Comments (2)

By Larry, March 2, 2014 1:18 pm

Roger and the Gypsies – Pass the Hatchet Pt1 (Seven B)
Professor Longhair – Big Chief Pt2 (Watch)
Bobby Marchan – Shake Your Tambourine (Cameo/Parkway)
Diamond Joe – Gossip Gossip (Sansu)
Eddie Bo – Hook and Sling Pt1 (Scram)
Lee Dorsey – Four Corners Pt1 (Amy)
Dixie Cups – Two Way Poc A Way (ABC)
Earl King – Street Parade (Kansu)
Meters – Cardova (Josie)
David Batiste and the Gladiators – Funky Soul Pt2 (Instant)
Bobby Williams – Boogaloo Mardi Gras Pt2 (Capitol)
Curly Moore – Sophisticated Cissy (Instant)
Ernie K Doe – Here Come the Girls (Janus)
Larry Darnell – Son of a Son of a Slave (Instant)
Explosions – Hip Drop Pt1 (Gold Cup)
Rubaiyats – Omar Khayyam (Sansu)
Warren Lee – Funky Belly (Wand)
Willie Tee – Sweet Thing (Gatur)
Danny White – Natural Soul Brother (SSS Intl)
Lee Dorsey – Who’s Gonna Help Brother Get Further (Polydor)
Oliver Morgan – Roll Call (Seven B)
Eddie Bo – Can You Handle It (Bo Sound)

Listen/Download -Funky16Corners Presents Boogaloo Mardi Gras! – 85MB Mixed Mp3/192K

Greetings all.

Hey everybody!

Guess who paid attention to the calendar and was prepared for Mardi Gras this year?

That’s right, ME!

As a result I dipped back into the archives and resurrected one of my fave mixes, ‘Funky16Corners: Boogaloo Mardi Gras!’

This one is packed from start to finish with a grip of Crescent city killers, including a number of second line favorites. There is a LOT of heat in this one, and if you are inclined to crack open a brew or two  and get your New Orleans-style party on, this should provide a more than adequate soundtrack.

I hope you dig it, and I’ll see you all on Wednesday.

Keep the Faith

Larry

  _________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (2)

By Larry, February 18, 2014 12:30 pm

Jackie Wilson

Listen/Download Jackie Wilson – Whispers (Gettin’ Louder)

Greetings all

How about something a little sweet for the middle of the week?

Jackie Wilson is high on the list of major soul figures that I took for granted for far too long.

He was a consistent hitmaker, placing dozens of records in the charts between 1958 and 1975.

Though a fair amount of those hits crossed over into the pop charts, Wilson was (at least to my ears) damned by the tight programming of oldies radio. Until I started collecting soul 45s, if you’d asked me about Jackie Wilson, I would have known ‘Higher and Higher’ and ‘Lonely Teardrops’, and little else.

Fortunately, over the years I have kept up the search for new sounds, and more and more Jackie Wilson records have found their way into my crates.

The tune I bring you today represented a “comeback’ of sorts for Wilson, making his first trip into the R&B Top 10 since ‘Baby Workout’ in 1963.

Written by Barbara Acklin (then a secretary at Brunswick Records) and David Scott, ‘Whispers (Getting’ Louder)’ is a prime example of the classy sounds that producer Carl Davis was the master of in the 1960s.

It is a particularly interesting record (aside from its obvious quality) because it features both the Funk Brothers and the Andantes, making it a perfect intersection of (moonlighting) Detroit and Chicago sounds.

The arrangement is perfection, with guitar and vibes pushed along by comparatively raw sounding drums, all juxtaposed with sweeping strings and horns.

It is one of Wilson’s finest sides, and went into the R&B Top 5 (grazing the Pop Top 10) in October of 1966.

‘Whispers (Getting’ Louder)’ was covered by Erma Franklin in 1970 (with another Jackie Wilson cover, ‘(I Get the) Sweetest Feeling’ on the flipside).

It is a groovy record indeed, and I hope you dig it.

See you on Friday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (2)

By Larry, January 31, 2014 12:10 pm

Listen/Download The Mighty Hannibal – Jerkin’ the Dog (Special Tribute)*

Greetings all

The word came down yesterday that James Shaw, better known as the Mighty Hannibal had passed away at the age of 74.

Hannibal was a master (as well as a charter member of the Turban Hall of Fame!), recording some remarkable soul and funk 45s in a career that lasted – with some detours along the way – more than 50 years.

His 1965 opus ‘Jerkin’ the Dog’ has a secure place in my Top 5 soul 45s of all time.

It is – much like Rex Garvin (eulogized in this space less than a month ago) and the Mighty Cravers ‘I Gotta Go Now (Up On the Floor)’ – a killer diller and a floor filler. A 45 so powerful that it held a place of honor in my play box, where it would be held in reserve for just the right moment, when it would be whipped on the crowd, taking them and leading them to the promised land.

It is far from the only incredible tune that the Mighty one laid down, but it is the one against which all others must be judged.

The record opens with his voice:

And then immediately drops into the hypnotic chank of the rhythm guitar which forces even the most stolid members of the audience to start moving, from their heads to their feet.

Then Hannibal stops things again and asks:

After which everyone in the room that knows what’s good for them (and hasn’t already collapsed) starts stomping, because when the Mighty Hannibal suggests (nay, demands) that you do something on the dance floor you put your drink down (or not) and do it.

There’s an incredible video of Hannibal performing ‘Jerkin’ the Dog’ on ‘The Beat!!!’ that has to be seen to be believed.

There stands Hannibal clad in a white silk tunic, bell bottoms, silver Beatle boots and a gold turban, with two go-go dancers behind him, surrounded by brightly colored giant plywood exclamation points, ampersands and asterisks, calling the shots, doing the jerk, walking the dog and just generally being bad-ass.

There are some crazy video artifacts out there, but this is like a transmission from another galaxy, where Hannibal is just now returning to his throne after dropping a lifetime of cool onto the earth.

The Mighty Hannibal did not have an easy life, and never really got the kind of shine that the creator of such amazing music deserved.

Fortunately, late in his life, thanks to devoted friends, fans and record hounds, he was able to return to the stage where he would bask in the adoration of the faithful once again.

He was a master.

He will be missed.

Rest in peace Mr. Shaw.

Keep the faith

Larry

* The file above includes an unexpected namecheck for the Mighty Hannibal that blew my mind the first time I heard it.

_________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, January 12, 2014 11:20 am

The Contours

Listen/Download The Contours – First I Look at the Purse

Listen/Download The J Geils Band – First I Look at the Purse

Greetings all

I hope the new week finds you all well.

The tune I bring you today is one of those soul tunes I knew and loved years before I started collecting 45s.

My record collecting/listening past is filled with a variety of landmarks, some which make complete sense (i.e. the shortest distance from point a to point b) and some a little bit more circuitous.

Back when I was a longhaired teenager who wanted little more out of life than to bash on my drums, listen to music and sleep (not necessarily in that order) I found myself – as was often the case – browsing the cut-out bins at the local Music Den.

Music Den was that fossil of a bygone age, a chain record store which could be found in various guises (depending on your region) in malls all over the country.

Aside from the local flea market, that was pretty much the only place I had to go to buy music, which was then records and cassettes.

Though I can’t be 100% positive, I suspect that I had little or no folding money on my person, but I was no doubt determined to bring some new music home with me.

What I found that day was one of a series of WEA cassette twofers. The massive, multi-label conglomerate was reissuing albums, two per tape, in budget cardboard slipcases (no fancy shmancy plastic cases here) by a variety of artists in their vast catalog.

If memory serves, over the course of a year I picked up more than a few of these, at least one by Joni Mitchell, and the second (the pertinent one for today’s post) by the J. Geils Band.

Those of you that weren’t there in the 70s may not think much of the Geils band as more than a relic of the album rock age, but those that know (especially as the band’s early years are concerned) will tell you that they were once something heavier indeed.

I’m not completely certain what the second album on that cassette was (though I think it might have been ‘Monkey Island’) but it was the first side of the tape that cracked open my ears a little bit wider.

The band’s self-titled debut – from 1970 – was a surprise indeed.

It sounded nothing like the stuff I’d heard by the band on the radio, sounding more like a fired up version of Chicago blues than anything.

The greasier, 1970 edition of the J. Geils Band

That album not only introduced me to a hotter side of the J. Geils Band, but also to Otis Rush (‘Homework’), John Lee Hooker (‘Serves You Right To Suffer’) Albert Collins (‘Sno Cone’) and most importantly, the Contours (I would learn later that lead singer Peter Wolf was an inveterate record collector and probably had a lot to do with the variety of sounds covered by the group).

It was the Geils Band cover of ‘First I Look At the Purse’ – which I wouldn’t have recognized as a cover if I hadn’t seen Smokey Robinson’s name on it – that really grabbed me.

The song had a solid groove, and the lyrics were hilarious.

In retrospect the J. Geils Band must have been quite a breath of fresh air in the hippified scene of 1970.

Flash forward about ten years, and I finally got to hear the original by the Contours and I dug it even more.

Though they are best known for their 1962 classic ‘Do You Love Me’, the Contours are for me (much like the Velvelettes) a Motown group that should have (and probably would have, given the opportunity) been much bigger.

The Contours original (it just missed the R&B Top 10 in the summer of 1965) is a fast moving (much faster than the Geils cover), soul-clapping killer, with the rhythm guitar and piano pounding in tandem and the drums (listen to the kick drum hits) punching through the mix.

The Contours would make it into the R&B Top 40 eight times between 1962 and 1967.

The J. Geils Band would end up in much poppier (and more successful) place than they started, with 80s hits like ‘Centerfold’.

It was a long way from Otis Rush, but sometimes that’s just how it is.

I hope you dig the track. And I’ll see you on Wednesday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (2)

By Larry, January 5, 2014 11:14 am

Rex Garvin

Listen/Download Rex Garvin and the Mighty Cravers – I Gotta Go Now (Up On the Floor)

Greetings all

I hate to get the week started on a sad note, but hang tight and I promise that I’ll bring things around at the end.

I was chilling the other night, scrolling through Facebook when I spotted a post by my man Agent45, noting that the mighty Rex Garvin had died.

If you have been following my comings and goings (ranting and raving) here over the years you will already know that I hold the music of Rex Garvin (and his Mighty Cravers) in the highest possible esteem, especially the sounds of one very special record.

As I sit here tapping away at the keyboard in the middle of my record room I am surrounded by many thousands of records, tens of thousands of songs, and I love many of those songs deeply, but there are a select few that are genuinely important to me.

Some of these are Rosetta Stones of a sort in that they unlocked doors for me, whether in a purely sonic sense, or providing a gateway into a particular artist or style.

Others are important in that they represent that rare, perfect intersection of composition, production and above all performance.

I have posited here in the past that the best records (in any genre) contain a certain magic, and that a DJ, with the proper amount of taste and practice understands how to release that power properly, mixing the right records together in such a way as to lift the feeling in a room. You release the joy, energy and rhythmic drive in a record and if things are just right and the people are feeling it you achieve, whether for a minute, or an hour, a kind of ecstasy.

There is joy in music, amplified by movement (not just dance) that is ancient and essential and resides in the spirit of every man, woman and child and one of the great tragedies is that we do not release ourselves into that state and partake in its elevating, restorative nature often enough.

When I pack my record box for a particular night, I select things according to the proscribed style and tempo (usually varying), sometimes adding in a “wild card” or two that can be inserted into the mix should the opportunity arise.

What I also include nestled securely in the deep end of the box, usually handled with protective equipment, are the killers.

These are the records that carry in their grooves that exceptional, often explosive power on which an entire set can pivot into another dimension.

A record like this must be used sparingly and with the utmost care.

Spun in the wrong place, at the wrong time – when the audience isn’t ready – its energy can be wasted, but released properly it can do remarkable things.

‘I Gotta Go Now (Up On the Floor)’ by Rex Garvin and the Mighty Cravers is one such record.

It needs to be stated at this point that Rex and the Cravers were no one-shot wonders. Their 1960s recordings for a variety of labels (Epic, Okeh, Like, Atlantic, Tower) are packed with winners like ‘Emulsified’, ‘Sock It To Em JB’, ‘Queen of the Go Go’ and ‘Raw Funky’, but ‘I Gotta Go Now (Up On the Floor)’ is in a class by itself.

Released in 1967, ‘I Gotta Go Now (Up On the Floor)’ did not – as far as I can tell – chart anywhere, at any level, which, once you listen to the record, seems inexplicable.

Co-written by Garvin, saxophonist Clayton Dunn and drummer Pete Holman, it has an unrelenting tempo, pushed forward by the drums, bass and rhythm guitar, along with the occasional soul clapping and the wailing of a combo organ in the background.

Where the record really takes off, though, is in the vocal performance by Rex Garvin.

The influence of gospel music on soul is incalculable, but it isn’t always this obvious.

Here, Rex Garvin and the Mighty Cravers have taked the sound of the amen corner, packed it with TNT and sent it over a cliff.

Garvin isn’t merely singing, he’s preaching the gospel of soul, in a song that is quite literally about being carried away by the power of music.

He’s telling you that through the music he is compelled to launch himself out onto the dance floor, feeling the music in his soul, rising from his seat, clapping his hands as hard as he can. He is filled with the spirit (holy or otherwise) and he has to move.

Listen to this record and imagine everyone in choir robes, bouncing the call and response back and forth between Rex and the band.

I GOTTA GO NOW!

(GO AHEAD!)

OUT ON THE FLOOR NOW!

(GO AHEAD!)

SAID I GOTTA GO NOW!

(GO AHEAD!)

OUT ON THE FLOOR NOW!

HIT IT!

(HIT IT!)

DON’T QUIT IT!

This is the ecstatic religious experience secularized (or not, depending on what music means to you) and moved out into the club.

If this record doesn’t send shivers up and down your spine and out into your limbs I don’t know what to tell you.

This is the kind of record that soul music is all about, and the kind of record that moves me to the bottom of my soul.

It is that powerful, and in the 20 or so years since I first heard it, over countless listens has never lost an iota of its power for me.

No matter how many times I listen to it, or pull it from my box and place it on the slipmat in a club, it is always as amazing as the last.

Oddly enough, after almost 30 years, Rex Garvin put music behind him, calling it quits in 1985.

He eventually settled in Atlanta, where he passed away early in December at the age of 72.

I’ll be DJing this week, and I can assure you that I will have this record in my box, and I will spin in in the memory of the mighty Rex Garvin.

I’ll see you on Wednesday.

Keep the faith

Larry

  ___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived! The stickers are 4″ x 3″ and printed on high quality, glossy stock. They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US). Click here to go to the ordering page.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (2)

By Larry, November 2, 2013 4:09 pm

Bobby Parker

Listen/Download Bobby Parker – Watch Your Step

Greetings all

This is a previously unscheduled post, prompted when word came down the line that the mighty Bobby Parker, creator of the 45 you see before – only one of the greatest ever – had slipped the surly bonds of earth and passed on to his great reward at the age of 76.

I first posted ‘Watch Your Step’ no less than eight years ago (!?!) when Funky16Corners was in its early days.

I couldn’t let the man’s passing go without re-posting this remarkable 45.

I’ll see you on Monday.

Larry

Originally Posted 9/19/05

>>I hope you’ve had your coffee….

Because this record is a floor filling, foot stomping, ass kicking, brain melting slice of blues power from which the faint of heart will not soon recover….

No, really… it’s that good.

This is one of those records that I’d read about for years (having been a major Beatles fan as a kid), but never got to hear until a few years ago (I only scored the 45 in the last month).

Did you download the track yet?

Go ahead…I’ll wait…

There. Now listen to that opening riff – ring any bells???

Hmmmm…. How about ‘I Feel Fine’ and ‘Day Tripper’ by the Beatles (or dare I say ‘Moby Dick’ by Led Zeppelin)??? This is the “UR” riff, from whence those songs sprung (after being reprocessed by John Lennon and Jimmy Page respectively).

I have to tell you. When I was 12 years old I used to play ‘I Feel Fine’ two or three times a day (It’s still one of my fave Beatle tunes), mainly because of the guitar riff, and to be honest, Bobby Parker’s original carries the Beatles version out into the alley and kicks the crap out of it.

Back in 1961, when Parker first unleashed this beast on the world, it didn’t make much of a dent in the charts*. That didn’t stop it from becoming a favorite of those in the know, spawning covers by The John Barry Seven, Spencer Davis Group, Billy Harner, Adam Faith, Tony Jackson, Manfred Mann, The Undertakers and The Walker Brothers (on their Japanese live LP)**, and making a lasting impression on the Beatles, Robert Plant, Jimmy Page and Carlos Santana who reportedly decided to play the guitar after seeing Parker play.

That said, it would be unfair to end the story there, because no matter how many people stole the riff, no matter how many people cite Parker as a seminal influence (and he’s still playing today), to focus solely on the peripheral aspects of ‘Watch Your Step’ is to dance around the fact that it is an absolutely shit-hot record that in a just world would have been a huge hit.

Bobby Parker was born in Louisiana and raised in California (where he worked with Don & Dewey and Johnny Otis among others). He spent the 50’s touring with the likes of Bo Diddley, Jackie Wilson, and Paul ‘Hucklebuck’ Williams , and recorded his first record ‘Blues Get Off My Shoulder’ for VeeJay in 1958 (this is the record that Robert Plant has cited as the reason he started singing).

He relocated to Washington, DC in 1961, where he would build a rep playing local clubs. He waxed ‘Watch Your Step’ for Philadelphia’s V-Tone label (associated with the Len label) in 1961 (it was actually released twice in the UK, on London in 1961 and Sue in 1964).

The record opens with a fanfare (as any disc this mighty should), which is followed (after a short dramatic pause) by Parker’s smoking guitar, and the rolling, Latin-flavored drums (another part of ‘Watch Your Step’ that would end up in ‘I Feel Fine’).

Parker’s vocal – sounding like Ray Charles and Bobby Bland had a rocking baby – wails powerfully through the verses, being chased by the horn section. The tempo builds through the song as Parker is joined by backing vocals and a hot little sax solo. Parker has been described as a cross between Buddy Guy and James Brown, and it’s not hard to imagine him working up a sweat on stage with this one.

Parker would record sporadically through the 60’s, waxing a 45 (‘I Won’t Believe It Till I See It’ as Little Bobby Parker) for the ultra-rare DC soul label Shrine, where the Cautions would record a version of ‘Watch Your Step’.

He also toured in the UK where he would record for the Blue Horizon label in 1968 (the same label that released the earliest Fleetwood Mac albums).

Though he toured relentlessly (and was a major hit in DC area blues clubs), he wouldn’t record again until the early 90’s for the Blacktop label.

Keep an eye peeled for a PBS special called ‘John Lennon’s Jukebox’ which features a recent interview with Parker as part of a fascinating look into what Lennon was listening to during the Beatles peak years.

Keep the faith

Larry

*I was stunned to discover that ‘Watch Your Step’ did not hit the national R&B charts at all, hitting the pop charts regionally, almost exclusively on the west coast

*’Watch Your Step’ was also covered in the 70’s by Dr. Feelgood, in the 80’s by Santana, and in the 90’s by the Kaisers

 

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (3)

By Larry, June 18, 2013 11:26 am

Mose Allison, chilling in his far out chair, in the woods…

Listen/Download Mose Allison – The Seventh Son

Listen/Download Mose Allison – Young Man (Blues)

Listen/Download Mose Allison – I’m Not Talking

Greetings all

Have you heard about Mose?

Allison, that is…aka the Sage of Tippo…aka the smoothest badass to ever prop himself up at a piano and lay it down.

If you – like me – has made a study of the roots of rock, especially the British Invasion, or just surveyed the history of coolness, then you have certainly crossed paths with the mighty Mose.

Mose Allison has the kind of voice/manner that immediately brings to mind the black-and-white, beatnik cool of the 1950s. Jack Kerouac’s America, in which one was free to roam the highways and back roads of this great country, partaking in, and becoming part of the great tableaux, digging and being dug in equal measures.

Mose Allison – born and raised in Mississippi – sat himself down at the piano and made his first record in 1957, and hasn’t stopped being one of the coolest of cats since then.

I don’t think I heard Mose until I was all but drowning in the British beat/R&B thing, up to and including the sounds of Georgie Fame and the Blue Flames, which is important because if Mose Allison had never recorded a note, old Clive Powell would likely disappear from the face of the earth.

The first time I heard Mose, an overloaded socket in theback of my brain threw sparks and I realized how much Georgie idolized and emulated him, as well as all of the Brits who looked to him as a songwriter and interpreter of songs.

It was Mose that wrote ‘Parchman Farm’ (John Mayall and everyone else with a blues fetish), ‘Young Man Blues’ (the Who) and ‘I’m Not Talking’ (the Yardbirds) among many others, and laid down what I would consider to be the definitive interpretation of Willie Dixon’s ‘Seventh Son’.

I’m including the last three tunes here today, so that you might head out and dig for your own stack of Mose Allison records, that you can whip out and impress the ladies at your next soiree.

Both ‘Young Man Blues’ and ‘The Seventh Son’ hail from Allison’s landmark 1963 ‘Mose Allison Sings’ LP for Prestige.

‘Young Man Blues’ – clocking in at less than a minute and a half – is a laid back meditation, barely a whisper compared to the angry box of TNT that the Who detonated on ‘Live at Leeds’.

Mose’s take on ‘The Seventh Son’ is a masterpiece of relaxed, swinging Zen, every note perfectly placed, a wonder. He takes the Mississippi hoodoo boasts of the OG and delivers them in a matter-of-fact way that puts the text in boldface.

‘I’m Not Talking’, from 1964’s ‘The Word From Mose’ on Atlantic, is once again, the placid, almost dehumidified-it’s-so-dry foundation on which the mighty Yardbirds built a souped-up, nitro-fueled funny car with which they blew the doors off of the ‘For Your Love’ album in 1965.

The grooviest thing of all is that for all of the influence he pushed out, Mose himself was always more like a shadow, hanging back, just being, than anyone who took their marching orders from his records. He spent the last 50-plus years making music of high quality, crossing the border back and forth between the blues and jazz, always being more himself than anything else and that was all he ever needed to be.

If you’re not hip to Mose, get there.

That is all.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, May 19, 2013 12:51 pm

Tommy Tucker

Listen/Download Tommy Tucker – Long Tall Shorty

Listen/Download Tommy Tucker – Mo’ Shorty

Greetings all

Welcome once again into the inner sanctum of all things soulful.

Welcome to another groovy week here at Funky16Corners.

I thought we’d get things started with one of the truly great slabs of R&B/soul.

‘Long Tall Shorty’ is one of the UR documents of the mod/beat sound, having been covered by both the Kinks and the Graham Bond Organization and holding a place of honor on many a sweaty basement club turntable during the early 60s.

Tommy Tucker had already had a hit with ‘High Heel Sneakers’ in 1963, before laying down ‘Long Tall Shorty’ (co-written by none other than Don Covay) the following year.

Tucker, born Robert Higginbotham in 1933 was a singer, pianist/organist who recorded in a variety of settings (groups and solo) between 1951 and 1967.

‘Long Tall Shorty’ is an especially interesting cut. It – like ‘High Heel Sneakers’ is built on a pretty standard, uncomplicated, Jimmy Reed-esque frame, but thanks to a sly build up and some very tasty guitar turns into something else entirely by the time its 2:23 are done.

Though Tucker worked extensively with guitarist Welton ‘Dean’ Young, it would seem that the guitarist on this 45 is in fact Timmy Oliver, as Young was on the road performing as one half of Dean and Jean.

The song starts off chugging amiably, but gathers steam gradually, almost imperceptibly until the band is running at top speed. It’s not hard to imagine a cellar full of pilled up modernists moving and grooving to this one.

Though the record has obvious roots in a slightly earlier bag, by the time the organ kicks in it’s obvious that Tucker is operating in a fully modern context. Aside from a couple of Bo Diddley sides, I can hardly think of an artist dragging quite so much old school R&B into a soulful setting this late in the game (though I have full confidence that one of you fine souls will provide an example or two that blows that thesis out of the water).

If you can get your hands on a copy of this 45 – which shouldn’t be too terribly difficult – you need to get to the end of ‘Long Tall Shorty’ and continue on to the b-side, the instrumental take thereon, entitled ‘Mo’ Shorty’. The guitar work is outstanding, and if anyone out there knows anything about Timmy Oliver (I haven’t been able to find anything) please let me know.

So roll back the rug, throw back a pint or two and get to dancing.

I’ll see you on Wednesday.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (0)

By Larry, May 2, 2013 10:40 am

Richie Barrett

Listen/Download Richie Barrett – Some Other Guy

Greetings all

The weekend is once again upon us, and so is the Funky16Corners Radio Show. Coming to you this and every Friday night at 9PM on Viva Radio, we bring you the finest in funk, soul, jazz and rare groove, all on original vinyl. If’n you cannot dig at airtime, you can always subscribe to the show as a podcast in iTunes, or grab yourself an MP3 copy out of the archive here at the blog.

The tune I bring you today is without question one of my all-time favorites, and a 45 that eluded me for quite a while.

This is odd, because Richie Barrett’s ‘Some Other Guy’ is not a crazy expensive disc (between 50 and 100 USD on a good day), but it is in demand, so when copies pop up, the get knocked down rather quickly with a certain amount of competition in the bidding and so forth.

I was lucky enough to get my copy on the cheap side of things, and have probably given it a spin (or a digital play) every day since then.

Thing is, this record is one that loomed large in my musical tutelage for many years, thanks in large part to the fact that ‘Some Other Guy’ became one of the go-to covers for Liverpool bands of certain vintage, that being the heart of the beat era, and naturally, the Beatles.

The song was part of the playlist of the Fabs (it is the song they were playing when they were first filmed playing at the Cavern Club) and it was also recorded by bands like the Big Three, Johnny Kidd and the Pirates and a bit later on by ex-Beatle Pete Best.

It was the killer version by the Big Three that caught my ear first and made me want to track down the original.

Richie Barrett is a particularly interesting figure in the history of R&B and soul in that he was not first and foremost a recording artist.

Barrett made his mark as a producer and songwriter for groups like the Chantels, and hadn’t done a ton of recording before he found himself in the studio alongside the mighty Leiber and Stoller in 1962.

The record they made, ‘Some Other Guy’ is a brilliant bit of R&B well on the way to soul, with rumbling bass, electric piano and even a groovy organ solo.

Those widely separated opening notes on the electric piano build a tremendous amount of drama, especially considering what follows.

What ‘Some Other Guy’  also is, is one of the most blatant bits of imitation Ray Charles as has ever been impressed on a lump of vinyl.

‘Some Other Guy’ sounds like Leiber, Stoller and Barrett took a pile of Brother Ray’s late-period Atlantic ish, tossed it into a blender and poured the resulting slop into a microphone.

Not only do you get the rolling electric piano rhythm of ‘What’d I Say’, but Barrett is all but channeling Charles’s voice in every possible way.

It’s positively shocking that they didn’t try to release it under some name like ‘Charles Ray’, or ‘Brother Ray’ or some such tomfoolery.

Of course we are talking about Leiber and Stoller, who managed to kick ass just about every time they entered a studio, so despite any similarities to records living or dead, ‘Some Other Guy’ is epic.

Oddly enough, despite the obvious greatness of this record, L&S didn’t bother to mention it in their autobiography.

Slap this on at your next ripple and potato chip party and watch every last soul tear their way out onto the floor fighting over which part of the rug they get to slice.

In fact, I suggest that you go get lubricated, pop this one on at high volume and tear up the joint yourself, as best you can.

It is – after all – almost the weekend.

Capisce??

Groovy.

See you cats on Monday.

Keep the faith

Larry

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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (3)

By Larry, March 17, 2013 12:26 pm

Timmy Shaw

Listen/Download Timmy Shaw – Gonna Send you Back To Georgia (City Slick)

Greetings all

If you’ve been loitering here under the streetlamp at Funky16Corners for a few years, you probably heard this song (the James Carr cover)when I posted it back in 2009.

At the time, I mentioned how surprised I was when I spun that particular 45 and realized that it was a take on the song that I had known by the Animals as ‘Send You Back To Walker’.

When I posted it, I did some digging and discovered that the James Carr tune was not only not the OG, but came after the one by our friends from Newcastle upon the Tyne, which itself was a cover of the O-est of G’s, which (not coincidentally) you see before you this fine day.

Assuming that you read the title of the post, you know by now that the tune was written and first recorded by a cat named Timmy Shaw (though his Ma and Pa knew him as Jake Hammonds, Jr).

Shaw, who co-wrote the tune with Johnnie Mae Matthews was a Detroit-based singer who waxed the tune in 1964.

Shaw recorded a number of 45s for local labels, with ‘Gonna Send You back To Georgia’ having originally been released under it’s parenthetical title ‘City Slick’ earlier that year on the Audrey imprint.

The Wand version grazed the outer reaches of the R&B Top 40 in January of 1964.

The original version of the tune is a hard-charging, highly danceable number with some very tasty guitar and a great vocal by Shaw, who reminds me a little of Gary US Bonds.

Timmy Shaw – one can assume he pulled in a couple of bucks from the Animals cover – only recorded a few more 45s (for Premium Stuff and Big Hit), the last in 1968 before dropping out of sight.

He passed away in 1986.

I hope you dig the cut, and I’ll see you all on Wednesday.

Keep the faith

Larry

PS What’s a Sternphone??
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Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (4)

By Larry, March 14, 2013 11:44 am

Ricky Allen

Listen/Download Ricky Allen – Cut You A Loose

Greetings all

The end of the week is nigh and so must be the Funky16Corners Radio Show, Friday night at 9PM on Viva Radio. If you cannot join me at airtime, you can always subscribe to the show as a podcast in iTunes or grab an MP3 here at the blog.

Now…I hope you’re all strapped in securely and have ingested your blood pressure medicine and all necessary sedatives.

I only mention this because the record I’m going to whip on you this fine day is likely to blow your doors off, set your hair on end and (if you’re lucky) drive you into the kind of convulsions often recognized as “dancing”.

I first heard Ricky Allen’s ‘Cut You A Loose’courtesy of my friend Michael Newman’s ‘Hinky Dinky Time’ radio show.

It was one of those times where I heard a record for the first time (happens a lot at DJ nights) and the intersections of the pleasure and acquisition centers of my brain light up at exactly the same time.

Gotta hear that record again, and gotta get me a copy to stash in my play box, in that exact order.

It didn’t take me too long to find a nice, clean copy of the 45, and when it did fall through the mail slot I digimatized it forthwith and put the digital copy on a loop.

Like Bobby Parker’s ‘Watch Your Step’, ‘Cut You A Loose’ is one of those records that lives in the mystical land where blues and soul (and rock’n’roll) coexist peacefully, breeding at will and producing offspring like this.

‘Cut You A Loose’ was a Top 20 R&B hit in August of 1963 and Allen (who was born in Nashville but relocated to Chicago in the late 50s) went on to record a handful of 45s in a similar vein through the 60s.

After I’d digested this tune, it occurred to me that it sounded familiar. It wasn’t until I’d played it a dozen or so times that it occurred to me that ‘Cut You A Loose’ bore an interesting resemblance to another record, that being Dave Baby Cortez’s ‘Getting To the Point’.

As far as I can tell, ‘Cut You A Loose’ came first (by a few months), with ‘Getting To the Point’ being a rather savage, Hammond-driven “homage”, if you will.

‘Cut You A Loose’ became a Chicago blues standard of sorts, with cover versions by James Cotton, Otis Rush, Buddy Guy and Junior Wells, and Koko Taylor among others (I have no idea how this song didn’t become a staple of Stevie Ray Vaughan’s repertoire).

Allen apparently retired in the early 70s to run a limousine business and a laundry, before returning to the festival circuit years later.

This record is as powerful 2:47 of music as you’re likely to find, and I hope you dig it as much as I do.

See you soon.

Keep the faith

Larry

___________________________________________________________________________________________

Also, the brand new Funky16Corners ‘Keep Calm and Stay Funky’ stickers have arrived!

The stickers are 4″ x 3″ and printed on high quality, glossy stock.

They are $2.00 each, with free shipping in the US ($2.00 per order shipping outside of the US).

Click here to go to the ordering page.
Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

PS Head over to Iron Leg too.

Comments (8)

By Larry, November 8, 2012 2:22 pm

Ted Taylor – Love Is Like a Ramblin’ Rose (Okeh)
Stereos – I Feel Soul a Comin’ (Cadet)
Benny Gordon and the Soul Brothers – I Can’t Turn You Loose (RCA)
Choker Campbell and his 16 Piece Band – Wild One (Motown)
Joe Jeffrey Group – My Pledge of Love (Wand)
The Contours – First I Look at the Purse (Gordy)
Derek Martin – Sly Girl (Tuba)
Exciters – Blowing Up My Mind (RCA)
Ferris Wheel – Number One Guy (Philips)
Carl Carlton – Hold On To What You Got (Big Beat)
Ella Fitzgerald – Get Ready (Reprise)
High Keys – Living a Lie (Verve)
Dobie Gray – Out On the Floor (Charger)
Ronnie Dyson – Fever (Columbia)
Shirelles – No Doubt About It (Scepter)
The Tams – Trouble Maker (ABC)
Garnet Mimms – Prove It To Me (UA)
Marvelle and the Blue Mats – Mellow Man (Dynamic Sound)
Billy Butler – Boston Monkey (Okeh)

Listen/Download -Funky16Corners Presents Out On the Floor – 86MB Mixed Mp3/256K

Greetings all.

I hope all is well on your end.

It’s the end of the week again, so that means it’s Funky16Corners Radio Show time, this (and every) Friday night at 9PM on Viva Radio. You can also come by this very spot on the weekend and pick yourself up an MP3 version of the show, or more than 100 previous episodes in the archive.
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I come to you this day a happy/relieved man.

The election is finally over, and by and large the results were ones that I would consider not only positive but encouraging.

I realize that not everyone agrees with that assessment, but I have also come to see that having stated my peace, there’s not much I can do about that.

I’m certainly not going to worry about it either.

There are those on the fringes that start with the violent rhetoric, but my suspicion is that they have neither the courage nor the wherewithal to follow through on their angry, anonymous threats.

The vast majority of the population will either get back to work in furtherance of their agenda, or will likely ignore the political scene until whipped once again into a fever pitch for the mid-terms.

I’m going to savor this all a little bit, and then go back to staying informed, a little less on edge that I have been for the past few months.

The other good news is, that this week marks the eighth anniversary of the founding of the Funky16Corners blog.

It was back in early November of 2004 that I made the leap from the Funky16Corners web zine (est. 2000) and decided to continue whipping the sounds and words on you all in a slightly more economical form.

There have been redirections (Blogger to WordPress to self-hosted WordPress) and a few minor policy changes (the unfortunate removal of the zip files) but there have also been improvements as well (like the Funky16Corners Radio Show and its archive).

Either way, the flow of music and history continues in force, and my passion for both remains as strong as ever.

My thanks goes out to all of you that have participated in the conversation along the way (readers and fellow bloggers), some of whom have become friends.

With any luck, we’ll all be celebrating these anniversaries for years to come.

The slogan of the Funky16Corners blog – borrowed from the Northern Soul movement in the UK – is ‘Keep the Faith’. These are words to live by, not only as a dedicated soul fan, but as someone with an eye on improving the world, in any way possible.

I “keep the faith” here by preaching and spreading the gospel of good music, not only to help keep it alive, but to remind as many people as possible of the importance of its transformative nature.

2012 has been an especially trying time in our house on a very deep, very frightening level.

The other day my son asked me what was most important to me in the world and I answered that family was number one, but music was next.

All great music is “soul” music in the broad sense because that’s where it hits you. It gets deep inside your brain and has the power to move your emotions (in many directions) and often enough, move your physical body, whether simply nodding your head, tapping your feet or lifting you out of your seat to dance.

If there is a guiding force behind Funky16Corners – the blog, or when I’m lucky enough to get out and spin records – that is it.

And that it shall stay.

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What you see before you is a new mix (previewed on Mixcloud a while back) composed of 45 solid minutes of dancers, most in the Northern Soul style.

There are lots of groovy 45s, a couple of unjustly ignored b-sides and an album track here and there.

A couple of these tracks have seen the light of day in this space individually, and a couple more may do so in the future.

Either way, they all ought to make you get up out of your seat and outon the floor (thanks Dobie!).

I hope you dig the soul, and I’ll see you on Monday.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.