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By Larry, June 24, 2012 2:10 pm

Babatunde Olatunji (bottom center) and friends

Listen/Download Olatunji – Soul Makossa (LP Edit)

Greetings all.

Welcome back to the blog-o-riffic polygon with the sixteen funky corners.

I must first and foremost offer my hearty and sincere thanks to all of you that made the 2012 Pledge Drive/Allnighter a big success.

Props to all the selectors who dipped into their crates to whip up some new, tasty mixes for you all, and then double super props to all of you that dipped into your wallets and dropped some cash into the virtual tip cup.

As has been the case over the past six Pledge Drives, all were generous, and some of you exceptionally so.

I am always humbled when my yearly request for funding yields such an enthusiastic response from those of you that read/participate in the discussion at Funky16Corners.

Many of you sent along notes of praise and encouragement and I am here to say that those mean a great deal to me.

Funky16Corners has always been a labor of love, and when some of that comes back my way, it provides the fuel that keeps things going.

So, once again, major, MAJOR thanks to you all!

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The tune I bring to you this fine day, is yet another iteration in what might be termed the great Soul Makossa wars of 1973.

As has been mentioned in this space before, when imported records of Manu Dibango’s mighty ‘Soul Makossa’ began to set fires to the dance floors of America (first in NYC where David Mancuso first spun it at Loft parties after finding a copy in a Jamaican record shop in Brooklyn), the OG by the Lion of Cameroon was only available on a French pressing on Fiesta.

The song was so popular, that a wave of imitation Soul Makossas began to build, with countless versions recorded and pressed for the US market to take advantage of the consumer demand that Dibango and Atlantic records had yet to address.

There were recordings by Afrique (released at the same time as Dibango’s and chasing it on the R&B and Pop charts), Simon Kenyatta Troupe, Mighty Tom Cats, Grupo Guerra 78, Lafayette Afro Rock Band, Johnny Zamot and many others. Even Doc Severinson recorded a version!

The song was a huge worldwide hit with more than half a dozen versions charting simultaneously through 1973.

One of the many ‘copycat’ recordings – in my opinion the best by far – was by the mighty Babatunde Olatunji.

Recorded for his 1973 Paramount LP of the same name, Olatunji’s ‘Soul Makossa’ clocks in at a dance-floor-friendly 6:51. Loaded – as might be expected – with lots of African percussion as well as his own vocalizations, the Olatunji version is a killer.

While I’d go as far to say that none of the cover versions have the sharp kick of Manu Dibango’s OG, Olatunji acquits himself very nicely indeed.

Where many of the other versions were relatively quick, single-length rip-offs of the OG, Olatunji takes the time to dig deep and stretch out, accenting the percussion (natch…) and meeting Manu Dibango toe to toe.

The rest of the album is quite good as well (the track is also available as a two-part 45).

I hope you dig the tune, and I’ll see you all later in the week.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (8)

By Larry, June 17, 2012 4:24 pm

Greetings all.

Welcome to the third annual Funky16Corners Pledge Drive/Allnighter!

Though we’ve been doing the Pledge Drive thing since2006, the Allnighter concept first rolled out in 2010, with several hours of mixes by some of the finest selectors I know.

This year we have most of the usual suspects, including several Asbury Park 45 Sessions alumni, as well as my man Tony C from the UK and Tarik Thornton.

The sounds run the gamut of classic soul, funk, reggae, rock steady, old school Hammond 45s and all connective points in between.

If you read the blog on the reg you already know that the past year has been an exceptionally challenging one here.
It wouldn’t be reaching to state that keeping Funky16Corners (and Iron Leg) up and running had a lot to do with maintaining my sanity over the last eight months.

There’s something to be said for keeping a small island of creative stability afloat during a crisis, and that’s what the blog has been.

Much of that has – as always – come from the interchange with the readers, listeners, fellow vinyl travelers, and DJs. Your contributions, whether informational, conversational, sometimes monetary or sometimes all of the above, have kept Funky16Corners rolling along.

This November will mark the 8th anniversary of the blog (something akin to 800 internet years!) and creating and running the blog has become a big part of my life. Through it I’ve learned a great deal, met many incredibly cool people and gotten to DJ in many, many cool places.

The Pledge Drive aspect of this yearly event is an important one.

Funky16Corners – all of the text, graphics and sound files – resides on paid server space, a bill that comes due around this time every year. Your donations help pay for that.

Blogging has always been an ephemeral pursuit, partly because not everyone has the interest in keeping one going for very long, but also because it rarely rises above the level of a casual pursuit for most people. They start a blog, post most files temporarily and depart as soon as their interest wanes.

Funky16Corners may very well have gone the way of most blogs (I don’t know the actual percentage of music blogs that last more than a year, but anecdotally I’d guess that it’s below 10%) but after getting it rolling (with a slightly different format) in 2004, and changing platforms twice (finally ending up with the self-hosting WordPress model) I think we have at long last settled into lasting form.

The basic format of how I communicate with the audience through the blog has always remained fairly constant, with a pictures and labels (what the vinyl nerds of the world know as record porn) and some written context to tie it all together.

Along the way, the Funky16Corners Radio Podcast mixes worked their way into the flow, then the actual Funky16Corners Radio Show (Friday nights at 9PM on Viva Radio and then archived here) and then in 2010 the Funky16Corners Soul Club/Allnighters so I could present mixes by other selectors.

What we have now, in the middle of 2012 is –including this year’s Allnighter mixes – close to 150 mixes and another 110 episodes of the radio show on-line for your (and my) listening pleasure.

And my friends, pleasure is what it’s all about; the pleasure that great music, some rare, some not so rare, can bring to those willing to open their ears.

That’s why I do it, and as always, I hope you dig it.

If you do, and you can afford to, please click on the Paypal link and drop a few coins in the basket.

There’ll be stickers for everyone that donates.

So, I’ll offer you my thanks once again, and hopefully we’ll all be together again this time next year for more of the same.

Keep the Faith
Larry

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CLICK HERE TO DONATE!

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Funky16Corners Presents: Tear It Up
Billy Wade and the 3rd Degrees – Tear It UP Pt1 (ABC)
Alvin Cash and the Scott Bros Orchestra – Keep On Dancing Pt2 (Toddlin’ Town)
Jerry-O – Funky Four Corners (White Whale)
Gunga Din – Snake Pit (Valise)
Lou Donaldson – Say It Loud (Blue Note)
James Young and the Housewreckers – Barking Up the Wrong Tree (Jet Stream)
Rex Garvin and the Mighty Cravers – Raw Funky (Tower)
Syl Johnson – Annie Got Hot Pants Power Pt2 (Twinight)
African Echoes – Big Time (Phil LA of Soul)
Bill Cosby – I Luv Myself Better Than I Luv Myself (Capitol)
Bobby Byrd – Keep On Doin’ What You’re Doin’ (Brownstone)
Lonnie Youngblood – African Twist Pt1 (Loma)
Little Sonny – Sonny’s Bag (Revilot)
Jimmy ‘Mr Motion’ Lynch – There Was a Time Pt1 (La Val)
Juggy – Buttered Popcorn (Sue)
Creative Funk – Funk Power (Creative Funk)
Freddy King – Funky (Cotillion)
Billy Wade and the 3rd Degrees – Tear It Up Pt2 (ABC)

Listen/Download Funky16Corners – Tear It Up!
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DJ Bluewater – Merritones
The Zodiacs Walk On By
The Ethiopians Miss Nora
Merritone Singers House Upon The Hill
The Renegades Mr. Hops
Don Henry As Long As I Live
Joe Higgs You Hurt My Soul
The Untouchables I Do Love You
The Renegades Big And Fine
Henry Buckley If I Am Right
The Untouchables Mackie Mackie
The Dynamites If You Did Love Me
Roland Alphonso Sounds Of Silence
Lyn Taitt and The Jets Why Am I Treated So Bad
Roland Alphonso Stranger For Durango
Henry Buckley Thank You Girl
The Tartans It’s Not Right
Eddie Perkins I’m Coming Home
Hopeton Lewis Everybody Rocking
Tomorrow’s Children Bang Bang Rock Steady
The Tartans Rolling Rolling

Listen/Download DJ Bluewater – The Merritone Hour
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DJ Prestige – Hotter Fire

Big Youth – Hotter Fire/Negusa Negast Records
Tapper Zukie – Woman Ah No Me Trouble/ Mobiliser
Success All Stars – Doctor Satan Echo Chamber/ Striker Lee
Augustus Pablo – Fat Girl/ Echo Records
Winston Groovy – Dancing Shoes/ Pioneer International
Barrington Levy – Time Hard/ Puff Records
Gregory Isaacs – Night Nurse/ African Museum (Disco 45)
Marcia Griffiths – Feel Like Jumping/ High Note
Joy White – Tribulation/ Joe Gibbs International
Dennis Brown – Jah Can Do It/ Joe Gibbs International
Jackie Mittoo – Revolting Rockers/ Third World Records
Rockers All Stars – Fire Dub/ Rockers International

Listen/Download DJ Prestige – Hotter Fire
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Tony C – 45 Heaven
Queen City Soul Band-True Patron Of The Arts-Pow
Freddie Scott-I’ll Be Gone-Shout
Betty Everett-Too Hot To Hold-Veejay
Fred Hughes-I Keep Tryin’-Ex
Little Flint-Pain-Beast
Larry Williams-Boss Lovin’-Smash
Garnett Mimms-Prove It To Me-U.A
Gene Chandler-Mr Bigshot-Constellation
Otis Williams-Aint Gonna Walk Your Dog No More-Okeh
Wilson Pickett-Baby Call On Me-Double L
Moss Tolbert-Money In My Pocket-Veejay
Jimmy Ricks-Daddy Rollin’ Stone-Atco
Georgie Fame-Green Onions-Columbia
Solomon Burke-Peepin’-Atlantic
JJ Barnes-Wont You Let Me Know-Rich
Pearl Woods-Right Now-Charge
Jackie Wilson/Linda Hopkins-Say I do-Brunswick
Big Boy Myles-She’s So Fine-V.Tone
B.B.King-Heartbreaker-Bluesway
Peppermint Harris-Wait Until It Happens To You-Jewel
James Duncan-Too Hot To Hold-King
Anna King-Mamas Got A Bag Of Her Own-End
Little Oscar-Two Foot Drag-Toddlin Town
Seven Souls-Groove In-Venture
Patriza&Jimmy-Trust Your Child-ALA
Smokey Brooks-Spin Jig It-Now
Rodger Collins-Foxy Girls In Oakland-Galaxy
Al Reed-94/44/100 Pure Love-Axe
Roland Alphonso-Hip Hug Her-JJ
Eddie Holland-Gotta Have Your Love-Motown
Little Willie John-You’re Welcome To Try-V.R.C
Grady Tate-All Around The World-Skye

Listen/Download Tony C – 45 Heaven

A word from Tony: This is my third year of supplying a mix for the pledge drive and as always it is an honour and a pleasure to be asked by Larry to particiipate.Especially with the great line up of DJ’s sharing their quality tunes.”45 Heaven” is a collection of 45s ,with the exception of one LP track that I have aquired over the last year or so.I have tried to include a bit of everything that I enjoy listening to. Hope you do too.

Cheers TonyC.
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Tarik Thornton – Getting the Corners
1.Sweet Delights- Baby Be Mine – ATCO
2.Jay Rhythm- Soul Emotion- Leo
3.T.S.U. Tornados- The Goose- Atlantic
4.Syl Johnson- I Feel The Urge – Twinight
5.Dell Ingrid – Try It You’ll Like It- Ultra-Class
6.Johnnie Mae Matthews – Momma Didn’t Lie- Big Hit
7.Maurice Mckinnies and the Fabulous Champions – Sock – A – Poo Poo Pt.2 – Black & Proud
8.Count Rockin Sidney – Do You Stuff – Gold Band
9. Ernest Thomas – Soul Time- International
10.Boogie Kings- Do Em All- Pic 1
11.Bobby Rush- Let All Hang Out- Salem
12.Dennis Lee- Do The Funky Penguin- Jenmark
13.O.D. Williams – Funky Belly- Bar Bare
14.Isaac Clark- Do The Dog Funk- Miro
15.Willie Tee- Funky Funky Twist- Gatur
16.George Holmes- Panama- Carol
17.Hamilton Movement – Having A Set- Look- Out
18.Louis Villery- Black Water Gold- Soul Power
19.Jesse Green – Flip- Red Bus Tempo
20.Donald Byrd- Change- Blue Note
21 Young & Holt Unlimited – Black & White- Cotillion

Listen/Download Tarik Thornton – Getting the Corners
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DJ Prime Mundo – Prime Cuts
gene harris/the three sounds – hey girl (blue note)
melvin sparks – if you want my love (westbound)
johnnie taylor – love in the streets (stax)
jackie edwards – oh manio (direction)
rhetta hughes – sooky (tetragrammaton)
john gibbs & the unlimited sound of steel orchestra – shaft (makossa)
gabor szabo – gypsy ’66 (impulse)
jon lucien – would you believe in me (rca)
osibisa – kotoku (warner bros)
the festivals – checkin’ out (blue rock/mercury)
shall we dance – somebody’s baby (hoctor)
freddy king – funky (cotillion)
giorgio – lord releaseme (dunhill)
delegation – oh honey (state)

Listen/Download DJ Prime Mundo – Prime Cuts
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M-Fasis: ROUND TRIP TICKET: excursions into funk, soul, rock and back’…
1)Paul Revere- Beastie Boys ‘MCA R.I.P. (Def Jam)
2)Down in Black Bottom- Cannonball Adderley Quintet (Capitol)
3)Scuze Uz Y’all- Brenda & The Tabulations (Top and Bottom)
4)Mean Black Snake- J.W. Alexander (Thursh)
5)L.C. Funk- Lee Williams (Rapda)
6)Midnight Flower- The Four Tops (Dunhill)
7)Sweetback- Viola Wills (Supreme)
8)Ready or Not- Delfonics (Bell)
9)Mississippi Foxhole- Midnight Movers (Buddah)
10)You’re the Fool- Three Degrees (Roulette)
11)It’s Amazing- Johnny Taylor (Stax)
12)The Stretch- Detroit Sex Machines (Soul Track)
13)Synthetic Substitution- Melvin Bliss (Sunburst)
14)Too Hot To Hold- Tina Turner (Pompeii)
15)I’m Unconscious- Sugarcane Harris (Epic)
16)Down to the Nightclub- Tower of Power (Warner)
17)Wish you’d Never Been Born- Jodo (Decca)
18)Hard Times- Zoo (Riviera)
19)You Made Me a Believer- Ruby Andrews (Zodiac)
20)What Time It Is- General Crook (Down to Earth)
21)Light My Fire- Rhetta Hughes (Tetragrammaton)
22)El Paso County Jail- The Happenings (Jubilee)
23)And Then There Was…- Cozy Powell (RAK)
24)Utica Club Natural Carbonation Band- Natural Carbonation (RCA)
25)Vitamin C- Can (UA)
26)Keep Him- Barbara Mason (Artic)
27)You Can’t Blame Me- Johnson, Hawkins, Tatum… (Capsoul)
28)Fire and Rain- Ice (Cindri)
29)Un Sueno- Los Terricolas (Discolando)
30)Piu Nessuno Al Campo- Gli Uh! (Kansas)
31)All This- Barbara Jean English (Alithia)

Listen/Download M-Fasis – Round Trip Ticket
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Funky16Corners Presents: Greasy Spoon
The Poets – Devil’s Den Pt1 (Try Me)
Freddie Roach – Next Time You See Me (Blue Note)
David Rockingham Trio – Bee Dee (Josie)
Bill Doggett – Afternoon Jump (King)
Freddy Robinson and Tall Paul Hankins – The Buzzard (Queen)
Gene Ludwig – Mr Fink Pt2 (La Vere)
Delegates – Pigmy Pt1 (Pacific Jazz)
Johnny Hammond Smith – The Stinger (Prestige)
Hank Marr – The Greasy Spoon (Federal)
Russell Evans and the Nite Hawks – The Bold (Atco)
Timmy Thomas – Liquid Mood (Goldwax)
Charlie Nesbit Organ Trio – Triple-O-Soul (Salvador)
Groove Holmes – Groove’s Groove (Prestige)
Baby Face Willette – Roll’em Pete (Argo)
Beverly Pitts – Just Some Soul (Soul Shot)
Butch Cornell Trio – Here ‘Tis Now (Ru-Jac)
James Brown – Shades of Brown (King)
Jimmy McGriff – MG Blues (Sue)
Larry Young Jr Quartette – Groove Street Pt1 (Prestige)
Merl Saunders – I Pity the Fool (Galaxy)
Shirley Scott – Sister Sadie Pt1 (Prestige)
Tall Paul Hankins – My Boo-Ga-Loo (Pop Up)

Listen/Download Funky16Corners – The Greasy Spoon – Hammond organ 45s from the old school
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Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (3)

By Larry, June 14, 2012 11:50 am

Lonnie Mack

Listen/Download Lonnie Mack – Too Much Trouble

Greetings all.

The end of another week is here, and so is your weekly helping of soulful goodness in the form of the Funky16Corners Radio Show. We take to the airwaves of the interwebs this – and every – Friday night at 9PM on Viva Radio. If you can’t be there at the time of broadcast you can always fall by the blog and grab the show (or any of the previous 100 episodes) in MP3 form.

Also, make sure you fall by on Monday when the 2012 Funky16Corners Pledge Drive/Allnighter hits. You’ll get eight new, excellent mixes from some of the finest selectors I know. You won’t want to miss it.

The tune I bring you today is something cool from the rock side of the tracks.

I don’t doubt that many among you are aware of the work of Mr Lonnie Mack, but I don’t think you imagined him doing something quite this funky.

Mack is know to most for his 1963 hits ‘Memphis’ which managed to make it into the Top 5 on the R&B and Pop charts and ‘Wham’ (which grazed the Pop Top 20).

He recorded a wide variety of blues and R&B-based covers and originals (influencing countless young guitarists), recording for Fraternity from 1963 to 1967.

Mack was also an excellent soulful vocalist, as seen in tracks like ‘Where There’s a Will There’s a Way’ and ‘Why’.

His career slowed somewhat after his early hits and he spent a lot of the 60s as a session guitarist, working on session for King/Federal artists like Freddy King and James Brown and singers like Joe Simon.

When Mack signed with Elektra records in 1968 he had been largely absent from the charts for a few years. He recorded three albums for the label over the next few years, and Elektra also reissued his early Fraternity hits on the ‘For Collectors Only’ comp.

The track I bring you today, the funky ‘Too Much Trouble’ appeared on his 1969 Elektra debut ‘Glad I’m In the Band’.

‘Too Much Trouble’ is one of those late-60s tracks that seems to have emerged from the same musical swamp as efforts by cats like Joe South and Tony Joe White, musicians who wove together elements of rock, soul, country and blues into something new and groovy.

Mack’s vocals are a little rougher/wilder than his early sides, but his guitar wails and the backing band (organ, bass and drums) are spot on.

The track was co-written by Mack’s bass player Tim Drummond, who had played in James Brown’s band.

If you can find the album grab it as is features an excellent cover of Ted Taylor’s ‘Stay Away From My Baby’ and remakes of Mack’s own ‘Why’ and a new version of ‘Memphis’.

Interestingly, during his time at Elektra, mack continued to work as a session player, playing guitar and bass on the Doors ‘Morrison Hotel’ LP (he is rumored to have played lead guitar on ‘Roadhouse Blues’) and producing Dorothy Combs Morrison’s sides for the label.

Mack spent most of the 70s recording in a country style, moving back to blues and R&B by the 80s.

He’s still playing today.

I hope you dig the tune, and that you’ll join me on Monday for the 2012 Allnighter.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (3)

By Larry, May 31, 2012 2:08 pm

Les McCann

Listen/Download Les McCann – Compared To What (Original Version)

Greetings all.

I should remind you that the Funky16Corners Radio Show takes to the airwaves of the interwebs this and every Friday night at 9PM on Viva Radio. If you can’t make it at airtime you can always come by the blog and grab yourself a downloadable MP3 of the show (and more than 100 archived episodes) over the weekend.

I hope all is well with you and yours.

The tune I bring you today should be a (very) familiar one, but I’m guessing that for a lot of you, the version will be new.

Most folks know the most famous take of  Gene McDaniels’ ‘Compared To What’ via the 1969 recording by Les McCann and Eddie Harris from the ‘Swiss Movement’ LP.

That’s certainly the first place I heard it, followed by the also quite excellent variations laid down by folks like Roberta Flack, Della Reese and the Northern Soul fave by Mr Flood’s Party.

As is always the case, my inquiring mind wanted to know what the first version of the song was, assuming (incorrectly) that it had to have been by Gene McDaniels himself.

McDaniels got his start as a popular recording artist with “A Hundred Pounds of Clay’, a Top 10 hit in 1961. His chart run, which included tunes like ‘Tower of Strength’ and ‘Point of No Return’ (later a hit when covered by Georgie Fame in the UK) ended in 1962 (though he continued to record into the 70s).

I still have no idea how McDaniels got ‘Compared to What’ to Les McCann, but it would appear (unless someone can place it earlier) that the song was first recorded (the take you’re hearing today) by McCann on his 1967 LP ‘Plays the Hits’ on the Limelight label.

‘Compared to What’ is by any measure one of the great, soulful protest songs of the 60s, and McCann really lays into it with gusto, making it the highlight of an otherwise fairly unremarkable album filled with pop covers.

In fact, I had the record for a few years before I even noticed that it included ‘Compared to What’!

Though it’s possible that McDaniels himself recorded his most famous composition at some point, I have yet to track it down.

I don’t believe that this version has ever been reissued.

It’s an inspired bit of soul jazz and yet another piece of a very interesting puzzle.

I hope you dig it, and I’ll see you later in the week.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (3)

By Larry, May 27, 2012 4:05 pm

Bobby Womack

Listen/Download Bobby Womack – Simple Man

Listen/Download Bobby Womack – Across 110th Street

Greetings all.

I hope the new week finds you all well.

If you are a longtime follower of the Funky16Corners blog, you’ll already know that this time of year usually brings our Pledge Drive, complete with a grip of new mixes.

If you know that, you’re also probably familiar with the difficulties here at the Funky16Corners compound.

This has been an especially trying year, with all kinds of challenges related to my wife’s treatment, as well as all the logistical issues that come with it.

I’m here to tell you that things are on track, and summer is nigh, so the Funky16Corners Pledge Drive will be happening (if a bit later than usual)  this year.

The mix requests have been sent out (some positive replies have already arrived) and I have a very groovy premium in the works, so stay tuned over the next few weeks for updates in that regard.

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The last few months have seen funk and soul fans on the edge of their seats waiting for news about the health of the mighty Bobby Womack.

The 68 year old singer/songwriter had been diagnosed with what was thought to be colon cancer.

This week he was operated on and the tumor they removed proved to be benign.

We have been best by a seemingly endless string of deaths of soul, funk and disco greats in the past year, and the idea that Bobby Womack might be next was indeed chilling.

This all made me think that instead of another in memorium, it would be nice to celebrate Mr Womack while he was still with us.

The two cuts I bring you today are both exceptionally cool.

The first, ‘Simple Man’ is one of my favorite cuts from his 1972 album ‘Understanding’, which also yielded his Number One R&B hit ‘Woman’s Gotta Have It’.

‘Simple Man’ is a great slice of funky soul with some fuzzed out guitar, pulsing bass, rolling electric piano (with just a touch of synthesizer) and a very nice vocal by Bobby. If you can get your hands on the album, do so since it is packed with great music.

The second cut – please forgive the scratchy nature of the 45 – is the title cut from the 1973 crime drama ‘Across 110th St’.

Credited to Bobby Womack and Peace, the song, which made it into the R&B Top 20 in 1973 transcends the generally accepted ‘blaxploitation’ sound. It has a funky underpinning and some judiciously applied string flourishes. The album (I don’t have a copy of the whole soundtrack…yet) is split between songs written and performed by Womack and instrumental tracks written by famed jazz trombonist JJ Johnson (both men are credited with this song).

I hope you dig the music, and keep Bobby Womack in your thoughts that he makes a complete recovery.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (9)

By Larry, May 13, 2012 2:44 pm

The Mighty Duck

The Law Firm of Jones, Dunn, Cropper and Jackson Esqs

Listen/Download Booker T and the MGs – Sing a Simple Song

Listen/Download Booker T and the MGs – Chicken Pox

Listen/Download Booker T and the MGs – Melting Pot

Greetings all.

I had other plans to start the week (how many times have I typed those words in the last year?) but when I woke up this morning and turned on my phone, the very first thing I saw, while I was still rubbing the sleep from my eyes was news of the passing of the mighty Duck Dunn.

Donald ‘Duck’ Dunn, the longtime bassist for the legendary Booker T and the MGs died in his sleep while on tour in Japan.

He was 70 years old.

It is at this point that I make a somewhat embarrassing confession (at least as far as soul is considered) that being that the first time Duck Dunn really came onto my radar was as a member of the Blues Brothers.

I was 16 years old when ‘Briefcase Full of Blues’ came out, and like zillions of others my age (and otherwise) I bought the album.

Though I knew who Booker T and the MGs were – ‘Green Onions’ was then, and still is an elemental part of my musical foundation – I had never heard the names of Dunn and guitarist Steve Cropper before the Blues Brothers came onto the scene.

That album was the first place my fragile young mind touched base with the sounds (once removed) of Junior Wells, King Floyd, the Chips and a few others. As odd as it may seem, that first Blues Brothers album (I never bought another) was a serious jumping off point for me (as many other unlikely records would also be in the following decades).

What I didn’t know at the time, was that I was already deeply in love with the sound of Booker T and the MGs, via their role as Otis Redding’s band on the Monterey Pop recording.

I didn’t start buying soul 45s until I was in my mid-20s, but when I did I grabbed each and every Stax 45 that popped up in front of me, whether at record shows or at dusty flea markets (there twarn’t no interwebs back then, kids…), and many of them were either by Booker T and the MGs, or featured some or all of them as the backing band.

The decades that followed saw me – like any other self respecting soul fan – picking up Booker T albums wherever I found them.

While their oeuvre was, like every other instrumental band of the era, seasoned liberally with filler, they had more high points (and quite a few Everests) in their catalog than just about any other similar outfit.

The MGs were as tight as they came, with Dunn and uber-drummer Al Jackson creating as deep a pocket as has ever been heard.

The selection of songs I bring you today is by no means comprehensive, but I think you’ll find it quite groovy nonetheless.

There will be no Green Onions served, since Dunn wasn’t yet a member of the group* when it was recorded.

I have included a very tight Sly and the Family Stone cover, and two brilliant tracks from the last album the band did together.

Their cover of Sly’s ‘Sing a Simple Song’ comes from their 1969 LP ‘The Booker T Set’ and opens with a bit of a drum break from Jackson, soaked thoroughly in reverb, before the band kicks in. It sees the heavy kick of Jackson’s bass drum move into a more explicitly funky place, and while it never really moves into Sly-esque overdrive, it is tasty indeed.

‘Chicken Pox’ the first track from the group’s 1971 LP “Melting Pot’ (the last by the classic line-up) is the sound of the Meters breathing down the MG’s collective neck. The band is moving into a funkier place, and doing so with style, but the spectre of their Crescent City competition always seems to be there. Oh, how I wish this one was on a 45…

The last cut I bring you today is the title cut from ‘Melting Pot’, and by far one of the most interesting things they ever did.

Lasting in excess of eight minutes, ‘Melting Pot’ is important not only because it shows signs of the MGs stretching out into more progressive directions, but also because it became one of David Mancuso’s deeply influential Loft parties in New York City.

I’ll spare you an excess of words here, but if you have any interest in digging a little deeper, you can refer back to the piece I wrote on the record in early 2010.

Suffice to say, if all you ever knew was ‘Green Onions’, ‘Melting Pot’ will be a revelation.

Duck Dunn was – in addition to his better known gigs – a prolific session musician, both during and after the Stax era.

He was a legend, and he will be missed.

See you later in the week.

Keep the faith

Larry

*Though Dunn was a longtime part of the Stax/Memphis crew, being a boyhood friend of cats like Cropper and Packy Axton (Dunn was in the Mar-Keys) he didn’t join the MGs until he replaced Lewis Steinberg in 1965

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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PS Head over to Iron Leg too.

Comments (7)

By Larry, May 10, 2012 10:22 am

Little Milton means it ladies!

Listen/Download Little Milton – Just a Little Bit

Greetings all.

I hope the end of the week finds you all well.

I should remind you that the Funky16Corners Radio Show takes to the airwaves of the interwebs this and every Friday night at 9PM on Viva Radio. If you can’t make it at airtime you can always come by the blog and grab yourself a downloadable MP3 of the show (and more than 100 archived episodes) over the weekend.

If you travel through the highways and byways of the Funky16Corners then you will already know that I am often preoccupied with the species known as the soulful bluesman.

During the classic era these giant roamed the earth, guitars (and or harmonicas) in hand dominating any ecosystem they happened to stomp in.

You had your Syl Johnson, Junior Wells, Alberts King and Collins, and, perhaps the souliest of them all, Little Milton.

During a long and fruitful career he laid down some of the finest example of the sub-genre, especially groovers like ‘Grits Ain’t Groceries’ (his reworking of Little Willie John’s ‘All Around the World’) and ‘More and More’ (covered ably by Blood Sweat and Tears).

I grab Little Milton 45s wherever I find them because his work was consistently and reliably good.

It was only in the last year that I finally encountered one of his LPs in the field. It was a ‘Greatest Hits’ but it included several tracks I didn’t have yet so I grabbed it and took it home.

Among the new (to me) cuts was Milton’s outstanding coverof Rosco Gordon’s 1959 classic ‘Just a Little Bit’.

I already had the 1965 cover by Roy Head (done in the style of his previous hit ‘Treat Her Right’) but despite the fact that it was a Top 20 R&B hit in 1969 I had never heard Little Milton’s version of the song.

Milton takes the song at a somewhat slower, ever so slightly funky tempo, adding in plenty of organ and of course his own sweet voice.

It is not in any way earth-shattering – the song has after all been covered dozens of times – but it is a groovy tune and any Little Milton is quality Little Milton, and so I bring it to you.

I hope you dig it, and I’ll see you when I see you.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (5)

By Larry, May 6, 2012 4:17 pm

The Samplers – Beastie Boys

The Sampled – clockwise from top left – Johnny Hammond Smith, Norman Whitfield,
Jimmy Smith, The Commodores, Jeremy Steig

Listen/Download Johnny Hammond Smith – Big Sur Suite

Original release – Higher Ground LP (Kudu 1974) – Sampled on Pass the Mic (Check Your Head LP 1992)

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Listen/Download Commodores – Machine Gun

Original Release – Machine Gun LP (Motown 1974) – Sampled on Hey Ladies (Paul’s Boutique LP 1989)

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Listen/Download Jeremy Steig – Howling For Judy

Original Release – Legwork LP (Solid State 1969) – Sampled on Sure Shot (Ill Communication LP 1994)

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Listen/Download Jimmy Smith – I’m Gonna Love You Just A Little Bit More Babe

Original Release – Blacksmith LP (Pride 1974) – Sampled on Professor Booty (Check Your Head LP 1992)

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Listen/Download Norman Whitfield/Rose Royce – Yo Yo

Original Release – Car Wash OST (MCA 1976) – Sampled On Shake Your Rump (Paul’s Boutique LP 1989)

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Listen/Download Afrique – Kissing My Love

Original Release – Soul Makossa LP (Mainstream 1973) – Sampled on Bodhisattva Vow (Ill Communication LP 1994)

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Greetings all.

Welcome to another week here at the Corners du Fonque…

As has been mentioned several times recently most of what you’ve been reading here in the last few weeks was – due to necessity – prepared a few weeks in advance so as to facilitate the massive amount of commuting and other life-disrupting activities involved in my wife’s treatment (which, now that I mention it seems to be going well, so let’s keep those fingers crossed).

This weekend has been especially tiring, but the news of the passing of the mighty MCA, Adam Yauch could not be ignored, so as soon as we got home and rolled out of the Funky16Corners-mobile, I rolled into the record vault and got to work.

I have listened to hip hop, first passively (way back in the day) and then as a lightweight consumer with a focus therein on what I would consider dynamic use of sampled material.

You can’t really talk about that aspect of the game without giving props to the Beastie Boys.

Over the years the Beasties have played a big part in piqueing my interest in samples and by association the sounds sampled (why else would I have owned a copy of Alphonse Mouzon’s ‘Funky Snakefoot’) long before I was spinning (or writing about) funk, soul, jazz and rare groove.

Sampling/cut and paste is an art in which it’s not terribly difficult to separate the lazy slobs from the masters, i.e. being able to differentiate from someone who can lift a song wholesale and slap something new on it and someone who can hear a really interesting sound within another piece of music and re-purpose it in a way that makes your ears (and brain) perk up in admiration.

One of the dangers of trainspotting is that the listener runs the risk of getting lost in the component parts, losing sight of the forest for the digitally borrowed trees.

However, secure in the knowledge that good taste is sometimes its own reward, the best samples sound as good (or better) in their original form as they do when placed as a cog in another ‘machine’. Often (not always, obviously) groovy bits of sound are not sui generis, and are traceable back to an equally groovy “whole”, which is the case in the music I bring you today.

I like to think that the first time I had my mind blown by ‘Paul’s Boutique’ or ‘Check Your Head’ my crates (and ears) were deep enough that I recognized some of the coolest stuff, but at the same time I’m honest enough to admit that the ensuing years witnessed my recognition of some of that music for the first time (like the time my man Marshall down in DC dropped Jimmy Smith’s previously unknown – to me – version of ‘I’m Gonna Love You Just a Little Bit More Babe’ and the light bulb went off over my head).

It was in those moments of recognition that new digging targets were registered and I followed them into flea markets, record stores on onto the interwebs.

The cuts I bring you today are examples of some of my favorite Beastie Boys samples (drums, bass and guitar) out of my crates.

Some of them were things I already had, others, like the bass in ‘Big Sur Suite’ and ‘Yo Yo’ or the guitar in ‘Machine Gun’, I picked up first and discovered/recognized the sample(s) after the fact.

What all of them have in common, aside from the fact that they appealed to the Beasties, is that they are all worth listening to in their entirety.

Maybe some of you will be hearing the complete songs for the first time.

I hope you dig them all, and I’ll see you later in the week.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (1)

By Larry, May 4, 2012 1:21 pm

Adam Yauch 1964 – 2012

Listen/Download Beastie Boys – Jimmy James (12″ Instro Mix)
Listen/Download Beastie Boys – Jimmy James (LP Mix)

NOTE: Files fixed…
Greetings all.

Well, isn’t this a drag of monumental proportions?

I was just surfing the web this morning when I saw the news that the mighty MCA, Adam Yauch had succumbed to cancer at the age of 47.

Though I reference the world of hip hop in this space often, I have never posted any here, until today.

I own a grip of Beastie Boys stuff on CD but the only vinyl record of theirs is the one you see before you today.

I’m a big fan of sample-based music/turntablism/remix culture, but I really (REALLY) dig it when it’s funky (Jungle Brothers, ATCQ etc) , and it doesn’t get much funkier than ‘Jimmy James’.

With the (multiple) Jimi Hendrix samples (and those Turtles drums) and the various and sundry vinyl manipulations ‘Jimmy James’ rocks the house in a big way.

I’m including the 12″ mix and the LP mix both.

MCA was a righteous dude, musician, humanitarian, husband and father.

He will be missed.

See you on Monday.

Keep the faith

Larry

PS Fuck cancer…

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (2)

By Larry, April 29, 2012 1:21 pm

Miss Shirley Ellis

Listen/Download Shirley Ellis – Soul Time

Greetings all.

It’s that time again, by which I mean time to welcome you to another week here at the Funky16Corners, but also, as Miss Shirley Ellis says in today’s selection, it’s “soul time”.

Now, every single day here at Funky16Corners qualifies in some way as soul time, but with the song I bring you today it is explicitly so.

Shirley Ellis was one of the great female soul voices of the classic era and would be memorable if all she ever did was sing the oft-covered ‘The Nitty Gritty’ (1963), or for that matter ‘The Name Game’ (‘Lincoln Lincoln Bo-Bincoln’ etc) (1964) which is probably the song that most people outside of soul fandom know.

Ellis (born Elliston, the name under which she wrote ‘Soul Time’) had a powerful, soulful voice as well as a talent for writing her own material.

Though she is best known for what might be considered ‘novelty’, she managed to imbue those records with actual soul, so much so that even “those” records (especially ‘The Clapping Song’) still get spun with regularity on dance floors.

‘Soul Time’, from 1967 was her last charting hit, making it into the R&B Top 40 (stalling at #67 Pop)*.

The cut is at least to my ears the apex of her catalog, with a distinct flavor that makes it appeal to the Northern Soul crowd (dig the hooks, the vibes and the horns). ‘Soul Time’ has a rousing, propulsive beat and a brief, but anthemic chorus. It’s not hard to imagine the song pulling the dancers out onto the floor.

Ellis pretty much vanishes from the music scene after 1968, at least as a performer, seemingly content top sit back and watch her hits covered by folks like Gladys Knight, Madeline Bell (a killer cover of this very song), Ricardo Ray, Gary Glitter and much later,  Southern Culture on the Skids.

I hope you dig (and dance to) the tune, and I’ll see you later in the week.

Keep the faith

Larry

*Other than a reappearance of ‘The Clapping Song’ in the UK Top 100 in 1979

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (5)

By Larry, April 22, 2012 1:23 pm

Quartette Tres Bien

Listen/Download Quartette Tres Bien – Boss Tres Bien

Greetings all.

I hope all is well in your end of the universe.

The tune I bring you today is yet another example of why, when you’re out doing the DJ thing you need to keep your ears wide open.

Back in the olden days, when the mighty Asbury Park 45 Sessions crew still walked the earth my man DJ Prestige augmented the Avengers of funk and soul with a stellar slate of guest selectors.

It was in March of 2008 that we were joined by the mighty Dave Withers who came to the decks packing serious heat.

Withers was a formidable selector, not only in the rarity of his 45s but in the diversity and imagination of his selections. I was introduced to at least a half dozen incredibly good tracks during his set, one of which you see before you today.

I had never heard of the Quartette Tres Bien before, but once I heard ‘Boss Trest Bien’ my wig was good and truly flipped.

Quartette Tres Bien got their start playing and recording in their native St Louis, before being picked up for national distribution by Decca in 1964.

‘Boss Tres Bien’ appeared on their debut LP that year, and is a remarkable bit of soul jazz.

The group, led by pianist Jeter Thompson, bassist Richard Simmons, drummer Albert St James and percussionist Percy James (the real key to this particular record) went on to record several albums for Decca through the 60s.

The LP edit of ‘Boss Tres Bien’ (the in-demand 45 edit is about two minutes shorter) starts out with some brilliant interplay between St James and James (dig that crazy bass drum action) trading licks on the traps and the bongos, before the bass and piano join in.

Once things build up a full head of steam a hand-clapping audience pushes the group harder and faster. You have to hang in for when the drummer and bassist start passing the baton back and forth.

It is a thing of wonder, and ought to be much better known.

Now you know it.

Dig it, and I’ll be back later this week.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (5)

By Larry, April 15, 2012 2:18 pm

Terry Callier

Greetings all.

The beginning of a new week is here.

No ordinary week, mind you.

This is the week where my wife goes into the hospital for her stem cell transplant.

As you might imagine this is very heavy stuff for her and for our entire family, immediate and extended.

This entire week, and likely most of the next few weeks will be written and prepared in advance of this all, so if things seem somehow less than timely, be forewarned of its “canned” nature.

This will also mark the commencement of a slightly abbreviated posting schedule (2x weekly), at least until things settle down a bit.

Look at the next few weeks at Funky16Corners as a trip into the root cellar of funk and soul, during which I will ask you kindly to please keep your fingers crossed that all goes well in our corner of the world.

Really.

That said, I thought that I would whip something a little heavy on you to start the week(s), so here we go.

Soul aficianodos may very well be hip to the sounds of Mr Terry Callier.

Callier, Chicago born and bred is one of those musicians for whom the phrase “hard to pin down” was invented.

Starting in the early 60s, when he was working the folk music side of things, and then on to his Cadet-era recordings when he mixed those sounds with jazz, soul and funk, Callier made some remarkably deep music.

Between 1972 and 1974, working with the visionary producer/arranger Charles Stepney (as well as using the arranging talents Cadet’s other genius Richard Evans) he created three incredible albums, ‘Occasional Rain’, ‘The Color of Love’ and ‘I Just Can’t Help Myself’.

Today’s selection, ‘You Goin’ Miss Your Candyman’ hails from the second of those albums and is a great example of the kinds of threads that Callier was weaving together.

Opening with plain, fingerpicked acoustic guitar, a funky bass, and congas soon fall in, followed by the drums, and finally Callier himself.

The lyrics, borrowing from (but transcending) folk sources are delivered in Callier’s powerful baritone, and before you know it the folky has gone all funky and then Stepney opens up the floodgates and you’re getting strings and horns as well and things get kicked up to another level entirely.

Over the course of more than seven minutes (it doesn’t end up seeming anywhere near that long) you get drawn into the groove, digging what a fantastic singer Callier is, but then wanting to double back to savor the arrangement.

It is potent stuff indeed.

Though he was dropped by Cadet in the mid-70s, Callier continued to record for a variety of labels, and composed new material. he even hit the R&B charts in  1979 with ‘Sign of the Times’ on Elektra.

By the time he had been discovered by a new generation in the 90s, he had been embraced by acid jazzers and triphoppers alike.

Most of his catalogue is available in reissue.

I hope you dig the tune.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.