Comments (2)

By Larry, May 17, 2012 12:52 pm

Donna Summer and Giorgio Moroder

Listen/Download Donna Summer – I Feel Love 12″ Edit

Greetings all.

I should start be reminding you all that the Funky16Corners Radio Show takes to the airwaves of the interwebs this (and every) Friday night at 9PM on Viva Radio. We have a very special tribute to the Ladies of Soul lined up for you, so I hope you’ll fall by and open up your ears. You can always come by the blog over the weekend and pick yourself up an MP3 of the broadcast, or any of the more than 100 previous episodes in the archive.

This has been an incredibly brutal week as far as losses to the world of soul, funk and now disco, with the news of the passing of the great Donna Summer.

Summer, who died after a battle with cancer at the age of 63 was a huge part of disco, and later the world of pop soul.

The song I bring you today is by far one of my favorite disco records, but was really much, much more than that.

I’ve gone on the record at length of my long and somewhat rocky history with the sounds and culture of disco, from my callow youth (when it was all going down) right on through to my more mature appraisal in recent years.

Back in the day, there were a lot of records now thought of as disco that I loved – and many that I did not – but few have such a solid place in the pleasure centers of my memory as the tune I bring you today, ‘I Feel Love’.

When Donna Summer first entered my ears in 1975 with ‘Love To Love You Baby’ I was smitten, but I think it would be fair to say that it had as much to do with the erotic nature of the song and its effects on my adolescent mind as anything else.

However, two years later when Summer’s collaboration with Giorgio Moroder ‘I Feel Love’ came pulsing out of my radio* my mind was good and truly blown.

The song, which managed to hit the Top 10 on the R&B and Pop charts, was a remarkable bit of visionary dance floor artistry that would anticipate a lot of what was to come in dance music of all stripes over the next decade.

It’s always interesting to listen to the evolution of the synthesizer, from its roots in experimental music, on through novelty, psychedelia and on into dance music.

That its users struggled to imbue it with real musicality is without question.

That Giorgio Moroder and Pete Bellotte managed to win that fight and create something remarkable is also – once you’ve slapped on the headphones and poured this concoction into your brain – a certainty.

Listening to ‘I Feel Love’ 35 years later, even after High Energy, House, and synth pop, it still sounds new and innovative.

A lot of this has to do with Summer’s remarkable voice, the element that managed to take the mechanical pulse of the synthesizers into the human realm.

The mix I bring you today clocks in at just a hair over eight minutes, but there was also a 15 minute mega-mix of the song and it’s not hard to imagine a disco full of chemically altered party people moving with the beat for the whole record, eventually collapsing into a blissful heap.

This is the record about which Brian Eno is reported to have raved -

“I have heard the sound of the future. ‘This is it, look no further. This single is going to change the sound of club music for the next fifteen years.”

Donna Summer went on to have a huge career in the 80s, crossing over heavily into the pop market with a much more conventional sound (which can still be heard on oldies radio, and at weddings wherever they happen).

Nothing she did, though, hits me like this.

The song was later covered by Bronski Beat (with Marc Almond) in a very cool version.

I hope you dig it.

Lets all hope for a better week next week.

Keep the faith

Larry

*I wore out the 45 I bought back then and upgraded to this 12″ a few years ago

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (2)

By Larry, May 16, 2012 4:20 pm

Chuck Brown

Listen/Download Chuck Brown and the Soul Searchers – Bustin’ Loose Pt1

Greetings all.

Well….

A crappy week just got even worse with word coming down that the mighty Chuck Brown, longtime DC fixture and the Godfather of Go Go had passed away at the age of 75.

Though he is known to most for heat like the Soul Searchers’ uber-break/mega-sample ‘Ashley’s Roachclip’  (featured here back in 2008, I just reactivated the link) Brown was bringing the funk from the 1960s (the early Soul Searchers recorded a fantastic, and rare cover of James Brown’s ‘There Was a Time’) , first backing other artists before forming the Soul Searchers.

It was with that band that he recorded a couple of outstanding albums for Sussex, ‘We the People’ (1972) and ‘Salt of the Earth’ (1974).

The Soul Searchers hit the R&B Hot 100 five times (many of those in the Top 40) between 1972 and 1975, and then again in 1978 with the hot biscuit I bring you today, ‘Bustin Loose Pt1′ which made it all the way to Number One (hitting the outer edges of the Pop Top 40 as well).

The cut is a burner from start to finish, and might be familiar to some of the younger heads from its recent appearance in a commercial for chocolate chip cookies.

Chuck Brown was a master, and he will be missed.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (8)

By Larry, May 13, 2012 2:44 pm

The Mighty Duck

The Law Firm of Jones, Dunn, Cropper and Jackson Esqs

Listen/Download Booker T and the MGs – Sing a Simple Song

Listen/Download Booker T and the MGs – Chicken Pox

Listen/Download Booker T and the MGs – Melting Pot

Greetings all.

I had other plans to start the week (how many times have I typed those words in the last year?) but when I woke up this morning and turned on my phone, the very first thing I saw, while I was still rubbing the sleep from my eyes was news of the passing of the mighty Duck Dunn.

Donald ‘Duck’ Dunn, the longtime bassist for the legendary Booker T and the MGs died in his sleep while on tour in Japan.

He was 70 years old.

It is at this point that I make a somewhat embarrassing confession (at least as far as soul is considered) that being that the first time Duck Dunn really came onto my radar was as a member of the Blues Brothers.

I was 16 years old when ‘Briefcase Full of Blues’ came out, and like zillions of others my age (and otherwise) I bought the album.

Though I knew who Booker T and the MGs were – ‘Green Onions’ was then, and still is an elemental part of my musical foundation – I had never heard the names of Dunn and guitarist Steve Cropper before the Blues Brothers came onto the scene.

That album was the first place my fragile young mind touched base with the sounds (once removed) of Junior Wells, King Floyd, the Chips and a few others. As odd as it may seem, that first Blues Brothers album (I never bought another) was a serious jumping off point for me (as many other unlikely records would also be in the following decades).

What I didn’t know at the time, was that I was already deeply in love with the sound of Booker T and the MGs, via their role as Otis Redding’s band on the Monterey Pop recording.

I didn’t start buying soul 45s until I was in my mid-20s, but when I did I grabbed each and every Stax 45 that popped up in front of me, whether at record shows or at dusty flea markets (there twarn’t no interwebs back then, kids…), and many of them were either by Booker T and the MGs, or featured some or all of them as the backing band.

The decades that followed saw me – like any other self respecting soul fan – picking up Booker T albums wherever I found them.

While their oeuvre was, like every other instrumental band of the era, seasoned liberally with filler, they had more high points (and quite a few Everests) in their catalog than just about any other similar outfit.

The MGs were as tight as they came, with Dunn and uber-drummer Al Jackson creating as deep a pocket as has ever been heard.

The selection of songs I bring you today is by no means comprehensive, but I think you’ll find it quite groovy nonetheless.

There will be no Green Onions served, since Dunn wasn’t yet a member of the group* when it was recorded.

I have included a very tight Sly and the Family Stone cover, and two brilliant tracks from the last album the band did together.

Their cover of Sly’s ‘Sing a Simple Song’ comes from their 1969 LP ‘The Booker T Set’ and opens with a bit of a drum break from Jackson, soaked thoroughly in reverb, before the band kicks in. It sees the heavy kick of Jackson’s bass drum move into a more explicitly funky place, and while it never really moves into Sly-esque overdrive, it is tasty indeed.

‘Chicken Pox’ the first track from the group’s 1971 LP “Melting Pot’ (the last by the classic line-up) is the sound of the Meters breathing down the MG’s collective neck. The band is moving into a funkier place, and doing so with style, but the spectre of their Crescent City competition always seems to be there. Oh, how I wish this one was on a 45…

The last cut I bring you today is the title cut from ‘Melting Pot’, and by far one of the most interesting things they ever did.

Lasting in excess of eight minutes, ‘Melting Pot’ is important not only because it shows signs of the MGs stretching out into more progressive directions, but also because it became one of David Mancuso’s deeply influential Loft parties in New York City.

I’ll spare you an excess of words here, but if you have any interest in digging a little deeper, you can refer back to the piece I wrote on the record in early 2010.

Suffice to say, if all you ever knew was ‘Green Onions’, ‘Melting Pot’ will be a revelation.

Duck Dunn was – in addition to his better known gigs – a prolific session musician, both during and after the Stax era.

He was a legend, and he will be missed.

See you later in the week.

Keep the faith

Larry

*Though Dunn was a longtime part of the Stax/Memphis crew, being a boyhood friend of cats like Cropper and Packy Axton (Dunn was in the Mar-Keys) he didn’t join the MGs until he replaced Lewis Steinberg in 1965

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (4)

By Larry, May 10, 2012 10:22 am

Little Milton means it ladies!

Listen/Download Little Milton – Just a Little Bit

Greetings all.

I hope the end of the week finds you all well.

I should remind you that the Funky16Corners Radio Show takes to the airwaves of the interwebs this and every Friday night at 9PM on Viva Radio. If you can’t make it at airtime you can always come by the blog and grab yourself a downloadable MP3 of the show (and more than 100 archived episodes) over the weekend.

If you travel through the highways and byways of the Funky16Corners then you will already know that I am often preoccupied with the species known as the soulful bluesman.

During the classic era these giant roamed the earth, guitars (and or harmonicas) in hand dominating any ecosystem they happened to stomp in.

You had your Syl Johnson, Junior Wells, Alberts King and Collins, and, perhaps the souliest of them all, Little Milton.

During a long and fruitful career he laid down some of the finest example of the sub-genre, especially groovers like ‘Grits Ain’t Groceries’ (his reworking of Little Willie John’s ‘All Around the World’) and ‘More and More’ (covered ably by Blood Sweat and Tears).

I grab Little Milton 45s wherever I find them because his work was consistently and reliably good.

It was only in the last year that I finally encountered one of his LPs in the field. It was a ‘Greatest Hits’ but it included several tracks I didn’t have yet so I grabbed it and took it home.

Among the new (to me) cuts was Milton’s outstanding coverof Rosco Gordon’s 1959 classic ‘Just a Little Bit’.

I already had the 1965 cover by Roy Head (done in the style of his previous hit ‘Treat Her Right’) but despite the fact that it was a Top 20 R&B hit in 1969 I had never heard Little Milton’s version of the song.

Milton takes the song at a somewhat slower, ever so slightly funky tempo, adding in plenty of organ and of course his own sweet voice.

It is not in any way earth-shattering – the song has after all been covered dozens of times – but it is a groovy tune and any Little Milton is quality Little Milton, and so I bring it to you.

I hope you dig it, and I’ll see you when I see you.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (4)

By Larry, May 6, 2012 4:17 pm

The Samplers – Beastie Boys

The Sampled – clockwise from top left – Johnny Hammond Smith, Norman Whitfield,
Jimmy Smith, The Commodores, Jeremy Steig

Listen/Download Johnny Hammond Smith – Big Sur Suite

Original release – Higher Ground LP (Kudu 1974) – Sampled on Pass the Mic (Check Your Head LP 1992)

___________________________________________________________________

Listen/Download Commodores – Machine Gun

Original Release – Machine Gun LP (Motown 1974) – Sampled on Hey Ladies (Paul’s Boutique LP 1989)

___________________________________________________________________

Listen/Download Jeremy Steig – Howling For Judy

Original Release – Legwork LP (Solid State 1969) – Sampled on Sure Shot (Ill Communication LP 1994)

___________________________________________________________________

Listen/Download Jimmy Smith – I’m Gonna Love You Just A Little Bit More Babe

Original Release – Blacksmith LP (Pride 1974) – Sampled on Professor Booty (Check Your Head LP 1992)

___________________________________________________________________

Listen/Download Norman Whitfield/Rose Royce – Yo Yo

Original Release – Car Wash OST (MCA 1976) – Sampled On Shake Your Rump (Paul’s Boutique LP 1989)

___________________________________________________________________

Listen/Download Afrique – Kissing My Love

Original Release – Soul Makossa LP (Mainstream 1973) – Sampled on Bodhisattva Vow (Ill Communication LP 1994)

___________________________________________________________________

Greetings all.

Welcome to another week here at the Corners du Fonque…

As has been mentioned several times recently most of what you’ve been reading here in the last few weeks was – due to necessity – prepared a few weeks in advance so as to facilitate the massive amount of commuting and other life-disrupting activities involved in my wife’s treatment (which, now that I mention it seems to be going well, so let’s keep those fingers crossed).

This weekend has been especially tiring, but the news of the passing of the mighty MCA, Adam Yauch could not be ignored, so as soon as we got home and rolled out of the Funky16Corners-mobile, I rolled into the record vault and got to work.

I have listened to hip hop, first passively (way back in the day) and then as a lightweight consumer with a focus therein on what I would consider dynamic use of sampled material.

You can’t really talk about that aspect of the game without giving props to the Beastie Boys.

Over the years the Beasties have played a big part in piqueing my interest in samples and by association the sounds sampled (why else would I have owned a copy of Alphonse Mouzon’s ‘Funky Snakefoot’) long before I was spinning (or writing about) funk, soul, jazz and rare groove.

Sampling/cut and paste is an art in which it’s not terribly difficult to separate the lazy slobs from the masters, i.e. being able to differentiate from someone who can lift a song wholesale and slap something new on it and someone who can hear a really interesting sound within another piece of music and re-purpose it in a way that makes your ears (and brain) perk up in admiration.

One of the dangers of trainspotting is that the listener runs the risk of getting lost in the component parts, losing sight of the forest for the digitally borrowed trees.

However, secure in the knowledge that good taste is sometimes its own reward, the best samples sound as good (or better) in their original form as they do when placed as a cog in another ‘machine’. Often (not always, obviously) groovy bits of sound are not sui generis, and are traceable back to an equally groovy “whole”, which is the case in the music I bring you today.

I like to think that the first time I had my mind blown by ‘Paul’s Boutique’ or ‘Check Your Head’ my crates (and ears) were deep enough that I recognized some of the coolest stuff, but at the same time I’m honest enough to admit that the ensuing years witnessed my recognition of some of that music for the first time (like the time my man Marshall down in DC dropped Jimmy Smith’s previously unknown – to me – version of ‘I’m Gonna Love You Just a Little Bit More Babe’ and the light bulb went off over my head).

It was in those moments of recognition that new digging targets were registered and I followed them into flea markets, record stores on onto the interwebs.

The cuts I bring you today are examples of some of my favorite Beastie Boys samples (drums, bass and guitar) out of my crates.

Some of them were things I already had, others, like the bass in ‘Big Sur Suite’ and ‘Yo Yo’ or the guitar in ‘Machine Gun’, I picked up first and discovered/recognized the sample(s) after the fact.

What all of them have in common, aside from the fact that they appealed to the Beasties, is that they are all worth listening to in their entirety.

Maybe some of you will be hearing the complete songs for the first time.

I hope you dig them all, and I’ll see you later in the week.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (1)

By Larry, May 4, 2012 1:21 pm

Adam Yauch 1964 – 2012

Listen/Download Beastie Boys – Jimmy James (12″ Instro Mix)
Listen/Download Beastie Boys – Jimmy James (LP Mix)

NOTE: Files fixed…

 
Greetings all.

Well, isn’t this a drag of monumental proportions?

I was just surfing the web this morning when I saw the news that the mighty MCA, Adam Yauch had succumbed to cancer at the age of 47.

Though I reference the world of hip hop in this space often, I have never posted any here, until today.

I own a grip of Beastie Boys stuff on CD but the only vinyl record of theirs is the one you see before you today.

I’m a big fan of sample-based music/turntablism/remix culture, but I really (REALLY) dig it when it’s funky (Jungle Brothers, ATCQ etc) , and it doesn’t get much funkier than ‘Jimmy James’.

With the (multiple) Jimi Hendrix samples (and those Turtles drums) and the various and sundry vinyl manipulations ‘Jimmy James’ rocks the house in a big way.

I’m including the 12″ mix and the LP mix both.

MCA was a righteous dude, musician, humanitarian, husband and father.

He will be missed.

See you on Monday.

Keep the faith

Larry

PS Fuck cancer…

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (2)

By Larry, May 3, 2012 1:25 pm

Joe Bataan (center)

Listen/Download Joe Bataan – Es Tu Cosa (It’s Your Thing)

Greetings all.

The end of another week is upon us, and it behhoves me to remind you that the Funky16Corners Radio Show takes to the airwaves of the interwebs this and very Friday night at 9PM on Viva Radio, followed the next day, posted in MP3 form right here at the blog.

The tune I bring you today is a very groovy, very laid back slice of Latin soul.

I will go ahead and assume that you’re all familiar with the mighty Afro-Filipino singer and bandleader Joe Bataan.

He has appeared in this space a few times in the past (vocally and instrumentally) and is unquestionably one of the kings of the classic era of Latin soul.

Today’s selection is a particularly interesting number as it touches on a few different musical strands (if you will).

‘Es Tu Cosa (It’s Your Thing)’ is (and isn’t) a ‘cover’ of the hugely influential 1969 single by the Isley Brothers.

Though it bears no musical relation to the Isley’s tune (it sounds a lot closer to the laid back groove of Willie Bobo’s ‘Fried Neckbones and Some Home Fries’), it does pretty much quote the lyrics of that song’s chorus.

The lyrics do eventually diverge from the Isley’s tune, and the overall effect suggests an after-hours club in Spanish Harlem, replacing the lively funk of that song with a relaxed soul.

When I first got my hands on this 45 I gave it a fair amount of thought.

As I said before, the Isley Brother’s ‘It’s Your Thing’ was a huge hit in the Spring of 1969, going to #1 R&B and making it to #2 Pop.

It’s influence can be seen not only in the long list of outright covers of the song, but also in the list of homages to it as well, in records that borrow the main riff (like Clarence Wheeler and the Enforcers ‘Doin’ What We Wanna’) or “answer” the OG (like Marva Whitney’s ‘It’s My Thing’).

It’s not out of the question that Bataan felt that the refrain…

It’s your thing, do what you wanna do
I can’t tell you who to sock it to

…had transcended its roots as a lyric and emerging as something much bigger, the kind of statement that would find its way on to t-shirts and spray-painted onto city walls.

Either way, it is a very, very groovy record, perfect for the coming of summer weather.

I hope you dig it and I’ll see you all on Monday.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (2)

By Larry, April 29, 2012 1:21 pm

Miss Shirley Ellis

Listen/Download Shirley Ellis – Soul Time

Greetings all.

It’s that time again, by which I mean time to welcome you to another week here at the Funky16Corners, but also, as Miss Shirley Ellis says in today’s selection, it’s “soul time”.

Now, every single day here at Funky16Corners qualifies in some way as soul time, but with the song I bring you today it is explicitly so.

Shirley Ellis was one of the great female soul voices of the classic era and would be memorable if all she ever did was sing the oft-covered ‘The Nitty Gritty’ (1963), or for that matter ‘The Name Game’ (‘Lincoln Lincoln Bo-Bincoln’ etc) (1964) which is probably the song that most people outside of soul fandom know.

Ellis (born Elliston, the name under which she wrote ‘Soul Time’) had a powerful, soulful voice as well as a talent for writing her own material.

Though she is best known for what might be considered ‘novelty’, she managed to imbue those records with actual soul, so much so that even “those” records (especially ‘The Clapping Song’) still get spun with regularity on dance floors.

‘Soul Time’, from 1967 was her last charting hit, making it into the R&B Top 40 (stalling at #67 Pop)*.

The cut is at least to my ears the apex of her catalog, with a distinct flavor that makes it appeal to the Northern Soul crowd (dig the hooks, the vibes and the horns). ‘Soul Time’ has a rousing, propulsive beat and a brief, but anthemic chorus. It’s not hard to imagine the song pulling the dancers out onto the floor.

Ellis pretty much vanishes from the music scene after 1968, at least as a performer, seemingly content top sit back and watch her hits covered by folks like Gladys Knight, Madeline Bell (a killer cover of this very song), Ricardo Ray, Gary Glitter and much later,  Southern Culture on the Skids.

I hope you dig (and dance to) the tune, and I’ll see you later in the week.

Keep the faith

Larry

*Other than a reappearance of ‘The Clapping Song’ in the UK Top 100 in 1979

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (1)

By Larry, April 26, 2012 11:54 am

Bubbha Thomas and the Lightmen

Listen/Download Fried Chicken – Funky DJ

Greetings all.

The end of another week is upon us, and it behooves me to remind you that the Funky16Corners Radio Show takes to the airwaves of the interwebs this and very Friday night at 9PM on Viva Radio, followed the next day, posted in MP3 form right here at the blog.

The tune I bring you today may (should) sound familiar.

A few years back I posted Earnest Jackson’s 1974 45 ‘Funky Black Man’.

It was in that post that I mentioned that the song had been remade a few years later as ‘Funky DJ’ by a group calling themselves Fried Chicken (who were in fact a pseudonymous Bubbha Thomas and the Lightmen).

Both records were used by DJ Shadow and Cut Chemist in their landmark mixes, ‘Funky Black Man’ in ‘Product Placement’ and ‘Funky DJ’ in ‘Brainfreeze’.

Drummer Bubbha Thomas and the Lightmen (also billed as the Lightmen Plus One) hailed from Houston, TX.

Thomas had studied under Conrad Johnson (later director of the legendary Kashmere Stage Band) and with the Lightmen released two albums ‘Energy Control Center’ in 1972 (the track ‘The Phantom’ was included on the Stones Throw ‘Funky 16 Corners’ compilation) and ‘Country Fried Chicken’.

I’m not sure how Thomas and his band came to cover Jackson’s record, but the results were certainly interesting (especially to anyone interested in sampling the phrase ‘funky dj’).

It was also co-produced by 60s pop star John Fred!

I stand by my initial appraisal, in which I stated that Jackson’s vocals are superior, but both records are certainly cool and worth hearing.

I hope you dig it and I’ll be back on Monday with something groovy.

Keep the faith

Larry

PS This one goes out to all the funky DJs, you know who you are.

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Comments (5)

By Larry, April 22, 2012 1:23 pm

Quartette Tres Bien

Listen/Download Quartette Tres Bien – Boss Tres Bien

Greetings all.

I hope all is well in your end of the universe.

The tune I bring you today is yet another example of why, when you’re out doing the DJ thing you need to keep your ears wide open.

Back in the olden days, when the mighty Asbury Park 45 Sessions crew still walked the earth my man DJ Prestige augmented the Avengers of funk and soul with a stellar slate of guest selectors.

It was in March of 2008 that we were joined by the mighty Dave Withers who came to the decks packing serious heat.

Withers was a formidable selector, not only in the rarity of his 45s but in the diversity and imagination of his selections. I was introduced to at least a half dozen incredibly good tracks during his set, one of which you see before you today.

I had never heard of the Quartette Tres Bien before, but once I heard ‘Boss Trest Bien’ my wig was good and truly flipped.

Quartette Tres Bien got their start playing and recording in their native St Louis, before being picked up for national distribution by Decca in 1964.

‘Boss Tres Bien’ appeared on their debut LP that year, and is a remarkable bit of soul jazz.

The group, led by pianist Jeter Thompson, bassist Richard Simmons, drummer Albert St James and percussionist Percy James (the real key to this particular record) went on to record several albums for Decca through the 60s.

The LP edit of ‘Boss Tres Bien’ (the in-demand 45 edit is about two minutes shorter) starts out with some brilliant interplay between St James and James (dig that crazy bass drum action) trading licks on the traps and the bongos, before the bass and piano join in.

Once things build up a full head of steam a hand-clapping audience pushes the group harder and faster. You have to hang in for when the drummer and bassist start passing the baton back and forth.

It is a thing of wonder, and ought to be much better known.

Now you know it.

Dig it, and I’ll be back later this week.

Keep the faith

Larry

Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.