Door) – Booker T & the MGs
Lorna Bennett – Breakfast In Bed (Harry J) – Dusty Springfield
Byron Lee – Who Done It (Dynamic) – Monk Higgins
Pioneers – Papa Was a Rolling Stone (Trojan) – Temptations
Horace Andy – Show and Tell (Money Disc) – Al Wilson
Pat Rhoden – Living For the City (Attack) – Stevie Wonder
Byron Lee – Shaft (Dynamic) – Isaac Hayes
Winston Samuels and the Cintones – Let’s Get It On (Clintone) – Marvin Gaye
Byron Lee – Hot Reggay (Dynamic) – James Brown
Shark Wilson and the Basement Heaters – Make It Reggay(version) (Ashanti) – James Brown
Pat Rhoden – Boogie On Reggae Woman (Horse) – Stevie Wonder
Alton Ellis – La La Means I Love You (Mr Tipsy) – Delfonics
Tomorrows Children – Sister Big Stuff (London) – Jean Knight

Listen/Download -Funky16Corners Presents Soul Version – 109MB Mixed MP3/256K

Greetings all.

I hope all is well on your side of the universe, and that you’re all ready for the weekend.

Don’t forget that the Funky16Corners Radio Show hits the airwaves of the interwebs this and every Friday night at 9PM on Viva Radio. If you can’t be there at the time of broadcast, you can always subscribe to the show as a podcast in iTunes, or grab an MP3 (or two, or 100) out of the archive here at the blog.

The fam and I are taking some time off to chill in the coming weeks (which will be filled with specially selected reposts of some of my fave tunes from the archives) so I figured I’d leave you with something special until I’m back behind the keyboard again.

The mix you see before you is the fruit of what I like to call one of my “special boxes”.

The Funky16Corners record vault is lined, floor to ceiling (in some places) with crates of LPs and boxes of 45s, and sprinkled liberally with a grip of those old-timey, pasteboard, 45 carrying cases.

As pretty much any collector does, I grab those cases wherever I find them, first and foremost because they’re cool looking, but because – and I’m pretty sure you figured this out already – I’ve got lots and lots of 45s that need a place to stay.

I mentioned the “boxes” before, those being the purpose-made 45 storage boxes that hold over 100 discs each. There are lots of those.

However, my collection has its niches, certain sub-genres, not collected as aggressively as others (for a variety of reasons, though usually boiled down to issues of availability), and many of these niches get packed away in those smaller boxes.

There’s one for disco 45s, one for rockabilly/instro 45s, and the one that gave up today’s sounds, the reggae and ska 45s.

I’ve been a huge fan of ska and reggae since I was in high school, when the Two-Tone revival was in full swing and I was led by bands like the Specials to investigate the first-wave of ska, going back to the mid-60s.

It would be fair to say that the bulk of the ska and reggae in my hands is on CD, especially old comps and the later (excellent) Trojan mini-box sets.

However, I’m always on the lookout for Jamaican vinyl, often seeking out favorite records (some of which – Winston Wright, Pioneers, Shark Wilson – are in this mix) and grabbing cool stuff whenever I encounter it in the field.

As the contents of this mix show, I’m a big fan of reggae covers of American soul tunes, of which there are many.

The groovy  thing – and something I’ve discussed in this space before – is that despite the stylistic delineation, what you’re hearing is still demonstrably soul music (albeit with a reggae beat).

The influence of American R&B and soul on Jamaican music is undeniable, with many powerhouse AM radio stations, in cities like New Orleans and Miami sending out American pop to the islands.

What you hear isn’t mere “coverage”, if you will, but rather some truly great singers like Ken Boothe and Alton Ellis, and instrumentalists like Winston Wright, Jackie Mittoo and Byron Lee, interpreting some of the finest material available at the time.

Soul Version is composed of just about an hour of my favorites, running (like my personal tastes) from sweet soul, to organ instrumentals, to funk and just a touch of dub.

Many of these records have appeared here at Funky16Corners over the years, either by themselves or in mixes.

I hope you dig the sounds, and I’ll see you all soon.

Keep the faith

Larry

PS I just realized I took a picture of the wrong Pioneers 45…sorry ’bout that.
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, March 19, 2013 11:14 am

Nu Sound Express Ltd

Listen/Download Nu Sound Express Ltd – I’ve Been Trying

Greetings all

The tune I bring you today is both a very groovy cover, as well as a neglected b-side.

Back in the day, when I was first tracking and bagging soul and funk 45s, the Nu-Sound Express Ltd were one of the first big scores.

This is not to say that any of their records are big-money hustlas (to borrow a term from our insane friends) but rather that at the time, they were a group both obscure and excellent when my crates were not heavily burdened with same.

There isn’t a lot of information out there on the group, but what is available suggests that they were from New Jersey, and were associated with Jersey City impresario Paul Kyser.

Kyser had produced acts like Jimmy Briscoe and the Little Beavers, Sound Generation, the Super Disco Band, Calender and the band that Nu Sound Express would morph into a few years later, Rhyze.

Nu Sound Express Ltd recorded two cool 45s, both for the Silver Dollar label (at least one of which was issued in Europe – with a cool picture sleeve – on the Discophon label) in the early 70s.

The a-sides of their 45s, ‘Ain’t It Good Enough’ and ‘One More Time You All’ were both cool examples of uptempo early 70s funk (the second being a ‘sequel’ of sorts to the first).

The tune I bring you today is the flipside of ‘Ain’t It Good Enough’, and if you didn’t recognize the title, also a cover of the Impressions 1965 Top 40 R&B hit ‘I’ve Been Trying’.

It took me a few years to warm to this side, first and foremost because back then I wasn’t grooving to too many ballads, but also because it has a certain loose, almost lo-fi feel to it.

The impression I get is that Kyser blew most of the budget on the A-side, leaving the group with a much sparer palette with which to work.

What you get is a touch of street corner harmony, with a spoken intro and low key instrumental backing (with a slightly out of tune piano). The cool thing is that the singing is very nice indeed, with a refreshing lack of slickness that sets it apart from almost everything else that was happening at the time.

‘I’ve Been Trying’ is a throwback to an earlier time and an interesting contrast to the funk of its flip.

I hope you dig it, and I’ll see you on Friday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (3)

By Larry, March 17, 2013 12:26 pm

Timmy Shaw

Listen/Download Timmy Shaw – Gonna Send you Back To Georgia (City Slick)

Greetings all

If you’ve been loitering here under the streetlamp at Funky16Corners for a few years, you probably heard this song (the James Carr cover)when I posted it back in 2009.

At the time, I mentioned how surprised I was when I spun that particular 45 and realized that it was a take on the song that I had known by the Animals as ‘Send You Back To Walker’.

When I posted it, I did some digging and discovered that the James Carr tune was not only not the OG, but came after the one by our friends from Newcastle upon the Tyne, which itself was a cover of the O-est of G’s, which (not coincidentally) you see before you this fine day.

Assuming that you read the title of the post, you know by now that the tune was written and first recorded by a cat named Timmy Shaw (though his Ma and Pa knew him as Jake Hammonds, Jr).

Shaw, who co-wrote the tune with Johnnie Mae Matthews was a Detroit-based singer who waxed the tune in 1964.

Shaw recorded a number of 45s for local labels, with ‘Gonna Send You back To Georgia’ having originally been released under it’s parenthetical title ‘City Slick’ earlier that year on the Audrey imprint.

The Wand version grazed the outer reaches of the R&B Top 40 in January of 1964.

The original version of the tune is a hard-charging, highly danceable number with some very tasty guitar and a great vocal by Shaw, who reminds me a little of Gary US Bonds.

Timmy Shaw – one can assume he pulled in a couple of bucks from the Animals cover – only recorded a few more 45s (for Premium Stuff and Big Hit), the last in 1968 before dropping out of sight.

He passed away in 1986.

I hope you dig the cut, and I’ll see you all on Wednesday.

Keep the faith

Larry

PS What’s a Sternphone??
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (4)

By Larry, March 14, 2013 11:44 am

Ricky Allen

Listen/Download Ricky Allen – Cut You A Loose

Greetings all

The end of the week is nigh and so must be the Funky16Corners Radio Show, Friday night at 9PM on Viva Radio. If you cannot join me at airtime, you can always subscribe to the show as a podcast in iTunes or grab an MP3 here at the blog.

Now…I hope you’re all strapped in securely and have ingested your blood pressure medicine and all necessary sedatives.

I only mention this because the record I’m going to whip on you this fine day is likely to blow your doors off, set your hair on end and (if you’re lucky) drive you into the kind of convulsions often recognized as “dancing”.

I first heard Ricky Allen’s ‘Cut You A Loose’courtesy of my friend Michael Newman’s ‘Hinky Dinky Time’ radio show.

It was one of those times where I heard a record for the first time (happens a lot at DJ nights) and the intersections of the pleasure and acquisition centers of my brain light up at exactly the same time.

Gotta hear that record again, and gotta get me a copy to stash in my play box, in that exact order.

It didn’t take me too long to find a nice, clean copy of the 45, and when it did fall through the mail slot I digimatized it forthwith and put the digital copy on a loop.

Like Bobby Parker’s ‘Watch Your Step’, ‘Cut You A Loose’ is one of those records that lives in the mystical land where blues and soul (and rock’n’roll) coexist peacefully, breeding at will and producing offspring like this.

‘Cut You A Loose’ was a Top 20 R&B hit in August of 1963 and Allen (who was born in Nashville but relocated to Chicago in the late 50s) went on to record a handful of 45s in a similar vein through the 60s.

After I’d digested this tune, it occurred to me that it sounded familiar. It wasn’t until I’d played it a dozen or so times that it occurred to me that ‘Cut You A Loose’ bore an interesting resemblance to another record, that being Dave Baby Cortez’s ‘Getting To the Point’.

As far as I can tell, ‘Cut You A Loose’ came first (by a few months), with ‘Getting To the Point’ being a rather savage, Hammond-driven “homage”, if you will.

‘Cut You A Loose’ became a Chicago blues standard of sorts, with cover versions by James Cotton, Otis Rush, Buddy Guy and Junior Wells, and Koko Taylor among others (I have no idea how this song didn’t become a staple of Stevie Ray Vaughan’s repertoire).

Allen apparently retired in the early 70s to run a limousine business and a laundry, before returning to the festival circuit years later.

This record is as powerful 2:47 of music as you’re likely to find, and I hope you dig it as much as I do.

See you soon.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.