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By Larry, April 7, 2015 4:08 pm

Area Code 615

Listen/Download – Area Code 615 – Stone Fox Chase

Greetings all.

As I was strolling through the back woods of the mirrors of my memory of the alleys of my mind (otherwise known as the to-be-blogged folder on the hard drive) I decided to drop something a little different today.

Area Code 615 was an aggregation of Nashville session heavies that got together and recorded two albums in 1969 and 1970.

Though their albums are both worth picking up for their groovy mixture country, rock and a little bit of soul, they were met with commercial indifference at the time of release.

Fortunately for the group, their legacy was cemented when today’s selection, ‘Stone Fox Chase’ became the theme for the UK music show ‘The Old Grey Whistle Test’, and was later sampled by Mantronix and Royal House.

The sample-age has everything to do with the wild drums and percussion on the track, which is – for a large part of its playing time – basically a duel between various drums and Charlie McCoy’s harmonica. There’s a wicked breakdown, with congas, drum set and cowbell at around 46 seconds that is positively hypnotic, and then another, featuring kalimba and what sound like a table at 1:42 that is equally groovy.

Thanks in large part to ‘Stone Fox Chase’, the ‘Trip In the Country’ LP is a tough pull, not crazy expensive, but hard to find. Their first (self-titled) LP is also pretty cool.

I hope you dig the tune, and I’ll see you on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, April 5, 2015 9:40 am

Marie Knight

Listen/Download – Marie Knight – Cry Me a River

Greetings all.

Welcome to another swinging week here at the Corners.

I have to send out thanks for today’s selection to my friend Mike Schaefer who turned me on to this record a while back.

Though I had a record of hers (a duet with Rex Garvin) I had no idea who Marie Knight was until I heard her epic 1965 version of the old standard ‘Cry Me a River’.

Knight who started out as a gospel singer, touring with Sister Rosetta Tharpe among others, she moved into secular R&B and soul by the end of the 1950s (on the aforementioned ‘Marie and Rex’ 45 ‘I Can’t Sit Down’ which edged into the Pop Top 100).

When Mike posted ‘Cry Me a River’ I was blown away by Knight’s huge, powerful voice, and set out to find myself a copy of the record right away.

What I soon discovered was that Knight also recorded the original version of one of my favorite Manfred Mann records, ‘Come Tomorrow’ for Okeh in 1961. That record – which took a lot longer and a lot more money to bag – will be featured sometime soon.

‘Cry Me a River’, which has been recorded countless times by all kinds of singers, was high on my list of tunes I never really needed to hear again…until I heard Marie Knight sing it.

The arrangement – by Bert Keyes – takes the song at a slow, but powerfully delivered pace, with lots of space for Knight to tear into the lyric.

It majes sense that this record was a Top 40 hit in 1965, because I can’t imagine it making the same impact a year later. It has the kind of sound that just about out the door by mid-decade.

What makes it unique, aside from Knight’s vocal, is the small touches, like the lead guitar that snakes in and out of the arrangement, and the chorus of backup singers that sounds like an actual church choir.

It is a uniquely powerful recording, and a big fave of mine.

I hope you dig it, too.

See you on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, April 2, 2015 10:19 am

The Les James Trio

Listen/Download The Les James Trio – Joe’s Thing

Greetings all

The end of the week is here, and I should remind you all the the Funky16Corners Radio Show comes to you each and every Friday night at 9PM on Viva Radio. If you cannot be there at airtime, you can always subscribe to the show as a podcast in iTunes, listen on your mobile device via the TuneIn app, or grab an MP3 out of the archive right here at the blog.

The fam and I are doing some Spring-breaking, so here’s something from the archives to keep you ears warm until Monday – Larry

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Originally posted November, 2012

I often find myself running out of steam by the end of the week.

You know how it is.

Truth be told, I have discovered that the remedy to such a lull is not – as might be expected – a solid and powerful boot in the ass,  but rather something subtly powerful.

Enough of a push to restore momentum, but nothing too sudden.

It is in furtherance of this idea that I have dipped into the crates and whipped out something that just might do the trick.

A while back, I was perusing the interwebs in search of some tasty vinyl to add to my record box, when I happened upon an auction for an unfamiliar, but very interesting looking record.

The disc in question was a mid-70s joint by a crew called the Les James Trio out of the Rocky Mountain metropolis of Denver, CO.

Now, I know that “Denver jazz’ doesn’t light any fire in your ears – unless you are a Paul Quinichette aficionado – but this auction came with a tantalizing soundclip.

So tantalizing in fact that I chased this record down like a lion after a juicy springbok, landed it and devoured it forthwith, if by “devour” it is meant to be understood as recording and digimatizing said record for the delectation of you good people.

There’s not much out there about Les James, other than a few links that suggest that he was something of a local institution in Denver, and the liner notes to the album which intimate that he might have hailed from Eastern Europe and made his way west, piano in tow.

The tune I bring you today – he one that made me covet the album so fiercely – is entitled ‘Joe’s Thing’, written by and named for James’ bassist Joe Lopez.

Much like the record that I brought you all on Monday, the things that happen on this record in regard to the alchemy of bass and drums is truly something to behold.

‘Joe’s Thing’ is in no way a “funk” record, but it is immediately obvious once the ones and zeros start to flow that is is monumentally funky, in a way guaranteed to make you sit up, notice, and groove, all at the same time.

Unlike so many self-released combos (Century was a famous “press your own”outfit out of California) the Les James Trio was actually a pretty tight unit. James was an excellent pianist, Lopez a shit-hot bassist and the drummer (listed only as Jo Jo) does his part admirably.

‘Joe’s Thing’ is a groover’s treasure because it starts out with a mighty riff, and then returns to the well a number of times, including a couple of phased drum breaks.

This is a banger – a subtle one – but a banger nonetheless.

You can send your thank you notes via the comments below.

You’re most welcome.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, March 31, 2015 11:08 am

Tarik Thornton – Scattered, Covered, Smothered and Diced

Ahmad Jamal – M*A*S*H Theme
Art Jerry Miller- Finger Lickin’ Good
Odell Brown & The Organizers – The Look Of Love
James Brown- Spinning Wheel
Lena Horne – Rocky Raccoon
Lonnie Smith- Move Your Hand- Part 1
Joe Williams & The Jazz Orchestra – Get Out My Life Woman
Brother Jack McDuff- Theme From The Electric Surfboard
Bobbi Humphrey- Harlem River Drive
Gene Ammons- Jungle Strut
Charlie Earland- Sing a Simple Song
Billy Cobham- Crosswind
Walter Wolfman Washington & Solar System – Good & Juicy
(Bonus Cut) Dejan’s Olympia Brass Band of New Orleans – Tuba Fats & Drums

Listen/Download – Tarik Thornton – Scattered, Covered, Smothered and Diced 46MB/Mixed MP3

Greetings all.

This is a very fortuitous week indeed, since thanks to a communique from my man Tarik Thornton (veteran of many Funky16Corners pledge drives and guest spots) we have the second brand new mix of the week!

If you have sunk your ears into any of his previous mixes, you know that Tarik has deep crates and excellent taste, and both are on display in ‘Scattered, Covered, Smothered and Diced’. Here you get just about 40 minutes of very tasty soul jazz and jazz funk, well mixed and served up hot.

I’m digging this one for the second time as I write this, and I think you’ll be giving it repeated plays as well.

I hope you dig it, and I’ll be back on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (2)

By Larry, March 29, 2015 11:15 am

Give Everybody Some
Mixed Live by Funky16Corners for This is Funkaholic
Intro
The Bar-kays – Give Everybody Some (Volt)
Artie Christopher – Stoned Soul (Atlantic)
Blue Mitchell – H.N.I.C. Pt1 (Blue Note)
Jomo – Uhuru (Checker)
Ernest Van Treose and the McDaniel Mary Street Band – Medicine Man (RCA)
Cliff Nobles & Co. – The Camel (Phil LA of Soul)
James Brown- Give It Up Or Turnit A Loose (LP/Instrumental Mix) (King)
Detroit City Limits – 98 Cents Plus Tax (Okeh)
Ray Pereira – They Say (Columbia Fr.)
Soul Brothers – Horsing Around (Newmiss)
Inez & Charlie Foxx’s Swinging Mocking Band – Speed Ticket (Dynamo)

Listen/Download – F16C for This Is Funkaholic! – Give Everybody Some 67MB/Mixed MP3

Greetings all.

Welcome to another swinging week here at the Corners.

I was recently asked by DJ Funkaholic to put together a mix for his This Is Funkaholic! radio show, which airs Saturdays on Radio LeineHertz 106.5 in Hannover, Germany.

‘Give Everybody Some’ is a half hour of tasty, mostly instrumental funk, which aired live this past Saturday (you can listen to the entire show here) . There are a couple of old faves, some things that have appeared here recently, and some groovy new stuff that’ll make it here in the future.

I thought it’d be cool to post it here for those of you that weren’t able to catch it when it aired.

So dig it, and I’ll see you all on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, March 26, 2015 10:22 am

Listen/Download – Reggie Milner – Soul Machine

Listen/Download – Quickest Way Out – Tick Tock Baby (It’s a Quarter to Love)

Greetings all.

The end of the week is approaching, and so I simply must remind you that come this and every Friday night at 9PM you should twist the knobs on your radiola and tune in the Funky16Corners Radio Show on Viva Radio for the best in funk, soul, jazz and rare groove, all on original vinyl. If you cannot be there at airtime, you can always subscribe to the show as a podcast in iTunes, listen on your mobile device through the TuneIn app, or grab yourself an MP3 right here at the blog.
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Before we get started, I would like to hep you to the groovy new 45 by the mighty M-Tet out of San Francisco, California.
The M-Tet lay down a tasty stew of classic, Booker T/Meters-style organ grooves, with an underpinning of funk, soul and jazz. Well played and produced, ‘Mike’s New Adidas’ b/w ‘All Growns Up’ is a must have. You can grab yourself a hard copy of the 45 at their site, or grab the new album ‘Finger Poppin’ Time’, which includes some very cool covers, too (or their first LP ‘Hot Buttered Rum’) in iTunes.
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Today’s selection is a prime example of why it pays to keep your ears open, and maintain avenues of communication with like-minded collector types.

Some years ago, I put my hands on a 45 by a group called the Quickest Way Out, doing a groovy little tune called ‘Tick Tock Baby (It’s a Quarter to Love)’. While discussing this record with some on-line friends, someone brought it to my attention that the record in question shared a backing track with another 45, which not coincidentally is the record you see before you today, Reggie Milner’s ‘Soul Machine’.

‘Tick Tock Baby (It’s a Quarter to Love)’ is a tasty side and all, but once I heard the Reggie Milner side, all bets – as they say – were off.

Released in 1970, and released on Memphis-based Volt (though recorded in Detroit by Ollie McLaughlin) ‘Soul Machine’ is a funky killer, driven by a thick, twangy guitar, aided by clavinet, thumping bass and pounding drums.

The energy is taken up a few notches during the chorus, and there’s a great drum breakdown midway through the song.

The Quickest Way Out 45 is a slightly less banging affair, with a high, female lead vocal, though the drum break is a little more open. Both 45s (released in 1970) include a cover version of Barbara Mason’s ‘Hello Stranger’ on the flip.

Milner had two 45s on Volt (and one earlier single for the Ron’s label), with his first ‘Habit Forming Love’ b/w ‘And I Love Her’ from 1969 getting some airplay in Detroit.

According to Keith Rylatt’s excellent ‘Groovesville USA’ book, Milner was hit by a train and killed in 1980.

I hope you dig the tunes, and I’ll see you all on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

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By Larry, March 24, 2015 10:57 am

The Sharpees

Greetings all.

One of the great truisms of soul music, is that even though not all roads lead to Chicago, many of the best ones do.

Though over the years I set out to collect regional sounds, especially New Orleans and Philadelphia, later in the game I discovered that when I wasn’t looking, my Chitown crate had swollen considerably.

The groovy thing is, that even taking into consideration the volume of high-quality Chicago soul sides I already know/own, there are tons more, and new stuff I’m discovering all the time.

One of the Chicago groups I came to fairly late in the game is the Sharpees.

Formed in the early 60s as part of Benny Sharp’s revue, the Sharpees, which included (at various times) Stacy Johnson, Herbert Reeves, Benny Sharp, Horise O’Toole and Guy Vernon, laid down a great string of 45s for One-Derful in 1965 and 1966.

Cuts like ‘Do the 45’ , ‘Tired of Being Lonely’ and today’s selection, ‘I’ve Got a Secret’.

The Sharpees had the good fortune to benefit from the songwriting talents of the great Eddie Silvers (of Eddie and the Dehavelons) who wrote or co-wrote several of their best sides.

The group had the benefit of alternating leads, with a raspy baritone competing with a high, stylish tenor, and lots of that classy Chicago soul feel.

‘I’ve Got a Secret’ is a great dancer, which opens with a heavy drum hit, followed by a propulsive bass which is countered by xylophone accents. The lead and the group harmonies are top notch.

The Sharpees 45s are consistently excellent, and since none of them are that expensive (with the Northern fave ‘Tired of Being Lonely’, their biggest hit topping out at around 40 bucks) you have no excuse not to file your own copies.

I hope you dig the tune, and I’ll see you on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, March 22, 2015 10:46 am

Lou Johnson

Greetings all.

I hope you all have your Hammond groove pants on.

I first heard Ross Carnegie’s ‘Cool Dad’ (like so many other organ classics) on the legendary ‘Vital Organs’ comp, though it took me something like 15 years before I got around to filing a copy of the OG 45.

Carnegie was a pianist/organist working out of the New York area who is best known (to record collectors, anyway) for a series of self-released 45s he put out between the mid-60s and the late 70s.

‘Cool Dad’ , which I haven’t been able to date exactly, but I’d be willing to bet came out sometime in the mid-to-late 60s, is a hard-charging soul groover, with some especially heavy (and well recorded) drums, pulsing bass, tastefully applied horns, and – of course – Mr Carnegie’s wailing Hammond organ.

The flipside ‘Win. Lose or Draw’ is slightly ‘cooler’, featuring a reapeated figure delivered by the flute and trumpet in unison, before the flute steps out front to solo, followed of course by the Hammond.

Though I’ve seen this 45 billed as funk (I suspect the drums have something to do with that), it really hews closer to classic-era Hammond soul jazz, like Wild Bill Davis’s ‘Breaking Out’ and Hank Marr’s ‘White House Party’, which is a groovy thing since those are two of the finest platters to emit the sound of the organ.

As I mentioned when I wrote up his later ‘Open Up Your Mind’ 45 back in 2010, Carnegie worked as a bandleader,music educator and later became well-known in the area as the pianist in residence at the White Plains location of the Nordstroms department store.

‘Cool Dad’ b/w ‘Win Lose or Draw’ is probably the most expensive of Carnegie’s 45s, running between 40 and 100 bucks, but if you pull down the ones and zeroes and give it a listen, I think you’ll agree that it’s worth every penny.

I hope you dig it, and I’ll see you on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (1)

By Larry, March 19, 2015 11:51 am

Greetings all.

The end of the week is here, and that means that it’s time to warm up the old radiola and tune in the dulcet tones of the Funky16Corners Radio Show. We come to you each and every Friday night at 9pm on Viva Radio, with the best in funk, soul, jazz and rare groove, all on original vinyl. If you can’t fall by at airtime, you can always subscribe to the show as a podcast in iTunes, listen on your mobile device through the TuneIn app, or grab yourself an MP3 here at the blog.

I’m closing out the week with a record that is a very heavy bit of funky business, as well as an old favorite of mine.

Though most seasoned diggers’ hearts would be set aflutter by the sight of the Rojac label, it would likely only boil over into a full-scale infarction if it turned out to be the Third Guitar’s “Baby Don’t Cry’, the most sought-after 45 on the label.

That certainly is a banger, but even a brief look at the Rojac discography will reveal that there is much treasure to be dug therein, including sides by Big Maybelle, Kim Tolliver and the man on today’s selection, Mr Lavell Hardy.

Hardy’s 1967 killer ‘Don’t Lose Your Groove’ was one of the first really heavy 45s that I was lucky enough to dig up and has remained a steady favorite all these years.

Hardy only ever recorded two 45s (both for Rojac), and seems to have had a level of popularity over in the UK where ‘Don’t Lose Your Groove’ was picked up and released on the CBS subsidiary, Direction label.

‘Don’t Lose Your Groove’ is a stellar bit of early days funk, with some heavy guitar and horns, and a searing Pickett-esque vocal by Hardy. I really dig the bass guitar, and the drums are nice and heavy, up to and including the break at 1:47.

Interestingly, while trying to dig up some info on Hardy, I discovered that the year after ‘Don’t Lose Your Groove’, Lavell Hardy was involved in a scheme to take a young singer named Vickie Jones and bring her to Florida

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The article about the hoax/tour (above) and the fake-Aretha, Vickie Jones (below)

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where she was to masquerade as Aretha Franklin on a series of concert dates! Hardy got busted, and according to articles in Jet and a number of newspapers, including one called the Afro-American, Aretha and her lawyers were interested in pressing charges against Hardy (who is decribed more than once as an ‘itinerant hairdresser’, but is also described as “wearing his hair in a beautifully sculptured six-inch bush”).

I haven’t been able to find any information about the ultimate disposition of the case, but it certainly makes for an interesting footnote to the Lavell Hardy story!

I hope you dig the song as much as I do, and I’ll see you on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, March 17, 2015 12:05 pm

Willie Bobo

Greetings all.

I thought I’d whip a little Latin jazz/boogaloo on you to usher you over the hump.

One would assume that most of you were already familiar with the music of the mighty Willie Bobo.

Though Bobo came up as a percussionist with leaders like George Shearing, Cal Tjader and Mongo Santamaria, he made his biggest mark as a solo artist.

His 1960s Verve recordings are not only excellent, but were popular enough that they are still fairly easy to track down.

His cover of Len Barry’s ‘1-2-3’ (rendered here as ‘1-2-3 (Uno Dos Tres)’ was the title track from Bobo’s 1965 LP of the same name.

Taken at a brisk pace, with some tasty horns and the sinuous of guitar by Gabor Szabo, it’s not hard to imagine a discotheque full of swingers grooving to this one.

Grab yourself a copy of the 45, and you also get the mighty ‘Fried Neckbones and Some Home Fries’ on the flip.

If you haven’t got any Bobo heating up your crates, get out there and start digging. You will not regret it.

I hope you dig the sounds.

See you on Friday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, March 15, 2015 11:39 am

Lou Johnson

Greetings all.

Lou Johnson is one of those names that pops up all over the 1960s soul timeline, sometimes in settings that almost make it seem like you’re dealing with different artists.

He first made his mark working with Burt Bacharach and Hal David, recording early versions of ‘Reach Out For Me’ ‘(There’s) Always Something There To Remind Me’ and ‘Kentucky Bluebird (Take a Message Martha)’ that would go on to be better known by singers like Dionne Warwick and Sandie Shaw.

He also recorded records that became favorites of the UK soul crowd, including ‘Magic Potion’ and the Northern Soul fave ‘Unsatisfied’.

Unfortunately, despite his fantastically smooth voice, and a wealth of remarkable material, his commercial success was limited, having his last brush with the charts in 1965 with ‘A Time To Love A Time To Cry’.

He had been recording for Big Top/Big Hill since 1962. One of the last things released on him by the labels was a 1966 session with Allen Toussaint, in which Johnson recorded a version of the Bacharach/David classic ‘Walk On By’.

It is a really unsual arrangement of a familiar song, with some decidedly New Orleans piano tossed into the mix. You can really hear Toussaint’s hand in the arrangement and Johnson’s vocal is inspired.

Johnson spent some time recording for Atlantic/Cotillion in the late 60s, but by 1971, he had moved on to Volt.

Volt sent him back to work with Toussaint in New Orleans, where they recorded the LP ‘With You In Mind’ (composed almost entirely by Toussaint).’

‘Frisco Here I Come’ has a nice, funky edge to it, with a long guitar-heavy intro, before the bass comes in to set the rolling tempo. Johnson is joined by female backing singers and a string section in the chorus, and then later on in the tune by a wild sounding organ.

It should have been a hit, but the only trace of radio play I can find is a single appearance on a New Orleans chart from the Spring of 1971.

It would appear that after ‘With You In Mind’, Johnson did not record again, apparently relocating to the West coast and working as a nightclub singer.

You can find a lot of Johnson’s work on iTunes (including ‘With You In Mind’ repackaged/retitled as ‘Crazy About You’).

I hope you dig the tune, and I’ll see you on Wednesday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, March 12, 2015 12:43 pm

Blue Mitchell

Listen/Download – Blue Mitchell – H.N.I.C. Pt2

Greetings all.

The end of the week is nigh, so I will remind you once again that the Funky16Corners Radio Show returns to the shimmering airwaves of the interwebs this and every Friday night on Viva Radio. If you cannot lend your ears at airtime, you can subscribe to the show as podcast in iTunes, listen on your mobile device through the TuneIn app, or grab yourself an MP3 here at the blog.

Closing out the week with something funky seemed like a good idea, so I bring you Blue Mitchell and ‘H.N.I.C. Pt1’.
Mitchell was, like the subject of Wednesday’s post, Yusef Lateef, a jazz veteran, coming up in hard bop with Cannonball Adderley and Horace Silver, and moving on to his own dates by the 1960s.

Like many of his ilk, Mitchell found himself at the end of the 1960s finding his way into a soulful bag. Many jazzers did this to varying levels of success, depending in large part on their affinity with and dedication to the material in question.

What is particularly interesting about today’s selection, is that it comes from a two-LP run that Mitchell had in 1968 and 1969 where he was working with Monk Higgins and Dee Ervin.

I haven’t been able to find out how this particular team came together, but the intersection of straight jazz with two figures closely identified with 60s soul is an interesting one.

The two albums, 1968s ‘Collision In Black’ and 1969s ‘Bantu Village’ (where this track originated) were composed almost entirely by Higgins and Ervin.. The dates appear to have been recorded in California, and are an interesting is somewhat mysterious chapter in Higgins’ and Ervin’s stories.

‘H.N.I.C. Pt1’ is also interesting because it is yet another iteration/variation of the Isley Brothers’ ‘It’s Your Thing’, a huge (and very influential) hit in 1969.

Featuring Mitchell and Bobby Bryant on trumpet, Paul Humphrey on drums, Wilton Felder on bass and Freddy Robinson on guitar, ‘H.N.I.C. Pt1’ manages to balance the jazz and funk nicely, with a fine solo by Mitchell.

I dig it (I need to score a copy of the LP), and I hope you do too.

See you on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.