Category: Soul

Byron Lee and the Dragonaires – Who Done It

By , October 21, 2010 9:31 am

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Byron Lee

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Listen/Download – Byron Lee and the Dragonaires – Who Done It

 

Greetings all.

The end of a very busy week is here, and so is some music.

I have to start things out with the news that after about three and a half years of posts, my other blog, Iron Leg is going on hiatus.

I’ve been thinking about this for a long time, and an increasingly busy schedule and the resulting lack of free time finally forced my hand.

I say hiatus – as opposed to a complete shutdown – because I’d like to get it going again some time in the future, but right now, for my own sanity, and for the quality of the blogs, I’m going to take a break.

Funky16Corners, and the Funky16Corners Radio Show are in no danger and will continue on as scheduled.

That said, make sure to tune in this Friday at 9PM over at Viva Radio for this weeks show, which features a tribute to the late, great Solomon Burke.

I’d also like to say thanks (again) to Sean Rowley on the BBC for giving Funky16Corners props on his Joy of Music radio show. I’ve added him to the blogroll, so make sure you take a listen.

All of that out of the way, let’s get to today’s selection.

Byron Lee and the Dragonaires have been featured in this space a few times in the past.

Lee was a producer and bandleader who recorded in a wide variety of island styles, releasing a huge stack of LPs. Many (most) of these were fairly middle of the road affairs aimed at folks flying into Jamaica for rum drinks and suntans, but every once in a while, Byron and his band hit the nail right on its soulful head.

One such example is the track I bring you today, ‘Who Done It’.

Does the title sound familiar?

If so, then the song itself will ring and even bigger bell, since although it’s credited to Jackie Mittoo (and the spelling of the title has been altered), this is clearly a cover of Monk Higgins and the Specialties 1966 R&B Top 40 hit ‘Who Dun It’ (originally released on Chicago’s St. Lawrence label).

While Mittoo had already covered the song on the Coxsone label (where the song is credited to Coxsone Dodd) it’s entirely possible that Lee was unaware of the song’s origins.

Jamaican music of the 60s and 70s is filled with adaptations of American R&B, soul and funk, some presented as a straight cover version, others altered ever so slightly and yet others providing little more than what might be considered a sample in today’s more technologically advanced world.

Lee’s version of ‘Who Done It’ strips away the saxophone that leads the original and appears on the Mittoo version, putting a chicken scratch guitar and organ in its place.

I have no idea who’s playing the organ on this one. If any of you know, please drop me a line.

The result is a great bit of soulful, ever so slightly funky reggae.

I hope you dig it, and I’ll be back on Monday.

Peace

Larry


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Mary Wells – Can’t You See (You’re Losing Me)

By , October 19, 2010 1:27 pm

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The lovely Miss Mary Wells

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Listen/Download – Mary Wells – Can’t You See (You’re Losing Me)

 

Greetings all.

Once again I’m neck deep in a busy week, but what better time for an invigorating and restorative shot of soul?

Like anyone who tuned into an oldies station in the 1970s (or 80s, 90s or 00s) Motown looms large.

Unfortunately – and I’ve spoken on this issue at length in the past – what you basically get in that format is the same dozen of so songs by the label’s biggest artists, repeated ad infinitum to the point of nausea.

It was just such a situation that turned me off to the wonders of Motown for a long time, until many years later, when the sounds of Northern Soul came into my life.

Though the phrase Northern Soul, used as a descriptive can be unbelievably wide-ranging, were you to approach it from the broadest possible angle, what you’re hearing is musicians and singers, in and out of Detroit making an effort to duplicate the soul sounds coming out of that city, in and out of Motown (and I say in and out because so many Motor City records on other labels were played by the same general group of musicians creating the magic for Berry Gordy).

One of those oft-repeated songs was ‘My Guy’ by Mary Wells. A big hit in the Spring of 1964, that song cemented Mary Wells in the minds of a generation (and beyond).

What a lot of folks don’t know, is that Wells left Motown soon after, and spent the rest of the decade bouncing to 20th Century Fox, Atco and Jubilee, making a few minor dents in the charts but nothing like her time at Motown.

Despite that fact, she continued to make great music, including today’s track, recorded in 1966 for Atco.

I first heard this tune via my man Agent 45, who had picked it up on a mispressed/labeled 45. When I heard ‘Cant’ You See (You’re Losing Me)’ I flipped my wig.

What a fucking stormer!

Not only is the song a bit of Northern Soul genius (that honking baritone sax is the shit!), with a powerful, propulsive dancer’s beat, but the song itself is a killer.

Written by none other than Barrett Strong (another tie back to Motown), and recorded in Chicago with a brilliant arrangement by Sonny Sanders, another former Detroiter who had worked on a number of classics at the Golden World label, ‘Can’t You See (You’re Losing Me)’ is yet another example of a record that should have been a huge hit, yet only finds its reward in the hearts of soulies decades on.

‘Can’t You See (You’re Losing Me)’ has since become a staple of my Northern Soul box, and always brings someone up to the decks to see what’s playing.

Love, love, love this record.

I hope you do too,

Peace

Larry


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General Johnson RIP

By , October 17, 2010 1:56 pm

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General Johnson.

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Listen/Download – Chairmen of the Board – From the Days of Pigtails (and Fairy Tales)

 

Greetings all.

I hope everyone had a stellar weekend.

We got the sad news last week that soul legend General Johnson, who led the Showmen in the early 60s and the Chairmen of the Board later in the decade had passed away at the age of 67.

His career as a singer and songwriter (he wrote ‘Patches’, a huge hit for Clarence Carter, and co-wrote ‘Want Ads’ for the Honey Cone) was long and rewarding, and in addition to their chart success, the Chairmen of the Board became legends on the Beach Music scene in the Carolinas.

The tune I bring you today appeared hear four years ago, after I happened upon it in a mix and was blown away.

It quickly became a fave and I rarely take my DJ box out without it.

I hope you all dig it, and take a moment to remember the great General Johnson.

 

Originally Posted 4/2006

“So, anyway, how’s about some music?

I’ve gone on before about the joy of discovering a great new track, and haven’t been above admitting the instances when I had been unable to see the forest for the trees. This is one such instance. A few weeks ago, via a Myspace friend, Spain’s own Gruyere DJ, I received a link to download his New Years Eve DJ mix.

I did so, and the mix was excellent, featuring a wide variety of rare funk nuggets, as well as a bunch of stuff that was not familiar to me. One such track appeared less than 15 minutes into the mix, and it was a killer. I immediately recued the tune (three of four times), listening to see if I might recognize the singer(s), or if any of the lines might reveal a familiar title.

No such luck.

So, I tried to contact Gruyere DJ to ask him who it was. The Myspace link wouldn’t load. So, I posted a query over at Soulstrut, figuring that one of the learned heads over there would recognize the refrain. Snake eyes…. Then I tried Google-ing the lyrics, only to discover that the main line in the chorus also appeared in a Jackson Five song (this was clearly not the same song, nor was it the Jackson Five). I thought I had reached a dead end.

Then Myspace started working again, and I got a message through to my amigo in Spain. He got back to me in short order, and informed me that the track was ‘Since the Days of Pigtails (and Fairy Tales)’ by the Chairmen of the Board. So I start searching around to see how I an get myself a copy of this funky gem, and lo and behold, it turns out to be residing on the b-side of a huge hit, ‘Give Me Just A Little More Time’. Well, dip me in shit and call me stinky!

Naturally, I found a nice copy for under ten bucks, and had it drop through the mail slot a few short days later. If you’ve heard the song (which I’m sure someone out there does), you’ll already know how smoking hot it is. If you’re as blissfully ignorant as I was, it should come as a very nice surprise indeed.

The Chairmen of the Board was one of the top acts in Holland-Dozier-Holland’s Invictus/Hot wax stable. Formed in 1968, by General Johnson – who had previously been in the Showmen, who’s Beach Music anthem ‘It Will Stand was a hit in 1961 and 1964 (for Minit and Imperial) – Danny Woods and Harrison Kennedy, hit the top ten several times between 1970 and 1973.

‘Since the Days of Pigtails (and Fairy Tales)’ appeared on their 1970 debut LP, and was credited to Ronald Dunbar and Edith Wayne. The Dunbar/Wayne credit, which was also attached to Freda Payne’s ‘Band of Gold’ (among other tunes) was in fact a pseudonym for Holland-Dozier-Holland who were still contractually obligated (as songwriters) to the Motown organization. That LP also featured the original recording of Patches (written by General Johnson) which went on to be a huge hit for Clarence Carter.

While the a-side of the 45, ‘Give Me Just A Little More Time’ is one of the most fondly remembered early 70’s soul classics – which strangely enough did better on the Pop charts (#3) than the R&B charts (#8) – it’s killer flipside is what we’re hear to talk about today.

Starting off with a funky guitars and tambourine, the good General drops in with the first few lines before the congas, and then the drums kick the tune into gear. The first chorus takes things to another level entirely, bolstered by the horn section. The arrangement is clean, mean and delicious, with enough kick to please the funk fans and the dancers, and plenty of hooks for the pop crowd.

Why this didn’t catch on to create one of the great two-sided hits of all time is beyond me. I’d place it up there with ‘Band of Gold’, and Laura Lee’s ‘Crumbs off the Table’ as the absolute best of Invictus/Hot Wax. So the next time you’re prowling garage sales and flea markets, bring along an extra quarter. You’ll be able to get your own copy of this killer. You can thank me then.”

Peace

Larry


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Pete Rodriguez – I Like It Like That (A Mi Me Gusta Asi)

By , October 14, 2010 1:48 pm

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Pete and band, looking el snappy in those blue suits.

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Listen/Download – Pete Rodriguez – I Like It Like That

 

Greetings all.

I have returned.
This week has been a downer, with the passing of Brother Burke, as well as a wide variety of irritants.

The real challenge in life today is to remain positive in the face of a seemingly relentless wave of crap, coming at you either directly or indirectly.

The groovy things is – a ray of sunshine and all – is that once in a great while something manages to tunnel through the shitstorm, steady the ship and deliver a welcome message.

This week that message came in the form of props (for the blog and the radio show) from BBC DJ Sean Rowley and his show the Joy of Music. It’s always a groove when someone steps forward to say that they “get” what’s going on here (as many of you have done in the past, and I say thank you once again). If you get the chance check out Mr. Rowley’s show, either streaming live or via archive. He’s got a very solid musical sensibility (rock, pop and soul).

The tune I bring you today is engineered (and guaranteed) to get you up out of your seat and onto the floor, where you will promptly forget (as I have) whatever it is that is presently afflicting you, bringing elation and opening the gate onto a weekend you can be proud of.

I have gone on record many times about my deep and abiding love for Latin soul, especially funk and boogaloo, and today’s selection is a stellar example of the latter.

The only reason I didn’t bring it to you sooner was the fact that my copy is – how do they say – a little crackly (crackley??) and I needed to apply my limited technical skills to the task of reducing the extraneous noise before I posted it. I cannot say that I was 100% successful, but this record is so powerful, so joyous and so boogaloo-tastic (Boricua-delic???), that I think you will soon forget the Rice Krispie-esque emanations and step to it.

The tune in question is brought to you by Pete Rodriguez, and is entitled ‘I Like It Like That (a Mi Me Gusta Asi)’ and is as solid a slice of Spanish Harlem party starter as has ever been committed to wax.

The tune was written by Manny Rodriguez and Pete’s trumpeter Tony Pabon and released on the 1967 LP of the same name.

If the tune sounds at all familiar it’s because a 1994 reworking of the song by the Blackout All Stars, which was then used in an ad campaign by Burger King. Sadly, the King and his minions have never produced anything as delicious or caliente as this number.

I hope you dig it, and I’ll be back on Monday.

But first….In other interesting, Funky16Corners-related news, don’t forget to tune in to this week’s Funky16Corners Radio Show, Friday night at 9PM at Viva Radio. If you dig what’s happening here, you’ll probably like what it does to your ears.

Peace

Larry


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PS Head over to Iron Leg for some proto-powerpop

Everybody’s Got Something To Hide (When they turn 70…)

By , October 9, 2010 12:49 pm

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John…

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and Antoine…

Listen/Download – Fats Domino – Everybody’s Got Something To Hide Except Me and My Monkey

 

Greetings all.

This is a previously unplanned post, but that’s just the way we roll here, since one must allow themselves to be guided by inspirado, or something like that.

This weekend marks what would have been the 70th birthday of John Lennon.

I have gone into my deep and abiding love for the Beatles in this space before (and over at Iron Leg), but something I haven’t discussed is my growing ambivalence about Mr. Lennon.

I would not have discussed it at all were I not spurred on to introspection about this specific subject by various and sundry celebrations of the aforementioned occasion in every conceivable nook and cranny of the media, but especially the postings of my many Facebook friends, many of whom have exceptional taste in music.

The Beatles were the first music that I truly loved and connected with, and for a few years in the time when I was passing from childhood into adolescence they were pretty much all I listened to with any regularity (other than the jazz and classical music that was played by my father).

The walls of my room were plastered with clippings about the Beatles that I had collected from newspapers and magazines, as well as posters and ephemera like the inserts from the ‘Sgt Peppers Lonely Hearts Club Band’ album.

This is all said only to indicate that the Beatles – as musicians, cultural avatars and people – and the music they made meant, and mean a great deal to me.

However, over the many, many years (I turned 48 this year) I have read a great deal about them, their impact on the culture and the way they created their records, and my impressions of the four Beatles have evolved considerably for a wide variety of reasons.

Back when I was younger, obsessed with rock’n’roll and with all the signifiers of “authenticity” that go along with it when you’re young and full of a wide variety of things, from beans, to piss and vinegar, and what in retrospect – if you’re being honest – something that is clearly shit, I followed the script that said that McCartney was the sellout, Lennon the rebel, Ringo the good natured post-Fabs hitmaker and Harrison the incorruptible mystic.

This had a lot to do with my brain being young, soft and unable (or unwilling) to process anything more complex than a handful of cliches.

That said, as I aged, and read more, I came to understand that the Beatles were much more complex and human that I was willing to allow them to be when I first fell in love with them and the wondrous sounds that they made.

Unfortunately, this evolution softened my appraisal of McCartney (no mean feat) and poked a number of holes in how I saw Lennon.

I’ll let you read up on your own, but I came to the end of this long reappraisal not liking John Lennon all that much.

What I’ve come to discover over the last few weeks of thought and discussion is that this is ultimately my own problem, and should be rightfully separated from his music.

That and the fact that while he wasn’t a saint, he wasn’t a complete asshole either.

John Lennon was a human being, just like the rest of us.

A prodigiously talented (and flawed) human being, but a human being nonetheless, who was never comfortable with the idolatry of many of his fans, and at the end of the day, he was also a Beatle, and responsible for some of the finest music of the last half of the previous century.

And when I say music, I don’t mean the Beatles recordings exclusively, but also their songs as interpreted by others.

Funky16Corners, while always a kind of free-flowing deal – as far as musical style goes – has always found it’s way back to a focus on funk, soul and jazz, and it was by way of that short list that I’ve paid my own sort of tribute to the Beatles and their music over the last five years.

I did so by compiling six mixes (se below) of funk, soul and jazz Beatles covers (one’s a shorter one, but I like it anyway), all of which I’ve pulled out of the Podcast Archive to repost today.

I’ve also included a cover of ‘Everybody’s Got Something To Hide Except Me and My Monkey’ that I picked up after all of these mixes were assembled.

The version here is by the mighty Fats Domino. It was recorded in 1970 (I picked it up on an old Warner/Reprise sampler) and John Lennon was reportedly pleased to have one of his songs covered by one of his own idols.

Fats does a very nice version of the song, which is groovy, and brings things full circle since he was the stylistic inspiration for ‘Lady Madonna’.

I hope you dig it, and that – have you not already partaken (partooken???) that you dig into these mixes.

The day when Lennon would have turned 70 (!?!?) is a big deal, and since we only have two Beatles left, it’s worth celebrating.

There’s lots of groovy stuff.

See you later.

Peace

Larry

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Funky16Corners Radio v.28 – Rubber Souled Pt1

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Funky16Corners Radio v.28 – Rubber Souled Pt1

Playlist
Billy Preston – Eight Days a Week (Exodus)
Music Company – TheWord (Mirwood)
Bunny Sigler – Yesterday (Parkway)
Stevie Wonder – We Can Work It Out (Tamla)
Vontastics – Day Tripper (St Lawrence)
Chris Clark – Got To Get You Into My Life (Motown)
El Chicano – Eleanor Rigby (Kapp)
Junior Parker – Tomorrow Never Knows (Capitol)
Bill Cosby – Sgt Peppers Lonely Hearts Club Band (WB)
Soulful Strings – Within You Without You (Cadet)
Bud Shank – I Am the Walrus (World Pacific)
Soulful Strings – Hello Goodbye (Cadet)
Soulful Strings – The Inner Light (Cadet)

Listen/ Download 37MB Mixed MP3
Download 37MB Zip File

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Funky16Corners Radio v.29 – Rubber Souled Pt2

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Playlist
Ramsey Lewis – Mother Natures Son (Cadet)
Bobby Bryant – Happiness Is a Warm Gun (Pacific Jazz)
Orchestra Harlow – Larry’s Complaint (Me & My Monkey) (Fania)
Ramsey Lewis – Back In the USSR (Cadet)
Chubby Checker – Back In the USSR (Buddah)
Groove Holmes & Ernie Watts – Come Together (Pacific Jazz)
Jazz Crusaders – Golden Slumbers (Chisa)
Gene Ammons – Something (Prestige)
Ike & Tina Turner – Get Back (UA)
Shirley Scott – Get Back (Atlantic)
Mohawks – Let It Be (Supreme)

Listen/ Download 37.5MB Mixed MP3
Download 37.5MB Zip File

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Funky16Corners Radio v.30 – Rubber Souled Pt3

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Playlist
Overton Berry Trio – Hey Jude (Jaro)
Freddy McCoy – Hey Jude (Cobblestone)
Jimmy Caravan – Hey Jude (Vault)
Clarence Wheeler & the Enforcers – Hey Jude (Atlantic)
Fabulous Counts – Hey Jude (Cotillion)
Wilson Pickett – Hey Jude (Atlantic)

Listen/ Download 25MB Mixed MP3
Download 25MB Zip File

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Funky16Corners Radio v.54 – Come Together

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Funky16Corners Radio v.54 – Come Together

Playlist

Dionne Warwick – We Can Work It Out (Scepter)
Jackie Wilson – Eleanor Rigby (Brunswick)
Don Randi Trio – Taxman (Reprise)
Count Basie Orchestra – Come Together (Happy Tiger)
Jimmy Caravan – A Day In the Life (Tower)
Gabor Szabo – Lucy In the Sky With Diamonds (Impulse)
Ella Fitzgerald – Hey Jude (MPS/Prestige)
Bobby Bryant – While My Guitar Gently Weeps (World Pacific Jazz)
Don Randi Trio – Tomorrow Never Knows (Reprise)
Dionne Warwick – A Hard Days Night (Scepter)
Cal Tjader – Lady Madonna (Skye)
Jimmy Caravan – Eleanor Rigby (Tower)
Freddy McCoy – I Am a Walrus (Prestige)
Gary McFarland – Because (Skye)
Don Randi Trio – She Said She Said (Reprise)
Shirley Scott – Let It Be (Atlantic)
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Funky16Corners Radio v.74 – Day Tripping

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Playlist

Lee Moses – Day Tripper (Musicor)
Booker T & the MGs – Lady Madonna (Stax)
Natural Gas – Eleanor Rigby (Firebird)
Memphis Soul Band – Get Back (Minit)
JJ Barnes – Day Tripper (Ric-Tic)
JEJ Ensemble – Sgt Pepper Medley (JEJ)
Jay Jackson and the Heads of Our Time – With a Little Help From My Friends (Mr G)
Pat Williams – Hey Jude (Verve)
Dobby Dobson – Carry That Weight (Jaguar)
Ramsey Lewis – Sexy Sadie (Cadet)
Supremes – Come Together (Motown)
Verona High School Jazz Ensemble – Let It Be (private press)
Mongo Santamaria – Day Tripper (Columbia)
Ramsey Lewis – Everybody’s Got Something To Hide Except for Me and My Monkey (Cadet)
Doc Severinson – Abbey Road Medley (Command)
Gap Mangione – The End (Mercury)


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Funky16Corners Radio v.75 – Golden Slumbers

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Playlist

Overton Berry Trio – And I Love Her (Jaro)
Gary McFarland – Here There and Everywhere (Skye)
Vince Guaraldi – Eleanor Rigby (WB)
Bola Sete – Golden Slumbers (Paramount)
Ray Charles – Yesterday (TRC)
Shirley Scott – Because (Atlantic)
Brian Auger & the Trinity – A Day In the Life (Atco)
The Pair Extraordinaire – And I Love Her (Liberty)
Lonnie Smith – Eleanor Rigby (Blue Note)
David ‘Fathead’ Newman – Yesterday (Atlantic)
Stan Getz – Because (MGM)
Frank Wess – The Fool On the Hill (Enterprise)


Richard Marks – Funky Four Corners (instrumental)

By , October 7, 2010 5:11 pm

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Richard Marks

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Listen/Download – Richard Marks – Funky Four Corners (inst)

 

Greetings all.

I’m back, but I wouldn’t swear that I’m all there, if you know what I mean.

I make reference in this space repeatedly to the storied “real world moves” and I’m not kidding. In addition to the recent health-related stuff (things are cool, but I’m taking a little time to bounce back) we’ve had a full slate of responsibilities here in the Funky16Corners compound, which are on the cusp of a shift, which, if not resulting in a net gain of free time, will at least preclude a loss thereof.

That said, I’m whipped right now (physically, not philosophically), so I’m going to keep it relatively brief.

First off, I have one of my Marvin sets from the DC trip recorded and ready to go, bit it’s been so mix-heavy here lately I figured I’d drop some individual tracks and bring that mix into the lineup in the next few weeks.

I’m also working on a special election mix. I was pulling records for it this morning, but I still have a little theoretical/curatorial cooking to do, and there’s still four weeks until the rise of the cranks, so just know that it’ll be here sooner or later.

There’s also a brand new edition of the Funky16Corners Radio Show this week (I made sure to whip it up before all the recent excitement), so you’ll want to set aside an hour this Friday to dig it (though you can always fall by the blog on Saturday and pull down the ones and zeros for your personal listening device).

The track I bring you today is one of my DC finds, and it was a groovy one indeed.

I already knew Richard Marks’ ‘Funky Four Corners Pt1’ via a comp (it appeared here in the ‘Getting the Corners’ mix) but I hadn’t scored a copy of the 45 until my trip to Washington.

When I got the 45 and gave it a spin, I was very pleased to discover that ‘Funky Four Corners Pt2’ was no run of the mill ‘second half of a funk 45’ but rather a very cool version of the tune as guitar instrumental (a la Lowell Fulsom’s ‘Tramp’/’Pico’ pairing).

According to my man Brian Poust over at the Georgia Soul blog, Marks was an Atlanta-based guitarist, which naturally makes me think that it’s him plucking the funky git-box on FFC2.

I love the production, and the reverb and fat tone of the lead guitar on this one, so much so that I think were I to slip it into my record box, I’d be happy playing either side of this one for a room full of dancers.

I hope you dig it too, and that you all have a groovy weekend.

I’m gonna go get some snoozeration….

Peace

Larry


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PS Head over to Iron Leg for some proto-powerpop

F16C Soul Club Presents: Two Sets from the Hip Drop

By , October 3, 2010 2:15 pm

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Tarik Thornton Hip Drop Set List

Willie Tee- Gatur Bait (Gatur)
Eula Cooper- Shake Daddy Shake (Atlantic)
The Vibrettes – The Humpty Dump (Lujon)
Soul Tornados- Hot Pants Breakdown (Magic City)
Leon Haywood- Skate Awhile (Fat Fish)
Bobby Williams – Funky SuperFly ( Duplex) Original Pressing
Eddie Jacobs- Pull My Coat (Columbia)
Bernard Drake- The Natural Thing (Louisiane)
Charles Mintz –Give a Man Break (Abbott)
Gloria Walker & The Chevelles – You Hit The Spot (Flaming Arrow)
Danny DeLaney- Stop & Think (Seeda)
Richard Marks – Funky Four Corners (Roulette) French Import
Rocker Roberts – T- Bird Stomp ( Roulette)
Soul Setters – Out O Sight (Onacrest)
Gene Waiters – Shake and Shingaling Pt. 1 (Fairmount)

You can check out this mix in the Funky16Corners Soul Club Archive

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Tarik Thornton on the decks….

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Justin ‘Rambo’ Salinas
Sunny and the Sunliners-Talk That Trash (Key-Loc)
Rocky Gil and the Bishops- Soul Party (Teardrop)
Sunny and the Sunliners-If I could See You Now (Key-Loc)
The Majestics- I Love Her So Much It Hurts (Linda)
Dimas and The Royal Jesters-So Funny (Clown)
The Royal Jesters- Use Your Head (Jester)
Thee Midnighters – Whittier Blvd. (Whittier)
Sunny and the Sunliners-Somethings Gotta Hold on Me (Teardrop)
The Eptones-A Love That’s Real (Jox)
The Commands-Hey Its Love (Dynamic)
Thee Midnighters- Chicano Power (La Raza)
Sunny and the Sunliners- Saving My Love (Key-Loc)

You can check out this mix in the Funky16Corners Soul Club Archive

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Justin ‘Rambo’ Salinas and Joe Cristando

 


Greetings all.

I hope you’re all well.

I have returned from DC laden with vinyl and tired as a mofo.

I’m this close to a full restoration of energy and enthusiasm, but I’m gonna rest a little bit more while you all get down.

Of what do I speak?

Well, I have a very special treat for you all to get your week started.
A little while back my man Tarik Thornton let me know that he was going to be spinning a set in New Orleans at the Ponderosa Stomp pre-party known as the Hip Drop. Naturally I asked him if he’d be recording it, so that I might place it up here on the blog for the delectation of the reader/listener-ship.

Naturally he gave me the okeydoke, in addition to getting Mr. Justin ‘Rambo’ Salinas (of the famed Hot Pants party in Minneapolis) – who was also spinning at the party – to contribute his set as well.

What does this mean to you?

Well, you get to wrap your ears around two superb sets of funk and soul by two of the country’s finest selectors, with Tarik bringing a regionally diverse set of heat, and Justin dropping a very nice set of Chicano soul and funk bouncing from Texas to East LA and back again (that Intruders cover by the Eptones is amazing!).

Very groovy indeed!

And now, a few words from Tarik about the experience.

“Hip Drop is the opening party for the Ponderosa Stomp. This 45 all-nighter hosts 10 DJs from all around the world. This year Justin Salinas along with myself were invited to participate in the festivities. Justin, who is a member of the Hot Pants Crew of Minneapolis, flew into New Orleans with only backpack and a 45 case ready for action. As for myself,a New Orleans native, this was a homecoming of sorts. I haven’t lived in the city for almost 10yrs so this weekend was very welcoming and adownright funky experience. As you can tell from both of our sets the night was hot and heavy as all the invited DJs brought in their best arsenal of 45’s. Throughout the madness of the weekend, I managed to dig up an old Mini Disc player to record both of our sets live! The end result is a something only fit for place called The Funky 16 Corners. Enjoy!”

– Tarik Thornton

I hope you dig the sounds, and I’ll be back later in the week.

Peace

Larry


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PS Head over to Iron Leg for some Dutch sunshine pop.

Funky16Corners Radio v.88 – Throbbing Organs

By , September 26, 2010 5:46 pm

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Funky16Corners Radio v.88 – Throbbing Organs

Playlist

Booker T & the MGs – Plum Nellie (Stax)
Mark 3 Trio – Mr O (Downhill)
Louis Chachere – Shout Down (Central)
Robert Graham Organ Trio – Co Petiete (Amark)
Mohawks – Baby Hold On Pt2 (Cotillion)
Dave Lewis – Mmm Mmm Mmm (Panorama)
Soul Finders – Dead End Street (Camden)
Mad Hatters – Soul Sister (20th Cent)
Spencer Davis Group – Trampoline (Fontana)
Warm Excursion – Hang Up Pt2 (Pzazz)
Dave Baby Cortez – Hurricane (Clock)
Clarence Nelson – Good Times (MGM)
Freddie Scott & the Seven Steps – It’s Not Unusual (Marlin)
Gene Ludwig – Mr Fink Pt1 (La Vere)
Odell Brown – Sign of the Ram (Cadet)
Roger Coulam – Time Is Tight (Contour)
Toussaint McCall – Mary (Dore)
Rhoda Scott Trio – Watermelon Man (Tru Sound)
Hollis Floyd – Black Poncho Is Coming (Silloh)
 

 

 

 

You can check out this mix in the Funky16Corners Radio Podcast Archive


Greetings all.

This is being prepared in advance of my excursion to Washington, so any reporting on that trip will have to wait until later in the week.

Hopefully it was a gas and I found lots of groovy records.

That said, it’s been a while since the last organ mix (a live mix, back in January), and I can’t go very long without a Hammond infusion, so I figured it was time.

This mix is all over the map, with some hard driving R&B, soul, funk and even a little bit of soul jazz, but since we’re talking about the universe of the Hammond organ, that’s kind of how these things swing.

A couple of these tracks have seen the light of day here on Funky16Corners individually (none recently), but since two slices of bacon is always better than one, and organ records are the soulful and delicious equivalent of bacon in the musical food pyramid, it couldn’t possibly hurt to hear them again.

Anyhoo… this week might be a little light, since I’m one hundred and eleventy seven percent that I will be returning from DC exhausted, and then I have a little surgical type thingy on Tuesday which is sure to knock me on my ass for a few days, but it’s one of those ‘gotta do it when you gotta do it’ deals, so there.

I hope you dig the mix, and I’m sure I’ll make it back onto the scene by the end of the week (if not sooner).

Peace

Larry

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PPS – Make sure to fall by Iron Leg for a new psyche mix!

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Jimmy Smith – The Cat

By , September 23, 2010 3:33 pm

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Jimmy Smith

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Listen/Download – Jimmy Smith – The Cat

 

Greetings all.

I have so much stuff to do this weekend that I was going to forgo the regularly scheduled Friday post, but thought it might be a good idea to touch base with you all about the goings on here in Funky16Cornersville that I changed my mind.

First and foremost, I’ll be traveling down to Washington, DC this weekend with my records for a couple of DJ-type extravaganzas.

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Saturday night I’ll be sharing the decks with my man DJ Birdman at Marvin (2007 14th Street, NW), and while we’re likely to get started on the mellower side of things, you know that as soon as the little hand starts pointing up the place will be banging, so if you dig delicious food, Belgian beer and the best in funk, soul and disco, you should fall by and join us.

The following day I’ll be doing a set at the DC Record Fair, and naturally also buying some records. I expect I’ll be running into all manner of interwebs friends, so stop by and say hi if you’re there.

Of course if you’re about on Friday night, say around 9PM you should head over to Viva internet radio for the Funky16Corners Radio Show for an hour of the best funk, soul, jazz and rare groove, all from original vinyl sources. The show will be then be archived (as an MP3) for download.

The track I bring you today is one of the truly great things that Jimmy Smith recorded during the 60s (maybe his best).

‘The Cat’ is a stunner, and that my friends is all I going to (or have time to) say this fine day (aside from the following bit of hyperbole…or is it???). It smokes from start to finish and is the bad-assiest of all the bad-ass, bad-assery ever committed via the intercession of Mr. Hammond’s mighty electric organ-o-phone.

Dig it, and I’ll be back on Monday with a whole new mix of Hammond organ goodness.

Have yourselves a great weekend.

Peace

Larry


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PS Head over to Iron Leg for some puh-sike-a-dellia….

F16C Soul Club: Funky16Corners Live at Master Groove 9/19/10

By , September 21, 2010 10:15 am

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F16C Soul Club Presents – Funky16Corners Live at Master Groove 9/19/10

Playlist

Coasters – Soul Pad (Date) * JBs – Gimme Some More (People) * Nina Simone – Save Me (RCA) * Magictones – Good Old Music (Westbound) * Gate Wesley & Band with Billy LaMont – Do the Thing (Atlantic) * King Curtis – Memphis Soul Stew (Atco) * Lyn Collins – Give It Up or Turnit a Loose (People) * Popcorn Wylie – Funky Rubber Band (Soul) * Impressions – Mighty Mighty Spade & Whitey (Curtom) * Reggie Milner – Soul Machine (Volt) * The Touch – Pick & Shovel (LeCasver) * Bobo Mr Soul – H.L.I.C. (Ovide) * Ace Cannon – Drunk (Hi) * Blue Notes – Hot Thrills & Cold Chills (UNI) * Eddie Bo – Hook & Sling Pt 1 (Scram) * Linda Lyndell – What a Man (Volt) * Creative Funk – Funk Power (Creative Funk) * Royalettes – River of Tears (Roulette) * Bobby Freeman – Do You Wanna Dance 1970 (Double Shot) * Mickey and the Soul Generation – Football (Maxwell) * Pat Rhoden – Boogie On Reggae Woman (Horse) *

 

 

 

 

 

You can check out this mix in the Funky16Corners Soul Club Archive

Greetings all.

The middle of the week, and I’m up to my ass in hungry alligators, with the real world crap and preparing for my excursion to our nation’s capitol, during which I will address congress on my solutions to all the big problems currently driving us crazy (or at least those members of congress willing to come down to Marvin on Saturday night, or the DC Record Fair on Sunday and extract said solutions from within the grooves of various funk, soul and disco records).

Since I am so occupied, I figured I’d whip out my massive custodian’s key ring and open up the Funky16Corners Soul Club so that you might check out my set from this past Sunday night at Master Groove.

DJ Bluewater has things back up and running at Fat Buddha (formerly Forbidden City, same place, same great food, but now with a swanky DJ booth for the likes of me to spin the records) with the mighty M-Fasis at his side and a stellar line up of guest selectors and their 45s every Sunday night (212 Ave A NYC). You should fall by some time, grab a pork bun, dumpling or other delicious morsel and fill your ears up with the good stuff.

This set includes some old faves, a grip of newer stuff that will soon be appearing in this space with the trenchant analysis you’ve come to know and love, and a couple of things from deep in the crates.

There are a couple of inelegant segues, but that’s the way it happens when your DJ is checking his phone when he ought to be hovering over the mixer. As always we present these unvarnished turntable exercises in the form a single MP3, without the zip file that accompanies the regular Funky16Corners mixes.

I hope you dig it, and hopefully I’ll be back on Friday with a little something to hold you for the weekend.

Peace

Larry

Example

Check out the Funky16Corners Store at Cafe Press

 

PPS – Make sure to fall by Iron Leg

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Two by the Masqueraders

By , September 19, 2010 2:57 pm

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The Masqueraders

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Listen/Download – Masqueraders – I Don’t Want Nobody To Lead Me On

Listen/Download – Masqueraders – Love Peace and Understanding

 

Greetings all.

This is going to be a very busy week, with the real world moves mixed in with DJ gigs on Sunday in NYC (past) and next Sat and Sun in DC.

However, your intrepid blogger will not be stayed from the swift completion of his appointed rounds,
The two tunes I bring you today are by one of the more interesting soul groups that I’ve come across.
I first came to the Masqueraders in a rather roundabout way, after discovering that one of my favorite tunes on the Dynamics ‘First Landing’ album was in fact a cover of a Masqueraders tune.

This sent me a-Googling, and I discovered that the Masqueraders were the very definition of a journeyman soul group, having recorded for a wide variety of labels (under a few names) between the late 50s and the mid-70s, never having made a significant impact despite some very high quality records.

Finding out about the group via the Dynamics connection, I set out in search of their 45s, keeping their name filed in the back of my mind.

The basic framework of their story follows them from Texas, to Detroit, and then on to Memphis where they recorded a big chunk of their best stuff alongside the legendary Chips Moman and Tommy Cogbill (for a detailed look at their history check out these articles at The B-Side, Solid Hit Soul and SoulExpress).
Both of today’s tunes were recorded during their late-60s Memphis period, and were both written by the group.

‘I Don’t Want Nobody To Lead Me On’ (from 1967) was the Masqueraders tune I heard performed by the Dynamics. The tune was also covered by Rosey Grier (who also recorded for AGP) and a group called the Gentlemen Four. It’s a great piece of rough harmony soul, with some great guitar work. The Masqueraders’ version is (at least to my ears) far superior to the Dynamics (excellent) cover (I haven’t heard the other two versions).

1969’s ‘Love Peace and Understanding’ is a fantastic, upbeat number with era-specific lyrics that reinforces the group’s songwriting cred. Like ‘I’Don’t Want Nobody…’ it sounds like a rougher, groovier take on the Detroit group sound of the time, like a funkier, more aggressive Four Tops.

The Masqueraders hit the R&B charts a few times in the 60s, and again with a later version of the group in the 80s.

Many of their best 60s and 70s records are included in the comp ‘The Masqueraders Unmasked’.

I hope you dig the tunes and I’ll be back on Wednesday.

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Don’t forget, I’ll be heading down to Washington, DC for a weekend of fun. Saturday evening 9/25 I will be spinning at Marvin with my man DJ Birdman, bringing the finest in funk, soul and disco to perk up your ears and move your feet. The following day I will be spinning a set at the DC Record Fair. Fall by and say howdy if you’re in the area.

Peace

Larry


Example


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PS Head over to Iron Leg for some pop-psyche goodness.

Andre Williams – Cadillac Jack

By , September 16, 2010 7:45 am

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Andre Williams

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Listen/Download – Andre Williams – Cadillac Jack

 

Greetings all.

The end of the week is here, and I am happy to say that the Funky16Corners obit page is closed (for now).
Losing both Diamond Joe and King Coleman in the same week was a colossal drag, so I figured I close things out with something a little, how do they say, bad-ass.

But first, some news.

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Should you be in New York City this Sunday evening and have developed a taste for the funk 45s, might I suggest you fall by Fat Buddha (formerly known as Forbidden City) 212 Ave A as I and my records will be making our return to Master Groove alongside residents DJ Bluewater and M-Fasis. I’ll be spending the next few days rifling through my crates to select only the finest funk that can be delivered via seven-inch platter, and I hope you can make it out to hear some of them, and perhaps, should the spirit take you, get off your ass and shake a tailfeather.

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In even more exciting news, my records and I will be piling into the Funky16Corners-mobile and heading down to Washington, DC for a weekend of fun. Saturday evening 9/25 I will be spinning at Marvin with my man DJ Birdman, bringing the finest in funk, soul and disco to perk up your ears and move your feet. The following day I will be spinning a set at the DC Record Fair, as well as spending money on records (who among you didn’t see that coming?), after which I will be dragging my exhausted ass back to New Jersey.

You should also be hip (if you aren’t already) to the Funky16Corners Radio Show which drops every Friday night at 9PM on Viva internet radio, and is then archived for download (as an MP3) at this very blog the following day. I have lots of groovy stuff in store, so you should be real nice and feed your iPod something healthy.

As I said a few graphs ago, I was in the mood for some funky bad-assery, so I dipped into the crates and whipped out a little number by Mr. Andre Williams.

I won’t go too deep into his history, which is long and convoluted, aside from letting you know that Mr. Williams, working in Detroit and Chicago had a hand in creating many, many great records during his day, including writing or co-writing tunes like ‘Shake a Tail Feather’ and ‘Twine Time’, and burning up the studios with his own brand of groove grease with tunes like ‘Bacon Fat’, ‘Jail Bait’, ‘Loose Juice’, ‘Rib Tips’ etc, and working behind the scenes on records like ‘Uhuru (African Twist)’ by Jomo and ‘Pig Snoots’ by the Natural Bridge Bunch. During the 50s and 6os he recorded for labels like Fortune, Avin, Sport, Ric-Tic, Checker, Chess Wingate and many more.

The tune I bring you today (from 1968) is a tale of a very heavy cat named ‘Cadillac Jack’ which is sung (narrated?) by Andre who gambles, fights and (of course) drives a big white Caddy, until he meets his end at the barrel of a gun, eventually trading his own Caddy for the long, black one from the funeral home.

As Mr Williams says, ‘He sure was a mack!’.

So was Andre, and despite hitting some very hard times a while back, he made a comeback and is still performing.

I hope you dig the tune, and I’ll be back on Monday.

Peace

Larry


Example


Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some pop-psyche goodness.

 

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