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By Larry, December 9, 2012 3:32 pm

Funky16Corners @ Spindletop – Early Set 1/10/11

Playlist

Listen/Download 80MB/256kb Mixed MP3

Greetings all.

As you all know, I spend as much (or more) time listening to the mixes I put together for Funky16Corners than anyone.

This has everything to do with the fact that all of the content here on the blog has to pass my own “ear test” before you hear it, so the mixes/posts reflect what I’m digging at any given point.

Though – due to circumstances beyond my control -I haven’t played out in more than a year, 2011 was an especially cool/busy time in that respect.

Between stints at Master Groove and Spindletop, and guest spots at Subway Soul (all NYC), Wooly Bully and Sweet Exorcist (both in Mass) I had plenty of opportunities to spin vinyl for groovy people.

The Spindletop night (at Botanica) was an especially cool night (while it lasted) because I had an exceptional amount of freedom in the styles of music I could spin as well as providing an opportunity to play especially long sets.

Back in January of last year, I had a chance to play almost three full hours of soul jazz 45s, and I decided to get things started with a slow-to-midtempo set.

The results – which you see before you (again) – ended up being one of my favorite sets* of the last few years, and I’ve cued it up on the iPod several times since then.

I decided that I’d re-post it for those that might have missed it the first time out.

I hope you dig it, and I’ll see you all on Wednesday.

Keep the faith

Larry

*As mentioned when this was originally posted, the line-out on the house mixer was not functioning, so I spun and rerecorded this set live on my decks at home the following day.
___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (7)

By Larry, February 24, 2012 1:00 pm

Greetings all.

This is just a brief update to let you all know where things are at.

First, remember that the Funky16Corners Radio Show takes to the airwaves of the interwebs tonight at 9PM at Viva Radio.

If you can’t be there at airtime you can always come by here over the weekend to pick up an MP3 of the broadcast.

It does bear mentioning that tonight’s show is the first since the technical specifications for assembling the show have changed. Due to Viva Radio’s requirements about tagging the songs used in the broadcast, I have had to make serious changes in the way the show is put together for broadcast.

Normally I would create the show in chunks of 15 minutes or less (according to Viva’s server requirements) and upload them to the server, basically dividing the broadcast into separate segments of music and spoken word. This would allow me to EQ the individual tracks and mix them together with bumpers and drops for a fairly seamless delivery.

I would then mix all the segments together into the single, downloadable MP3s that you see in the radio show archive here at the blog.

Now, I have to upload the songs to their server individually, with the bumpers and drops mixed into my spoken passages, which means that the normal, audible flow of the show will be changed somewhat, with some variations in the volume and breaks present where there were none previously.

This won’t make a huge amount of difference in what you hear at broadcast (and almost none at all in the download) but I take pride in what I present to you and I’m not 100% thrilled in the way it works now.

I have heard suggestions that I create the show in a program like Garage Band and then break it into pieces and tag the pieces separately, but I have neither the money to buy new software, nor the time to do it that way. I currently use Acid to mix the segments and rip to MP3, and if the capability for such a process is in there, I am not currently aware of it.

I’ll keep working on a solution so that I can meet Viva’s requirements and still bring you the kind of show that you’re used to hearing.

__________________________________________________________________________

In regard to the changes in the blog that have transpired this week, the situation is thus…

The server provider that I use apparently sent out a message last year about the end of the subdomain I was using and I missed seeing it in the flood of solicitations that they send out.

The deadline for the changeover came due this week with only 72 hours notice this week and I had to get things done in short order.

If I was a little more internet savvy, this process might have been easier, but I’m not, so it wasn’t and for some people the blog dropped off the face of the interwebs with little or no notice.

It was still “here” but was in actuality “somewhere else” (the “new” here) and I could definitely have done a better job getting that news out.

As it stands I have notified all of the blogs in my blogroll, as well as all the members of the Funky16Corners Facebook group (about 1400 folks) as well as the Twitter followers (around 700 folks, many probably duplicated from the Facebook numbers) as well as readers of a couple of message boards I frequent.

The good news is that alot of the incoming links to the blog have been updated.

The bad news is that the search engines still haven’t found the blog and webzine, at least not at the levels previous to this week.

The good news is, as a result, the spambots haven’t re-found me yet either, which means that I have temporarily been spared the trouble of deleting the thousands of pieces of spam that hit the blog on a weekly basis.

The bad news is that a lot of people still think the blog has vanished (which sucks).

All I can ask is that if you have the ability to somehow spread the word about the change of address (to Funky16Corners.com) please do so, knowing that you have my gratitude (and big ups to those that have already done so).

This has been – thanks to stress about my wife’s treatment and all of this blog-related bullshit – a very, very stressful week, so please bear with me as I get things straightened out.

Otherwise, have a great weekend and I’ll be back with some new stuff on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (3)

By Larry, June 23, 2011 11:31 am

Too much popcorn…

Listen/Download – The Rivingtons – Pop Your Corn Pt1

Listen/Download – The Rivingtons – Pop Your Corn Pt2

Greetings all.

I’m going to try to make this short and sweet (like I always say, and almost never do…)

I’m trying to get this week finished up and next week’s stuff all prepped and swinging, since the Funky16Corners fam is going to try to slip some vacay into the shed-jool and my days of dragging my laptop with me on the road resulted in a lot of web surfing when I should oughtta be having real fun, so I won’t be doing that.

I am planning on a mix to keep your ears happy while I’m off the grid, so stay tuned for that.

The Funky16Corners Radio Show will be dropping this (and next, and the one after that, and so on) Friday night at 9PM at Viva Radio. It’ll be quite groovy, so strap yourselves in with a cold beverage and the snack food of your choice and let your ears fill up with the best in funk, soul, jazz and rare groove. It will of course be archived and ready for download over the weekend, right-cheer at the old blog.

The tune I bring you today is another one of those cool, late career revivifications wherein an artist best known for their work in an earlier era gets back on the horse and drops something of a more contemporary (at least at the time) nature that allows those of us who follow such things to reconsider their place in the musical landscape.

The group in question is the Rivingtons, and the tune is ‘Pop Your Corn Pts 1&2’.

The Rivingtons, who’s members had been recording in other groups since the very early 50s, released their first and best remembered record, ‘Papa Oom Mow Mow’ in 1962. It was a minor hit, and followed the next year by another one called ‘The Bird Is the Word’, which, when stolen and stitched together by a group of Minnesotans called the Trashmen the year after that, became a much bigger hit by the name of ‘Surfin’ Bird’, after which the members of the Rivingtons hired a lawyer and took the Trashmen to court, where they successfully sued for redress of griveances.

That said, though the Rivingtons recorded fairly steadily through the 60s for labels like Liberty, Reprise, Vee Jay and Columbia, they weren’t meeting with much success.

The record I bring you today was the last thing they recorded in the 1960s, and sees them glomming onto the Popcorn wave on 1969.

There are countless dance crazes through the 60s that inspired a lot of records (i.e. the Popeye, the Twist etc) but few of them took off like the Popcorn. Not only were there a grip of Popcorn 45s in 1969, but for a while James Brown turned the dance into something of a cottage industry (see Funky16Corners Radio v.14 Butter Your Popcorn).

The Rivingtons of ‘Papa Oom Mow Mow’ are not entirely absent on ‘Pop Your Corn’ (dig the bass vocals) but the buttery flavor is much funkier than they were known for, with some tight, snappy, break-y drums, a guitar riff lifted directly from the JB ‘Popcorn’ and some wailing soul vocals.

Make sure you listen to both parts of this one, since the drums get a little bit heavier in Pt2.

It’s cool one and I hope you dig it.

See you on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (2)

By Larry, May 19, 2011 12:45 pm

Mr James Carr

Listen/Download – James Carr – A Losing Game

Greetings all.

How’s by you?

Me, I’m groovy.

Got some cool records waiting to be digimatized, still breathing, you know the drill.

I will remind you that this Friday marks the weekly appearance of the Funky16Corners Radio Show on Viva Radio (Fridays at 9PM). This week is a Hammond funk-tacular of sorts with an hour of the finest, funkiest, organ-iest 45s from my crates placed side by side in such a way as to get folks to dance (or at least listen more closely). It’s a good one and you won’t want to miss it.

Then, next Monday 5/23 I’ll be back at Spindletop @ Botanica (47 E. Houston St, NYC) with a box full of garage and mod 45s, which should naturally be very groovy and something you won’t want to miss if that’s a bag that you find yourself in.

The tune I bring you today is another great 45 from the catalog of the legendary James Carr (we’ve featured several in this space over the years).

The very cool thing about ‘A Losing Game’ is that unlike Carr’s best known tunes, many of which are classics of the Southern soul ballad, ‘A Losing Game’ is a hard-hitting, some might say storming dancer with a killer vocal by the masterful singer.

If you’re not familiar with James Carr (and I know I say this all the time, but I assume nothing), get out onto the interwebs, or grab yourself a copy of Peter Guralnick’s classic tome ‘Sweet Soul Music’ and get hip. Carr was, to keep things short and sweet, one of the finest soul singers of the 60s, with all-time greats like ‘Dark End of the Street’ (many would say his is the definitive version) in his discography. He recorded much amazing music for the storied Goldwax label between 1964 and 1969, and then trailed off almost completely during the 70s thanks in large part to a life-long struggle with mental illness.

He did manage to make a return to recording before his untimely death (at age 58) from cancer in 2001.

While the temptation – since he was the equal (or superior) of many more famous singers – is to try to say something profound about James Carr, the sensible thing is to let his music make that statement.

‘A Losing Game’ is one of the toughest numbers Carr ever recorded. It was written by the singer and someone named Denny Weaver. I can’t find any info on Weaver (much the same as when I tried to track down the ‘B. Husky’ who wrote Carr’s ‘Talk Talk’) , which makes me wonder if the name was a pseudonym for someone else.

Either way, ‘A Losing Game’, which was later covered by both a post-Gram version of the Flying Burrito Brothers, and Fairport Convention vocalist Sandy Denny (her version is outstanding), is a great soul record.

I hope you dig it, and I’ll see you all on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recr events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (4)

By Larry, May 5, 2011 4:09 pm

The young doctor as intern…

Listen/Download – Mac Rebennack and the Soul Orchestra – The Point

Greetings all.

Following yet another Sisyphean (Sisyphusian?) slog the end of the week is finally upon us.

This has been another one of those weird weeks where any attempt to fall into the lockstep of routine was thwarted by the intrusion of both the necessary and the unexpected.

I had some doctor type ish to deal with as well all that brings with it, as well as the flotsam and jetsam of daily life, including still recovering from vacation.

Despite any number of valiant attempts to switch my mind to cruise control, I was given to contemplation, and came to the realization that despite all my crabbing about how busy I am and haw many things I have to do, I am in the end extraordinarily lucky.

Aside from the obvious (and sometimes not so) joys of married life and fatherhood, I also have the opportunity, via the blog, the Funky16Corners Radio Show (this and every other Friday night at 9PM on Viva Radio) and DJ gigs to share the music I love so much with you good people.

Aside from any adolescent aspiration to become a 21st century Hugh Hefner, the fantasy that preoccupied me in the past was to engage in what I just described.

Sure, it probably manifested itself in an image closer to Wolfman Jack in ‘American Graffiti’, howling in the depths of the night while transmitting musical hoodoo over the airwaves, but as I listen (in the furtherance of both quality control and ego gratification) back to the interwebs radio show I put together each week, and then get feedback from folks that actually listen to the show, I get just enough of that spark running willy nilly up my spine and stabbing me right in the old pleasure centers to make do.

The days of the great masters of the ether are long gone, but if I can rub two sticks together and whip up just a little bit of that heat each week, I’m happy.

The tune I bring you today is yet another white whale of mine that I chased like Melville’s crazed mariner for many a year.

I do not recall where Mac Rebennack’s ‘The Point’ first made its way into my earholes, but as I am a connoisseur of both the sounds of New Orleans and the mighty electric organ (Hammond or otherwise), and a devotee of the mighty Dr. John (Mr. Rebennack’s later nom de musique), I did not merely want a copy of this particular record, but rather needed it quite desperately.

While I would not say that the Crescent City is particularly well known for organ 45s, it does have some spectacular examples of the subgenre to its credit, including James Booker’s ‘Gonzo’,  Bo Jr.’s ‘Coffee Pot’, the instro flipside to Candy Phillips’ ‘Timber’ (in actuality a certain Mr. Bocage on the keys) as well as the tune I bring you today.

As the story goes, young Mac Rebennack was set on spending his career squeezing sounds out of a guitar until he got shot in the hand and found his way (thanks be to the strange ways of fate) onto a piano bench. The rest as they say is history, with the good Doctor being one of those cats to whom one might spend a happy eternity listening to as he tickled the ivories. He is part of the long line of masterful New Orleans piano masters that includes Professor Longhair, James Booker and Eddie Bo, and as such probably ought to have a retinue following him around, with someone to hold his drink, another to dust off the keys and yet another to spread rose petals in his path on account of he deserves no less.

That said, ‘The Point’ was waxed in 1962 for the storied AFO (All For One) label, an organization founded as a self-determined black musicians collective. During the label’s original 1961-1963 run they issued just over a dozen singles by artists like Barbara George (with the million selling ‘I Know’), Tammy Lynn, Ellis Marsalis, Prince La La (as in ‘Who Shot the…’) and Willie Tee.

Though ‘The Point’ was not his first 45 (the crazed guitar instro ‘Storm Warning’ came first in 1959) it was his debut as a leader on the keys, and it is a record of singular brilliance.

This is not to say that it is any kind of display of technical virtuosity, but rather a small vinyl artifact that carries in its grooves all manner of soul, menace, night-time atmosphere, up to an including the ability to place in the listener’s mind the image of a young woman in some sort of brief and suggestive (perhaps fringed) outfit shaking (upon a purpose-built, raised platform of some sort) what the gentlemen of the time would refer to as her ‘moneymaker’ (if you know what I mean and I think that you do) in a smoky bar filled with cold beer and broken dreams, and whether or not someone’s out back in the alley turned upside down so that the contents of their pockets might spill out and satisfy a debt matters not because the kid behind the organ and his band (and the young lady) have you hyp-mo-tized with the groove.

It’s that kind of record, and as far as I know Mister Rebennack, either inside or outside his duties as Dr John the Night Tripper never really stepped into something like this again.

The flipside of the record is a nice enough jam, yet it lacks the whiff of eau de roadhouse (though the horns are real nice).

The aforementioned Mr Booker, a renowned master of the 88s also recorded some very tasty organ sides, but they are every bit as elegant and fine as his piano work, which is not a bad thing at all, but compared to the jagged edge of Mac’s sound here is something else entirely.

A very tasty record indeed, and one that filled a miniscule but important hole in my crates. Also a groovy window into the soul of young Mr. Rebennack before the left coast called and he packed up his John the Conqueror Root, Mardi Gras feathers and attitude and headed out to Cali-For-Ny-Yay.

I hope you all dig it as much as I do, and I’ll see you all on Monday.

Oh, but before I go, you will most definitely want to check this out:

”

Some very groovy folks down in DC and Virginia have put together what promises to be the show of the year under the name the Chocolate City Soul Revue, with performances by Marva Whitney, Martha High, Vicki Anderson, both Clyde Stubblefield and Jabo Starks (?!?!?) legendary James Brown MC Danny Ray, original members of the JBs, the Impressions, and 21st century soul man Eli ‘Paperboy’ Reed and his band the True Loves.

I mean, honest to god people, does it get any better than that?

The shindig goes down on June the 4th at the D.A.R. Constitution Hall in Washington, DC.

You can get yourself tickets via Ticketmaster.

Peace

Larry

 
Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recr events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (2)

By Larry, April 17, 2011 11:56 am

Lots more where that came from…

Listen/Download – F16C Soul Club Presents – Get It (Come and Get It) 118MB/256K Mixed MP3

Laura Lee – I Need It As Bad As You (Invictus)
Gene West – In the Ghetto (Original Sound)
Marva Whitney – This Girl’s In Love With You (King)
Kenny Smith – Go For Yourself (RCA)
Ohio Players – Find Someone To Love (Capitol)
Common Pleas – The Funky Judge (Crimson)
Eddie Bo and Inez Cheatham – Lover and a Friend (Capitol)
Jesse Hill – Mardi Gras (Pulsar)
Gunga Din – Crab Cakes (Valise)
Billy LaMont – Sweet Thing (20th Cent Fox)
Young Holt Unltd – Who’s Making Love (Brunswick)
Winfield Parker – Starvin (Spring)
James Brown – There Was a Time (King)
Senor Soul – Don’t Lay Your Funky Trip On Me (Whiz)
Howlin’ Wolf – Pop It To Me (Chess)
Wayne Logiudice – Ow Boogaloo (Philips)
Jay Dee Bryant – Get It (Come and Get It) (Enjoy)
Gene Dozier and the Brotherhood – Testify (Minit)
Jo Armstead – I’ve Been Turned On (Giant)
Syl Johnson – Dresses Too Short (Twinight)
Johnny Otis Show – Country Girl (Kent)
Bobby Byrd – I Know You Got Soul (King)
Gene Waiters – Shake and Shingaling (Fairmount)
Lavell Hardy – Don’t Lose Your Groove (Rojac)

Greetings all.

I have to get things started by letting you know what an absolute, stone gas my stint at the Subway Soul Club was this past Saturday night.

I’ve gone on in this space many times about how spinning soul music is a blast, but doing it for a room full of enthusiastic dancers really takes things to the next level. Despite the fact that we were in the midst of an impromptu monsoon (which made motoring out to Brooklyn a major undertaking) the room at Public Assembly filled up fast and quicker than you can say Wigan Casino the dance floor was slamming.

Both Phast Phreddie the Boogaloo Omnibus and Lady Dawn were spectacular hosts, and the other guest DJs, Miss Evon and PJ Lozito (Connie T Empress had to bow out due to the inclement weather) both brought the heat and things were cooking for several hours straight.

I had an amazing time, got to spin the Northern Soul I love so much and got lots of great feedback from the crowd.

I managed to get most of my sets recorded, so sometime next week I’ll post at least one of them, as well as some pics from the night.

Subway Soul Club will return in May, and will then be taking the summer off, so if you’re close enough to make the scene, you should do so.

Now, welcome to Funky16Corners Spring Break!

No bikini girls or beer bongs, just an hour of funk 45s to hold you all until I return to the Funky16Corners Record Vault and Blogcasting Nerve Center.

As mentioned previously, the fam and I will be vacating for a few days, at the end of which I will be spinning funk and soul 45s for two nights in western Massachusetts.

Friday 4/22 I’ll be joining DJ Andujar and Studebaker Hawk for Sweet Exorcist @ the People’s Pint in Greenfield, MA. I’ll be bringing funk, latin and maybe even some reggae to help keep things hot.

The following night, Saturday 4/23, I’ll be joining DJ Cashman and Snack Attack at Wooly Bully @ the Basement in Northampton, MA for funk and soul on 45. I might bring a little Northern Soul with me this time.

If you’re in the area it would be very cool if you could drop by. I hear on very good authority that these are both smoking parties, and I will be packing nothing but heat in the record box, so a good time is guaranteed for all.

That said, what I bring you today is the first set from my latest appearance at Spindletop @ Botanica in NYC. This time out I spun all manner of funk and funky soul. I recorded the whole night, but the second set had some crossover with the last sets I posted, and the tonearm got jostled in the third set, so I’ll just file those away in the archive for a later date.
There are a fair number of classics, plus a grip of stuff that I haven’t played out in years, so hopefully you’ll all be able to find something grooveworthy within.

Don’t forget to tune in to the Funky16Corners Radio Show on Viva Radio this Friday night at 9PM. It’s the one year anniversary of the transformation from a glorified playlist into something that sounds like a radio show and it’s packed with good stuff.
The episode may not get posted at the blog until I get home, but there are close to 50 episodes archived there already, so lots to listen to.

Dig it all, and I’ll be back next week with tales of my travels, some new live sets recorded for the blog (hopefully) and maybe even some new records.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recr events, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (3)

By Larry, April 7, 2011 9:35 am

Bo Diddley by Mat Vullo

Listen/Download – Bo Diddley – I Can Tell

Greetings all.

The end of the week is finally here, and I hope you’ve all gotten good and oiled up with this week’s mix as your soundtrack.

The track I bring you today ought to put a nice cap on the whole deal, but first some news you can use.

This Friday night – just like every Friday night – sees the return of the mighty Funky16Corners Radio Show, on the equally mighty Viva Radio. This is the thang where you get to sit down with me (or at least the dulcet tones of my voice) and some of the best in funk, soul, jazz and rare groove vinyl for an hour of sheer, unadulterated musical pleasure. If you can’t be there during the broadcast, you can always fall by over the weekend and pick yourself up an MP3 of the show, or several dozen past shows to stuff into your iPod.

Also, I will be returning to Spindletop @ Botanica (47 E Houston St, NYC) this coming Monday (4/11) to join my man Perry Lane for some more of that good, vinyl-based groove grease. This will be the first gig of an unusually busy month for yours truly, and I’ll be bringing along a pile of new arrivals/discoveries, so if you’re in the area, and feel like a frosty beverage and some hot music, join us.

You should also pop on over to Fleamarket Funk, where my man DJ Prestige has undertaken a redesign, as well as added a new feature called ‘Big Ups’, in which yours truly has been featured. Make sure you stop by to take a look.

I’ll assume that as soon as this page loaded in your browser, the first thing you noticed was the exceedingly groovy illustration of our friend Mr. McDaniels by Mat Vullo.

Mat and I have been Facebook pals for a long time, he an admirer of the Funky16Corners Blog, and I digging his groovy illustrations. We put our heads together and settled on an illo for a Bo Diddley feature, but you really need to go by his site and check out his other stuff. If you dig the sounds herein, you will most certainly dig the visuals over there.
Many thanks to Mat.

That all said, the tune I bring you today is yet another Asbury Lanes Garage Sale find. It was one of those ‘I’ve spent most of my dough and I’m on my way out the door and I think I’ll paw through one last box before I split’ things, and good thing too since I dig me some Bo Diddley and don’t have all that much of his original vinyl in the crates.

He was one of the true elemental forces of the Chess/Checker Chitown arsenal, alongside Muddy Waters, Howling Wolf and Chuck Berry (and many others, but those are the stony visages on that particular Mt Rushmore).

The cool thing is, though Bo has shared roots with some of his labelmates, in many ways he is the very definition of sui generis, straddling the worlds of the electric blues and rock’n’roll, existing on a stylistic island all his own. This is not to say that he did not at times record what might be seen as conventional blues or rock, but rather that at his best, with tunes like the eponymous ‘Bo Diddley’, he created something without equal.

One need only look at his impact on the British Invasion (and all that flowed from it) to realize that that darkness you sensed was actually his titanic shadow draped over the whole thing. London in 1963 was almost like Jackson Pollock had dipped his brushes in a huge vat of Bo Diddley and splattered it every which way. The Kinks, Pretty Things (named for a Bo song with no less than four of his tunes on their first album), Johnny Kidd and the Pirates, Rolling Stones, Yardbirds and many others, all quaking in their pointy boots from the reverberato shock wave started by Bo Diddley’s massive stomp and rightly so because even though this lot liked to pay tribute to Messrs Morganfield, Burnett, Reed et al, nobody smacked them in the gob like Bo Diddley, because where all of the others were deep and menacing, Bo Diddley was also fun in his own, oblong, horn-rimmed, wobble-legged way.

Bo was the shit, and the tune I bring you today (which I first heard by the aforementioned Pirates, who lay it down with a rockabilly twang which is also cool since Bo’s version has a little country in it) is just another bit of evidence in that case.

‘I Can Tell’ is Bo’s rough-edged lament at a love cast aside, packed end to end with his ringing guitar, Jerome’s maraccas, and someone pumping a bass guitar con brio.

The fact that he manages to namecheck no less a light than Charlie Brown – the greatest sack of sad that the world has ever known – as the guy that elbowed in on his action speaks volumes.

You can just see his eyes rolling back into his head when he finally loses his shit and shouts ‘I Can Tell You Don’t Love Me No More!!!’

Heavy, heavy stuff, and if someone doesn’t get their shit together and erect a huge statue in his image soon…well…I don’t know what I’ll do but it ain’t gonna be nice.

That said, have a lovely weekend and I’ll see you all on Monday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk. The whole Funky16Corners gang will be walking in support of autism services, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (4)

By Larry, March 24, 2011 9:31 am

Listen to him Lucy. He know’s what he’s talking about.

Listen/Download – F16C Soul Club Presents – Spindletop New Breed 76MB/256K Mixed MP3

Jimmy Hannah & the Dynamics – Leaving Here (Seafair/Bolo)
Frank Frost – My Back Scratcher (Jewel)
Bobby Powell – Why Am I Treated So Bad (Whit)
Ike Turner and the Kings of Rhythm – The New Breed Pt1 (Sue)
Richard Berry & the Pharaohs – Louie Louie (Flip)
Roy Thompson – Sookie Sookie (Okeh)
Mighty Hannibal – Jerkin’ the Dog (Shurfine)
Bobby Parker – Watch Your Step (V Tone)
Gene Waiters – Shake and Shingaling Pt1 (Fairmount)
Roger & the Gypsies – Pass the Hatchet Pt1 (Seven B)
Scatman Crothers – Golly! Zonk! It’s Scatman (HBR)
Derek Martin – Daddy Rollin’ Stone (Crackerjack)
King Coleman – Boo Boo Song Pt2 (King)
Billy Preston – Let the Music Play (Capitol)
Etta James and Sugar Pie DeSanto – In the Basement Pt1 (Chess)
Dottie Cambridge – He’s About a Mover (MGM)
Freddie Scott – Pow City! (Marlin)

Greetings all.

The end of the week is here, and I am in dire need of some form of stress relief, whether it’s extended, uninterrupted sleep, intoxication of some sort or just deep, silent meditation.

It’s not that this week has been extraordinarily rough, ‘cause it hasn’t, but rather some combination of not enough sleep (DJ-ing two hours away on a Monday night will do that), a cold (and/or the onset of seasonal allergies) and the normal slate of irritants, have all combined to do a number on my head.

That said, I’m going to take a tip from the Sims Twins and let a little soul music ‘Soothe Me’.

First, I’ll remind you that this Friday night at 9PM the Funky16Corners Radio Show returns to Viva Radio with another hour of the best in funk, soul, jazz and rare groove, all straight from my crates to your ears. As always you can either tune in on the interwebs, or come by here over the weekend to pick up the show in its easy to use MP3 form. Either way, the sounds are equally excellent.

I had a gas on Monday spinning at Spindletop, and managed once again to capture the goings on with my handheld digital recorder, so that I might share some of it with you good folks.

I went through the musical fruits (no beans…) of the evening and carved out two sets of grooves, one of which I’ll whip on you today, the second which I’ll drop at the end of next week.

This time out I dipped into the crates and whipped out the best in hard-charging, soul party action, from gritty R&B, tough dance floor soul, right on to early funk.

I’ve said this before, but it bears repeating, that one of the prime reasons I love to DJ in a bar or club is the opportunity to hear really amazing records pumping out of a great big set of speakers. You can set the Mighty Hannibal loose in your earbuds, but it’s just not as cool as hearing him unwind his turban with ‘Jerkin’ the Dog’ shaking a room full of people like a minor earthquake.

Every single one of the records in these mixes is perfect for such an environment. I’d go as far as to say that gathered together like this, they might be too powerful for a Friday or Saturday, yet pack just enough musical TNT to set things off on a Monday.

If I was you, I’d pull down the ones and zeros, hit the liquor store, invite over some friends, roll back the carpet and turn up the stereo and do like Mr. Waiters says:

Jump back honey and let the New Breed by!

See you on Monday

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk. The whole Funky16Corners gang will be walking in support of autism services, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some Laurel Canyon cool from Mama Cass.

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By Larry, March 3, 2011 10:15 am

The Gene Ludwig Trio

Listen/Download – The Gene Ludwig Trio – Mr Fink Pt1

Listen/Download – The Gene Ludwig Trio – Mr Fink Pt2

Greetings all.

I hope all is well on your end, and that my ramblings this week haven’t put you off your soul.

In programming notes, I will remind you now that the Funky16Corners Radio Show returns to the airwaves of the intertubes this Friday night at 9PM at Viva Radio, where the elite meet to beat the heat. I have lots of classics lined up for you this week, as well as something new and groovy, so make sure to tune in, or fall by this very blog over the weekend to pick yourself up an MP3 copy of the show to dig on your computer or the iPod like device of your choice.

It was last summer that we got the sad news that the mighty Gene Ludwig had passed on suddenly at the age of 72.

You all know that I practically bathe in Hammond organ sounds on a daily basis, and Mr Ludwig created some fine examples of that genre during his five decade career.

He was first and foremost a jazz player – with the chops to back up that designation – but he also soaked his fingers in groove grease as well, laying down some particularly groovy soul jazz.

Gene was also, and this is the most important thing, artistically vital until the day he left us, playing live and recording at the top of his game.

Today’s post is – as is sometimes the case – a celebration of the old, as well as the new.

The record you see above, is one of my favorite two-siders in Gene’s discography, 1962s ‘Mr Fink Pts 1&2’ on Pittsburgh’s LaVere label.

Recorded with the classic Gene Ludwig Trio, with Gene on Hammond, Jerry Byrd on guitar and Randy Gillespie on drums, ‘Mr. Fink’ amounts to a skoshi under six minutes of the finest, smoky tavern Hammond wailing, soulful burning that anyone has ever packed onto two sides of a tiny vinyl record.

Aside from the epic ‘The Vamp’, this is by far my favorite of Gene’s 45s for both its elemental fire, and as a showcase for his keyboard skills. If you’re a stone Hammond junkie – like me – there’s something exceptional about hearing a master’s fingers fly over the keyboard, really making that huge hunk of wood and wires sing, and it doesn’t get much better than ‘Mr Fink’.

What I’m really here to rap about though is the fact that Gene Ludwig laid down one of the finest albums of his career just before he passed, and it has just been released.

The CD ‘Love Notes of Cole Porter’, recorded with a very tight quartet (with two different drummers) is without exaggeration, up there with the finest organ jazz of the classic era. A collection of the finest love songs to flow from the pen of the legendary Cole Porter, many classics of what the cliché machine has designated the ‘Great American Songbook’, ‘Love Notes…’ sees (hears) Gene and his band, Mark Strickland on guitar, Lou Stellute on tenor and Thomas Wendt and Billy Kuhn alternating on drums (all very good), working in the classic Prestige/Blue Note style, and when I say that I’m not just blowing smoke.

The late 50s and 1960s saw a lot of different varieties of practitioners recording on the Hammond organ, from purely soul/R&B based cats working it out on now rare 45s (like Louis Chachere, RD Stokes and Leo Valentine), post-bop visionaries like Larry Young, and the cats running in the mainstream like Jimmy Smith, Jack McDuff, Jimmy McGriff and Groove Holmes, all of whom were widely recorded with widely varied results.

During the early part of his career, Gene Ludwig didn’t have the opportunity to record as frequently as many of those that I would consider his peers. Whether or not the consistently high quality of what he did record was merely a matter of conservation, i.e. never having been pressured to create more accessible/less inspiring records, or because all he had in him to create was pure class (I lean toward the latter) his legacy is smaller, and dare I say better.

That his final album reinforces that assessment is worth noting.

‘Love Notes of Cole Porter’ is every bit the equal of the best, swinging bop and soul organ sessions of the instrument’s (and Gene’s) golden era.

‘Love Notes of Cole Porter’ is also a gift to remind us that age need not be an impediment to a musicians growth. People do a lot of lip service to concepts like ‘maturity’ and ‘experience’, but listening to Gene wail and swing on this session one is treated to the sound of 70 years of technical prowess, seasoned by good taste and above all soul.

Another great thing about ‘Love Notes…’ is that alongside of well known material like ‘Night and Day’, ‘You’d Be So Nice to Come Home To’ and ‘What Is This Thing Called Love’, bona fide standards, covered hundreds of times by all manner of instrumentalists and singers, Gene works out on less familiar, but also exceptional numbers from Porter’s catalog like ‘I Love You’ and ‘Dream Dancing’.

This is serious, wonderfully played jazz and a fitting final statement from one of the great practitioners of the art.

You can pick up ‘Love Notes of Cole Porter’ directly from Big O Records, or over at CD Baby, where you can get it as a CD or as an MP3 download. You can hear samples of the album at both sites. It’s also available at iTunes, but make sure you search by the title, as a search of ‘Gene Ludwig’ only returns his older albums.

I hope you dig the sounds, and I’ll see you all on Monday.

Peace

Larry

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some fuzzed out, crunching garage punk.

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By Larry, February 17, 2011 4:04 pm

Tony Clarke

Listen/Download – Tony Clarke – The Entertainer

Greetings all.

I sit here tapping away on the laptop at the end of yet another busy week (I suppose I should get suspicious when things aren’t busy).

I figured since the previous post was so heated, it behooved me to cool things down.

But first, the bid-ness must be taken care of.

I should remind you that I’ll be returning to Spindletop at Botanica this coming Monday evening (2/21) , at 10PM for an evening of soul on 45. I’m thinking of taking a Northern Soul tack this time, so if stylish 60s dancers are a bag you’re in, fall by, grab yourself a cocktail and groove to the sounds.

Speaking of groovy sounds, this Friday night at 9PM I’ll be doing me regular thing, that being the Funky16Corners Radio Show on Viva Radio. Tune in for the best in funk, soul, jazz and rare groove all on vinyl, and all engineered to please the ear. If you can’t be there at 9PM, you can always come by the blog over the weekend and pick up the show as a downloadable MP3 which you can stuff into the iPod or iPod-esque device of your choice.

Now, as I mentioned, the tune I bring you today is something a little smoother, a tiny bit mellower and of course, soulful to ease you into the weekend.

Though I knew the name Tony Clarke, I didn’t actually hear (or own) any of his records until I picked up today’s selection in a huge lot of 45s (which I bought to get something else, making this one what the hipsters of yore would refer to as ‘gravy’).

When I pulled ‘The Entertainer’ out of the box, I took one look and didn’t have much hope that it would be playable, since a cursory glance would indicate that at some time it had duct tape attached to it (I can’t imagine why).

Fortunately, as you’ll hear, it cleaned up pretty well.

Clarke was a NY born, Detroit raised singer who recorded a number of 45s for Chess between 1964 and 1968.

Among these was ‘The Entertainer’, a Top 40 hit in 1965, and  1967 ‘s ‘Landslide’ which would become a Northern Soul classic.

Though it’s not the stormer that ‘Landslide’ is, ‘The Entertainer’ has a certain laid-back, Chicago sound to it that is smooth yet still danceable.

It opens with drums and organ, and a riff inspired by George Gershwin’s ‘I Got Plenty O’Nothin’ (from ‘Porgy and Bess’) as well as some classy guitar work. The arrangement by Phil Wright, including some tasteful horns, is especially nice.

Sadly, Clarke would be killed in a domestic incident in 1970. He was only 26.

I hope you dig the tune, and I’ll be back on Monday.

Peace

Larry

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some prime UK psyche/prog.

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By Larry, September 23, 2010 3:33 pm

Jimmy Smith

Listen/Download – Jimmy Smith – The Cat

Greetings all.

I have so much stuff to do this weekend that I was going to forgo the regularly scheduled Friday post, but thought it might be a good idea to touch base with you all about the goings on here in Funky16Cornersville that I changed my mind.

First and foremost, I’ll be traveling down to Washington, DC this weekend with my records for a couple of DJ-type extravaganzas.

Saturday night I’ll be sharing the decks with my man DJ Birdman at Marvin (2007 14th Street, NW), and while we’re likely to get started on the mellower side of things, you know that as soon as the little hand starts pointing up the place will be banging, so if you dig delicious food, Belgian beer and the best in funk, soul and disco, you should fall by and join us.

The following day I’ll be doing a set at the DC Record Fair, and naturally also buying some records. I expect I’ll be running into all manner of interwebs friends, so stop by and say hi if you’re there.

Of course if you’re about on Friday night, say around 9PM you should head over to Viva internet radio for the Funky16Corners Radio Show for an hour of the best funk, soul, jazz and rare groove, all from original vinyl sources. The show will be then be archived (as an MP3) for download.

The track I bring you today is one of the truly great things that Jimmy Smith recorded during the 60s (maybe his best).

‘The Cat’ is a stunner, and that my friends is all I going to (or have time to) say this fine day (aside from the following bit of hyperbole…or is it???). It smokes from start to finish and is the bad-assiest of all the bad-ass, bad-assery ever committed via the intercession of Mr. Hammond’s mighty electric organ-o-phone.

Dig it, and I’ll be back on Monday with a whole new mix of Hammond organ goodness.

Have yourselves a great weekend.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some puh-sike-a-dellia….

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By Larry, August 12, 2010 11:28 am

Woody Herman

Eumir Deodato

Listen/Download – Woody Herman and the Herd – Fanfare for the Common Man

Listen/Download – Deodato – Also Sprach Zarathustra (2001)

Greetings all.
I hope week is coming to a satisfying close for you all.
My wife has to head out for a few days, and the spuds and myself are bumming, but since we plan to wreck the joint while she’s away, there is a (very) minor silver lining.
We’ll just see if three people can survive on corn chips, frankfurters and slurpees for five days.
If you haven’t already pulled down the ones and zeros for this weeks Funky16Corners Soul Club mix by my man Vincent the Soul Chef, do so now, on account of it’s full of the funk, and will – as the kids say – rock your world.
Also, don’t forget to tune in Friday night at 9PM for this week’s edition of the Funky16Corners Radio Show over at Viva internet radio. If you are not already hip/hep, you can click on the Radio Show link in the header and check out the fifteen (!?!) weekly shows that have already been mixed down and archived as MP3s for your listening pleasure.
Today’s post is one of those things that kind of fell together organically over the course of a few months, wherein I was holding something in storage, and then something else climbed over the transom and into the to-be-blogged folder that, how do they say, augmented the existing track in the stylistic and theoretical (figurative/symbolic) sense, and so they came together like beer and stout in a black and tan, blended ever so carefully so that once they pass over the lobes and into the brain the desired effect is one of jazzy, funky wonderfulness (and naturally, as is the style here at Funky16Corners, a tremendous run-on sentence).
Not too long ago one of my Friendface pals posted a video of the mighty Woody Herman and his Thundering Herd working it out on Aaron Copland’s 1942 masterpiece of 20th century classical music ‘Fanfare for the Common Man’. I dug the arrangement a LOT, so I went in search of the vinyl equivalent and found another live recording of a slightly later (I think) version of the Herd laying down the same arrangement at Montreaux.
Back in the olden days, when I was a long-haired, drum mangling stoner type, I had a copy of a certain Emerson, Lake and Palmer album that contained their version of the same piece of music. Having been brought up in a house full of classical music, but then stuffing my head with as much contemporary rock as possible, as well as being your standard teenaged rube, I thought that the ELP ‘Fanfare’ was of a deepness theretofore unheard, and blasted it at high volume many, many times until a seriously untrustworthy fellow bandmember (who, if memory serves was also a  pathological liar of singular talent) stole what was then a fairly expensive record (of course everything is expensive when you have no money).
In reflection, especially after hearing Woody Herman lay it down, the ELP version sounds like a meth-infused synthesizer orchestra trapped in an electrified mudslide. The Copland piece is both sublime and inspirational, and to hear it mangled so seems now to be something approaching a high crime.
Interestingly enough, Herman and his band were playing their Gary Anderson arrangement (recorded in 1974) of ‘Fanfare for the Common Man’ a few years before ELP got their hands on it, and as you might have already assumed, the touch is considerably lighter, using funky subtlety to finesse the brassy strains of Copland’s piece where ELP drove through it with a steamroller.
In addition to a hot band – Herman, a master of the original big band era made some serious moves in the fusion era, still with a big band – you get to hear the master working it out on the soprano sax.
If you get your hands on a copy of the ‘Herd at Montreux’ album, you also get to hear them play the Richard Evans arrangement of ‘I Can’t Get Next To You’ and a very tasty version of Billy Cobham’s ‘Crosswind’ that I’ll feature here in the future.
The second track featured today is something I’m sure a lot of you will be familiar with since it was a substantial hit in 1972. That tune is Eumir Deodato’s epic arrangement of Richard Strauss’s 1896 ‘Also Sprach Zarathustra’. Better known to one and all as the ‘2001’ music, Deodato’s take on the tune is in addition to being probably the biggest hit CTI ever had, a masterpiece of funky jazz.
Featuring Deodato on electric piano, Airto and Ray Barretto on percussion, Billy Cobham on drums, Stanley Clarke on bass and Jay Berliner on guitar, ‘Also Sprach Zarathustra’ goes on for nine minutes, and I’m here to tell you (though you should be able to hear it yourselves) that it never lags, never slips into fusion-y masturbation, never loses it’s kick.
The piece builds gradually, with a kind of amorphous tune-up, until the drums kick in at around 48 seconds, then the bass, guitar and of course Deodato’s electric piano (the heart and soul of the tune), followed by what has to be about the best known classical horn line in history, following the structure of the original until it settles down into a funky jam at around the two and a half minute mark. You know I love me some Fender Rhodes, and Deodato goes to town here. The coolest thing of all – and I hope you’ll agree – is that for what is basically a nine minute long jazz fusion interpretation of a piece of classical music (shades of Spinal Tap in Jazz Fantasy), ‘Also Sprach Zarathustra’ never gets cheesy or heavy handed, which is especially notable in an era when cheesy and heavy handed were the coin of the realm.
I hope you dig both of these cuts, and use them to get down with what the hipsters used to call ‘long hair’ music.
I’ll see you on Monday.

Peace

Larry

PS Make sure to hit up the Funky16Corners Radio Show on Viva internet radio Friday night at 9PM. Your ears will thank you.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for a tribute to the late Chris Dedrick of Free Design.