Category: LP tracks

Righteous Brothers – Harlem Shuffle

By , April 10, 2011 12:54 pm

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Medley and Hatfield hail a cab!

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Listen/Download – Righteous Brothers – Harlem Shuffle

 

Greetings all.

How’s by you? Groovy, I hope.

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This post sees the beginning of a very busy month for me and my record box, with another appearance at Spindletop @ Botanica Monday night 4/11, which I suspect will be a gritty, mostly 60s funk bag. Things get rolling at 10PM, so drop by if you’re in the neighborhood.

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This will be followed on Saturday 4/16 by my first appearance at the storied Subway Soul Club. I’ll be digging deeply into my Northern crates for this one, and I have a whole stack of recent acquisitions as well as many storming old faves that I assure you – if you are in a terpsichorean mode – will get you out of your seats and onto the floor. Since I’ll be spinning alongside Phast Phreddie the Boogaloo Omnibus and Connie T Empress I can say without hesitation that you will be in for a night of the finest dance floor soul available on 45RPM discs. You do not want to miss it.

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Assuming I survive the week, the Funky16Corners fam will be hitting the road for a little rest and relaxation, which will be capped off by two nights in northwestern Massachusetts, with stops on Friday 4/22 in Greenfield (Sweet Exorcist @ The People’s Pint)  and Saturday 4/23 in Northampton (Wooly Bully @ The Basement) . I’ll post more details as the week moves on.

The tune I bring you today comes to you courtesy of my own curiosity.

While I would say that it’s safe to assume that my record jones is by and large a 45 thing, one of my favorite things to do is grab albums and plumb their depths to see what might be hidden in the grooves. Sometime last year I was out (I can’t remember exactly where) and I happened upon the Righteous Brothers 1967 LP ‘Sayin’ Somethin’.

I would not describe myself as a big fan of the duo, at least not of their biggest hits (some of which hail from the Wall of Sound). I would say that I dig both Bill Medley’s thundering baritone, and to a lesser extent Bobby Hatfield’s soaring tenor (occasionally falsetto).

When I found the LP in question, and noticed that it contained a variety of interesting cover songs, I tossed it in the ‘keeper’ stack and took it home.

When I got back to the crib and dropped the needle a few times, the track that really hit me was (not coincidentally) today’s selection, the Brothers’ cover of Bob and Earl’s classic ‘Harlem Shuffle’.

What grabbed me was the fact that Medley and Hatfield crank down the tempo a few steps, giving the song a menacing, vaguely sexy feel.

The arrangement, by Bill Baker makes excellent use of the brass section (the trombones are tearing it up), and I dig the throbbing bass guitar in the background.

While I don’t see many people getting up and dancing to this one, it really is a groovy twist on a classic, and it sounds great on the old headphones.

I hope you dig it, and that I’ll see some of you good folks down at Botanica.

Peace

Larry

 

 

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Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk. The whole Funky16Corners gang will be walking in support of autism services, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

F16C Radio v.93 – Half “Mental”

By , April 3, 2011 3:18 pm

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Slap those keys Mr. Reeder!

 

Doc Bagby – Mix It Up (Vim)
Donald Height – Soul Monkey Twist (Jubilee)
Gate Wesley and Band – Do the Thing (Atlantic)
Four Gents – Soul Sister (HBR)
Doug Clark and the Hot Nuts – Instrumental (Jubilee)
Ike & Tina Turner – Tina’s Dilemma (Sue)
Eskew Reeder – Green Door (Minit)
Baby Lloyd – the Dog (Smash)
Jon Thomas – Hot Tip (Mercury)
African Beavers – You Got Something (RCA)
Mark III Trio – Cagey (Downhill)
Bunker Hill – Hide and Go seek (Intermission)
Tempos – Monkey Doo (Fairmount)
Chet Poison Ivey – Poo Poo Man (Bee Cee)
Hollywood Persuaders – Last Night (Original Sound)
Carl Holmes and the Commanders – Mash Potatoes Pt1 (Atlantic)
The Sunglows – Happy Hippo (Sunglow)
Chuck Edwards – Chuck Roast (Roulette)
Rivingtons – Papa Oo Mow Mow (Liberty)
Turtles – Buzz Saw (White Whale)
Candy Phillips – Timber Pt1 (Atlantic)
Emperors – Tic Tac Toe (unreleased)
Ray Sharpe – Help Me (Get the Feeling) Pt1 (Atco)
Wynder K Frog – Dancing Frog (UA)
Shadows of Knight – Shake (Team)

Listen/Download – F16C Radio v.93 – Half ‘Mental’ – 116MB/256K Mixed MP3

NOTE: This mix is NSFW, in that it will inspire all manner of odd behavior, but also because the drops within are meant for mature audiences. So don’t play this in front of your kids unless you’re ready for some ‘splainin.

 

Greetings all.

I hope the new week finds you all well.

Me, I’m cool (maybe depends on who you ask….)

Gonna get things started this week a note of thanks and a slew of DJ gig announcements.

First, I’d like to say thank you to the Funky16Corners readers, and especially my wife’s knitting pals (who clicked through the donation link here at F16C) who helped us raise money for the POAC Autism Walk this past Saturday. It’s not too late to throw a couple of bucks into the till for a very worthy cause, so I’ll leave the link below for this post.

Now to the gigs…

Before we get things rolling I should mention that I will be returning to Spindletop @ Botanica next Monday, 4/11 for more of the good stuff. I always look forward to packing up the 45RPM heat and hanging with my man Perry Lane. I realize that Monday night isn’t everyone’s ‘get out and hang’ night, but if you are so inclined you could do a lot worse than joining me for some hot 45s and some cold drinks.

Now, Saturday, that’s a CLASSIC get out of the house and dance your ass off kind of night, and it just so happens that April 16th I will be spinning at the legendary Subway Soul Club alongside the mighty Connie T Empress (Empire State Soul Club and the early days of the Asbury Park 45 Sessions) and SSC resident Phast Phreddie the Boogaloo Omnibus. This shindig occurs at Public Assembly (70 North 6th Street, in Williamsburg, Brooklyn) and runs from 10PM until 4AM the following morning. Subway Soul Club feature 60s soul and R&B with an emphasis on Northern.

You know I’m a Northern Soul nut, and my crates run deep with the stuff. I’ll be packing only the finest midtempo and storming dancers into my 45RPM steamer trunk (as well as some gritty 60s movers) , so if slipping and sliding on the talc is the bag you’re in, or just doing the Philly Dog, the Monkey (Boston or other…), the Jerk, or any of the other classic steps, you need to bring your feet and your ears on down to Subway Soul.

Then (YES, There’s MORE!!), I’ll be motoring up to Massachusetts for what promises to be an absolute burner of a weekend.

Friday 4/22 I’ll be joining DJ Andujar and Studebaker Hawk for Sweet Excorcist @ The Peoples Pint, 24 Federal St in Greenfield Mass, and then on Saturday 4/23 I’ll be spinning alongside DJ Cashman and Snack Attack at Wooly Bully @ the Basement, 21 Center St, Northampton Mass. I’ll be packing all manner of deep funk, hard charging party soul, latin boogaloo and even some funky reggae. Both of these nights are banging, so I look forward to bringing the very busy month of April to a loud, sweaty close. Won’t you join us??

To say that I have sweated over the mix you see before you would be at the very least an understatement. Though the overall number of mixes posted here has certainly increased, the flow of the old school, non-live Funky16Corners Radio jawns has been lean.

This has everything to do with the increase in both the F16C Soul Club series (live recordings) and the weekly Funky16Corners Radio Shows.

I am – despite rumors to the contrary – but a solitary man, and one can only turn out so much product without blowing some kind of mental gasket, so I figured that I would take my time with the ‘regular’ mixes in an attempt to make them a little more special.

That said, this particular mix has been germinating for a long time, first in my fevered brain, then on the old laptop where it has seen no less than four separate ‘drafts’, the last of which is posted above.

Funky16Corners Radio v.93 – Half Mental (as in “instru” but also crazed) is my attempt to recreate the spirit of the smoky taverns, sweaty frat house basements* and other places where people gathered to dance (and or grind) in close proximity to loud, soulful music while spilling their beverages (and whatever else gets spilled on nights like this) on the floor (and each other).

This is not music to let into your ears passively.

While you may choose to close your eyes, plug in your earbuds and have a frat party of the mind, you’d be better served cranking this stuff up in an overpacked room full of funseekers, with at least a few people fired up enough to start singing along into their beer bottles while they stagger about breaking your stuff (I can’t keep anything nice in here…).

There’s all kinds of powerful stuff in here, including the soul, the greasy Hammond groovers, (African) Beavers, Monkeys, Dogs, Hippos and Frogs and enough high octane slop to get even the drowsiest bore off of his can and out on the floor.

Normally, I would reserve such a punch in the head for a Friday, but I figured that if you were to grab the ones and zeros on a Monday, you’d have all week to get your friends together to dig it with you.

I’m not going to say much more, nor am I doing a zip file on this one. Pulling this apart would be like dissecting a peanut butter and jelly sang-weech. The pieces just aren’t the same as eating the whole thing.

So, pull down the mix (and your pants if that’s how you swing), spill some beer and get with the party.

See you later in the week.

Peace

Larry

 

 

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*Just to provide a frame of reference, Carl Holmes and the Commanders were a regular attraction at Chris Millers Dartmouth U frat back in the early days of the 60s, providing (alongside folks like Lonnie Youngblood) the model a decade and a half further on up the road for Otis Day and the Knights when Miller would co-write ‘Animal House’. Doug Clark and the Hot Nuts were working the same (if a lot dirtier) vibe south of the Mason-Dixon line.

 

 


Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk.

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If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some very tasty UK Folk Rock.

 

Jackie Mittoo – Soul Finger and some loose ends tied up…

By , March 29, 2011 11:46 am

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Jackie Mittoo and a huge stone lion…

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Listen/Download – Jackie Mittoo – Soul Finger

Listen/Download – Jackie Mittoo – Who Done It

 

Listen/Download – Byron Lee and the Dragonaires – Who Done It

 

Greetings all.

I hope everyone is feeling groovy in the middle of week.

As I mentioned in Monday’s post, I’ve been in discussions about some cool DJ stuff in the next few months, and as soon as it’s all firmed up I’ll pass on all the details to you.

I would also like to request once again that if you have a couple of bucks you feel like throwing at a very good cause, please click on the POAC link below. The whole Funky16Corners fam will be walking to raise money for autism services here in the area. This is a cause that hits very close to home (so close as to actually be in it), so anything you can do is greatly appreciated (and many thanks to those of you who have already donated).

Today’s post manages to both bring you something new, and do a little bit of a call-back/clarification to an earlier post.
I’ll go ahead and assume that most of you are already familiar with the name Jackie Mittoo.

Mittoo was one of the most prominent ska/rock steady/reggae organists (playing with the Skatalites and the Soul Vendors among others) in Jamaica during the 60s, before he relocated to Canada at the end of the decade. He continued to play and record until his untimely death on 1990.

Like most other Jamaican musicians of the time, Mittoo was a big fan of American soul and funk, and recorded his fair share of cover material (one of my fave being ‘Hip Hug’ his funky take on Booker T and the MGs ‘Hip Hug Her’).

Back in October of last year I posted a very groovy cover of Monk Higgins ‘Who Dun It?’ as recorded/retitled by Byron Lee and the Dragonaires as ‘Who Done It’. The version on that album gave writer’s credit to Jackie Mittoo, and at the time I wondered if it were him playing on the track (the Lee album didn’t list any individual musicians).

Flash forward a few months and I needed a 12 x 12 picture frame, so I took down my copy of the ‘Jackie Mittoo in London’ album, which had been hanging over my turntables for a few years. I grabbed it originally maybe 10 years ago, recorded the cuts I liked and filed it, forgetting until I took it down that it also contained a version of ‘Who Done It’.

I re-recorded a couple of tracks for the blog, and decided to go back and compare the version from ‘Jackie Mittoo In London’ with the one I posted last year (reposted above).

As it turns out, the arrangement is very similar, with the earlier version by Mittoo winning out (at least to my ears).

While this doesn’t exactly confirm that Mittoo is playing on the Lee album (that could very well be someone who wasn’t familiar with the Higgins OG and copying/crediting Mittoo’s arrangement), it pushed me a little further in that direction.

That said, the cut I was originally going to post today, was Mittoo’s excellent cover version of the Bar-Kays’ ‘Soul Finger’. Here you get Mittoo’s organ subbing for the Bar-Kays horns (though there is a trumpet in the mix), and someone (not sure who) laying down a very tasty guitar solo. The only clue that this is from a reggae album is the sound of the second lead guitar, and the somewhat suspect fidelity (as opposed to ‘Who Done It’ which is played with a rock steady beat).

Both cuts are very cool and I hope you dig them.

I’ll be back on Friday with the second mix from last week’s Spindletop gig.

Peace

Larry

 

 

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Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk. The whole Funky16Corners gang will be walking in support of autism services, and any contribution you could make would be greatly appreciated.

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If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some late period British Beat.

 

Jimmy Ruffin – 96 Tears

By , March 13, 2011 3:04 pm

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Haiiiiii-YA!

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Listen/Download -Jimmy Ruffin – 96 Tears

 

Greetings all.

I hope all is well on your end.

Before we get started this week, I would like to let you know that the entire Funky16Corners clan will be walking in the 2011 Monmouth/Ocean County POAC (Parents of Autistic Children) Walk for a Difference on April 2, 2011.

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As you may have gleaned via mentions here over the past few years, or by the prominent link in the sidebar, my wife and are the proud parents of two sons with Autism Spectrum Disorders. We are extremely fortunate that they are both high-functioning, and all-round wonderful kids.

We are also very lucky to have an organization like POAC operating locally. They provide information, training for professionals and parents, as well as a wide range of activities for the kids.

The walk (held again this year at the local minor league baseball park) raises money to help make sure that POAC can continue providing much needed services to the kids and their families in our communities.

If this sounds like something you can get behind, click on the this link (or the logo above) and you will be taken to a secure donation page for the team we’ll be walking with and donate whatever you can afford.

Anything you can do to help will be greatly appreciated.

That all said, how about some music?

While I’ve known of Jimmy Ruffin since I was a kid (who among us hasn’t heard his 1966 hit ‘What Becomes of the Brokenhearted’?), and later learned that he was the brother of David Ruffin of the Temptations, I never knew much beyond that.

Then late last year I’m out digging and what should I pull out of a moldy box but an LP with Jimmy Ruffin on the cover whipping a little soulful martial arts on the kids.

That album, 1968’s ‘Ruff’n Ready’ was initially of interest because it contained his version of one of my favorite Motown cuts, ‘Lonely Lonely Man Am I’, also recorded by the Velvelettes (as ‘Lonely Lonely Girl Am I’, by far the finest version of the tune) as the Temptations.

When I got the record home and gave it a spin, I discovered that among its many treasures was a smoking cover of Question Mark and the Mysterians ’96 Tears’.

The tune, a grungy epic in its original Mich/Mex garage-a-delic form has been covered a number of times – seldom successfully – the finest (that I’d heard before) being Big Maybelle’s recording on Rojac.

Interestingly, most of the material on ‘Ruff’n Ready’ wears the influence of 1968 on its sleeve, moving in a vaguely funky direction, yet ’96 Tears’ sounds like it could have been recorded two years before, with a pulsing, almost Northern beat, opening with one of those patented Funk Brothers snare/rack-tom combos that adorn countless Motown recordings.

It is very groovy indeed, highly danceable and manages to do justice to the OG.

I hope you dig it and I’ll see you on Wednesday.

Peace

Larry

 

 

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If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some insane surf instros.

 

Gene Ludwig – Then and Now…

By , March 3, 2011 10:15 am

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The Gene Ludwig Trio

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Listen/Download – The Gene Ludwig Trio – Mr Fink Pt1

Listen/Download – The Gene Ludwig Trio – Mr Fink Pt2

 

Greetings all.

I hope all is well on your end, and that my ramblings this week haven’t put you off your soul.

In programming notes, I will remind you now that the Funky16Corners Radio Show returns to the airwaves of the intertubes this Friday night at 9PM at Viva Radio, where the elite meet to beat the heat. I have lots of classics lined up for you this week, as well as something new and groovy, so make sure to tune in, or fall by this very blog over the weekend to pick yourself up an MP3 copy of the show to dig on your computer or the iPod like device of your choice.

It was last summer that we got the sad news that the mighty Gene Ludwig had passed on suddenly at the age of 72.

You all know that I practically bathe in Hammond organ sounds on a daily basis, and Mr Ludwig created some fine examples of that genre during his five decade career.

He was first and foremost a jazz player – with the chops to back up that designation – but he also soaked his fingers in groove grease as well, laying down some particularly groovy soul jazz.

Gene was also, and this is the most important thing, artistically vital until the day he left us, playing live and recording at the top of his game.

Today’s post is – as is sometimes the case – a celebration of the old, as well as the new.

The record you see above, is one of my favorite two-siders in Gene’s discography, 1962s ‘Mr Fink Pts 1&2’ on Pittsburgh’s LaVere label.

Recorded with the classic Gene Ludwig Trio, with Gene on Hammond, Jerry Byrd on guitar and Randy Gillespie on drums, ‘Mr. Fink’ amounts to a skoshi under six minutes of the finest, smoky tavern Hammond wailing, soulful burning that anyone has ever packed onto two sides of a tiny vinyl record.

Aside from the epic ‘The Vamp’, this is by far my favorite of Gene’s 45s for both its elemental fire, and as a showcase for his keyboard skills. If you’re a stone Hammond junkie – like me – there’s something exceptional about hearing a master’s fingers fly over the keyboard, really making that huge hunk of wood and wires sing, and it doesn’t get much better than ‘Mr Fink’.

What I’m really here to rap about though is the fact that Gene Ludwig laid down one of the finest albums of his career just before he passed, and it has just been released.

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The CD ‘Love Notes of Cole Porter’, recorded with a very tight quartet (with two different drummers) is without exaggeration, up there with the finest organ jazz of the classic era. A collection of the finest love songs to flow from the pen of the legendary Cole Porter, many classics of what the cliché machine has designated the ‘Great American Songbook’, ‘Love Notes…’ sees (hears) Gene and his band, Mark Strickland on guitar, Lou Stellute on tenor and Thomas Wendt and Billy Kuhn alternating on drums (all very good), working in the classic Prestige/Blue Note style, and when I say that I’m not just blowing smoke.

The late 50s and 1960s saw a lot of different varieties of practitioners recording on the Hammond organ, from purely soul/R&B based cats working it out on now rare 45s (like Louis Chachere, RD Stokes and Leo Valentine), post-bop visionaries like Larry Young, and the cats running in the mainstream like Jimmy Smith, Jack McDuff, Jimmy McGriff and Groove Holmes, all of whom were widely recorded with widely varied results.

During the early part of his career, Gene Ludwig didn’t have the opportunity to record as frequently as many of those that I would consider his peers. Whether or not the consistently high quality of what he did record was merely a matter of conservation, i.e. never having been pressured to create more accessible/less inspiring records, or because all he had in him to create was pure class (I lean toward the latter) his legacy is smaller, and dare I say better.

That his final album reinforces that assessment is worth noting.

‘Love Notes of Cole Porter’ is every bit the equal of the best, swinging bop and soul organ sessions of the instrument’s (and Gene’s) golden era.

‘Love Notes of Cole Porter’ is also a gift to remind us that age need not be an impediment to a musicians growth. People do a lot of lip service to concepts like ‘maturity’ and ‘experience’, but listening to Gene wail and swing on this session one is treated to the sound of 70 years of technical prowess, seasoned by good taste and above all soul.

Another great thing about ‘Love Notes…’ is that alongside of well known material like ‘Night and Day’, ‘You’d Be So Nice to Come Home To’ and ‘What Is This Thing Called Love’, bona fide standards, covered hundreds of times by all manner of instrumentalists and singers, Gene works out on less familiar, but also exceptional numbers from Porter’s catalog like ‘I Love You’ and ‘Dream Dancing’.

This is serious, wonderfully played jazz and a fitting final statement from one of the great practitioners of the art.

You can pick up ‘Love Notes of Cole Porter’ directly from Big O Records, or over at CD Baby, where you can get it as a CD or as an MP3 download. You can hear samples of the album at both sites. It’s also available at iTunes, but make sure you search by the title, as a search of ‘Gene Ludwig’ only returns his older albums.

I hope you dig the sounds, and I’ll see you all on Monday.

Peace

Larry

 

 

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If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some fuzzed out, crunching garage punk.

 

Cal Tjader – Gimme Shelter (no…really)

By , March 1, 2011 1:09 pm

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Callen Radcliffe Tjader

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Listen/Download – Cal Tjader – Gimme Shelter

 

Greetings all.

I hope all is well in your neck of the interwebs.

I mentioned in Monday’s post that I had a rather interesting weekend (or more specifically, Saturday) and that I’d fill you all in today.

This is the kind of tale that some would be tempted to refer to as a comedy of errors, but since it was all error and extremely light on the funny, I will refrain from doing so.

The day started out on an optimistic note when my lovely wife informed me that instead of taking my son to a birthday party, I could instead head up to Jersey City for the Record Riot.

This was very groovy, so I got my record bag and some crumpled up dollars, hopped in the Funky16Corners-mobile (a major player in this story)  and hit the road.

Now, I haven’t spent a great deal of time in Jersey City since the days of visiting my brother there when he lived there almost a decade ago*, but I know some folks who live in the area, and was expecting to see some of them at the show (hey, Pat).

I got up there (about a 90 minute trek) and the first thing I noticed was that seemingly every other street sign in the city had been removed, making it extremely hard to locate the record show.

When I finally got there (the show was being held in a studio space behind a big shopping center) I ended up circling the area looking for what ended up being a non-existent parking space, eventually deciding to park in a lot that appeared to be shared by the shopping center and the light rail station (I should note here that not being a complete numbskull, I did survey the area for anything that would indicate that parking was prohibited. I did not see anything, and the proximity to the rail station now leads me to invite both the city of Jersey City, and the fine people at BJ’s Wholesale Club to go fuck themselves**).

There were no yellow curbs, no fire hydrants and the car was parked between two painted white lines, a tableaux that immediately brought to mind the time worn phrase, “parking space”.

I went into the show, which though not spectacular (very short on 45s) managed to yield some cool stuff.

I figure I was in there for about an hour, at which time I decided that I’d spent enough money and headed back to my car.

What I soon discovered was that I was in fact walking back not to my car, but rather to the spot where my car HAD ONCE BEEN.

Now I’m a big dude, but I am not too big to admit that my initial reaction came perilously close to tears.

I’m not sure how long I stood in the empty, oblong spot that once harbored my car, but it couldn’t have been more than a few minutes before a tow track came tearing into the lot and started backing up to the car in the spot next to mine, preparing to take it away.

I banged on the window of the truck and discovered in short order that he had just finished taking my car to the impound lot. He also pointed out the small sign that I had missed that not only indicated this was an area where parking was prohibited (unless of course you were a customer of the warehouse store, and given the opportunity, I would have gladly gone inside and purchased a palette of toilet paper in order to bypass the towing nightmare), but was also courteous enough to include a schedule of penalties as well.

I was momentarily relieved that my car had not (technically) been stolen.

That didn’t last long.

He agreed to take me to the lot, and informed me that I would have to cough up 225USD, but there was an ATM machine right by the place.

Now, when I tell you that the further we got from the record show, the more bleak the landscape got***, I am not exaggerating.

When we got to the block where the lot was he instructed me that I’d have to walk a few blocks to the bodega where the ATM was located.

When I got there (after being yelled at by a guy across the street who apparently didn’t think I belonged in the neighborhood) I discovered that the door to the bodega was locked. The gentlemen at the gas pumps – after initially ignoring me  – eventually let on that their benefactor was likely indisposed on the bowl and would be returning in a few minutes.

He materialized shortly and let me into the store where I immediately withdrew cash from the machine, all the time wondering if I was going to be able to make it back to the garage without getting robbed.

The fact that I’m writing this now should indicate that I did in fact get my car back and made it out of the city in one piece.

I was shaken, but not because Jersey City was any more dangerous than any other city but because it was utterly unfamiliar.

Having Google Maps at your disposal makes it much easier to get to a destination, but is no help at all in granting egress once someone has made off with your vehicle.

I’ve spent a lot of time in New York City over the last 30 years, and were the same situation to occur there, it wouldn’t bring with it the immediate sense of disorientation I felt in JC. I also suspect that it would be much more difficult (and expensive) to get my car back in NYC, but that’s neither here nor there.

Needless to say, I will not be returning to Jersey City any time soon, unless of course one of you good sports offers to drive, in which case I’ll be glad to wait at the record show while you retrieve your vehicle from the impound lot.

That all said, I was planning on posting today’s selection long before the above events transpired, but once again, a more superstitious individual would see this song choice as the hand of fate at work.

I on the other hand am more inclined to attribute the whole clusterfuck to Murphy’s Law, and the coincidental song selection to its inherent high quality.

I can’t recall where I first heard Cal Tjader’s amazing cover of the Rolling Stones’ ‘Gimme Shelter’ but I do remember digging it immediately.

Getting my hands on my own copy wasn’t quite so easy, but as is often the case time, luck and a little bit of money took care of that.

If you’ve spent any amount of time here (or more specifically in the Funky16Corners Radio Podcast Archive) you already know that I am a huge fan of the vibes in general, but most especially Mr. Tjader.

He was a master of Latin jazz, branching out into exotica and what would become known as rare groove.

Tjader’s version of ‘Gimme Shelter’ appeared on his 1971 ‘Agua Dulce’ LP, during a period where electric instrumentation (aside from his own vibes, natch) were taking a more prominent place in his band. Here you get synthesizers (employed tastefully), electric piano and the master himself working it out.

I think a few years ago if you’d suggested to me that a song like ‘Gimme Shelter’ would have worked within Tjader’s style I would have reacted with suspicion, but as the cats in the powdered wigs liked to say, the proof is in the pudding.

While much of the chaos and menace of the Stones**** version are missing, Tjader’s interpretation still has a certain something that comes on almost like a distant echo of the original.

Groovy indeed, and I hope you dig it.

With any luck I will avoid tragedy until I return on Friday.

Peace

Larry

 

 

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* A time when his car was stolen from in front of his apartment.

** Though I’m sure there are those among the towing service sector who like to think of themselves as providing some kind of public service, I prefer to think of their business as a unique combination of car theft and extortion. The fact that the tow truck driver was a creep on a whole other level didn’t do anything to change this opionion.

*** Aside from travelling down one street where I had a perfect, almost poetic vista of the Statue of Liberty

**** Or Merry Clayton’s

 

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Jackie Lee – The Duck Pts 1&2

By , February 20, 2011 12:37 pm

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His name is Jackie Lee!

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Listen/Download – Jackie Lee – The Duck Pt1

Listen/Download – Jackie Lee – The Duck Pt2

Greetings all.

I hope everyone had a most groovy weekend.

I got to spend a lot of quality time with the little Corners, since they have an inexplicably long Presidents Day weekend, which isn’t such a bad thing since any four year old who knows who Abraham Lincoln is OK in my book.

I’ve been ensconsed in the Funky16Corners Record Cave and Blogcasting Nerve Center with my headphones affixed to my head (is there anywhere better?) working on mixes, radio shows and digimatization of raw vinyl (soulful alchemy, as it were).

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I was also pulling out Northern Soul vinyl for my guest spot at Spindletop @ Botanica in NYC this Monday night (2/21). It’s a very groovy scene there, and our host Perry Lane trusts me to bring nothing but the best vinyl available (out of my crates anyway) to spin for the people. I guarantee you a soulful good time, should you choose to join us. Things get rolling at 10PM, and I would suggest that you lace up your dancing shoes.

It is in that spirit that I bring you two halves of a great side by one of my favorite West Coast soul stars, the mighty Jackie Lee (aka Earl as in Bob &, as well as a few other choice pseudonyms).

Earl Nelson (his real name) aka Jackie Lee was a prolific recording artist during the late 50s and all through the 60s, hitting the charts with the Hollywood Flames, Bob & Earl and under the Jackie Lee pseudonym. I’m not going to go into it in too much depth, but if you get a sec, pop on over to Soulful Kinda Music and take a gander at his discography, which is likely to give you whiplash.

The tune I bring you today is his biggest hit as Jackie Lee, ‘The Duck’ which was a Top 40 hit in 1965.

What you’re hearing here is the two part version of ‘The Duck’ which appeared on the Mirwood LP of the same name, and the interesting thing is, that as far as I can tell Pt2 never appeared on a 45.

This is a stereo mix (slap on the headphones and pan it back and forth, the separation is pretty drastic) which is bright and really brings the pulsing backing to the fore, with the horns, the vibes and the background singers.

I really dig Pt2 where it almost sounds as if Lee was flying by the seat of his pants and improvising over the backing track. I love where the background singers come in with ‘His name is Jackie Lee!’.

It’s a storming dancer, and indicative of the kind of stuff I’ll be spinning at Spindletop.

I hope you dig it, and I hope to see some of you good people there.

Peace

Larry

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Phil Upchurch – I Don’t Know / Bacn’ Chips

By , February 13, 2011 1:08 pm

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Phil Upchurch

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Listen/Download – Phil Upchurch – I Don’t Know

Listen/Download – Phil Upchurch – Bacn’ Chips

Greetings all.

I hope the dawn of a new week finds you all well and in a soulful groove.

I spent the better part of the weekend configuring a new workstation after the old (original) Funky16Corners laptop, that I had passed on to the kids, went belly up. Fortunately the transition from Vista to Windows 7 was a lot easier (and much less expensive) that that from XP to Vista, where a lot of the software I use for blogging and podcasts was suddenly rendered obsolete.

As we speak, I have completed the Monday posts for Funky16Corners and Iron Leg, and started work on next week’s Funky16Corners Radio Show, so it appears that we’re up to speed.

I should let you know that next Monday (2/21) I will be returning to Spindletop @ Botanica in NYC. It’s a very cool bar, and I assure you I’ll be bringing some very groovy records with me, so if you’re in the neighborhood, and feel like a cocktail and some soul might hit the spot, drop by.

The tunes I bring you today hail from the discography of one of the truly great and innovative labels of the 60s, Cadet.

They also come to you courtesy of the plectrum of one of the label’s greatest session musicians, Mr. Phil Upchurch.

If his name is familiar, it may be because he had a genuine hit in 1961, with the Phil Upchurch Combo and ‘You Can’t Sit Down’.

It’s more likely you’ve seen his name on the backs of (and the fronts of some) countless albums, where he contributed his talents on the guitar.

Upchurch was born in Chicago, and it was to that city he returned after his stint in the Army.

If you’re a devotee of the Cadet sound, you’ve heard Upchurch’s playing on productions by both Richard Evans and Charles Stepney (who produced/arranged this session), including albums by the Soulful Strings, Ramsey Lewis, Odell Brown, the Rotary Connection, Jack McDuff and even Woody Herman’s sessions for the label.

Upchurch also had the opportunity to record a few albums of his own for Cadet, including ‘Upchurch’ in 1969, and the album that includes today’s selections ‘The Way I Feel’ in 1970.

The two tracks I bring you today give you a flavor not only for Upchurch’s prodigious skill as a guitarist, but also for the way the Cadet sound synthesized the various and sundry musical threads coursing through the atmosphere at the time.

Both ‘Bac’n Chips’ and ‘I Don’t Know’ are both soulful, occasionally funky, with touches of rock (I hear bits and pieces of Hendrix) as well as the smooth, stylish, even artsy feel of Stepney’s best work.

Like Richard Evans, Stepney was nothing less than a visionary, instilling the records he worked on with imagination and style.

Upchurch would go on to record sought out sessions for Blue Thumb, as well as decades of making the records of other artists better than they might have been.

I hope you dig the tunes, and I’ll be back on Wednesday.

Peace

Larry

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Funky16Corners Radio v.92 – Regular Funk

By , January 30, 2011 2:33 pm

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Funky16Corners Radio v.92 – Regular Funk

Playlist

Bar-Kays – Don’t Do That (Volt)
Buddy Miles – Easy Greasy (Mercury)
Syl Johnson – Get Ready (Twinight)
Nate Turner, Venetta Fields and the Mirettes – Rap, Run It On Down (Uni)
Toddlin’ Town Sounds – The Dud (Toddlin’ Town)
C and The Shells – Funky Tambourine (Zanzee)
Crusaders – Gotta Get It On (Chisa/Blue Thumb)
Magic Sam – Sams Funck (Bright Star)
Backyard Heavies – Expo 83 (Scepter)
Bobby Byrd – Back From the Dead (International Brothers)
Eddie Harris – Get On Down (Atlantic)
Fame Gang – It’s Your Thing (Fame)
Showmen Inc – Tramp (From Funky Broadway) Pt2 (Now)
Jr Walker & the All Stars – Baby You Know You Ain’t Right (Soul)
Andre Williams – It’s Gonna Be Fine in ’69 (Cadet)
Wilbur Bascomb and the Zodiact – Just A Groove In G (Carnival)
Billy Cobham – Crosswind (Atlantic)
Grant Green – James Brown Medley (Blue Note)
Quickest Way Out – Tick Tock Baby (It’s a Quarter to Love) (Karen)

Listen/Download 115MB/256kb Mixed MP3

Download 93MB Zip File


Greetings all.

I hope you’re all ready to step into a week.

I should let you know that this coming Friday (2/4) I’ll be guesting at the After the Laughter Soul Club at Lulu’s, 113 Franklin St., Greenpoint, NY. I’ll be joining DJ Hambone and Ben Carey for a night of funk, soul and R&B, all on 45. Things get going at 10PM and go into the wee hours of the morning, so make sure you fall by for some beer, pizza and hot wax.

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That said, who wants to pull down the ones and zeros for some of what we record collectors refer to as ‘the funk’?

This is not to say that Funky16Corners Radio v.92 – Regular Funk is all one kind of thing, since it was assembled and mixed under a somewhat larger umbrella than some of you might be accustomed to.

You get some funky soul, some in the regular funk 45 stylee, and some jazz funk as well. I think it all fits together nicely, and hopefully once you stuff it into your ears, you will too.

Things get started with a little taste of Memphis groove, with the Bar-Kays and ‘Don’t Do That’. The flipside of 1967’s ‘Give Everybody Some’, ‘Don’t Do That’ is positively dripping with that Stax/Volt sound, including some very twangy gitbox, which comes to the fore when the horns aren’t blazing.

Buddy Miles is one of those groovy artists who kind of dwell in a gray area between soul and rock, working ably on both sides of the line, and mixing the two together whenever he got the opportunity. ‘Easy Greasy’ is an instrumental from his 1970 ‘We Got to Live Together’ album, and it carries with it much of the horn heavy vibe of the time, with the BST’s and the Chicago’s and naturally the Electric Flag’s, and Buddy manages to whip it all into a nice swaggering groove, that when you least expect it drops in a little bit of a quote (today’s kids might think of it as a sample) from Led Zeppelin’s ‘Bring It On Home’. Things even manage to get a tiny bit psychedelic – which was the style of the time – so settle in and dig it.

The mighty Syl Johnson appeared in this very spot but a few short weeks ago. He was – as has been stated previously – 100% badass – and his take on the Temptation’s ‘Get Ready’ has a lot of grit in its groove.

Despite a bit of searching, I haven’t been able to nail down Nate Turner, but Venetta Fields (big time backup singer of the day) and the Mirettes were familiar. The tune ‘Rap, Run It On Down’ is a cut from the soundtrack to the 1969 Sidney Poitier vehicle ‘The Lost Man’. I dig the vibe on this one (co-written by Quincy Jones, Dick Cooper and Ernie Shelby*), and the flip side (on which Venetta sits out), ‘Sweet Soul Sister’ is also cool, in a more downtempo way.

I always assumed that the Toddlin’ Town Sounds were an anonymous amalgamation of Chitown sessioners, or perhaps an instro track that someone leased to the label. Either way, their funky stomper ‘The Dud’ (flip of their better known cover of the Isleys ‘It’s Your Thing’) is a killer (dig that chopping rhythm guitar).

‘Funky Tambourine’ by C and the Shells has always been a fave of mine, simply because it defies narrow categorization. It is funky, but it also has an odd, fast moving time signature, as well as some stinging fuzz guitar. There might even be a little bit of gospel flavor weaving in and out of this one as well.

The Crusaders, once a tight soul jazz outfit (as the Jazz Crusaders) evolved into the funky R&B band that hit the charts in the 70s. Led by keyboardist Joe Sample (lots of tasty electric piano here), drummer Stix Hooper and saxophonist Wilton Felder (all three of whom did a lot of work on other people’s records in the 60s and 70s) lay down a very tasty groove indeed on 1973s ‘Gotta Get It On’.

‘Sams Funck’ is blues legend Magic Sam’s entry into the blues guys get funky sweepstakes. Based loosely on the ‘It’s Your Thing’ template, recorded in the lowest of fi’s (as it were) you still get to hear some of the guitar action that made the man a legend. If you find yourself a copy of this one, flip it over, since the vocal version ‘I’ll Pay You Back’ is quite nice indeed.

The Backyard Heavies got their start as a North Carolina show band called the Tempests. ‘Expo 83’, one of the funkiest piano driven 45s in my crates was sampled by Pete Rock for ‘The Basement Intro’.

Does Bobby Byrd need and introduction to the likes of you? Since you’re one of the fine folks that falls by Funky16Corners I’d say no. Mr. Byrd was for years James Brown’s on-stage wing man, but also stepped out to make some hot as hell 45s under his own name. ‘Back From the Dead’ is from a period when Byrd had separated from the Brown organization and found his way to Henry Stone’s Florida-based TK label subsidiary International Brothers. Bobby is in fine form, and lays down a solid bit of dance floor funk.

Eddie Harris has appeared in this space many times. He was one of the true giants of soul jazz, and as 1974’s ‘Get On Down’ illustrates, he could also be quite funky. The cool thing is that you get to hear Eddie double on keys and sax (which he also did on earlier albums like ‘Mean Greens’).

The Fame Gang was the house band at the storied Alabama studio of the same name. Their cover of the Isley Brothers ‘It’s Your Thing’ is another groovy cover of that funky classic. Much like Archie Bell and the Drells ‘Tighten Up’, ‘It’s Your Thing’ is one of those records that was not only had scores of straightforward covers, but was also (see Magic Sam above) ripped off, reprocessed and renamed countless times.

From the funk 45 column comes Pt2 of the Showmen Inc.’s ’Tramp (from Funky Broadway)’, working one of my favorite vibes, that being an intertwining of two separate dance crazes in the same record. The famed break is on the other side, but I’ll make sure to get that one up onto the blog sometime soon.

Jr. Walker and the All Stars are one of those Motown groups that had a huge, omnipresent radio hit in the 60s (Shotgun) that is so much a standard on oldies radio that it tends to make you take them for granted. Well, get yourself out and grab some of their records, because they’re filled with solid, hard hitting gems like ‘Baby You Ain’t Right’.

Now Andre Williams is a dude that has yet to get his props. Williams, acting as performer, writer and producer had his hand in some incredibly good records out of Chicago and Detroit in the 60s. He was an OG badass, with that gangsta lean, lots of greasy soul and attitude for weeks. ‘It’s Gonna Be Fine in ‘69’ is another one of his masterpieces for the Chess/Checker/Cadet family of labels. It features some wild guitar, snapping drums, and of course Mr Williams on the vocal.

Wilbur Bascomb and the Zodiact recorded under their own name, as well as backing other artists. ‘Just a Groove in G’ features a classic drum break, some wailing organ, and some imspired if spasmodic guitar action.

Billy Cobham is one of the great drummers of the jazz fusion era. His 1974 ‘Crosswind’ (also covered, very nicely by Woody Herman!) is a funky killer, with tight drumming by Billy, grooving electric piano and tasty horns. Sampled by Gang Starr among others.

Another jazz hero with funky tendencies was the mighty Grant Green. A seriously talented hard bopper who contributed to countless classic Blue Note sessions as a sideman, also had quite the discography under his own name. As the 60s rolled to a close, he got progressively more funky, so much so that his albums from that period are crate digger faves and his 1971 set ‘Shades of Green’ is no exception. His ‘James Brown Medley’ is a laid back, funky, extended take on the Godfather.

This edition of Funky16Corners Radio closes out with a cool bit of Motor City funk, ‘Tick Tock Baby (It’s a Quarter To Love)’ by the Quickest Way Out. Groovy because it shares a backing track with Reggie Milner’s raging ‘Soul Machine’. The Quickest Way Out take on the tune is a little more laid back, and the break is open, so what’s not to like.

I hope you dig the mix, and I’ll be back later in the week with something cool.

Peace

Larry

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Roy Ayers Ubiquity – Everybody Loves the Sunshine

By , December 12, 2010 11:57 am

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Mr Roy Ayers

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Listen/Download – Roy Ayers Ubiquity – Everybody Loves the Sunshine

 

Greetings all.

I come to you following a long, busy weekend that included the beginning of a massive, long awaited 45RPM reorganization.

The project started with 10 new, much sturdier record boxes than I had been using, since my 45s are a serious investment and deserve to be treated well so that they remain in decent condition. It was almost immediately apparent that 10 boxes were not nearly enough to do the trick, but they did provide a solid start, allowing me to get my DJing genres sorted and boxed.

In the process I unearthed a grip of excellent stuff that I’d been neglecting for a long time, which I set aside to be recorded for presentation on the blog and on the Funky16Corners Radio Show.

Speaking of the radio show, this Friday’s episode will be special, all Philly funk 45 excursion that I think you’ll dig. Next Friday – Christmas Eve – will see the arrival of the first Christmas edition of the radio show, featuring some old faves as well as some groovy new stuff.

I’ll also be featuring some Christmas 45s on the blog next week, so stay tuned for that.

Today we’re going to engage in a little bit of creative visualization.

As I sit here writing this, I can hear the wind howling outside and sheets of rain lashing the windows. We’re coming off a sever cold snap, and according to the news this morning, on our way into another one. Our friends in the UK are just getting over terrible winter storms, and folks  in the Midwest are in the process of getting dumped on in their first blizzard of the season.

Whether or not we have crossed the official seasonal dividing line, winter is most definitely upon us.

What we’re going to do is work a little Roy Ayers Ubiquity into the mix.

I came to Ayers R&B/jazz funk period fairly late in the game.

I was a big fan of his work as a straight jazz artist. One of my earliest jazz LP finds many years ago was a copy of a superb album that Ayers recorded backing pianist Jack Wilson. That, and his work in the 60s as vibraphonist* in Herbie Mann’s band, then his early solo work for Atlantic were always in heavy rotation here at the Funky16Corners crib.

Later on, as I started to explore the world of samples, breaks and beats, the Roy Ayers Ubiquity started to pop up everywhere.

Following his stint with Mann, Ayers formed Ubiquity in 1970 and spent the next decade moving from jazz funk, into R&B and disco. The band didn’t have much in the way of chart success (aside from an R&B Top 20 hit with ‘Running Away’ in 1977), but the music they made would create a wellspring for hip hop producers.

Today’s selection, ‘Everybody Loves the Sunshine’ has itself been sampled more than a dozen times.
But we’re not here today to talk about deconstruction.

We’re here to introduce a little warmth into your life.

Pull down the ones and zeros, and let the sound of summer wash over you.

‘Everybody Loves the Sunshine’ is about digging your feet into the hot sand at the beach, or watching the waves of heat rise off of a tar roof in the city. It’s about – as they say in the song – bees and things and flowers – and watching condensation roll down the outside of a cold glass.

It’s a deceptively simple, but extremely powerful song that  forces you to stop what you’re doing, slow down and step inside of the vibe.

So slap on the headphones (or lay down between the speakers), close your eyes and feel the music.

Everybody does love the sunshine, and if mother nature is being stingy, you can always use the power of the mind (and Roy Ayers) to bring it back for a few minutes.

See you on Wednesday.

Peace

Larry


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*Oddly enough Ayers doesn’t play the vibes on this track, sticking with keyboards

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The Temptations – Masterpiece

By , November 9, 2010 11:22 am

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The Temptations (above), Norman Whitfield in the studio (below)

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Listen/Download – The Temptations – Masterpiece

 

Greetings all.

The middle of the week is here, and despite nagging fatigue, I have returned.

This is no doubt an indicator of advancing age, but whenever daylight savings time comes in, or out, I always get knocked for a loop. Maybe my circadian rhythms are especially delicate (probably the only delicate thing about me), but it takes me a week to get my shit together, i.e. feeling sleepy when I’m supposed to, and not sleepy the rest of the time instead of all bombanootz (my own misspelling of my mother-in-law’s Italian slang, which roughly translates to life akimbo) which is how I feel now.

In spite of that fact, I hunkered down on Monday and got a stack of rekkids digi-ma-tized for the blog, including a couple of hot new finds, one of which I’m itching to drop, but I have to do some more research on it before I do.

The tune I bring you today is yet another mile marker on the long journey that is my Norman Whitfield obsession.

A while back, while digging in what turned out to be a largely non-rewarding location (with a few marked exceptions, including today’s selection), I happened upon the Temptations 1973 LP ‘Masterpiece’.

As soon as I got it home and dropped the needle into the grooves on the title cut, I knew I’d heard the song before, but until I played the whole thing I had no idea what I’d been missing.

As has been said elsewhere, ‘Masterpiece’ marks the onset of an artistic period where the group itself had almost become incidental to Whitfield’s creative process. I’m not sure I’d go quite that far, since Whitfield clearly enjoyed creating music with/for the Temps, but once you give ‘Masterpiece’ (the song) a listen, it becomes clear that at least in this case the group were secondary to the recording.

If the music itself didn’t make this clear, take a look sometime at the back cover of the album where the Temps are dwarfed by a huge, godlike  picture of Whitfield’s head, looming over them.

The group isn’t heard from until the four minute mark, and then only sporadically for the next two minutes, after which they disappear into the background again.

What you’re getting is a whole lot (about 13 and a half minutes worth) of Whitfield atmosphere, but what atmosphere it is.

There are dark washes of strings, subtle lead guitar, echoed trumpet (shades of ‘Papa Was a Rolling Stone’) and electric piano snakes in and out of the arrangement.

The effect is cinematic, without sounding entirely like a blaxploitation soundtrack.

Unfortunately, the divide that came from Whitfield overpowering the group caused the pairing that had made so much great music to split. The Temps did one more LP with Whitfield, after which he left Motown and had success with Rose Royce.

That all said, ‘Masterpiece’ is a very groovy, late-night bit of ‘head’ music and I dig it a lot.

I hope you do too, and I’ll see you all on Friday.

Peace

Larry


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F16C Soul Club Presents – Funky16Corners Live in DC

By , November 5, 2010 7:10 am

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F16C Soul Club Presents: Funky16Corners Live In DC, 9/25/10

Playlist

Average White Band – Pick Up the Pieces (Atlantic)
Lyn Collins – Think (About It) (People)
Mongo Santamaria – Lady Marmalade (Vaya)
Manu Dibango – New Bell (Atlantic)
Isley Brothers – Fight the Power (T-Neck)
Gladys Knight & the Pips – Thank You Falletinme Be Mice Elf Agin (Soul)
Hoctor – Gold Coast (Hoctor)
Bobby Byrd – I Know You Got Soul (King)
Barrett Strong – Stand Up and Cheer For the Preacher (Epic)
LTD – Every Time I Turn Around (Back In Love Again) ()
Billy Preston – Outta Space (A&M)
Eddie Kendricks – Keep On Truckin’ (Tamla)
O’Jays – I Love Music Pt1 (PI)
Joe Bataan – Latin Strut (Mericana)
Louie Ramirez – Do It Any Way You Wanna (Cotique)
Joe Bataan – Shaft (Fania)

You can check out this mix in the Funky16Corners Soul Club Archive

Greetings all.

As previously stated, at the time you’re reading this, I will be away on vacation with the wife and the little Corners, releasing this post in a timely fashion from a remote location.

I figured this would be a good time to drop the set I recorded at Marvin on my DC trip back in September.

Marvin is a very cool place, but with a decidedly different vibe than I’m used to, i.e. I can’t rock the house with a stack of vintage funk 45s. This is not to say (as you’ll see above) that funk 45s cannot be rocked, just that the mix has to be peppered with things from a little later on the timeline.

The records are – as always – aimed to please the dancers with a taste of disco blended into the overall flavor.

I actually dig doing this, especially since I get to expand the palette as it were, spinning records that don’t fit inside the context of a vintage funk/soul night.

I’m not making a claim to be breaking any new ground, just mentioning that I dig flexing those muscles a little bit now and then.

It took me a long time to warm up to (read, ‘understand’) disco, and the more I dig into the good stuff, the more I wish I knew, and of course, had more of it on vinyl.

That said, pop this one in, and shake it up a little.

Don’t forget to tune into the Funky16Corners Radio Show, Friday at 9PM at Viva Radio. This week is an hour-long tribute to the late Weldon McDougal III and the Harthon sound or Philadephia soul.

Have a great weekend, and I’ll see you on Monday.

Peace

Larry

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