Comments (5)

By Larry, April 3, 2011 3:18 pm

Slap those keys Mr. Reeder!

Doc Bagby – Mix It Up (Vim)
Donald Height – Soul Monkey Twist (Jubilee)
Gate Wesley and Band – Do the Thing (Atlantic)
Four Gents – Soul Sister (HBR)
Doug Clark and the Hot Nuts – Instrumental (Jubilee)
Ike & Tina Turner – Tina’s Dilemma (Sue)
Eskew Reeder – Green Door (Minit)
Baby Lloyd – the Dog (Smash)
Jon Thomas – Hot Tip (Mercury)
African Beavers – You Got Something (RCA)
Mark III Trio – Cagey (Downhill)
Bunker Hill – Hide and Go seek (Intermission)
Tempos – Monkey Doo (Fairmount)
Chet Poison Ivey – Poo Poo Man (Bee Cee)
Hollywood Persuaders – Last Night (Original Sound)
Carl Holmes and the Commanders – Mash Potatoes Pt1 (Atlantic)
The Sunglows – Happy Hippo (Sunglow)
Chuck Edwards – Chuck Roast (Roulette)
Rivingtons – Papa Oo Mow Mow (Liberty)
Turtles – Buzz Saw (White Whale)
Candy Phillips – Timber Pt1 (Atlantic)
Emperors – Tic Tac Toe (unreleased)
Ray Sharpe – Help Me (Get the Feeling) Pt1 (Atco)
Wynder K Frog – Dancing Frog (UA)
Shadows of Knight – Shake (Team)

Listen/Download – F16C Radio v.93 – Half ‘Mental’ – 116MB/256K Mixed MP3

NOTE: This mix is NSFW, in that it will inspire all manner of odd behavior, but also because the drops within are meant for mature audiences. So don’t play this in front of your kids unless you’re ready for some ‘splainin.

Greetings all.

I hope the new week finds you all well.

Me, I’m cool (maybe depends on who you ask….)

Gonna get things started this week a note of thanks and a slew of DJ gig announcements.

First, I’d like to say thank you to the Funky16Corners readers, and especially my wife’s knitting pals (who clicked through the donation link here at F16C) who helped us raise money for the POAC Autism Walk this past Saturday. It’s not too late to throw a couple of bucks into the till for a very worthy cause, so I’ll leave the link below for this post.

Now to the gigs…

Before we get things rolling I should mention that I will be returning to Spindletop @ Botanica next Monday, 4/11 for more of the good stuff. I always look forward to packing up the 45RPM heat and hanging with my man Perry Lane. I realize that Monday night isn’t everyone’s ‘get out and hang’ night, but if you are so inclined you could do a lot worse than joining me for some hot 45s and some cold drinks.

Now, Saturday, that’s a CLASSIC get out of the house and dance your ass off kind of night, and it just so happens that April 16th I will be spinning at the legendary Subway Soul Club alongside the mighty Connie T Empress (Empire State Soul Club and the early days of the Asbury Park 45 Sessions) and SSC resident Phast Phreddie the Boogaloo Omnibus. This shindig occurs at Public Assembly (70 North 6th Street, in Williamsburg, Brooklyn) and runs from 10PM until 4AM the following morning. Subway Soul Club feature 60s soul and R&B with an emphasis on Northern.

You know I’m a Northern Soul nut, and my crates run deep with the stuff. I’ll be packing only the finest midtempo and storming dancers into my 45RPM steamer trunk (as well as some gritty 60s movers) , so if slipping and sliding on the talc is the bag you’re in, or just doing the Philly Dog, the Monkey (Boston or other…), the Jerk, or any of the other classic steps, you need to bring your feet and your ears on down to Subway Soul.

Then (YES, There’s MORE!!), I’ll be motoring up to Massachusetts for what promises to be an absolute burner of a weekend.

Friday 4/22 I’ll be joining DJ Andujar and Studebaker Hawk for Sweet Excorcist @ The Peoples Pint, 24 Federal St in Greenfield Mass, and then on Saturday 4/23 I’ll be spinning alongside DJ Cashman and Snack Attack at Wooly Bully @ the Basement, 21 Center St, Northampton Mass. I’ll be packing all manner of deep funk, hard charging party soul, latin boogaloo and even some funky reggae. Both of these nights are banging, so I look forward to bringing the very busy month of April to a loud, sweaty close. Won’t you join us??

To say that I have sweated over the mix you see before you would be at the very least an understatement. Though the overall number of mixes posted here has certainly increased, the flow of the old school, non-live Funky16Corners Radio jawns has been lean.

This has everything to do with the increase in both the F16C Soul Club series (live recordings) and the weekly Funky16Corners Radio Shows.

I am – despite rumors to the contrary – but a solitary man, and one can only turn out so much product without blowing some kind of mental gasket, so I figured that I would take my time with the ‘regular’ mixes in an attempt to make them a little more special.

That said, this particular mix has been germinating for a long time, first in my fevered brain, then on the old laptop where it has seen no less than four separate ‘drafts’, the last of which is posted above.

Funky16Corners Radio v.93 – Half Mental (as in “instru” but also crazed) is my attempt to recreate the spirit of the smoky taverns, sweaty frat house basements* and other places where people gathered to dance (and or grind) in close proximity to loud, soulful music while spilling their beverages (and whatever else gets spilled on nights like this) on the floor (and each other).

This is not music to let into your ears passively.

While you may choose to close your eyes, plug in your earbuds and have a frat party of the mind, you’d be better served cranking this stuff up in an overpacked room full of funseekers, with at least a few people fired up enough to start singing along into their beer bottles while they stagger about breaking your stuff (I can’t keep anything nice in here…).

There’s all kinds of powerful stuff in here, including the soul, the greasy Hammond groovers, (African) Beavers, Monkeys, Dogs, Hippos and Frogs and enough high octane slop to get even the drowsiest bore off of his can and out on the floor.

Normally, I would reserve such a punch in the head for a Friday, but I figured that if you were to grab the ones and zeros on a Monday, you’d have all week to get your friends together to dig it with you.

I’m not going to say much more, nor am I doing a zip file on this one. Pulling this apart would be like dissecting a peanut butter and jelly sang-weech. The pieces just aren’t the same as eating the whole thing.

So, pull down the mix (and your pants if that’s how you swing), spill some beer and get with the party.

See you later in the week.

Peace

Larry

*Just to provide a frame of reference, Carl Holmes and the Commanders were a regular attraction at Chris Millers Dartmouth U frat back in the early days of the 60s, providing (alongside folks like Lonnie Youngblood) the model a decade and a half further on up the road for Otis Day and the Knights when Miller would co-write ‘Animal House’. Doug Clark and the Hot Nuts were working the same (if a lot dirtier) vibe south of the Mason-Dixon line.

Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some very tasty UK Folk Rock.

Comments (5)

By Larry, March 29, 2011 11:46 am

Jackie Mittoo and a huge stone lion…

Listen/Download – Jackie Mittoo – Soul Finger

Listen/Download – Jackie Mittoo – Who Done It

Listen/Download – Byron Lee and the Dragonaires – Who Done It

Greetings all.

I hope everyone is feeling groovy in the middle of week.

As I mentioned in Monday’s post, I’ve been in discussions about some cool DJ stuff in the next few months, and as soon as it’s all firmed up I’ll pass on all the details to you.

I would also like to request once again that if you have a couple of bucks you feel like throwing at a very good cause, please click on the POAC link below. The whole Funky16Corners fam will be walking to raise money for autism services here in the area. This is a cause that hits very close to home (so close as to actually be in it), so anything you can do is greatly appreciated (and many thanks to those of you who have already donated).

Today’s post manages to both bring you something new, and do a little bit of a call-back/clarification to an earlier post.
I’ll go ahead and assume that most of you are already familiar with the name Jackie Mittoo.

Mittoo was one of the most prominent ska/rock steady/reggae organists (playing with the Skatalites and the Soul Vendors among others) in Jamaica during the 60s, before he relocated to Canada at the end of the decade. He continued to play and record until his untimely death on 1990.

Like most other Jamaican musicians of the time, Mittoo was a big fan of American soul and funk, and recorded his fair share of cover material (one of my fave being ‘Hip Hug’ his funky take on Booker T and the MGs ‘Hip Hug Her’).

Back in October of last year I posted a very groovy cover of Monk Higgins ‘Who Dun It?’ as recorded/retitled by Byron Lee and the Dragonaires as ‘Who Done It’. The version on that album gave writer’s credit to Jackie Mittoo, and at the time I wondered if it were him playing on the track (the Lee album didn’t list any individual musicians).

Flash forward a few months and I needed a 12 x 12 picture frame, so I took down my copy of the ‘Jackie Mittoo in London’ album, which had been hanging over my turntables for a few years. I grabbed it originally maybe 10 years ago, recorded the cuts I liked and filed it, forgetting until I took it down that it also contained a version of ‘Who Done It’.

I re-recorded a couple of tracks for the blog, and decided to go back and compare the version from ‘Jackie Mittoo In London’ with the one I posted last year (reposted above).

As it turns out, the arrangement is very similar, with the earlier version by Mittoo winning out (at least to my ears).

While this doesn’t exactly confirm that Mittoo is playing on the Lee album (that could very well be someone who wasn’t familiar with the Higgins OG and copying/crediting Mittoo’s arrangement), it pushed me a little further in that direction.

That said, the cut I was originally going to post today, was Mittoo’s excellent cover version of the Bar-Kays’ ‘Soul Finger’. Here you get Mittoo’s organ subbing for the Bar-Kays horns (though there is a trumpet in the mix), and someone (not sure who) laying down a very tasty guitar solo. The only clue that this is from a reggae album is the sound of the second lead guitar, and the somewhat suspect fidelity (as opposed to ‘Who Done It’ which is played with a rock steady beat).

Both cuts are very cool and I hope you dig them.

I’ll be back on Friday with the second mix from last week’s Spindletop gig.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk. The whole Funky16Corners gang will be walking in support of autism services, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some late period British Beat.

Comments (3)

By Larry, March 22, 2011 11:10 am

Melvin Sparks 1946 – 2011

Listen/Download – Melvin Sparks – Thank You Pt1

Listen/Download -Melvin Sparks – Thank You Pt2

Greetings all.

I had an excellent time spinning soul 45s last night at Spindletop @ Botanica in NYC. Once again my man Perry Lane was the host with the most, and some cool people (including my brother) came by to join in the fun. I recorded my sets again, and will be posting one of them on Friday, so stay tuned for that.

Late last week I heard via the Facebook grapevine that the mighty Melvin Sparks had passed, just short of his 65th birthday. The news was confirmed later that day.

If you’re a hardcore soul jazz fiend (like me) especially someone who really digs Hammond sounds, then his name looms large.

Born and raised in Texas, Sparks went on to be the go-to guitarist on late 60s/early 70s Prestige (and Blue Note) dates, working with heavies like Leon Spencer, Lonnie Smith, Charles Earland, Reuben Wilson, Rusty Bryant, Lou Donaldson, Caesar Frazier, Jack McDuff, Charles Kynard and Sonny Phillips among many others.

If you recognize a lot of organists in that list, it’s a testament to the fact that Sparks was a treasured sideman for the Hammond set, laying his licks deep inside the groove in a career that lasted more than 40 years.

Sparks also recorded a number of sought after albums as a leader for labels like Prestige, Eastbound/Westbound and Muse.
The 45 I bring you today (both extremely tasty sides) is his reading of Sly and the Family Stone’s ‘Thank You (Fallettinme Be Mice Elf Agin)’ (truncated here to just ‘Thank You’). It was recorded in 1970 with a tight group that included Idris Muhammad on drums, Leon Spencer on the organ (you really get to hear him cut loose on Pt2) and Virgil Jones and John Manning on horns.

Sparks’ style was economical, soulful and right in the groove. Listen to his sustain at the end of the verse phrases, and the way he builds complexity gradually, never flashy, but always solid.

Part one sees Sparks soloing, with Spencer comping in the background, the two masters switching places in part two.

It’s a fantastic example of the Prestige jazz funk sound, and an all-around great 45 with which to groove.

Melvin Sparks was a giant and he will be missed.

See you on Friday.

Peace

Larry

Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk. The whole Funky16Corners gang will be walking in support of autism services, and any contribution you could make would be greatly appreciated.

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some Laurel Canyon cool from Mama Cass.

Comments (0)

By Larry, March 3, 2011 10:15 am

The Gene Ludwig Trio

Listen/Download – The Gene Ludwig Trio – Mr Fink Pt1

Listen/Download – The Gene Ludwig Trio – Mr Fink Pt2

Greetings all.

I hope all is well on your end, and that my ramblings this week haven’t put you off your soul.

In programming notes, I will remind you now that the Funky16Corners Radio Show returns to the airwaves of the intertubes this Friday night at 9PM at Viva Radio, where the elite meet to beat the heat. I have lots of classics lined up for you this week, as well as something new and groovy, so make sure to tune in, or fall by this very blog over the weekend to pick yourself up an MP3 copy of the show to dig on your computer or the iPod like device of your choice.

It was last summer that we got the sad news that the mighty Gene Ludwig had passed on suddenly at the age of 72.

You all know that I practically bathe in Hammond organ sounds on a daily basis, and Mr Ludwig created some fine examples of that genre during his five decade career.

He was first and foremost a jazz player – with the chops to back up that designation – but he also soaked his fingers in groove grease as well, laying down some particularly groovy soul jazz.

Gene was also, and this is the most important thing, artistically vital until the day he left us, playing live and recording at the top of his game.

Today’s post is – as is sometimes the case – a celebration of the old, as well as the new.

The record you see above, is one of my favorite two-siders in Gene’s discography, 1962s ‘Mr Fink Pts 1&2’ on Pittsburgh’s LaVere label.

Recorded with the classic Gene Ludwig Trio, with Gene on Hammond, Jerry Byrd on guitar and Randy Gillespie on drums, ‘Mr. Fink’ amounts to a skoshi under six minutes of the finest, smoky tavern Hammond wailing, soulful burning that anyone has ever packed onto two sides of a tiny vinyl record.

Aside from the epic ‘The Vamp’, this is by far my favorite of Gene’s 45s for both its elemental fire, and as a showcase for his keyboard skills. If you’re a stone Hammond junkie – like me – there’s something exceptional about hearing a master’s fingers fly over the keyboard, really making that huge hunk of wood and wires sing, and it doesn’t get much better than ‘Mr Fink’.

What I’m really here to rap about though is the fact that Gene Ludwig laid down one of the finest albums of his career just before he passed, and it has just been released.

The CD ‘Love Notes of Cole Porter’, recorded with a very tight quartet (with two different drummers) is without exaggeration, up there with the finest organ jazz of the classic era. A collection of the finest love songs to flow from the pen of the legendary Cole Porter, many classics of what the cliché machine has designated the ‘Great American Songbook’, ‘Love Notes…’ sees (hears) Gene and his band, Mark Strickland on guitar, Lou Stellute on tenor and Thomas Wendt and Billy Kuhn alternating on drums (all very good), working in the classic Prestige/Blue Note style, and when I say that I’m not just blowing smoke.

The late 50s and 1960s saw a lot of different varieties of practitioners recording on the Hammond organ, from purely soul/R&B based cats working it out on now rare 45s (like Louis Chachere, RD Stokes and Leo Valentine), post-bop visionaries like Larry Young, and the cats running in the mainstream like Jimmy Smith, Jack McDuff, Jimmy McGriff and Groove Holmes, all of whom were widely recorded with widely varied results.

During the early part of his career, Gene Ludwig didn’t have the opportunity to record as frequently as many of those that I would consider his peers. Whether or not the consistently high quality of what he did record was merely a matter of conservation, i.e. never having been pressured to create more accessible/less inspiring records, or because all he had in him to create was pure class (I lean toward the latter) his legacy is smaller, and dare I say better.

That his final album reinforces that assessment is worth noting.

‘Love Notes of Cole Porter’ is every bit the equal of the best, swinging bop and soul organ sessions of the instrument’s (and Gene’s) golden era.

‘Love Notes of Cole Porter’ is also a gift to remind us that age need not be an impediment to a musicians growth. People do a lot of lip service to concepts like ‘maturity’ and ‘experience’, but listening to Gene wail and swing on this session one is treated to the sound of 70 years of technical prowess, seasoned by good taste and above all soul.

Another great thing about ‘Love Notes…’ is that alongside of well known material like ‘Night and Day’, ‘You’d Be So Nice to Come Home To’ and ‘What Is This Thing Called Love’, bona fide standards, covered hundreds of times by all manner of instrumentalists and singers, Gene works out on less familiar, but also exceptional numbers from Porter’s catalog like ‘I Love You’ and ‘Dream Dancing’.

This is serious, wonderfully played jazz and a fitting final statement from one of the great practitioners of the art.

You can pick up ‘Love Notes of Cole Porter’ directly from Big O Records, or over at CD Baby, where you can get it as a CD or as an MP3 download. You can hear samples of the album at both sites. It’s also available at iTunes, but make sure you search by the title, as a search of ‘Gene Ludwig’ only returns his older albums.

I hope you dig the sounds, and I’ll see you all on Monday.

Peace

Larry

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some fuzzed out, crunching garage punk.

Comments (6)

By Larry, February 6, 2011 3:48 pm

Eddie Silvers

Listen/Download – Eddie and the De-Havelons – Baby Dumplins

Greetings all.

It’s time to get another week rolling here at the Funky16Corners blog, and what better way to do so than with a swinging, greasy organ instrumental?

The tune I bring you today is a little something I grabbed when I was down in DC last year.

When I happened upon ‘Baby Dumplins’ by Eddie and the De-Havelons, the name(s) rang a distant bell, but I couldn’t possibly pass up a 45 with names like that on the label.

When I got the record home and gave it a spin I was happy to discover a hot, fast moving organ instro with wailing sax, i.e. a solid party record.

When I sat down to try and track down some info on the record, it was a little harder than I anticipated.
Certainly a unique name like ‘Eddie and the De-Havelons’ narrowed down the search results, but I don’t think I was prepared for the remaining info to be quite so narrow.

It was only after I started to search using the name of the song’s author, ‘Eddie Silvers’ that I had a breakthrough.

Eddie Silvers was a Chicago-based saxophonist and arranger who was the musical director at the storied One-Derful label during the mid 60s. He had previously worked with the likes of Fats Domino and Bill Doggett before being hired by the notorious Don Robey to work as an A&R man for the Duke/Peacock organization.

During the 60s, Silvers recorded with a few different groups, including the Five G’s (for UA) and the Soul Merchants (for the Stax subsidiary Weis records), and I going to take an educated guess that it’s him playing sax on ‘Baby Dumplins’ by Eddie and the Dehavelons.

The tune – which was released in 1963 – featured some burning organ, hot sax solos and something that I first thought was a fuzz guitar, but is probably a baritone sax dropping bombs all the way through the record.

‘Baby Dumplins’ is one of those organ instros that manages to have quite a bit of soul, while keeping enough of a crossover feel to appeal to the twisters feeding nickels into the jukeboxes of America.

As far as I can tell this is the only 45 recorded under this name (certainly the only one they did for Peacock).

I hope you dig it, and I’ll be back on Wednesday with something cool.

Peace

Larry

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some late-60s LA rock.

Comments (2)

By Larry, January 16, 2011 1:42 pm

Willis ‘Gator Tail’ Jackson

Listen/Download – Willis ‘Gator Tail’ Jackson – Bow Legged Daddy

Greetings all.

I don’t know about how things are where you reside, but I am good and freaking sick of snow. We got clobbered right after Christmas with 34 inches, and got almost another foot the other night. The landscape around here is getting crazy, with the rivers of snow, edged with piles of dirty snow (up against even dirtier snow), which just get dirtier every single day. I keep hoping for a thaw, but I know when that comes it’s just going to uncover stuff that needs to be fixed or cleaned up.

No fun…

That said, I still have my records to keep me warm!

The tune I bring you today is something that I acquired passively, i.e. as part of a big lot of 45s. I originally made the purchase to get one particular single (a psyche thing I’d been after for years) and managed to get about 200 other records in the deal.

Aside from the whole thing being packed in what appeared to be shredded newspaper (which I was cleaning up for a couple of weeks afterward) there were about two dozen keepers in the bunch, bringing the per-record cost (after junking most of them) to about 50 cents per, which is not bad at all when you consider that the record I bought the lot for was worth about three times what I paid for the whole thing.

It was a nice grab bag, with some groovy 60s pop, a couple of cool soul 45s, and a few funky things as well, which included today’s selection.

When I pulled out a 45 by Willis ‘Gator Tail’ Jackson my interest was piqued, Jackson – a tenor saxophonist – was one of the OG soul jazzers, having recorded a string of dates for Prestige, Verve and even Muse in the 70s.

The second point of interest on the 45 was that it was on Paul Winley Records.

Winley was a New York based label owner who issued a bunch of doo wop and early rock in the 50s and early 60s, before moving into funk and soul in the early 70s, and then on into the early days of hip hop.

This 45 features vocal and instrumental versions of the song ‘Bow Legged Daddy’, the vocal credited to Paul’s daughter Ann Winley (uninspired) and the instro (which we feature today) to Willis ‘Gator Tail’ Jackson.

Though the tune seems to have it’s roots in standard R&B/blues, it’s a shuffle, laid down in a funky style with some groovy organ.

The interesting thing seems to be that this may very well be the group otherwise known as the Harlem Underground Band.

Sometime in the early-to-mid 70s Winley recorded a session that was rumored to include George Benson, Willis Jackson, Ann Winley, Dave ‘Baby’ Cortez and/or Reuben Wilson on organ and released the session under the name ‘Harlem Underground Band’. That album included the track ‘Smoking Cheeba Cheeba’ which went on to have its break harvested for a number of rap records.

That session was issued under a few different names/covers, one clearly meant to capitalize on the success of Benson, whose picture was displayed prominently on the cover of the later version. Benson had recorded with Jackson years earlier. There’s also a record on the Upfront label (a notorious recycler/re-labeler of sessions) that appears to be the same group (if not the same exact session).

I can’t say for sure if this is the exact same group, but since Winley and Jackson were part of the original recording, and the organist on this session sounds like he has some chops, I wouldn’t be surprised.

I hope you dig the tune, and I’ll be back on Wednesday.

Peace

Larry

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some obscure, New England garage pop.

Comments (9)

By Larry, January 13, 2011 4:37 pm

Funky16Corners @ Spindletop – Early Set 1/10/11

Playlist

Listen/Download 80MB/256kb Mixed MP3

The end of another week is upon us, and as promised I have recreated part of my three-hours worth of soul jazz from this past Monday’s Spindletop night at Botanica in NYC.

When I was pulling 45s to bring with me last week I started to build my set and decided that I’d get things started with a slower, moodier set than I normally do, kind of easing my way onto the burning Hammond groovers.

What I ended up with was a very interesting mix of soul jazz, soul instros and even laid back funk, all of which seemed to stick together when all was said and done.

I mentioned on Wednesday that we were unable to get a signal out of the mixer to my digital recorder, so I had to re-record this selection on my decks at home. I was originally thinking of re-recording the whole night, but then I realized that I’d played no less than 60 45s and I just didn’t have the time to do it.

I enjoy presenting the live mixes here at the blog, so hopefully next time I hit Botanica we’ll have figured the problem out.

At the request of a number of people who were at the gig, I have included the entire set list below.

The mix features some old faves and some stuff that hasn’t been heard in this space before. As I mentioned above, it’s a mellow affair, so pour yourself a snifter of brandy (or a mug of cocoa, whichever), dim the lights, sit back and let the sounds flow gently into your ears.

If you’re close to the interwebs this Friday at 9PM, make sure to tune in to the Funky16Corners Radio Show on Viva Radio. This week we have an hour of funky 45s from New Orleans to get the party started. The show will of course be archived and ready to download at the blog over the weekend.

I’ll be back next week with more of the funk and soul you love.

Have a great weekend.

Peace

Larry

The rest of the evening’s music:
Harry J All Stars – Liquidator (Harry J)
Winston Wright – Heads or Tails (Green Door)
Gary McFarland – Fried Bananas (Verve)
Cal Tjader – Moneypenny (Skye)
Dave Davani Four – The Jupe (Capitol)
Sonny Knight Quartette – Let’s Get It On Pt1 (Aura)
Odell Brown and the Organizers – No More Water In the Well (Cadet)
Freddie Roach – One Track Mind (Prestige)
Merl Saunders – Soul Groving (Galaxy)
Alan Price Set – Iechyd Da (Decca)
Hank Marr – White House Party (Wingate)
Georgie Fame – El Bandido (Imperial)
Brown Brothers of Soul – Cholo (Specialty)
Mel Brown – Chicken Fat (Impulse)
Federalmen – Soul Serenade (Steady)
Freddy McCoy – Funk Drops (Prestige)
Afro Blues Quintet Plus One – La La La La La (Mira)
Benny Poole – Pearl Baby Pearl (Solid Hit)
Cha Cha Hogan – Grit Gitter (Soulville)
Perry and the Harmonics – Do the Monkey With James (Mercury)
Gentelman June Gardner – It’s Gonna Rain (Emarcy)

Lionel Hampton – Greasy Greens (Glad Hamp)
Fabulous Counts – Jan Jan (Moira)
Boogaloo Joe Jones – Right On (Prestige)
Fred Ramirez – Hold On I’m Coming (WB)
Dee Felice Trio – There Was a Time (Bethlehem)
Louis Chachere – The Hen Pt1 (Paula)
Toussaint McCall – Shimmy (Ronn)
Lou Garno Trio – Chicken In The Basket (Giovanni)
Albert Collins – Cookin’ Catfish (20th Century Fox)
Andre Brasseur – The Duck (Palette)
Memphis Black – Why Don’t You Play the Organ Man (Ascot)
Cal Tjader – Soul Sauce (Verve)
Soulful Strings – Burning Spear (Cadet)
Keith Mansfield – Boogaloo (Epic)
Mohawks – The Champ (Philips)
Wynder K Frog – I’m a Man (UA)
Goldie & the Gingerbreads – The Skip (Decca)
Tony Newman – Soul Thing (Parrot)
John Philip Soul and His Stone Marching Band – That Memphis Thing (Pepper)
La Bert Ellis – Batman Theme (A&M)
James Brown – Shhhhhhhh For a Little While (King)
The Impacts – Thunder Chicken (Marmaduke)
Dave Baby Cortez – Getting’ To the Point (Chess)
RD Stokes – My Sandra’s Jump (II Bros)

Check out the Funky16Corners Store at Cafe Press

Make sure to drop by Iron Leg

PS Make sure to hit up Funky16Corners on Facebook

Comments (9)

By Larry, December 26, 2010 1:23 pm

Funky16Corners Radio v.91 – Year End Soul!

Playlist

Listen/Download 800MB/256kb Mixed MP3

I hope that everyone is grooving on the good will and brother – and sister – hood of the holiday season.

Obviously not everyone celebrates Christmas, but we can all soak up the peace and goodwill that floats in the ether this time of year.

This has been a big year for Funky16Corners.

The first quarter saw the move off of the free WordPress platform onto our own server space, which – despite any technical limitations yours truly might be encumbered with – worked like a charm.

This May saw the ‘opening’ of the Funky16Corners Soul Club series of live DJ sets, with contributions from lots of groovy people, as well as number of my own sets from various and sundry DJ gigs.

Thanks go out to all of you who once again contributed to the yearly Pledge Drive, which kept the Funky16Corners empire solvent for another calendar year. Your continued generosity makes me glad that I started the blog six years ago. In fact, it just occurred to me as I write this that I neglected to mark the sixth anniversary of the blog this past November.

Such is the chaos of my daily life that I neglected to remember, let alone mark the occasion.

Another groovy milestone that we marked in 2010 was the rebirth/re-engineering of the Funky16Corners Radio Show on Viva Radio. The folks at Viva were nice enough to bump me into a better time slot, and I responded by changing the way I do the show, hopefully for the better. We continue to broadcast every Friday night at 9PM, followed by uploading the show every Saturday so that you fine people can pull down the ones and zeros and append each week’s broadcast to the MP3 delivery device of your choosing.

On the DJ front, I’ve been up to New York City (and will be again on January, 10 2011, watch this space for details), down to Washington, DC (thanks to the mighty DJ Birdman for facilitating the journey). Hopefully 2011 will provide more opportunities for me to pack up my record box and hit the road, and (if all goes well) maybe even the return of the Asbury Park 45 Sessions.

The New Year will also see the return of our sister blog, Iron Leg, where we’re in a 60s pop/garage/psyche bag. Real world commitments caused me to put the blog on hiatus a few months back, but I’ve decided to bring it back – albeit with an abbreviated posting schedule – in 2011. I’ll be posting a year end wrap-up mix today, and regular posts will recommence next week.

So, once again, allow me to say thanks to all of you for stopping by and engaging in our ongoing conversation about music and how it moves us.

Since the fam and I will be out and about visiting family, I’ll be dropping the mix you see before you and taking the rest of the week off.

I’ve gathered the best of the upbeat and funky tracks from the past year and whipped them into a nice little party mix that you can play during your New Years Eve festivities (or whenever you need a lift).

There are lots of faves, plenty of funky rhythms with which to set loose your caboose, and enough grooves to grease your way past Father Time and into 2011.

I hope you dig it, and that you all have a safe and healthy rest of the year.

Peace

Larry

NOTE: There’s no accompanying zip file with this mix, since all of the tracks included have appeared here individually this past year.

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Comments (2)

By Larry, November 30, 2010 4:02 pm

James Brown – tickling the ivorys (or whatever organ keys were made out of)

Listen/Download – The Poets – Devil’s Den Pt1
Listen/Download – The Poets – Devil’s Den Pt2

Greetings all.

How – as they say on the streets – is it hanging?

I am, once again, nursing a bad back, which is a fucking hoot.

It’s not really all that tragic. I’ve known people who have real, serious problems with their back (like my Pop) who make my problems look insignificant, but it is uncomfortable, and inconvenient, so to paraphrase the man we come to discuss today, ‘Let a man come in and do the “Oh shit my back hurts”.

Before we get rolling, I should note that the all new, all fabulous Funky16Corners stickers have arrived. If you wish to obtain one, and you live in the US, send me a self addressed stamped envelope (to Funky16Corners c/o Grogan, 80 New Brunswick Ave, Brick, NJ 08724 USA) and I’ll shoot one your way. If you live elsewhere in the universe, send me a self addressed envelope (I’ll cover the postage since I don’t want to get into any crazy stuff with postal coupons or foreign currency) and you’ll get one too. You folks have all been so groovy with your continued support of the Funky16Corners organization, it’s the least I can do.

The 45 I bring you today is another one of those records I knew of for many years before it and I came together at a record show.

I mean, how can you not be intrigued by a record by the Poets, named ‘Devil’s Den’?

I was, and when I pulled it out of a big box of cheap 45s, and saw the James Brown-y markings on the label, my interest was further piqued and I took it home.

At first listen, I was a tiny bit confused, since for some reason I recalled hearing that ‘Devil’s Den’ was a funk 45 (perhaps someone making a JB conflation), which it is not, but since it is an old school organ burner, I dug it all the more.

Some years back I did a longer piece about James Brown’s dalliance with the Hammond organ (you can read it here), but at the time I had no idea that the Poets 45 was part of the legacy.

I use the word ‘dalliance’, because the Hammond was clearly a sideline for JB, and just as clearly, while his playing had a certain loose charm, he was no virtuoso.

That said, given the right material, the mighty Mr. Brown was able to make the gigantic box of wood and wires sing, and ‘Devil’s Den’ is an example of such a piece.

Recorded in 1963 (a few years prior to his organ sojourn at the Smash label), ‘Devil’s Den’, had its labels not carried the writing and producing credits to James Brown, might not indicate that the Godfather of Soul had any involvement, were it not for a telltale scream at the 1:08 mark in part one, and a few interjections after that point.

The tune is a slow swinging blues with a beefy horn chart that has a serious late night, smoky bar feel to it. The backing band is the Famous Flames, and on some reissues the song is credited to the JB pseudonym ‘Ted Wright’.

I hope you dig it, and I’ll be back on Friday.

Peace

Larry

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PS Head over to Iron Leg

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By Larry, September 30, 2010 3:04 pm

Ekseption and their shiny silver sleeve…

Listen/Download – Ekseption – Ritual Fire Dance

Greetings all.

Please allow me to begin by making a simple statement of fact.

I am definitely getting too old for this shit.

Hooboy….

I piled myself and my records into the trusty Funky16Corners-mobile last Saturday morning, and set off (alone) for a whirlwind weekend of DJ-ing and digging in Washington, DC.

That was the easy part.

I had a grip of podcasts to keep me company on the trip and the drive down was uneventful (and quick). I rolled into the city by the early afternoon, meeting up with my buddy DJ Birdman and his lovely family (finally getting to meet Birdman Jr.!), followed by some digging (natch…whatup to Marshall and Mike) and then on to some delicious bar-b-que ribs.

That night Birdman and I did the late shift at Marvin where the crowd was predictably lively (with many predictable and unsuitable requests, but that’s how these things go). I recorded one of my sets (funk and disco), which I’ll be posting here sometime in the next few weeks.

The next morning, following an all too brief bit of sleep, we got up and rolled out to the DC Record Fair, where Birdman (and some other DC heads, whatup Neal and Nightkrawler) were running the show and had to get things set up. The U Street Music Hall was a very nice space, and the Record Fair produced some stellar results which will see the light of day well into the next year (or two) here on the blog.

I spun a set of uptempo Northern Soul at the Fair, which I did not record (left the recorder in the car…), but if you want a taste go back to the Northern set I did at Master Groove earlier this year (Funky16Corners Radio v.82 Groovin’ at the Go Go) which repeats about half of what I played on Sunday and you’ll get the idea. I’ll whip up an all-new Northern mix sometime in the not too distant future.

The folks at the Record Fair were very cool, especially the old school soulie right in front of the DJ booth (perhaps the most luxurious DJ booth I’ve ever been in, I felt spoiled) who requested the Just Brothers ‘Sliced Tomatoes’ about ten seconds after I’d already cued it up (it was kismet I tell you!), and it was very cool to meet up with some old friends and make first-person contact with a couple of interwebs acquaintances.

I have to say that DC is always a chill scene, with cool people and tons of great records to be had. The thought of restricting my digs to the DC area crossed my mind, but then I remembered what a degenerate record collector I am and realized that just wasn’t going to happen.

I rolled out of the Record Fair about an hour after I finished my set with a HUGE stack of vinyl, including more than a few longtime want list items (on 45 and LP). The only bummer being that I don’t have any pics, since I didn’t bring my camera, instead relying on my new phone, which I still haven’t learned to operate properly, rendering the few pictures I took tiny, low-res and unusable.

As is always the case, Igot lost on my way out of DC. It wasn’t too bad, but by the time I hit Baltimore I also hit the wall. My tired old carcass is not used to being treated like it’s 25 again, and I ran out of steam, forcing a pit stop at Starbucks where I loaded up on coffee and food and hit the road once again.

Unfortunately, as easy as my ride down to DC was, my ride home was plagued with difficulty, including an insane traffic jam in northern Maryland (understaffed toll booth related) and then another jam up in NJ which forced me to alter my route and take a time consuming detour.

This all followed by the fact that I had yet another medical procedure scheduled for Tuesday morning, and I’m sitting here at the laptop just about ready to go into hibernation.

I have something cool in the cooker for Monday morning (just waiting for all the pieces to arrive in the in-box) and after that I’m not sure what I’ll do, since I now have so much to choose from (in addition to everything else aging in the oaken barrels in the vinyl cellar).

I figured I’d close out the week with something I’ve wanted to post for a while now. Even though I’d digi-ma-tized it weeks (months?) ago, when I went to post it I discovered that I had neglected to photograph the label, but – as is always the case – when I was pulling records for the DC trip I put aside a number of records similarly afflicted, and I bring it to you now, better late than never.

I first posted something by the Dutch prog band Ekseption way back in 2007 when I included their version of the soul jazz classic ‘This Here’ in Funky16Corners Radio v.32. Some time after that, while engaged in a little e-digging, I discovered a 45 of yet another of their classical pastiches (something they did a lot), this time a version of Manuel de Falla’s ‘Ritual Fire Dance’ from his 1915 ballet ‘El Amor Brujo’.

I posted a couple of other jazz-funk reworkings of classical pieces a while back (with Deodato and Woody Herman covering Strauss and Copland), and while I’m not likely to make it a regular feature here at the Corners, the Ekseption 45 is so groovy I would be remiss were I not to share it with you.

I have to admit that I was not familiar with de Falla’s original piece when I first heard it (check out Artur Rubinstein playing it here, for comparison), but after hearing it in its original setting, it’s safe to say that aside from some heavy drums and organ (and giving it that Euro-swinger je ne sais quois), Ekseption don’t really stray too far from the source.

I don’t think I’d be telling tales out of school were I to suggest that this particular gem might get some of your modder types out onto the floor, with a little bit of that au-go-go flavour.

In other news, don’t forget to tune in Friday night at 9PM for this week’s all-new edition of the Funky16Corners Radio Show on Viva internet radio. I assure you that the collection of funk, soul, jazz and rare groove that awaits you get your weekend off to a groovy start.

I hope you dig the tune, and I’ll be back on Monday.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some puh-sike-a-dellia….

Comments (8)

By Larry, September 26, 2010 5:46 pm

Funky16Corners Radio v.88 – Throbbing Organs

Playlist

You can check out this mix in the Funky16Corners Radio Podcast Archive

This is being prepared in advance of my excursion to Washington, so any reporting on that trip will have to wait until later in the week.

Hopefully it was a gas and I found lots of groovy records.

That said, it’s been a while since the last organ mix (a live mix, back in January), and I can’t go very long without a Hammond infusion, so I figured it was time.

This mix is all over the map, with some hard driving R&B, soul, funk and even a little bit of soul jazz, but since we’re talking about the universe of the Hammond organ, that’s kind of how these things swing.

A couple of these tracks have seen the light of day here on Funky16Corners individually (none recently), but since two slices of bacon is always better than one, and organ records are the soulful and delicious equivalent of bacon in the musical food pyramid, it couldn’t possibly hurt to hear them again.

Anyhoo… this week might be a little light, since I’m one hundred and eleventy seven percent that I will be returning from DC exhausted, and then I have a little surgical type thingy on Tuesday which is sure to knock me on my ass for a few days, but it’s one of those ‘gotta do it when you gotta do it’ deals, so there.

I hope you dig the mix, and I’m sure I’ll make it back onto the scene by the end of the week (if not sooner).

Peace

Larry

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PPS – Make sure to fall by Iron Leg for a new psyche mix!

PPPS Make sure to hit up Funky16Corners on Facebook

Comments (2)

By Larry, September 23, 2010 3:33 pm

Jimmy Smith

Listen/Download – Jimmy Smith – The Cat

Greetings all.

I have so much stuff to do this weekend that I was going to forgo the regularly scheduled Friday post, but thought it might be a good idea to touch base with you all about the goings on here in Funky16Cornersville that I changed my mind.

First and foremost, I’ll be traveling down to Washington, DC this weekend with my records for a couple of DJ-type extravaganzas.

Saturday night I’ll be sharing the decks with my man DJ Birdman at Marvin (2007 14th Street, NW), and while we’re likely to get started on the mellower side of things, you know that as soon as the little hand starts pointing up the place will be banging, so if you dig delicious food, Belgian beer and the best in funk, soul and disco, you should fall by and join us.

The following day I’ll be doing a set at the DC Record Fair, and naturally also buying some records. I expect I’ll be running into all manner of interwebs friends, so stop by and say hi if you’re there.

Of course if you’re about on Friday night, say around 9PM you should head over to Viva internet radio for the Funky16Corners Radio Show for an hour of the best funk, soul, jazz and rare groove, all from original vinyl sources. The show will be then be archived (as an MP3) for download.

The track I bring you today is one of the truly great things that Jimmy Smith recorded during the 60s (maybe his best).

‘The Cat’ is a stunner, and that my friends is all I going to (or have time to) say this fine day (aside from the following bit of hyperbole…or is it???). It smokes from start to finish and is the bad-assiest of all the bad-ass, bad-assery ever committed via the intercession of Mr. Hammond’s mighty electric organ-o-phone.

Dig it, and I’ll be back on Monday with a whole new mix of Hammond organ goodness.

Have yourselves a great weekend.

Peace

Larry

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some puh-sike-a-dellia….