Comments (3)

By Larry, June 14, 2012 11:50 am

Lonnie Mack

Listen/Download Lonnie Mack – Too Much Trouble

Greetings all.

The end of another week is here, and so is your weekly helping of soulful goodness in the form of the Funky16Corners Radio Show. We take to the airwaves of the interwebs this – and every – Friday night at 9PM on Viva Radio. If you can’t be there at the time of broadcast you can always fall by the blog and grab the show (or any of the previous 100 episodes) in MP3 form.

Also, make sure you fall by on Monday when the 2012 Funky16Corners Pledge Drive/Allnighter hits. You’ll get eight new, excellent mixes from some of the finest selectors I know. You won’t want to miss it.

The tune I bring you today is something cool from the rock side of the tracks.

I don’t doubt that many among you are aware of the work of Mr Lonnie Mack, but I don’t think you imagined him doing something quite this funky.

Mack is know to most for his 1963 hits ‘Memphis’ which managed to make it into the Top 5 on the R&B and Pop charts and ‘Wham’ (which grazed the Pop Top 20).

He recorded a wide variety of blues and R&B-based covers and originals (influencing countless young guitarists), recording for Fraternity from 1963 to 1967.

Mack was also an excellent soulful vocalist, as seen in tracks like ‘Where There’s a Will There’s a Way’ and ‘Why’.

His career slowed somewhat after his early hits and he spent a lot of the 60s as a session guitarist, working on session for King/Federal artists like Freddy King and James Brown and singers like Joe Simon.

When Mack signed with Elektra records in 1968 he had been largely absent from the charts for a few years. He recorded three albums for the label over the next few years, and Elektra also reissued his early Fraternity hits on the ‘For Collectors Only’ comp.

The track I bring you today, the funky ‘Too Much Trouble’ appeared on his 1969 Elektra debut ‘Glad I’m In the Band’.

‘Too Much Trouble’ is one of those late-60s tracks that seems to have emerged from the same musical swamp as efforts by cats like Joe South and Tony Joe White, musicians who wove together elements of rock, soul, country and blues into something new and groovy.

Mack’s vocals are a little rougher/wilder than his early sides, but his guitar wails and the backing band (organ, bass and drums) are spot on.

The track was co-written by Mack’s bass player Tim Drummond, who had played in James Brown’s band.

If you can find the album grab it as is features an excellent cover of Ted Taylor’s ‘Stay Away From My Baby’ and remakes of Mack’s own ‘Why’ and a new version of ‘Memphis’.

Interestingly, during his time at Elektra, mack continued to work as a session player, playing guitar and bass on the Doors ‘Morrison Hotel’ LP (he is rumored to have played lead guitar on ‘Roadhouse Blues’) and producing Dorothy Combs Morrison’s sides for the label.

Mack spent most of the 70s recording in a country style, moving back to blues and R&B by the 80s.

He’s still playing today.

I hope you dig the tune, and that you’ll join me on Monday for the 2012 Allnighter.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (11)

By Larry, November 24, 2011 2:20 pm

Mmmmmmmm!

Greetings all!

This is an impromptu post, spurred on by the spirit of Thanksgiving, in which the holiday and the word take on extra special meaning.

I am thankful first and foremost that we are lucky enough to have my wife home with us for the holiday. I brought her home from the hospital this morning.

Hopefully being home and around her family will help make her stronger during her recovery.

Second, I’m thankful that I have this outlet to share my love of music with all of you.

I’m reposting the three food-related mixes I’ve done here over the years so that while you’re stuffing your gobs with gobbler, you can also stuff your ears with soul.

What you get here are the first two Soul Food mixes, as well as F16C Radio v.60 which is mostly chicken-themed, but ends in a flourish with the Niteliters ‘Serenade to a Jive Turkey’.

I hope you dig the sounds, and that you all have an excellent Thanksgiving weekend,

See you on Monday.

Peace

Larry

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Funky16Corners Radio v.3 – Soul Food (That’s What I Like) Pt1

Track listing

Brother Jack McDuff – Hot Barbecue (Prestige)

 Soul Runners – Chittlin’ Salad Pt1 (MoSoul)

Lionel Hampton – Greasy Greens (GladHamp)

Albert Collins – Cookin’ Catfish (20th Century)

Andre Williams – Rib Tips (Avin)

Maurice Simon & The Pie Men – Sweet Potato Gravy (Carnival)

Mel Brown – Chicken Fat (Impulse)

Lonnie Youngblood – Soul Food (That’s What I Like) (Fairmount)

Prime Mates – Hot Tamales (Sansu)

Just Brothers – Sliced Tomatoes (Music Merchant)

Leon Haywood – Cornbread and Buttermilk (Decca)

Bobby Rush – Chicken Heads (Galaxy)

Booker T & The MGs – Jelly Bread (Stax)

Gentleman June Gardner – Mustard Greens (Blue Rock)

West Siders – Candy Yams (Infinity)

Hank Jacobs – Monkey Hips and Rice (Sue)

George Semper – Collard Greens (Imperial)

Billy Clark & His Orchestra – Hot Gravy (Dynamo)

Listen Download Mixed MP3

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Funky16Corners Radio v.9 – Soul Food Pt2

Playlist

1. Simtec Simmons – Tea Box (Maurci)

2. Johnny Barfield & The Men of S.O.U.L. – Soul Butter (SSS Intl)

3. Ronnie Woods – Sugar Pt2 (Everest)

4. Stan Hunter & Sonny Fortune – Corn Flakes (Prestige)

5. Fabulous Counts – Scrambled Eggs (Moira)

6. Watts 103rd St Rhythm Band – Spreadin Honey (Keymen)

7. Freddie Roach – Brown Sugar (Blue Note)

8. Albert Collins – Sno Cone Pt1 (TCF Hall)

9. Chuck Edwards – Chuck Roast (Rene)

10. Willie Mitchell – Mashed Potatoes (Hi)

11. Booker T & The MGs – Red Beans & Rice (Atlantic)

12. Righteous Brothers Band – Green Onions (Verve)

13. George Semper – Hog Maws & Collard Greens (Imperial)

14. Lee Dorsey – Candy Yam (Amy)

15. Roosevelt Fountain & his Pens of Rhythm – Red Pepper Pt1 (Prince Adams)

16. Bad Boys – Black Olives (Paula)

17. Willie Bobo – Spanish Grease (Verve)

18. American Group – Enchilada Soul (AGP)

DOWNLOAD – 39.3 MB Mixed MP3

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Funky16Corners Radio v.60 – Finger Lickin’ Good!

Funky16Corners Radio v.60 – Finger Lickin’ Good!

Playlist

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (5)

By Larry, April 3, 2011 3:18 pm

Slap those keys Mr. Reeder!

Doc Bagby – Mix It Up (Vim)
Donald Height – Soul Monkey Twist (Jubilee)
Gate Wesley and Band – Do the Thing (Atlantic)
Four Gents – Soul Sister (HBR)
Doug Clark and the Hot Nuts – Instrumental (Jubilee)
Ike & Tina Turner – Tina’s Dilemma (Sue)
Eskew Reeder – Green Door (Minit)
Baby Lloyd – the Dog (Smash)
Jon Thomas – Hot Tip (Mercury)
African Beavers – You Got Something (RCA)
Mark III Trio – Cagey (Downhill)
Bunker Hill – Hide and Go seek (Intermission)
Tempos – Monkey Doo (Fairmount)
Chet Poison Ivey – Poo Poo Man (Bee Cee)
Hollywood Persuaders – Last Night (Original Sound)
Carl Holmes and the Commanders – Mash Potatoes Pt1 (Atlantic)
The Sunglows – Happy Hippo (Sunglow)
Chuck Edwards – Chuck Roast (Roulette)
Rivingtons – Papa Oo Mow Mow (Liberty)
Turtles – Buzz Saw (White Whale)
Candy Phillips – Timber Pt1 (Atlantic)
Emperors – Tic Tac Toe (unreleased)
Ray Sharpe – Help Me (Get the Feeling) Pt1 (Atco)
Wynder K Frog – Dancing Frog (UA)
Shadows of Knight – Shake (Team)

Listen/Download – F16C Radio v.93 – Half ‘Mental’ – 116MB/256K Mixed MP3

NOTE: This mix is NSFW, in that it will inspire all manner of odd behavior, but also because the drops within are meant for mature audiences. So don’t play this in front of your kids unless you’re ready for some ‘splainin.

Greetings all.

I hope the new week finds you all well.

Me, I’m cool (maybe depends on who you ask….)

Gonna get things started this week a note of thanks and a slew of DJ gig announcements.

First, I’d like to say thank you to the Funky16Corners readers, and especially my wife’s knitting pals (who clicked through the donation link here at F16C) who helped us raise money for the POAC Autism Walk this past Saturday. It’s not too late to throw a couple of bucks into the till for a very worthy cause, so I’ll leave the link below for this post.

Now to the gigs…

Before we get things rolling I should mention that I will be returning to Spindletop @ Botanica next Monday, 4/11 for more of the good stuff. I always look forward to packing up the 45RPM heat and hanging with my man Perry Lane. I realize that Monday night isn’t everyone’s ‘get out and hang’ night, but if you are so inclined you could do a lot worse than joining me for some hot 45s and some cold drinks.

Now, Saturday, that’s a CLASSIC get out of the house and dance your ass off kind of night, and it just so happens that April 16th I will be spinning at the legendary Subway Soul Club alongside the mighty Connie T Empress (Empire State Soul Club and the early days of the Asbury Park 45 Sessions) and SSC resident Phast Phreddie the Boogaloo Omnibus. This shindig occurs at Public Assembly (70 North 6th Street, in Williamsburg, Brooklyn) and runs from 10PM until 4AM the following morning. Subway Soul Club feature 60s soul and R&B with an emphasis on Northern.

You know I’m a Northern Soul nut, and my crates run deep with the stuff. I’ll be packing only the finest midtempo and storming dancers into my 45RPM steamer trunk (as well as some gritty 60s movers) , so if slipping and sliding on the talc is the bag you’re in, or just doing the Philly Dog, the Monkey (Boston or other…), the Jerk, or any of the other classic steps, you need to bring your feet and your ears on down to Subway Soul.

Then (YES, There’s MORE!!), I’ll be motoring up to Massachusetts for what promises to be an absolute burner of a weekend.

Friday 4/22 I’ll be joining DJ Andujar and Studebaker Hawk for Sweet Excorcist @ The Peoples Pint, 24 Federal St in Greenfield Mass, and then on Saturday 4/23 I’ll be spinning alongside DJ Cashman and Snack Attack at Wooly Bully @ the Basement, 21 Center St, Northampton Mass. I’ll be packing all manner of deep funk, hard charging party soul, latin boogaloo and even some funky reggae. Both of these nights are banging, so I look forward to bringing the very busy month of April to a loud, sweaty close. Won’t you join us??

To say that I have sweated over the mix you see before you would be at the very least an understatement. Though the overall number of mixes posted here has certainly increased, the flow of the old school, non-live Funky16Corners Radio jawns has been lean.

This has everything to do with the increase in both the F16C Soul Club series (live recordings) and the weekly Funky16Corners Radio Shows.

I am – despite rumors to the contrary – but a solitary man, and one can only turn out so much product without blowing some kind of mental gasket, so I figured that I would take my time with the ‘regular’ mixes in an attempt to make them a little more special.

That said, this particular mix has been germinating for a long time, first in my fevered brain, then on the old laptop where it has seen no less than four separate ‘drafts’, the last of which is posted above.

Funky16Corners Radio v.93 – Half Mental (as in “instru” but also crazed) is my attempt to recreate the spirit of the smoky taverns, sweaty frat house basements* and other places where people gathered to dance (and or grind) in close proximity to loud, soulful music while spilling their beverages (and whatever else gets spilled on nights like this) on the floor (and each other).

This is not music to let into your ears passively.

While you may choose to close your eyes, plug in your earbuds and have a frat party of the mind, you’d be better served cranking this stuff up in an overpacked room full of funseekers, with at least a few people fired up enough to start singing along into their beer bottles while they stagger about breaking your stuff (I can’t keep anything nice in here…).

There’s all kinds of powerful stuff in here, including the soul, the greasy Hammond groovers, (African) Beavers, Monkeys, Dogs, Hippos and Frogs and enough high octane slop to get even the drowsiest bore off of his can and out on the floor.

Normally, I would reserve such a punch in the head for a Friday, but I figured that if you were to grab the ones and zeros on a Monday, you’d have all week to get your friends together to dig it with you.

I’m not going to say much more, nor am I doing a zip file on this one. Pulling this apart would be like dissecting a peanut butter and jelly sang-weech. The pieces just aren’t the same as eating the whole thing.

So, pull down the mix (and your pants if that’s how you swing), spill some beer and get with the party.

See you later in the week.

Peace

Larry

*Just to provide a frame of reference, Carl Holmes and the Commanders were a regular attraction at Chris Millers Dartmouth U frat back in the early days of the 60s, providing (alongside folks like Lonnie Youngblood) the model a decade and a half further on up the road for Otis Day and the Knights when Miller would co-write ‘Animal House’. Doug Clark and the Hot Nuts were working the same (if a lot dirtier) vibe south of the Mason-Dixon line.

Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some very tasty UK Folk Rock.

Comments (0)

By Larry, March 31, 2011 10:45 am

Oh, yes…

Listen/Download – F16C Soul Club Presents – Spindletop A-Go-Go 71MB/256K Mixed MP3

Brothers Two – Boogaloo Soul Party (Crimson)
Roy Lee Johnson – Boogaloo #3 (Josie)
Barbara Lynn – Club A Go Go (Tribe)
Norman T Washington – Jumping Jack Flash (Pama)
Eyes of Blue – Heart Trouble (Deram)
Lil Bob and the Lollipops – I Got Loaded (La Louisianne)
Wayne Cochran – Goin’ back to Miami (Mercury)
Chet Poison Ivey and His Fabulous Avengers – Shake a Poo Poo (TRC)
Willie Tell and the Overtures – Soul Ranger (Chess)
Interpretations – Snap Out (Bell)
Syl Johnson – Different Strokes (Twilight)
Mad Men – African Twist Pt1 (Gamble)
Sir Lattimore Brown – Shake and Vibrate (SS7)
Georgie Woods – Potato Salad Pt1 (Fat Back)
Jerry Lee Lewis – Shotgun Man (Smash)
Jeanne & the Darlings – Soul Girl (Volt)

Greetings all.

The end of the week is here, and as is almost always the case, so is the end of my patience/energy.

This has been a very busy week, blog-o-rifically and lifewise, and sometimes it seems that the challenges just keep on coming, like lining up outside my door like I’m handing out hundred dollar bills and grilled cheese sandwiches, and then going around the back so they can get in line again to kick me in the ass.

Not everything is bad, since it looks like April is going to be a very busy month DJ-wise, but as always, it’s just a matter of getting all of my psychotic ducks in a row.

When I get all the gig details ironed out, I will make announcements in this space.

That said, it’s time again to remind you all that if you are not otherwise occupied Friday night at 9PM, you should roll on up to the intertubes and grab you some Funky16Corners Radio Show on Viva Radio. I always endeavor to bring you the best in funk, soul, jazz and rare groove, all culled from vinyl, all engineered for your listening pleasure. If you can’t be there at broadcast time, you can always pick up the shows in MP3 form over the weekend here at the blog.

As promised, I’m posting the second live set from last week’s Spindletop @ Botanica. This time you get more of the partying grooves, including one of my faves by an artist who was taken from us unexpectedly last week, the mighty Sir Lattimore Brown.

There’s all kinds of groovy stuff in the mix, all good’n’greasy enough to get the laziest SOB up off their butt and out onto the floor.

Speaking of getting out on the floor, I’ve been hard (and I do mean hard) at work this week cooking up a very tasty mix that will most definitely loosen up your wig and heat up your shorts. I will be dropping it on Monday, so make sure you have lots of ice, potato chips and several varieties of potent spirits, ‘cuz you’re going to need them.

That said, enjoy the sounds, have yourself a groovy weekend and I’ll be back on Monday with more of the stuff you love.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk. The whole Funky16Corners gang will be walking in support of autism services, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (4)

By Larry, March 24, 2011 9:31 am

Listen to him Lucy. He know’s what he’s talking about.

Listen/Download – F16C Soul Club Presents – Spindletop New Breed 76MB/256K Mixed MP3

Jimmy Hannah & the Dynamics – Leaving Here (Seafair/Bolo)
Frank Frost – My Back Scratcher (Jewel)
Bobby Powell – Why Am I Treated So Bad (Whit)
Ike Turner and the Kings of Rhythm – The New Breed Pt1 (Sue)
Richard Berry & the Pharaohs – Louie Louie (Flip)
Roy Thompson – Sookie Sookie (Okeh)
Mighty Hannibal – Jerkin’ the Dog (Shurfine)
Bobby Parker – Watch Your Step (V Tone)
Gene Waiters – Shake and Shingaling Pt1 (Fairmount)
Roger & the Gypsies – Pass the Hatchet Pt1 (Seven B)
Scatman Crothers – Golly! Zonk! It’s Scatman (HBR)
Derek Martin – Daddy Rollin’ Stone (Crackerjack)
King Coleman – Boo Boo Song Pt2 (King)
Billy Preston – Let the Music Play (Capitol)
Etta James and Sugar Pie DeSanto – In the Basement Pt1 (Chess)
Dottie Cambridge – He’s About a Mover (MGM)
Freddie Scott – Pow City! (Marlin)

Greetings all.

The end of the week is here, and I am in dire need of some form of stress relief, whether it’s extended, uninterrupted sleep, intoxication of some sort or just deep, silent meditation.

It’s not that this week has been extraordinarily rough, ‘cause it hasn’t, but rather some combination of not enough sleep (DJ-ing two hours away on a Monday night will do that), a cold (and/or the onset of seasonal allergies) and the normal slate of irritants, have all combined to do a number on my head.

That said, I’m going to take a tip from the Sims Twins and let a little soul music ‘Soothe Me’.

First, I’ll remind you that this Friday night at 9PM the Funky16Corners Radio Show returns to Viva Radio with another hour of the best in funk, soul, jazz and rare groove, all straight from my crates to your ears. As always you can either tune in on the interwebs, or come by here over the weekend to pick up the show in its easy to use MP3 form. Either way, the sounds are equally excellent.

I had a gas on Monday spinning at Spindletop, and managed once again to capture the goings on with my handheld digital recorder, so that I might share some of it with you good folks.

I went through the musical fruits (no beans…) of the evening and carved out two sets of grooves, one of which I’ll whip on you today, the second which I’ll drop at the end of next week.

This time out I dipped into the crates and whipped out the best in hard-charging, soul party action, from gritty R&B, tough dance floor soul, right on to early funk.

I’ve said this before, but it bears repeating, that one of the prime reasons I love to DJ in a bar or club is the opportunity to hear really amazing records pumping out of a great big set of speakers. You can set the Mighty Hannibal loose in your earbuds, but it’s just not as cool as hearing him unwind his turban with ‘Jerkin’ the Dog’ shaking a room full of people like a minor earthquake.

Every single one of the records in these mixes is perfect for such an environment. I’d go as far as to say that gathered together like this, they might be too powerful for a Friday or Saturday, yet pack just enough musical TNT to set things off on a Monday.

If I was you, I’d pull down the ones and zeros, hit the liquor store, invite over some friends, roll back the carpet and turn up the stereo and do like Mr. Waiters says:

Jump back honey and let the New Breed by!

See you on Monday

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk. The whole Funky16Corners gang will be walking in support of autism services, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some Laurel Canyon cool from Mama Cass.

Comments (9)

By Larry, January 30, 2011 2:33 pm

Funky16Corners Radio v.92 – Regular Funk

Playlist

Listen/Download 115MB/256kb Mixed MP3

Download 93MB Zip File

I hope you’re all ready to step into a week.

I should let you know that this coming Friday (2/4) I’ll be guesting at the After the Laughter Soul Club at Lulu’s, 113 Franklin St., Greenpoint, NY. I’ll be joining DJ Hambone and Ben Carey for a night of funk, soul and R&B, all on 45. Things get going at 10PM and go into the wee hours of the morning, so make sure you fall by for some beer, pizza and hot wax.

That said, who wants to pull down the ones and zeros for some of what we record collectors refer to as ‘the funk’?

This is not to say that Funky16Corners Radio v.92 – Regular Funk is all one kind of thing, since it was assembled and mixed under a somewhat larger umbrella than some of you might be accustomed to.

You get some funky soul, some in the regular funk 45 stylee, and some jazz funk as well. I think it all fits together nicely, and hopefully once you stuff it into your ears, you will too.

Things get started with a little taste of Memphis groove, with the Bar-Kays and ‘Don’t Do That’. The flipside of 1967’s ‘Give Everybody Some’, ‘Don’t Do That’ is positively dripping with that Stax/Volt sound, including some very twangy gitbox, which comes to the fore when the horns aren’t blazing.

Buddy Miles is one of those groovy artists who kind of dwell in a gray area between soul and rock, working ably on both sides of the line, and mixing the two together whenever he got the opportunity. ‘Easy Greasy’ is an instrumental from his 1970 ‘We Got to Live Together’ album, and it carries with it much of the horn heavy vibe of the time, with the BST’s and the Chicago’s and naturally the Electric Flag’s, and Buddy manages to whip it all into a nice swaggering groove, that when you least expect it drops in a little bit of a quote (today’s kids might think of it as a sample) from Led Zeppelin’s ‘Bring It On Home’. Things even manage to get a tiny bit psychedelic – which was the style of the time – so settle in and dig it.

The mighty Syl Johnson appeared in this very spot but a few short weeks ago. He was – as has been stated previously – 100% badass – and his take on the Temptation’s ‘Get Ready’ has a lot of grit in its groove.

Despite a bit of searching, I haven’t been able to nail down Nate Turner, but Venetta Fields (big time backup singer of the day) and the Mirettes were familiar. The tune ‘Rap, Run It On Down’ is a cut from the soundtrack to the 1969 Sidney Poitier vehicle ‘The Lost Man’. I dig the vibe on this one (co-written by Quincy Jones, Dick Cooper and Ernie Shelby*), and the flip side (on which Venetta sits out), ‘Sweet Soul Sister’ is also cool, in a more downtempo way.

I always assumed that the Toddlin’ Town Sounds were an anonymous amalgamation of Chitown sessioners, or perhaps an instro track that someone leased to the label. Either way, their funky stomper ‘The Dud’ (flip of their better known cover of the Isleys ‘It’s Your Thing’) is a killer (dig that chopping rhythm guitar).

‘Funky Tambourine’ by C and the Shells has always been a fave of mine, simply because it defies narrow categorization. It is funky, but it also has an odd, fast moving time signature, as well as some stinging fuzz guitar. There might even be a little bit of gospel flavor weaving in and out of this one as well.

The Crusaders, once a tight soul jazz outfit (as the Jazz Crusaders) evolved into the funky R&B band that hit the charts in the 70s. Led by keyboardist Joe Sample (lots of tasty electric piano here), drummer Stix Hooper and saxophonist Wilton Felder (all three of whom did a lot of work on other people’s records in the 60s and 70s) lay down a very tasty groove indeed on 1973s ‘Gotta Get It On’.

‘Sams Funck’ is blues legend Magic Sam’s entry into the blues guys get funky sweepstakes. Based loosely on the ‘It’s Your Thing’ template, recorded in the lowest of fi’s (as it were) you still get to hear some of the guitar action that made the man a legend. If you find yourself a copy of this one, flip it over, since the vocal version ‘I’ll Pay You Back’ is quite nice indeed.

The Backyard Heavies got their start as a North Carolina show band called the Tempests. ‘Expo 83’, one of the funkiest piano driven 45s in my crates was sampled by Pete Rock for ‘The Basement Intro’.

Does Bobby Byrd need and introduction to the likes of you? Since you’re one of the fine folks that falls by Funky16Corners I’d say no. Mr. Byrd was for years James Brown’s on-stage wing man, but also stepped out to make some hot as hell 45s under his own name. ‘Back From the Dead’ is from a period when Byrd had separated from the Brown organization and found his way to Henry Stone’s Florida-based TK label subsidiary International Brothers. Bobby is in fine form, and lays down a solid bit of dance floor funk.

Eddie Harris has appeared in this space many times. He was one of the true giants of soul jazz, and as 1974’s ‘Get On Down’ illustrates, he could also be quite funky. The cool thing is that you get to hear Eddie double on keys and sax (which he also did on earlier albums like ‘Mean Greens’).

The Fame Gang was the house band at the storied Alabama studio of the same name. Their cover of the Isley Brothers ‘It’s Your Thing’ is another groovy cover of that funky classic. Much like Archie Bell and the Drells ‘Tighten Up’, ‘It’s Your Thing’ is one of those records that was not only had scores of straightforward covers, but was also (see Magic Sam above) ripped off, reprocessed and renamed countless times.

From the funk 45 column comes Pt2 of the Showmen Inc.’s ’Tramp (from Funky Broadway)’, working one of my favorite vibes, that being an intertwining of two separate dance crazes in the same record. The famed break is on the other side, but I’ll make sure to get that one up onto the blog sometime soon.

Jr. Walker and the All Stars are one of those Motown groups that had a huge, omnipresent radio hit in the 60s (Shotgun) that is so much a standard on oldies radio that it tends to make you take them for granted. Well, get yourself out and grab some of their records, because they’re filled with solid, hard hitting gems like ‘Baby You Ain’t Right’.

Now Andre Williams is a dude that has yet to get his props. Williams, acting as performer, writer and producer had his hand in some incredibly good records out of Chicago and Detroit in the 60s. He was an OG badass, with that gangsta lean, lots of greasy soul and attitude for weeks. ‘It’s Gonna Be Fine in ‘69’ is another one of his masterpieces for the Chess/Checker/Cadet family of labels. It features some wild guitar, snapping drums, and of course Mr Williams on the vocal.

Wilbur Bascomb and the Zodiact recorded under their own name, as well as backing other artists. ‘Just a Groove in G’ features a classic drum break, some wailing organ, and some imspired if spasmodic guitar action.

Billy Cobham is one of the great drummers of the jazz fusion era. His 1974 ‘Crosswind’ (also covered, very nicely by Woody Herman!) is a funky killer, with tight drumming by Billy, grooving electric piano and tasty horns. Sampled by Gang Starr among others.

Another jazz hero with funky tendencies was the mighty Grant Green. A seriously talented hard bopper who contributed to countless classic Blue Note sessions as a sideman, also had quite the discography under his own name. As the 60s rolled to a close, he got progressively more funky, so much so that his albums from that period are crate digger faves and his 1971 set ‘Shades of Green’ is no exception. His ‘James Brown Medley’ is a laid back, funky, extended take on the Godfather.

This edition of Funky16Corners Radio closes out with a cool bit of Motor City funk, ‘Tick Tock Baby (It’s a Quarter To Love)’ by the Quickest Way Out. Groovy because it shares a backing track with Reggie Milner’s raging ‘Soul Machine’. The Quickest Way Out take on the tune is a little more laid back, and the break is open, so what’s not to like.

I hope you dig the mix, and I’ll be back later in the week with something cool.

Peace

Larry

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By Larry, January 27, 2011 2:42 pm

Etta James and Sugar Pie DeSanto

Listen/Download – Etta James and Sugar Pie DeSanto – In the Basement Pt1

Greetings all.

The end of the week is finally here, and in one of the great feats of meteorologic redundancy, we are once again buried in snow.

Were I a resident of the Arctic I would have nothing to complain about, but this is New Jersey, where we are supposedly exempt from this kind of foolishness.

There’s not a damn thing we can do about it either, which is why I’m bitching.

This is the part of the week-ending post where I remind you all to fall by this week’s Funky16Corners Radio Show on Viva Radio, where I’ll be whipping Part 2 of the Northern Soul Dance Party on your ears. Remember, if you can’t listen Friday at 9PM, you can always stop by the blog over the weekend and pick up the show in MP3 form.

However, like the postal service, neither rain, nor sleet, snow, ice globs the size of baseballs or falling space junk can keep me from my appointed rounds, so here I am.

In the spirit of priming the engine for the weekend, so that the festivities can get off on the good foot, I dug down into the crates and pulled out a certified soul party burner.

We recently heard the sad news that the mighty (and I mean that in every sense of the word) Miss Etta James is ailing once again. Hers has been a long, troubled but musically amazing life, straddling the eras of R&B, soul and funk.

She had the skills to sing (now) standards like ‘At Last’, dance floor killers like ‘Something’s Got a Hold On Me’ and ‘Payback’ , the Muscle Shoals heat of ‘Tell Mama’ right on through solid funk like ‘Tighten Up Your Own Thing’.

The tune I bring you today is what is considered to be a genuinely legendary Mod soul side, and has the extra added power of a dynamite duet partner, Miss Sugar Pie DeSanto.

Released on Cadet in 1966, ‘In the Basement’ is just under two and a half minutes of white hot, hand clapping, foot sliding, hip swinging soul power with two truly great voices trading lines.

What you have here – in a sane world – would be elevated to the level of National Soul Anthem, on account of this is really what it’s all about. If you’ve ever had the pleasure of spinning hot 45s for a groovy crowd, or cut a rug to some laying it down, you have some of the musical DNA of this record running through your veins.

Ohh, now tell me where can you party, child, all night long?
In the basement, down in the basement, yeah.
Oh where can you go when your money gets low?
In the basement, whoa down in the basement
And if a storm is taking place, you can jam and still be safe
In the basement, down in the basement, yeah, yeah, yeah, yeah

Where can you dance to any music you choose?
In the basement, whoa down in the basement
Oh, you got the comforts of home, a nightclub too.
In the basement, whoa down in the basement.
There’s no cover charge or fee and the food and drinks are free,
In the basement, down in the basement

This is, as they say, the shit, and then some. What Friday nights are all about.

As a matter of fact, I can guarantee you that when I take to the decks next week at the After the Laughter Soul Club at Lulus in Greenpoint, I will have this 45 in my box, and when the moment is right, when the crowd has consumed just the right combination of greasy soul, cold beer and good times, I will whip this onto the decks and push the whole affair to the next level.

Solid.

Have yourselves a great weekend, and I’ll be back on Monday with a funky mix.

Peace

Larry

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By Larry, December 26, 2010 1:23 pm

Funky16Corners Radio v.91 – Year End Soul!

Playlist

Listen/Download 800MB/256kb Mixed MP3

I hope that everyone is grooving on the good will and brother – and sister – hood of the holiday season.

Obviously not everyone celebrates Christmas, but we can all soak up the peace and goodwill that floats in the ether this time of year.

This has been a big year for Funky16Corners.

The first quarter saw the move off of the free WordPress platform onto our own server space, which – despite any technical limitations yours truly might be encumbered with – worked like a charm.

This May saw the ‘opening’ of the Funky16Corners Soul Club series of live DJ sets, with contributions from lots of groovy people, as well as number of my own sets from various and sundry DJ gigs.

Thanks go out to all of you who once again contributed to the yearly Pledge Drive, which kept the Funky16Corners empire solvent for another calendar year. Your continued generosity makes me glad that I started the blog six years ago. In fact, it just occurred to me as I write this that I neglected to mark the sixth anniversary of the blog this past November.

Such is the chaos of my daily life that I neglected to remember, let alone mark the occasion.

Another groovy milestone that we marked in 2010 was the rebirth/re-engineering of the Funky16Corners Radio Show on Viva Radio. The folks at Viva were nice enough to bump me into a better time slot, and I responded by changing the way I do the show, hopefully for the better. We continue to broadcast every Friday night at 9PM, followed by uploading the show every Saturday so that you fine people can pull down the ones and zeros and append each week’s broadcast to the MP3 delivery device of your choosing.

On the DJ front, I’ve been up to New York City (and will be again on January, 10 2011, watch this space for details), down to Washington, DC (thanks to the mighty DJ Birdman for facilitating the journey). Hopefully 2011 will provide more opportunities for me to pack up my record box and hit the road, and (if all goes well) maybe even the return of the Asbury Park 45 Sessions.

The New Year will also see the return of our sister blog, Iron Leg, where we’re in a 60s pop/garage/psyche bag. Real world commitments caused me to put the blog on hiatus a few months back, but I’ve decided to bring it back – albeit with an abbreviated posting schedule – in 2011. I’ll be posting a year end wrap-up mix today, and regular posts will recommence next week.

So, once again, allow me to say thanks to all of you for stopping by and engaging in our ongoing conversation about music and how it moves us.

Since the fam and I will be out and about visiting family, I’ll be dropping the mix you see before you and taking the rest of the week off.

I’ve gathered the best of the upbeat and funky tracks from the past year and whipped them into a nice little party mix that you can play during your New Years Eve festivities (or whenever you need a lift).

There are lots of faves, plenty of funky rhythms with which to set loose your caboose, and enough grooves to grease your way past Father Time and into 2011.

I hope you dig it, and that you all have a safe and healthy rest of the year.

Peace

Larry

NOTE: There’s no accompanying zip file with this mix, since all of the tracks included have appeared here individually this past year.

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By Larry, December 2, 2010 12:33 pm

The Sweet Delights

Listen/Download – The Sweet Delights – Baby Be Mine
Listen/Download – Delights Orchestra – Paul’s Midnight Ride

Greetings all.

The end of the week is upon us, and despite a couple of stumbling blocks (like my weak back), it went pretty fast.

Chanukah celebrations are underway (the Funky16Corners Compound is a multi-cultural thang where we light both the menorah and the Christmas tree) and everybody is tired but happy.

Before we get started I should mention that tomorrow night the Funky16Corners Radio Show on Viva internet radio arrives on the interwebs at 9PM and will be filled, as usual, with the best in funk, soul, jazz, rare groove and disco for your eager ears.

I should also remind you that the new Funky16Corners stickers are now available to one and all if you send a self-addressed, stamped envelope (unstamped if you are outside of the USA) to Funky16Corners, c/o Grogan, 80 New Brunswick Ave, Brick, NJ 08724.

The tunes I bring you today come from both sides of a single 45 that has had a place in my Philly crates for what might be described as a long-ass time.

I always dug it, and was intrigued by it (more on that in a minute) but it is also safe to say that I as mystified by it as well.

The artists listed on the disc are the Sweet Delights (vocal side) and the Delights Orchestra (instrumental).
When I found this one, I already had another 45 by the Delights Orchestra (also on Atco), ‘King of the Horse’ b/w ‘Do Your Thing’, both sides of which have appeared in Funky16Corners Radio podcasts.

I grabbed that disc initially because it was quite obviously an attempt to cash in on the ‘Horse’ craze started by Cliff Nobles and Company in 1968. Check out Funky16Corners Radio v.22 – Horse Power for a look at a bunch of discs on the same tip.

That said, it was probably a year or so later that I found today’s 45s during a search in the wilds of the intertubes. When the disc fell through the mail slot and I gave it a spin I was pleasantly surprised to discover the vocal side of the 45.

Unfortunately I was unable to turn up any information on the group, assuming – due both to the similar sound, and the familiar names of Frank Virtue and Johnny Stiles (post-Harthon) on the label – that what I was hearing was yet another iteration of the stalwart Philly rhythm section that played on so many amazing records over the years.

I had no inkling whatsoever that the Sweet Delights were anything but an anonymous group of singers assembled for the session.

However, sometimes – like a frozen mammoth exposed by a receding glacier – if you wait long enough, all will be revealed.

During a perusal of an old back issue of Billboard magazine, I happened upon an ad for new releases on the Atco label that included the image of the Sweet Delights you see at the top of this post.

That was a nice surprise, and it spurred me on to dig a little deeper.

When I did – thanks to an article at the Classic Urban Harmony web site (which includes a much nicer picture of the group) – I discovered that one of the co-writers of ‘Baby Be Mine’, Eddie Edgehill had a long history in Philadelphia doowop groups like the Valentines and the Del Knights, eventually going on to form and record the Sweet Delights (which included his wife Geri Edgehill, Betty Allen, Valerie Brown, Grace Montgomery Allison and the group’s sole male member, and the other co-writer of the song, Albert Byrd).*

The Sweet Delights 45 was released in 1968, with the Delights Orchestra two-sider coming in 1969. ‘Baby Be Mine’ is a fast moving soul/funk tune that bears a passing resemblance to Jackie Wilson’s ‘Higher and Higher’.

Oddly, it was the instrumental side of the 45 that gained some traction on the radio, which is probably why the Sweet Delights are pictured in the ad, but the text is promoting the Delight’s Orchestra.

There’s also an interesting footnote in regard to ‘Paul’s Midnight Ride’. I found a post on the Numero Group (issuers of many amazing compilations) blog about the track (‘Paul’s Midnight Ride’) being lifted and re-used on two other 45s, one by DJ Tim Jacob in Wichita, Kansas, and the other by Sonorose ‘Gay Poppa’ Rutledge in Shreveport, Louisiana (though if you listen to the sound samples provided at the blog, both records sound exactly the same, with the same vocal laid over the ‘Paul’s Midnight Ride’ track). How this track made it’s way onto these records is anyone’s guess, but I’m willing to bet that the ‘borrowing’ was not officially sanctioned by the track’s creators (none of whom are seem to be credited on the labels).

Interesting, and a long way to travel for an obscure soul track.

I hope you dig it, and I’ll be back on Monday.

Peace

Larry

*For some reason ‘Paul’s Midnight Ride’, basically the instrumental bed of ‘Baby Be Mine’ is credited on the 45 to Frank Virtue, Johnny Stiles and arranger Bobby Martin

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By Larry, November 21, 2010 3:03 pm

Funky16Corners Radio v.90 – Soul In Harmony

Playlist

Listen/Download 110MB/256kb Mixed MP3

Download 81MB Zip File

Thanksgiving week is here (at least in the US), and this year I have lots to be thankful for, as well as lots to do.

I’ve decided to drop this mix today, and pretty much take the rest of the week off.

There will be a new episode of the Funky16Corners Radio Show on Viva radio this Friday at 9PM, so make sure you check that out, should you be passed out next to the internet, in a turkey and pie induced food coma.

Funky16Corners Radio v.90 – Soul In Harmony is one of those mixes that has been cooking (in my head, anyway) for a long time.

I’m not sure how much it has been visible here on the blog (anyone have time lapse footage of the last five years?), but my tastes – often spurred on by a periodic excavation in my record room – are always evolving.

Back in the day, when I first started to collect soul 45s, it was all about the rough and ready Southern sound, fast moving and loud.

It would be years before I really started to examine soul ballads, and then I started to dig into funk, and then Northern Soul, then to disco and on and on, hopefully ad infinitum.

The latest spike on the evolutionary time-line popped up sometime in the last year, spurred on by the sounds of sweet soul.

The AM radio of my youth was filled with bands like the Chi-Lites, the Stylistics, Blue Magic and others, and to be honest, it all struck me as a little mushy, but then again I was 10 years old.

As I got older, and started to listen and dig, ever deeper into the sounds of soul, I discovered a fair amount of sweeter, soul harmony stuff, often on the B-sides of more upbeat, aggressive records, and as is often the case, despite the comparative ‘lightness’ of some of these records, I was drawn in by what always grabs me, that being good songs.

The first record in this style that really knocked me out was the Intruder’s ‘A Love That’s Real’ still one of my favorite records.

Thanks to both geographic proximity and the quality of the music, I’ve collected Philly soul for a long time, and one thing the cats in Philly knew how to create was solid harmony soul. Almost a third of the records I put into this mix are by Philly groups, another third from Detroit or Chicago, and the rest spread over the map (including one by my Jersey Shore homeboys the Broadways).

The importance of tight harmony singing has been a hallmark of black music, from the Mills Brothers and the Ink Spots in the 30s and 40s, countless groups in the 50s and of course everything in this mix, from the classic soul era.

There’s really something special about harmony singing. Done well, it’s not just an accidental meshing of random voices, but rather an aural tapestry woven from perfectly complementary elements.

The ‘classic’ soulful blend, with a tenor, or sometimes baritone lead, a bass and often someone capable of singing in falsetto provides a basic sound, but when some (or all) of these roles are filled by extraordinary singers the end result is something magical.

All of the songs in this mix hail from between 1966 and 1970, a period when a certain maturity and creative growth was on the rise in soul music, when the finest groups intersected with great writers and producers to make music of increasing sophistication and depth.

Though there is a general stylistic thread running through this mix, the tempos vary between pure balladry, upbeat, danceable soul and slightly rougher edged sounds.

There are a few songs that have appeared here before, but when I started assembling the playlist, I knew that they had to be included.

Things get started with the truly amazing ‘I Don’t Know How To Say I Love You (Don’t Walk Away)’ by the mighty Superlatives. I have sung the praises of this record before, but it certainly can’t hurt to hear it again. The combination of sweet vocals, heavy drums and that stellar arrangement are truly amazing.

The Broadways, without any question the greatest soul group to come out of the Jersey Shore recorded two solid 45s for MGM. Their ‘You Just Don’t Know’ is a staple of my Northern Soul sets, and while ‘Sweet and Heavenly Melody’ also packs a driving beat, it has a lushness to it (how about those strings) that sets it apart.

I don’t know much about the Hesitations. I’ve seen their records – often packed with covers – for years, but only bought on for the first time a few months ago. ‘Stay In My Corner’ is a marvel, with the singers alternating leads over dynamic backing vocals.

The Ethics recorded a series of excellent 45s for Philadelphia’s Vent label in the late 60s, including the Northern classic ‘Look at Me Now’. ‘Think About Tomorrow’ is a much slower, much sweeter, falsetto-led ballad that was clearly tailored to reflect the sounds that Gamble and Huff were creating at the same time.

One of the rougher sounding, yet oddly pretty songs in this mix is ‘I’ll Be Loving You’ by the Soul Brothers Six. The flipside of the classic ‘Some Kind of Wonderful’, ‘I’ll Be Loving You’ features what is, in comparison to most of the records in this mix, remarkably spare instrumentation, with rhythm guitar, thumping bass, drums and tambourine, all sounding like it was recorded in one take. The real star here, aside from John Ellison’s wonderful lead vocal, is the second guitar, which has a kind of chiming overtone to it that from a distance sounds like vibraphone accents. The more I listen to this one the more I love it.

The next cut is by the Blue Notes (as in Harold Melvin and…). Right before they began their run of hits with Philadelphia International, the group recorded two 45s for the Uni label. ‘Never Gonna Leave You’ (from 1969) was the B-side of the funky ‘Hot Thrills and Cold Chills’. The 45 was reissued a few years later, no doubt to capitalize on the success of their PI hits.

‘I’ll Make It Up To You’ by the Magictones is the bottom half of one of the truly great Detroit soul 45s (the A-side being their epic cover of the Parliaments’ ‘Good Ole Music’). Much like the Superlatives record (also released on Westbound), the Magictones juxtapose their harmonies with a heavy background, including some tasty electric sitar.

Though they’re best known for their early, doowop sides, Little Anthony and the Imperials recorded well into the classic soul era, including and excellent run of 45s for the Veep label between 1966 and 1969. ‘It’s Not the Same’ which features Anthony Gourdine’s unmistakable falsetto, and a classy arrangement (in which the Imperials are often doubled by female backing singers), bears a slight (but not overpowering) similarity to ‘Goin’ Out of My Head’ (also from 1966).

Speaking of Philadephia soul, there are few groups who were as successful – artistically and on the charts – as the mighty Intruders. ‘Everyday Is a Holiday’ (from 1969) is a great showcase for their unique harmonies and a muscular production and arrangement by Gamble and Huff. Listen closely to the bass and drums (almost funky), as well as the horns and staccato piano accents in the verse.

Chicago’s Artistics were reliable hitmakers for the Brunswick label in the late 60s. ‘What Happened’ is another record that seems to run on the outskirts of funk, as well as displaying the influence of the Temptations.

Another group with solid roots in the doowop era, that also made some great soul records was the Platters. Though they had few (if any) original members by the time they recorded ‘Sweet Sweet Lovin’ in 1967.
Featuring a great lead vocal by Sonny Turner, ‘Sweet Sweet Lovin’ is typical of the kind of upbeat, danceable soul the group was making in this period.

We head back to the City of Brotherly Love with the Ambassadors. One of the truly great Philly bands of the late 60s and early 70s, the Ambassadors recorded some excellent 45s for Atlantic before moving on to Arctic records where they would record several outstanding 45s and an LP. They were adept a certain brand of funky soul, best displayed on 1969s ‘A.W.O.L.’.

When I wrote about the Precisions ‘You’ll Soon Be Gone’ back in 2008, I compare the sound of the record with a lot of the later period stuff that the Parliaments recorded for Revilot (it probably featured a lot of the same musicians. It has a much harder sound than their other Drew 45s.

Chicago’s Radiants recorded some of my favorite soul 45s of the 60s. By the time they recorded ‘I’m Glad I’m the Loser’, their lead vocalist Maurice McAlister had departed. I’m not sure who’s singing lead on this one, but he tears it up.

The Originals recorded a string of great records for Motown in the late 60s, their biggest hit being 1969s ‘Baby, I’m For Real’. ‘Love Is a Wonder’ is a brilliant bit of late 60s Motown, mixing tight, tight harmonies and a powerful arrangement. The lead vocalist sounds like someone Daryl Hall probably spent a lot of time listening to.

Another great tune that bears a passing resemblance to a previous success is the Intrigues ‘I’m Gonna Love You’. The Philadelphia group hit the charts in the summer of 1969 with ‘In A Moment’, a song with a similar vibe and arrangement to the tune in this mix. They recorded a number of cool 45s for the Yew label and hit the R&B (and occasionally Pop) charts a few times between 1969 and 1971.

If you’re a regular visitor to Funky16Corners, you’ll already know that the mighty Volcanos are one of my all time favorite soul groups. Led by singer Gene Faith (born Eugene Jones), the Volcanos recorded some of the finest soul singles to come out of Philadephia in the 1960s for the Arctic and Harthon labels. They had the instrumental backing of the core of the famed Philly rhythm section and material from some of the best songwriters around. ‘You’re Number One’ is a bright, fast moving dancer with lots of sweet background harmony lifting Faith’s lead. Many of the Volcanos went on to form the core of the Trammps who went on to much success in the 70s.

The Vontastics (who took their name from Chicago’s black radio powerhouse WVON) recorded a couple of truly amazing 45s for a variety of Chitown labels (mostly St. Lawrence) between 1965 and 1969. ‘You Can Work It Out’ sports a stylish arrangement (dig those horns!) and some razor sharp vocals in a song that sounds like a tip of the hat to the Miracles ‘Shop Around’.

I first heard the Unifics a few years back when I scored a copy of their monumental 45 ‘It’s a Groovy World. A product of Washington, D.C.’s Howard University (like Roberta Flack and the Blackbyrds) the Unifics hit the charts a few times in 1968 and 1969, their biggest hit being ‘Court of Love’. They recorded some 45s and an excellent LP for the Kapp label under the guidance of songwriter and producer Guy Draper. The amazing ‘Which One Should I Choose’ was co-written by Draper, lead singer Al Johnson and yet another Howard alumni, the mighty Donny Hathaway (who also plays piano on the track).

The Formations were another Philadelphia group with a Northern Soul classic – ‘At the Top of the Stairs’ – to their credit. ‘Love’s Not Only For The Heart’ shows a harder edged side of the group that went on to perform and record as the Corner Boys (for Neptune), the Silent Majority (for Hot Wax) and Hot Ice (for Atlantic).

The next track is a personal favorite of mine. One of my earliest ‘cool’ Philly 45 scores, the Producers 45 (on Gamble and Huff’s short lived Huff Puff label) is a very solid two sider. ‘Love Is Amazing’ (the only tune in this mix with a female lead, provided by Mikki Farrow) is one of those records that should have been a substantial hit, yet never really (as far as I can tell) made a dent anywhere, even in Philly). It does have it’s partisans in the UK, but remains (unjustly) obscure.

The Parliaments, led by George Clinton are best known as the group that started the Parliament/Funkadelic empire, but recorded some of the finest soul 45s to come out of Detroit in the 60s. ‘Time’ (from 1968) was the upbeat flipside of the psyched out breakbeats of ‘Good Ole Music’.

The Four Sonics – another Detroit group – had connections to Nolan Strong and the Diablos. The unusual, bass-heavy vocals of ‘It Takes Two’ (not the Marvin Gaye song) appeared on the B-side of their epic version of Dusty Springfield’s ‘You Don’t Have To Say You Love Me’.

I recounted the tale of the Masqueraders in this space not too long ago, but I couldn’t very well do a mix dedicated to soul harmony without including their incredible ‘I Don’t Want Nobody To Lead Me On’. A group of Texans, who relocated first to Detroit, and then ended up recording their best stuff in Memphis, the Masqueraders ought to be much better known. This song was also covered by the Dynamics.

This edition of Funky16Corners Radio closes out with the only white group in the mix, Pennsylvania’s Magnificent Men. ‘Peace Of Mind’, written by lead singer Dave Bupp and trumpeter Buddy King, which hit the R&B charts in 1966 is an outstanding example of the influence of Curtis Mayfield specifically, and Chicago soul in general. Bupp has been quoted as saying that the song was written with Walter Jackson in mind, and it’s not hard to imagine the master balladeer doing a fine version of the song. The Magnificent Men were one of the few white soul harmony groups to have success with black audiences in the 60s, though there must have been something in the water in Pennsylvania, with folks like Len Barry, Billy Harner and the Temptones (featuring a young Daryl Hall).

As always, I hope you dig the sounds, and have yourselves a great Thanksgiving.

Peace

Larry

NOTE: This past weekend I installed software that allows users who view the blog via a handheld (iPhone, Android, Blackberry etc) to see a new theme that allows easier navigation in the small screen size. If you have one of these devices, check it out and let me know what you think.

Thanks – Larry

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By Larry, October 28, 2010 9:14 am

Funky16Corners Radio v.89 – Things Got To Get Better (Get Together)

Playlist

Funky16Corners Radio v.89 – Things Got to Get Better (Get Together)

As first hinted at, then promised, and finally warned about (for those of you who are diametrically opposed politically), Funky16Corners Radio v.89 – Things Got To Get Better (Get Together), aka the ‘election mix’ has finally arrived, been posted at the top of the blog, where it will remain until the election is over.

I know I normally run Halloween themed posts this time of year, but we have real things to be scared about.
There is a Halloween set in this week’s Funky16Corners Radio Show on Viva Radio (Friday night at 9PM) so you can get your fix there.

As far as I can recall, I haven’t approached the readers of the Funky16Corners blog with anything sociopolitical since the ‘Two From the Stonewall Jukebox’ post back in July of 2009, and before that the posts about the Presidential election of 2008.

Though I think most of you have some idea of my political orientation, it’s not a frequent subject here, because ultimately Funky16Corners is about music.

However (big however coming here)…

We are currently in the midst of a very dark time, not just in the US, but worldwide.

The rise of the ultra-right and the ensuing anti-immigrant, anti-gay and ultimately anti-intellectual wave that is poised to wash away decades of important social gains in this country is the single most important issue at hand.

Having grown up in the 1970s, I find the idea that this great country would ever descend again into a maelstrom of religious lunacy, open hatred of immigrants and homosexuals, demonization of organized labor (especially teachers) and hateful, empty Rand-ian ‘libertarianism’ is beyond insane.

The economy is in terrible shape, and is unlikely to get better any time soon, and those that have been able to return to work often find that the salaries are lower and the benefits non-existent.

How have some of our countrymen reacted to these challenges?

Not well.

An increasingly angry minority, funded by the mega-rich have become a political force, eager to build fences (literal and figurative) to keep those they consider ‘undesirable’ from participating fully in our democracy.

The rise of these deeply ignorant ‘patriots’ (they love to wrap themselves in the flag, unable to embrace its true meaning), marching alongside religious ideologues and plutocrats has woven together a rancid fabric, its warp and weft rife with xenophobia, racism, class warfare, homophobia and various and sundry fringe hatreds.

You may step back and see these negative forces as smaller, separate issues, but the truth is that they are all part of the same, ugly reaction.

When the going got tough, the right got nasty.

Those institutions tasked with keeping us informed have collapsed under the collective weight of corruption by and collusion with those that have the most to gain by a population ignorant of the truth.

I still have a basic faith in the goodness of the human race, but it is being sorely tested.

I want my children to grow up in a world where they are indifferent to the color of a person’s skin, the language they speak or their sexual preference, but we are surrounded by those that would deny them that future.

This includes people of supposed deep religious faith who forget that their own freedom to worship and express the tenets of their faith includes the freedom of others to find their own path. These are the people who continually fight to deny gay, lesbian, bisexual and transgender Americans their civil rights.

These are the people who want to rewrite the textbooks in our schools to cleanse them of science and fill them with creationism and revisionist (racial and political) history.

This also includes a lot of people, many of them radicalized after the attacks of 9/11, who have turned against American citizens of Muslim faith, and stoked fears (alongside similarly radicalized anti-Muslim forces in Europe and Scandinavia) of all Muslims, as well as immigrants in general.

These are the people who allowed 30 years of Republican propaganda to turn them against organized labor, while simultaneously building an obscene faith in big business that allowed massive deregulation and tax cuts, as well a cheering our way into two insane wars.

This is the same big business that – thanks to a bizarre Supreme Court decision – is now allowed to flood the political system with piles of cash (anonymously) to attack those that would put a stop to our slow (but seemingly inevitable) march to plutarchy.

Please don’t mistake this as an endorsement of President Obama specifically, or the Democrats in general.
Despite promises to the contrary, the President has continued to fight the right of gays to serve in the military, and has stated that he opposes the idea of gay marriage.

Many of those that serve with the (D) next to their name have also thrown their lot in with the ‘whatever big business wants’ crowd as well.

There may be something “trickling down” onto the middle class and the poor, but it’s not money.

However (another big one here), the alternative is people like Joe Miller in Alaska, Sharon Angle in Nevada, the execrable Rand Paul in Kentucky, deeply ignorant Christine O’Donnell in Delaware, Ken Buck in Colorado, Marco Rubio in Florida and countless others who have embraced the insane ideas of the radical right.
These people are only the larger public face of this movement.

While they run for national office, their foot soldiers are poised to fill seats in state legislatures, county and local office, and worst of all, school boards.

There are those that would have you believe that the system is utterly broken, and that an appropriate response is not to vote at all.

This is insane.

Is there any among you that really think that the way to right a staggering democracy is to withdraw from it?
Not only should every one of you exercise your right to vote, but you should do what you can to convince your family and friends that they should as well, because one thing the forces of the radical right do, religious or otherwise, is vote.

These are the people that are counting on apathy to help them get their hooks into the government where they can start to punch holes in the Constitution they ironically wave like a battle flag.

So what does this have to do with Funky16Corners?

Like the mighty James Brown says:

People, people we got to get over before we go under!

Tell’em Godfather!

The majority of the soul and funk music we celebrate here was created during a time when the forces of the right were attempting to tighten the screws of the status quo, while the forces of peace, racial equality and sexual liberation were battling in the streets (and the ballot box) to upend it and seize their rights.

Soul and funk are the sounds of struggle and liberation. Not every number here has an explicit political/social message, but the music of black America, created in the 60s and 70s in its core rarely says anything else.
Funky16Corners Radio v.89 is an attempt to string some of the more powerful musical statements of the time together, along with spoken intervals by important thinkers.

Things get off to a depressing, yet wholly realistic start, but work their way up through anger, defiance and ultimately (hopefully) triumph.

Not every number here carries an explicit message, but taken together they make an important statement.
The voices heard between the songs include some very well known (civil rights figures like Dr Martin Luther King, Malcolm X and Jesse Jackson), and some lesser known (Dorothy Day*), and in a few cases dreadfully misunderstood and demonized (Saul Alinsky**, Noam Chomsky), but their words all have in common is their relevance to the world we live in today.

I’m not saying that things are going to be fixed if the opponents of democracy are defeated in this election (since many of them clearly won’t be), but rather (to borrow an old saw) the journey of 1,000 miles begins with a single step, and stepping into the voting booth and making yourself heard is that step.

Far too many Americans take a pass on that important responsibility, and if they continue to do so, they’ll have no one to thank but themselves when the world around them gets worse.

So, once again in the words of James Brown:

Get Up, Get Into It, Get Involved.

Educate yourself.

Educate others.

Don’t allow hatred and disinformation to go unchallenged.

Don’t be afraid.

Peace

Larry

*Dorothy Day is an especially important figure in the history of social justice and charity. If her name is unfamiliar, dig a little deeper and read about this great woman.

**Saul Alinsky has been demonized by the right to the point where his name has become a kind of shorthand (with just the tiniest bit of anti-semitism attached to it) for leftist subversion. I doubt most of the people that throw his name around as an epithet have read anything about him. His voice – like most of those in this mix – was an important one in the struggle to transfer power from the haves to the have nots (which goes a long way to explaining why those that shill for the mega-rich hate him so). If all you’ve ever heard about him are bad things, do yourself a favor and read up on his life (outside of right wing web sites).

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Comments (2)

By Larry, September 23, 2010 3:33 pm

Jimmy Smith

Listen/Download – Jimmy Smith – The Cat

Greetings all.

I have so much stuff to do this weekend that I was going to forgo the regularly scheduled Friday post, but thought it might be a good idea to touch base with you all about the goings on here in Funky16Cornersville that I changed my mind.

First and foremost, I’ll be traveling down to Washington, DC this weekend with my records for a couple of DJ-type extravaganzas.

Saturday night I’ll be sharing the decks with my man DJ Birdman at Marvin (2007 14th Street, NW), and while we’re likely to get started on the mellower side of things, you know that as soon as the little hand starts pointing up the place will be banging, so if you dig delicious food, Belgian beer and the best in funk, soul and disco, you should fall by and join us.

The following day I’ll be doing a set at the DC Record Fair, and naturally also buying some records. I expect I’ll be running into all manner of interwebs friends, so stop by and say hi if you’re there.

Of course if you’re about on Friday night, say around 9PM you should head over to Viva internet radio for the Funky16Corners Radio Show for an hour of the best funk, soul, jazz and rare groove, all from original vinyl sources. The show will be then be archived (as an MP3) for download.

The track I bring you today is one of the truly great things that Jimmy Smith recorded during the 60s (maybe his best).

‘The Cat’ is a stunner, and that my friends is all I going to (or have time to) say this fine day (aside from the following bit of hyperbole…or is it???). It smokes from start to finish and is the bad-assiest of all the bad-ass, bad-assery ever committed via the intercession of Mr. Hammond’s mighty electric organ-o-phone.

Dig it, and I’ll be back on Monday with a whole new mix of Hammond organ goodness.

Have yourselves a great weekend.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some puh-sike-a-dellia….