Category: Latin Soul

F16 Rewind Pt3 – Honey Trippin’

By , August 23, 2012 4:31 pm

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Funky16Corners – Honey Trippin’
BT Express – Express (Scepter)
Louie Ramirez – Do It Any Way You Wanna (Cotique)
Cymande – Anthracite (Janus)
Virtue Orchestra – High Horse IV (Virtue)
Mystic Moods – Honey Trippin’ (Soundbird)
KC and the Sunshine Band – Let It Go (TK)
Instant Funk – Philly Jump (TSOP)
Jay Berliner – Getting the Message (Mainstream)
Love Child’s Afro Cuban Blues Band – Love and Death in G and A (Roulette)
Gene Faith – Lowdown Melody (Virtue)
Doc Severinson – Soul Makossa (RCA)
Soul Searchers – Boogie Up the Nation Pt2 (Polydor)
Philly Sound – Waitin’ For the Rain (Phil LA of Soul)
Mongo Santamaria – What You Don’t Know (Vaya)
Philadelphia Society – 100 South of Broad Street (American)
Larry Page Orchestra – Erotic Soul (London)
Roy Ayers Ubiquity – Virgo Red (Polydor)
Barrett Strong – Stand Up and Cheer For the Preacher (INST) (Epic)

Listen/Download -Funky16Corners Rewind: Honey Trippin’ – 110MB Mixed Mp3

Greetings all.

It’s time for the final installment in Funky16Corners Rewind week.

But first, I should remind you that this (and every) Friday night at 9PM, the Funky16Corners Radio Show takes to the airwaves of the interwebs on Viva Radio. If you can’t hang at broadcast time, you can always subscribe to the show as a podcast in iTunes, where the weekly episode will pop up on Saturday, or grab a download here at the blog.

The final rewind mix this week is another personal fave of mine.

‘Honey Trippin’ is an hour of disco, disco funk, funky disco and all permutations thereof.

There are some old, familiar faces, some more obscure selections, and hopefully a couple of surprising left turns.

I hope you dig it, thank you for your indulgence in this week of recycling, and I’ll see you all on Monday.

 

Keep the faith

Larry

 

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Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Joe Bataan – Es Tu Cosa (It’s Your Thing)

By , May 3, 2012 1:25 pm

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Joe Bataan (center)
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Listen/Download Joe Bataan – Es Tu Cosa (It’s Your Thing)

Greetings all.

The end of another week is upon us, and it behhoves me to remind you that the Funky16Corners Radio Show takes to the airwaves of the interwebs this and very Friday night at 9PM on Viva Radio, followed the next day, posted in MP3 form right here at the blog.

The tune I bring you today is a very groovy, very laid back slice of Latin soul.

I will go ahead and assume that you’re all familiar with the mighty Afro-Filipino singer and bandleader Joe Bataan.

He has appeared in this space a few times in the past (vocally and instrumentally) and is unquestionably one of the kings of the classic era of Latin soul.

Today’s selection is a particularly interesting number as it touches on a few different musical strands (if you will).

‘Es Tu Cosa (It’s Your Thing)’ is (and isn’t) a ‘cover’ of the hugely influential 1969 single by the Isley Brothers.

Though it bears no musical relation to the Isley’s tune (it sounds a lot closer to the laid back groove of Willie Bobo’s ‘Fried Neckbones and Some Home Fries’), it does pretty much quote the lyrics of that song’s chorus.

The lyrics do eventually diverge from the Isley’s tune, and the overall effect suggests an after-hours club in Spanish Harlem, replacing the lively funk of that song with a relaxed soul.

When I first got my hands on this 45 I gave it a fair amount of thought.

As I said before, the Isley Brother’s ‘It’s Your Thing’ was a huge hit in the Spring of 1969, going to #1 R&B and making it to #2 Pop.

It’s influence can be seen not only in the long list of outright covers of the song, but also in the list of homages to it as well, in records that borrow the main riff (like Clarence Wheeler and the Enforcers ‘Doin’ What We Wanna’) or “answer” the OG (like Marva Whitney’s ‘It’s My Thing’).

It’s not out of the question that Bataan felt that the refrain…

It’s your thing, do what you wanna do
I can’t tell you who to sock it to

…had transcended its roots as a lyric and emerging as something much bigger, the kind of statement that would find its way on to t-shirts and spray-painted onto city walls.

Either way, it is a very, very groovy record, perfect for the coming of summer weather.

I hope you dig it and I’ll see you all on Monday.

Keep the faith

Larry

 

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Also, make sure that you check out the links below to the Be The Match Foundation and POAC (click on the logos for more info).

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If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

Jimmy Sabater 1936 – 2012

By , February 9, 2012 1:17 pm

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Jimmy Sabater

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Listen/Download -Joe Cuba Sextet – El Pito (I’ll Never Go Back To Georgia)
Listen/Download -Joe Cuba Sextet – Que Son Uno
Listen/Download -Odell Brown and the Organizers – Que Son Uno

Greetings all.

Welcome to the end of another funky week here at the Corners Sixteen.

I hope you’ve all weathered the work week well, or at least well enough to get some enjoyment out of the weekend.

I should take a moment to remind you that the Funky16Corners Radio Show drops Friday night at 9PM on Viva Radio, followed of course by the MP3 version thereof, posted right here at the blog over the weekend.

I had something else planned for today, but then I heard of the passing of the great Jimmy Sabater.

Sabater, one of the great Nuyorican movers of the boogaloo era (and beyond) was a timbalero, singer and composer who first met Joe Cuba (then Gilberto Calderon) during a stickball game on the streets of Spanish Harlem in the early 50s.

The Joe Cuba Sextet had their first crossover hit in 1966 with ‘El Pito (I’ll Never Go Back To Georgia)’ and then into the R&B Top 20 and the Pop Hot 100 later that same year with ‘Bang Bang, a million seller and one of the cornerstones of the boogaloo movement’.

Sabater was a key member of the Sextet, writing or co-writing (see Odub’s excellent post at Soul Sides for some info on Cuba taking undeserved writing credit on ‘Bang Bang’) some of their finest records (eight of the eleven tracks on the album above).

The two tracks I bring you today are the aforementioned ‘El Pito’ and ‘Que Son Uno’, both co-written by Sabater.

‘El Pito’ is one of the breat Latin soul party starters of all time. With its fast moving piano riff and percussion, as well as its stop-start pattern in which the band reaches a frenzied pace only to come crashing to a halt (and then rise again from the ashes) ‘El Pito’ is positively explosive. The production is remarkable, with the percussion coming alive (slap on the headphones for this one), the vibes moving at a breakneck pace, and the band’s foot stomping rattling everything in the studio.

The second cut, ‘Que Son Uno’ is probably my favorite cut by the Sextet. Diverging from the boogaloo feel of much of the ‘Wanted Dead or Alive’ album, ‘Que Son Uno’ is a beautiful, sublimely powerful piece of Latin jazz.

I’m also including the groovy cover of the tune by none other than Odell Brown and the Organizers, which they recorded in 1967 on the ‘Mellow Yellow’ album. Considering the popularity of the ‘Wanted Dead or Alive’ LP, I’m surprised that ‘Que Son Uno’ wasn’t covered more often.

Jimmy Sabater went on to record  a lot of solo material (including this funky gem), but also remained with the Joe Cuba Sextet into the late 70s.

I hope you dig the tunes, and I’ll be back on Monday.

 

Peace

Larry

 

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

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If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Fania All Stars – Viva Tirado

By , January 24, 2012 2:04 pm

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Fania All Stars

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Listen/Download -Fania All Stars – Viva Tirado

Greetings all.

I hope all is well in your part of the universe, and that you all had a chance to dig the Etta James goodness from the first part of the week.

The term gets overused, but Miss Etta was a giant, and unfortunately one that never really got her due.

How much of this had to do with a comparable lack of crossover success, and how much to her drug troubles (though the halls of fame are littered with junkies, ex and otherwise) I can’t say for sure, but she certainly deserved to be up there with the best.

The tune I bring you today is something groovy I picked up a while ago, always dug, but had no idea of its, how do they say, hidden charms until recently.

You already know that I dig me some Latin soul and boogaloo, and as a result I am am incapable of passing up an interesting looking Fania or Allegre 45 when I see it in the field.

It was that very formula – with the addition of an interesting cover version – that made me grab ‘Viva Tirado’ by the Fania All Stars.

The song ‘Viva Tirado’, written in the 1960s by West Coast orchestra leader/arranger Gerald Wilson in tribute to bullfighter Jose Ramon Tirado and then taken into the Top 40 by El Chicano in 1970 (and covered many times) is an acknowledged classic of Latin jazz.

When I saw that it had been covered by the Fania All Stars I knew I had to grab it.

They recorded it for the 1974 album ‘Latin – Soul – Rock’ and their version doesn’t stray too far from the source material.

Now, I always knew that the Fania All Stars included heavies like Ray Barretto, Johnny Pacheco, Larry Harlow and Willie Colon.

What I didn’t know is that when they went into the studio to record this album, they brought some equally heavy friends with them, two of whom, Manu Dibango on sax and Jan Hammer on Hammond organ, take solos on this version of ‘Viva Tirado’.

Very groovy indeed!

So dig the sounds, and I’ll see you all on Friday.

 

Peace

Larry

 

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

F16C Radio v.95 – 2011 Year In Review

By , December 27, 2011 7:58 pm

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On the scene at Subway Soul

 

Willis Wooten – Your Love Is Indescribably Delicious (Virtue)
Bobby Doyle – River Deep Mountain High (WB)
Etta James and Sugar Pie DeSanto – In The Basement (Checker)
Barbara Lynn – Club a Go Go (Tribe)
Billy Butler – Right Track (Okeh)
Impacts – Thunder Chicken (Marmaduke)
Idris Muhammad – Express Yourself (Prestige)
Lavell Kamma and the Afro Soul Revue – Soft Soul (Tupelo Sound)
Sam Dees – Lonely For You Baby (Soul City)
Spellbinders – Help Me Get Myself Back Together Again (Columbia)
Jimmy Ruffin – 96 Tears (Soul)
Ella Fitzgerald – Savoy Truffle (Reprise)
Ray Bryant – Up Above the Rock (Cadet)
Mac Rebennack – The Point (AFO)
Della Reese – It Was a Very Good Year (ABC)
LaVern Baker – Batman to the Rescue (Brunswick)
Norman T Washington – Jumping Jack Flash (Pama)
Rivingtons – Pop Your Corn Pt1 (RCA)
Upsetters – Down Home (ABC)
Vernon Garrett and Marie Franklin – Second To None (Venture)
Curly Moore – Soul Train (Hot Line)
Dobie Gray – Out On the Floor (Charger)
Eyes of Blue – Heart Trouble (Deram)
Washington Smith – Fat Cat (Okeh)
Gene West – In the Ghetto (Original Sound)
Candido – Jingo (Salsoul)
Touch – Love Hangover (Breaking Down) (Brunswick)
Gene Ammons – Son of a Preacherman (Prestige)

 

Listen/Download – F16C Radio v.95 – 2011 Year In Review – 140MB Mixed MP3

 

Greetings all.

The end of the year is upon us, and so, as it has been in many years past, is the Funky16Corners Year In Review mix.

This assemblage of the finest individual tracks from this space over the last calendar year has become a tradition in which we sweep up around the Funky16Corners Blogcasting Nerve Center and Record Vault (Funk and Soul Division) and piece together a puzzle of sorts that once assembled (correctly) should give a picture of where my head – and my crates – were at over the last year.

And what a year it’s been.

If you’d sat me down last December and laid out the coming year in front of me, I would have laughed, filled with excitement and then probably crawled under the nearest table in search of shelter.

The year got off to a great start with the beginning of my residency at Spindletop @ Botanica in NYC. Over the course of the next eight months I had the opportunity to spin pretty much whatever I felt like (within certain tasteful guidelines) and it was a blast.

Botanica was a very chill location, with some very cool people, and despite the whole thing crashing down in a somewhat bittersweet pile of ashes, I would say that it was on the whole a very positive experience.

You all know that there is nothing I love better than spinning the music I love for an appreciative audience, and I had many very groovy opportunities to do so this year.

In addition to Spindletop, I was honored to get a chance to participate in one of the last Subway Soul nights, alongside Phast Phreddie, Girlsoul and Jumpy. It was a serious gas, where I got to spin some of my Northern Soul faves and hear the other selectors whip some heat on the ones and twos (I left with a slightly inflated want list that night).

The real treat of the year, though was spinning at Elliott and Jonna’s wedding down in Philly, which was an amazing experience.

Great people into great music with the extra added benefit of some delicious food. I can think of no better way to spend a summer night.

There was also the ongoing pleasure of doing the Funky16Corners Radio Show, which has really been a gas this year. If you haven’t yet tuned in, you can join the party every Friday night at 9PM on Viva Radio, or pick up the show as an MP3 over the weekend (they’re all archived here at the blog, too).

I also got to spin records at a couple of local autism fundraising events which was especially rewarding for reasons very close to my heart.

Speaking of things close to my heart, 2011 was also the year that my wife was diagnosed with leukemia, an event that has verily turned our world inside out.

Though some superficial things have remained on a somewhat even keel, the axis on which my family’s life spins was shaken to its core this fall, and we have all learned to look at the world through slightly different eyes.

Things are on a solid, progressive track as far as my wife’s health is concerned, and we have many reasons to be optimistic, which doesn’t change the fact that no matter how sunny things look ahead of us, there’s always that shadow in the rear view mirror.

I have to make note of the fact that the readers of this blog have been extraordinarily supportive during this crisis, and that has been heartwarming and very much appreciated.

When I take a look at this playlist, it occurs to me that although there are some old faves and some longtime want list items finally bagged, there are also many, many new discoveries that came into my ears and then my crates over the past year, and that is the main reason that the Funky16Corners train stays on the rails.

It has always been my hope that those of you that stop by here on the reg are discovering something new and groovy, but also that you realize that this is a journey of discovery for me as well.

Big ups go out to fellow selectors like Tony C, Tarik Thornton, M-Fasis, Agent 45 and Midnite Cowbwoy for hepping me to cool stuff that I hadn’t heard before, all of which I passed on to you good people through the blog.

I will continue to do so.

I have no idea what 2012 holds for me, since things have really taken on a day-to-day vibe these last few months.

My main hope is that everyone here at home base stays healthy and happy.

Aside from that, I only hope that the next year brings some new sounds my way, and hopefully the opportunity to spread the love, whether through the blog, or in person as a DJ.

Either way, the very least any of us can do is follow that basic prescription in the Funky16Corners logo:

Keep the Faith.

See you next week (make sure to tune in to the Funky16Corners Radio Show Friday night at 9PM on Viva Radio for the Year End Funk and Soul Dance Party!)

Peace

Larry

 

 

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Also, make sure that you check out the POAC link below (click on the logo), in regard to the April 2nd walk.

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If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some very tasty UK Folk Rock.

 

F16C Christmas Pt5 – Harvey Averne Band – Let’s Get It Together This Christmas

By , December 22, 2011 3:25 pm

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Harvey Averne

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Listen / Download – Harvey Averne Band – Let’s Get It Together This Christmas

 

Greetings all.

I’ve been dropping Christmas funk and soul all week, and when I got home today from running my various and sundry holiday and hospital-related errands it occurred to me that I had yet to repost this most excellent tune, and since I didn’t have a fifth cut ready to go, why not grab the old HTML, add a little contemporary verbiage and let fly.

So, here it is.

I should remind you once again that we have a very special Funky16Corners Radio Show Christmas Special dropping tomorrow (Friday) at 9PM on Viva Radio, and popping up in this very space as an MP3 on Christmas Eve, just in time  to fire it up while you’re torching the Yule log at home.

I will not be posting again until next week, so if you’re in the midst of Hannukah, or anticipating Christmas, or just chilling awash in the wonder of the season(s), our best to you and yours.

Peace

Larry

 

Originally posted 12/21/10

>>Christmas week has finally arrived, and so, as is the custom, have some funky and soulful holiday 45s.

I managed to get in a nice dig/hang this weekend down at the world famous Asbury Lanes where I managed to grab some excellent records (both the 45 and LP varieties) and meet up with some of my old mod scene compadres (Mr Luther and Mick) as well as AP45 Sessions’ very own DJ Prime Mundo. It was a nice way to spend a Sunday afternoon.

I’ve made mention of the fact that I have never been a big collector of holiday music, Don’t get me wrong – I dig the jingle bells and the ho ho ho and what not – but with rare exception (generally the records that I feature here around Christmas time) I don’t go out of my way to add this kind of stuff to my record box.

Occasionally – as is the case with the Soulful Strings Christmas LP – such a record dovetails nicely with an existing obsession. Sometimes, as was the case with Clarence Carter’s ‘Backdoor Santa’, we might be talking about a record that kicks ass solidly despite the fact that it’s aimed at a Yuletide audience.

This week I’ll be bringing you two great holiday selections (Monday and Wednesday) and then taking the rest of the week off to enjoy the holiday with the fam.

I wouldn’t leave you hanging though, so make sure you tune into the Funky16Corners Radio Show this Friday at 9PM, Christmas Eve for the first annual Funky16Corners Radio Christmas Special, for an hour of the coolest funk and soul sounds for the holiday. You’ll hear the Soulful Strings, Clarence Carter, James Brown and many, many more.

The tune I bring you today is nice but of funky Latin soul by the mighty Harvey Averne.

Averne was – like his bandmate and fellow Latin music legend Larry Harlow – a non-Hispanic (both men were Jewish) who played a big role in the history of the storied Fania label.

Averne, a vibraphonist, got his start under the name Arvito and his Latin Orchestra, playing during the 50s mambo craze, eventually taking over a band that included Harlow on piano.

He had a great deal of success as a musician (and in the construction business) but had probably his most important role as the mad behind the day to day operations of Fania.

Hired by label owner Jerry Masucci, Averne worked at Fania as musician, producer (of Ray Barretto’s ‘Acid’ LP among many other classics) and A&R man.

Oddly enough, his first record, among them the boogaloo classics ‘The Micro Mini’ and ‘You’re No Good’ were released on the Atlantic label, with Averne eventually having a bunch if stuff released on Fania and its Uptite subsidiary.

The tune I bring you today ‘Let’s Get It Together This Christmas’ is a funky mover, with the punchy bass, the jingling jingle bells, and an upbeat message for the season.

I haven’t been able to nail down a release date, but the catalog number would suggest something in the area of 1969 or 1970.

The flip side is a an otherwise groovy version of ‘The Christmas Song’, marred by the ‘contributions’ of a barking dog (who gets credit on the label!).

‘Let’s Get It Together This Christmas’ was also included on the excellent ‘In The Christmas Groove’ comp.

I hope you dig the tune.<<

 


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If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg

The Village Callers – Hector

By , December 1, 2011 2:08 pm

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The Village Callers LP

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Listen/Download – The Village Callers – Hector

Greetings all.

I hope the end of the week finds things in your corner of the world settled, mellow and wonderful.

Things here are fairly groovy, with my lovely wife nestled in the warmth of home.

She’s doing well, considering the hell she’s been through, but her prognosis is good. She goes back in for round two of chemo next week, and while we’d all rather she be home, as the old saying goes, you gotta do what you gotta do, and right now that involves doctors and medicine and all that goes along and while it’s tough now we’ll have the rest of our lives to sit back and hoist our collective middle finger toward cancer as it disappears in the rear view mirror.

This has been a real awakening into the capricious nature of life, or at least what can happen to “our” life and how quickly it can be rearranged whether we like it or not. You can’t really waste a lot of time carping about why it is thus (though we’ve done that too), and in the long run the only sane thing to do is kind of stare down the beast with all the technology and mental strength you can muster, value the good things you still have (and that is a lot) and soldier on.

I won’t lie and tell you that I haven’t spilled a few tears, whether the product of fear, sadness or frustration, but I will tell you that you find real, solid comfort from all corners (sometimes in places you didn’t expect), and that is always a pleasant surprise.

Our friends – here in our immediate sphere, and out in the wilds of the interwebs – have been singularly uplifting, and in my own case, being able to retreat into the blog has been of immense value.

I should stop here and remind you that Friday night at 9PM sees the return of the Funky16Corners Radio Show on Viva Radio. This week is a survey of international funk and soul, with stops in Sweden, Brazil, Italy, Germany, Japan and Jamaica. If you can’t be there at the time of broadcast, you can always pick the show up as an MP3 on Saturday, right here at the blog.

That said, while I had a couple of articles stockpiled, I found myself straightening the record vault this week and while I was digging for a few records that I had neglected to scan, I pulled out my 45 of the Village Callers ‘Hector’ and realized, much to my surprise, that in the seven years the Funky16Corners blog has been up and running I have never (outside of inclusion in a mix or two) put the spotlight on this incredible record.

I think the first time I ever heard ‘Hector’ was wayyyy back in the day on one of the old UK ‘Sound of Funk’ comps (I think on the same volume that introduced me to ‘Iron Leg’ by Mickey and the Soul Generation) and it was a classic case of love at first listen.

It took me a few years before I got my hands on an original copy of the 45, but it has always held a special place of honor in my record box.

‘Hector’ is one of those records that has a secure place in my personal all-time Top Ten, and I always dig getting the chance to light it up on a big, loud sound system.

It has the kind of groove that builds so organically, with the drums, bass, congas, hand-claps, guitar and above all Hammond organ, that you’re up and out of your seat before you know it.

‘Hector’ has something that a lot of funk 45s don’t, that being it swings and the overall effect is nothing less than life affirming, and not on some corny, message-y way, unless you’re willing to take your message as delivered within the groove, in which case it’s super heavy and profound in the same way that sunlight, or a smile can be.

The Village Callers (borrowing their name from the Johnny Lytle soul jazz classic of the same name) were an East LA club band that mixed the soul hits of the day with Latin soul and jazz for funky stew. You can read more about their history here.

‘Hector’ is an uplifting, happy record that elevates my spirits whenever I play it, and I know that’s something I need now, and something all of you can benefit from as well, on account of the weekend is almost here.

So pull down the ones and zeros and then get up and shake to the sound of the Village Callers.

I’ll see you all on Monday.

 

Peace

Larry

 

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Happy Thanksgiving (with a feast)!

By , November 24, 2011 2:20 pm

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Mmmmmmmm!

Greetings all!

This is an impromptu post, spurred on by the spirit of Thanksgiving, in which the holiday and the word take on extra special meaning.

I am thankful first and foremost that we are lucky enough to have my wife home with us for the holiday. I brought her home from the hospital this morning.

Hopefully being home and around her family will help make her stronger during her recovery.

Second, I’m thankful that I have this outlet to share my love of music with all of you.

I’m reposting the three food-related mixes I’ve done here over the years so that while you’re stuffing your gobs with gobbler, you can also stuff your ears with soul.

What you get here are the first two Soul Food mixes, as well as F16C Radio v.60 which is mostly chicken-themed, but ends in a flourish with the Niteliters ‘Serenade to a Jive Turkey’.

I hope you dig the sounds, and that you all have an excellent Thanksgiving weekend,

See you on Monday.

Peace

Larry
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Funky16Corners Radio v.3 – Soul Food (That’s What I Like) Pt1

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Track listing

Brother Jack McDuff – Hot Barbecue (Prestige)

 Soul Runners – Chittlin’ Salad Pt1 (MoSoul)

Lionel Hampton – Greasy Greens (GladHamp)

Albert Collins – Cookin’ Catfish (20th Century)

Andre Williams – Rib Tips (Avin)

Maurice Simon & The Pie Men – Sweet Potato Gravy (Carnival)

Mel Brown – Chicken Fat (Impulse)

Lonnie Youngblood – Soul Food (That’s What I Like) (Fairmount)

Prime Mates – Hot Tamales (Sansu)

Just Brothers – Sliced Tomatoes (Music Merchant)

Leon Haywood – Cornbread and Buttermilk (Decca)

Bobby Rush – Chicken Heads (Galaxy)

Booker T & The MGs – Jelly Bread (Stax)

Gentleman June Gardner – Mustard Greens (Blue Rock)

West Siders – Candy Yams (Infinity)

Hank Jacobs – Monkey Hips and Rice (Sue)

George Semper – Collard Greens (Imperial)

Billy Clark & His Orchestra – Hot Gravy (Dynamo)

Listen Download Mixed MP3

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Funky16Corners Radio v.9 – Soul Food Pt2

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Playlist

1. Simtec Simmons – Tea Box (Maurci)

2. Johnny Barfield & The Men of S.O.U.L. – Soul Butter (SSS Intl)

3. Ronnie Woods – Sugar Pt2 (Everest)

4. Stan Hunter & Sonny Fortune – Corn Flakes (Prestige)

5. Fabulous Counts – Scrambled Eggs (Moira)

6. Watts 103rd St Rhythm Band – Spreadin Honey (Keymen)

7. Freddie Roach – Brown Sugar (Blue Note)

8. Albert Collins – Sno Cone Pt1 (TCF Hall)

9. Chuck Edwards – Chuck Roast (Rene)

10. Willie Mitchell – Mashed Potatoes (Hi)

11. Booker T & The MGs – Red Beans & Rice (Atlantic)

12. Righteous Brothers Band – Green Onions (Verve)

13. George Semper – Hog Maws & Collard Greens (Imperial)

14. Lee Dorsey – Candy Yam (Amy)

15. Roosevelt Fountain & his Pens of Rhythm – Red Pepper Pt1 (Prince Adams)

16. Bad Boys – Black Olives (Paula)

17. Willie Bobo – Spanish Grease (Verve)

18. American Group – Enchilada Soul (AGP)

DOWNLOAD – 39.3 MB Mixed MP3

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Funky16Corners Radio v.60 – Finger Lickin’ Good!

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Funky16Corners Radio v.60 – Finger Lickin’ Good!

Playlist

Louis Chachere – The Hen Pt1 (Paula)
James Brown – The Chicken Pt1 (King)
The Meters – Chicken Strut (Josie)
Willie Henderson & the Soul Explosions – The Funky Chicken Pt1 (Brunswick)
Clarence Wheeler & the Enforcers – Broasted or Fried (Atlantic)
Jerry O – The Funky Chicken Yoke (Jerry O)
Unemployed – Funky Rooster (Cotillion)
Okie Duke – Chicken Lickin (Ovation)
Rufus Thomas – Do the Funky Chicken (Stax)
Mel Brown – Chicken Fat (Impulse)
Lou Garno Trio – Chicken In the Basket (Giovannis)
Chants – Chicken and Gravy (Checker)
Art Jerry Miller – Finger Licken Good (Enterprise)
Bobby Rush – Chicken Heads (Galaxy)
E Rodney Jones & Larry & the Hippies Band – Chicken On Down (Double Soul)
NY Jets – Funky Chicken (Tamboo)
Radars – Finger Licken Chicken (Yew)*
*Bonus Platter
Andre Brasseur – The Duck (Palette)
Butch Cornell Trio – Goose Pimples (RuJac)
Nie Liters – Serenade To a Jive Turkey (RCA)

____________________________________________________________________________________

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Jingo

By , September 27, 2011 10:10 am

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The Originator: Babatunde Olatunji

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Carlos Santana, wailing at Woodstock

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Candido Camero on the congas…

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Listen/Download – Michael Olatunji – Gin-Go-Lo-Ba

Listen/Download – Santana – Jin-Go-Lo-Bah (Jingo)

 

Listen/Download – Candido – Jingo

Greetings all.

I have something very special indeed for your ears this fine day.

Early last year I ran a series of posts under the ‘Disco/Not Disco’ banner celebrating the sounds played by pioneering DJ David Mancuso at his legendary Loft parties in NYC in the early 70s.

Mancuso had become something of an idol/guiding force for me, in so far as I have tried to emulate his DJing ethos as it were during my own sets.

He was a trailblazing record wrangler because he always kept one specific thing in mind, that being the dance and played anything that kept things moving. His Loft sets were filled with unusual sounds, including in his sets music from the worlds of rock, soul, funk, world music and anywhere else he could find the groove.

The Loft predated and strongly influenced the ‘disco’ scene and Mancuso’s eclecticism was carried out into the clubs by the other DJs that attended and had their minds blown at his parties.

One of the records that was a cornerstone of his sets, and has on its own a very interesting history, was a cut by the name of ‘Gin-Go-Lo-Ba’ by Michael ‘Babatunde’ Olatunji.

Olatunji was a Nigerian drummer and educator who emigrated to the United States as a student to attend Morehouse College.

He eventually moved to New York City to attend NYU where he put together his own percussion group and drew the attention of two especially influential figures, the mighty John Coltrane and record impresario John Hammond.

Olatunji recorded the LP ‘Drums of Passion’ in 1960, which included the track ‘Gin-Go-Lo-Bah’*, as well as the less influential (but also important) ‘Akiwawa’.

I first heard of Olatunji back in 1990 when I read Mickey Hart’s remarkable book ‘Drumming at the Edge of Magic: A Journey into the Spirit of Percussion’** which led me to Olatunji’s 1988 recording ‘Drums of Passion: The Invocation’. It was many years later when I first read about David Mancuso that I made the Loft connection.

Mancuso would make the Olatunji version of the song a cornerstone of his Loft sets for obvious reasons. It has a driving rhythmic force and the accompanying chanting that would no doubt grab and shake any mass of dancers, and would also mix well with any number of more ‘conventional’ dance records.

It was at the end of the 1960s that Carlos Santana and his band would adapt and record the tune under the title ‘Jingo’ (which is the version that most people have heard). I’m including that version (the 45 edit at least) here for reference, and because it kicks all kinds of ass. Interestingly, the Santana 45 uses an approximation of the Olatunji title, though the album (and subsequent 45 releases) truncates it to ‘Jingo’. It’s amazing to listen to how a pack of electrified (in all senses), racially integrated hippies get deep inside the rhythm and blow it up.

A full decade after the Santana recording, the song would be resurrected yet again by another fixture of Mancuso’s Loft sets, Cuban conguero Candido (born Candido Camero), also under the title ‘Jingo’.

Candido’s version of the song takes the African percussion and chant of the original and recasts it inside an electric/disco setting and despite the fact that the edges may have been smoothed a little, the cut loses none of its propulsive power. Even after almost two decades, the song was still dance floor gold.

The mix here is the 45 edit, which clocks in at only 3:17. I wish I had a copy of the 12”, which goes for almost six more minutes.

‘Jingo’ was later redone for the dancefloors yet again in 1987 by Jellybean.

Babatunde Olatunji passed away in 2003 after a lifetime of teaching, social activism, and above all, drumming.

I hope you dig the tune (and maybe dance a little) , and the drums and I’ll be back on Friday.

 

Peace

Larry

*Oddly, the catalog number of the Olatunji 45 suggests that it was released sometime in 1967, long after the LP released but before the Santana cover

** If you have any interest at all in the power of drums and rhythm and the way they can propel human consciousness through the dance ritual I recommend Hart’s book highly.

 

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Cecil Davis ‘El Pajarito’ con su Super Orquesta – Let’s Have a Ball

By , May 26, 2011 10:16 am

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Artists conception of El Pajarito

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Listen/Download – Cecil Davis ‘El Pajarito’ con su Super Orquesta – Let’s Have a Ball

 

Greetings all.

The end of the week is here and I don’t know about you kids but I am currently being overtaken by the need to cut loose.
This has been an exceptionally long and tiring week and I – for one – have had just about enough.

I can’t say for sure, but I may very well open and consume a beer (or two) this weekend.

Look out world.

That said, part of the busy-ness has been preparations for this years Funky16Corners Pledge Drive.

For those of you unfamiliar with the concept, once a year, right around the beginning of June, I make like Oliver Twist and come before you with hands outstretched so that your generous donations might help to pay for server space and related costs for the year.

This time out I’m planning on repeating last years ‘Allnighter’ concept, with a selection of hot mixes from yours truly and a variety of some of the finest selectors I know. I already have some of these cooling on the server, and others are on their way.

I can assure you that it will be a good time, so stay tuned. If things go as planned and all the required materials show up things will get rolling on June 5th.

In other news, this week’s edition of the Funky16Corners Radio Show is upon us and will be gracing the airwaves of the interwebs this (and every) Friday night at 9PM over at Viva Radio, with the MP3 version of the show being posted the following day.

It’s a hot one this week, so don’t miss it.

I should also mention that I am – thanks to a generous (and early) Father’s Day gift – now the owner of a PA system, rendering the Funky16Corners Sound System 100% mobile, so if you’re having a shindig (wedding, stein hoist, bacchanal, etc) and wish to hire someone for the expert spinning of the best in vintage funk and soul, drop me a line, because, to paraphrase Richard Berry, ‘Have Records, Will Travel’.

That said, now on to the aforementioned cutting loose.

It was a few years back that the mighty Soulmarcosa mentioned a record on a message board we both frequent that sounded quite interesting.

The tune in question ‘Let’s Have a Ball’ by Cecil Davis ‘El Pajarito’ con su Super Orquesta was available on eBay, in quantity at a very low price. Having complete faith in his taste, I grabbed myself a copy of the record (unheard).

When it fell through the mail slot my suspicions were confirmed, and it was indeed a serious gas.

Time and experience have proven that you cannot always take a record label at its word, with many things labeled ‘funky’ that are not, and so on through all genres.

‘Let’s Have a Ball’ – labeled a ‘boogaloo’ – is that rare record that meets, and exceeds all claims on the label.

It is a certified party starter, filled with latin soul goodness, made all the better by an exceedingly enthusiastic performance by Mr Davis, who comes across like someone threw Christopher Walken’s ‘The Continental’, Mr Mambo,  and Fred Armisen’s El Fericito (‘Ay Dios Mio!’) into a blender with a gallon of Puerto Rican rum and a box of firecrackers.

The band cooks on this one, but it’s ‘El Pajarito’ who really makes it, trading lines with a chorus of ladies, pumping out a series of sampleable lines like ‘Sock It To Me Baby!’,‘Shall we do the boogaloo?’ and ‘Tighten up baby! Shall we have the balllllll????’ but the best part is where the background singers break into a sideline cheer, including what sounds like a heavily accented ‘sis boom bah!’.

Crazy stuff.

Even crazier is how obscure a record this hot still is.

As far as I can tell, the Dial that this record was released on bears no relation whatsoever to the jazz and soul label of the same name, and Mr Davis has proven to be all but un-Googleable. There was apparently an R&B singer by that name in the Midwest, but the vocal on this one suggests to me that he is not the same cat, since ‘our’ Cecil has a very thick accent (though that could be a put-on).

Other than that, just about all that shows up on-line is listings for people selling the 45, and there aren’t even many of those (it’s price has gone up quite a bit).

I have inquired of those who are deeper in the boogaloo game than myself, and haven’t come up with anything there either.

All I can say for certain about Cecil Davis ‘El Pajarito’ and his Super Orquesta, is that they created one hell of a great record.

I hope you dig it as much as I do, and I’ll see you on Monday.

Peace

Larry

 

 

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recr events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

F16C Soul Club Presents sets from Sweet Exorcist 4/22/11

By , May 1, 2011 5:35 pm

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DJ Andujar and Funky16Corners @ Sweet Exorcist @ The Peoples Pint 4/22

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Studebaker Hawk (above), D.J. Andujar (below)

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Listen/Download – Studebaker Hawk @ Sweet Exorcist 4/22/11

Studebaker Hawk Set List
Dave Valentin – Sidra’s Dream (GRP)
Phantom Slasher – Furry Whiplash (Noid)
Pia Zadora – The Clapping Song (Elektra)
Marsha Hunt – (Oh, No! Not) The Beast Day (n/a)
Gypsy Lane – Show Me How To Groove (Drive)
The Love Machine – Sex-O-Sonic (London Records)

 

Listen/Download – Funky16Corners @ Sweet Exorcist Set 2 4/22/11

Funky16Corners @ Sweet Exorcist Set 2

Nanette Workman – Lady Marmalade (Pasha)
Lynda Lyndell – What a Man (Volt)
Rufus Thomas – Funky Penguin Pt1 (Stax)
Lou Courtney – Hey Joyce (Popside)
James Brown – Get On the Good Foot (Polydor)
Chuck Carbo – Can I Be Your Squeeze (Canyon)
Gene Chandler – In My Body’s House (Chess)
Marva Whitney – It’s My Thing (King)
Eddie Bo & Inez Cheatham – Lover and a Friend (Capitol)
Willie Tell and the Overtures – Kick Back (Chess)
King Curtis – Pop Corn Willy (Atco)

Listen/Download – DJ Andujar & Studebaker Hawk @ Sweet Exorcist 4/22/11

DJ Andujar @ Sweet Exorcist Set 1

James Brown…I Got Tha Feelin (45)
Dyke & the Blazers…Let a Woman… (45)
Ivo Meirelles & Funk N Lata…Baile Funky (make it funky) (LP)
Lou Toby & his Heavies…Heavy Steppin (45)
Lyn Collins…Think (45)
Toots & Maytalls…Funky Kingston (LP)


Studebaker Hawk Set List

Williams Brothers – I Feel Good (New Birth Records)
Kabbala – Ashewo Aro (Red Flame)
Panama – Long Train Runnin’ (Pathé Marconi EMI)
Dorothy Morrison – All God’s Children Got Soul (Elektra)


Listen/Download – DJ Andujar Set 2 @ Sweet Exorcist 4/22/11

Greyboy with Sharon Jones & Quantic…Got To Be A Love (Paul Nice rmx) (12″)
Gizelle Smith…June (LP)
Clarence Reid…Masterpiece (45)
Charles Wright & Watts 103rd…What Can You Bring Me (45)
Orchestra Baobab…Kelen Ati Leen (45)
Ripple…Funky Song (45)
Bob Marley…Could You Be Loved (12″)
Gwen McCrae…Rockin Chair (45)

 

Greetings all.

I hope the new week finds you well.

Things are finally starting to settle down here in the Funky16Corners Blogcasting Nerve Center and Record Vault after the busiest month of DJ activity I’ve seen in a long, long time.

We already covered my appearance at the Subway Soul Club, and today’s post will tell the tale of my journey to the great state of Massachusetts for a pair of very groovy nights.

I’d like to get started though by telling you how I spent my weekend, which dovetails nicely with everything else and kind of puts a cap on things.

As has been related in this space before, for a couple of vary important reasons (those being our sons) our family is involved with POAC (Parents of Autistic Children, you can follow the link at the bottom of this or any other recent post).
POAC organized a dodgeball tournament, and they asked me to come out and spin some records during the festivities, which is how I spent my Saturday (with Miles acting as my roadie).

I packed up the decks and mixer in my new road case (I think I’m going to stop referring to it as a coffin, which is slightly morbid nomenclature and has to be explained every single time I use it in conversation), packed up a case of funk and disco 45s, filled the record bag with albums and 12”s, and headed over to the local rec center.

Despite years of DJing, this is the first time I took the old Funky16Corners Sound System on the road, and it was a resounding success (even if I forgot to bring a surge protector and an extension cord, but the audio gods look out for the foolish and forgetful, and I was covered).

It was a gas (including a bunch of high school kids singing along with ‘Pass the Hatchet’ which I’m 100% certain they’d never heard before), and despite a couple of close calls, wherein the dodge balls inadvertently came in contact with the sound system (but never the turntables, thankfully), things went swimmingly.

The trip to Massachusetts was similarly excellent.

A few months back my man DJ Andujar got in touch as asked if I might be interested in coming up his way to do his (and Studebaker Hawk’s) night in Greenfield, MA (Sweet Exorcist), followed by a Saturday in Northampton, MA with Snack Attack and DJ Cashman (Wooly Bully).

I checked the calendar and discovered that the dates in question intersected with the Funky16Corners family spring break, so arrangements were made to wrap the two nights into our vacation.

We’d been up to Northampton last year (for vinyl and yarn digging) and found the area to our liking, so the wife and I were both psyched about a return trip.

The Monday before the gigs I phoned in to DJ Andujar’s Radio Clandestino Show on WMUA-FM, and did an interview, which he was kind enough to record, and which I’ll post here for your listening pleasure.

Download/Listen: DJ Andujar Interviews Larry Grogan/Funky16Corners on WMUA-FM, UMASS Amherst, 4/18/11

Sweet Exorcist is held at a very groovy joint called the People’s Pint in Greenfield, MA, and I have to tell you, if you’re in the area, and crave some excellent food and drink, this is the place for you. I’m a ginger beer fanatic, and the People’s Pint makes their own, as well as house made cola, root beer, and a few varieties of regular beer (I tried the oatmeal stout and was very pleased).

The records started spinning around 10PM, and the night was a gas. Both DJ Andujar and Studebaker Hawk brought the heat (as you’ll hear when you pull down the ones and zeros) and I did my level best not to disappoint.

The peeps were dancing, the vinyl was spinning and a good time was had by all. Many thanks to the DJs (and the staff at the People’s Pint) for a great night.

The following night I was on my own (my wife was with the little Corners) and I packed up the record box and headed over to Northampton for Wooly Bully at the Basement.

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Yours truly staring intently at the PA system @ the Basement, somehow sensing impending failure…

Run by Snack Attack and DJ Cashman, Wooly Bully runs a little more in the 60s soul direction, and I’d packed a grip of Northern and 60s dance floor soul for the occasion. The Basement is a small room in the back of a building, but by the time the music got started it was packed to the rafters with party people who never stopped dancing until the lights came on and the door guy ushered them out into the night at closing time.

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Hazy cellphone pics of the Basment

(Top) Billy Butler on the decks

(Bottom) Imagine these people plus about 100 more revelers, packed like soulful sardines

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The place was a madhouse, and much good music was spun and danced to.

Unfortunately – and this was the only sour note of the whole trip – my recordings from the Basement were unusable. The levels were set too high and the recordings were distorted. There were other technical issues (the PA system overheated at one point) but they were all surmountable.  Hopefully, if I make a return visit during the summer, I can remedy the situation and bring back a couple of sets by Snack Attack and DJ Cashman, who both rocked the house.

Today I’ll be trying something new, which is basically posting sets by everyone who spun at Sweet Exorcist. I won’t be posting my first set, since there was a problem with a ground wire and there’s an annoying buzz that cuts into the music at a number of points.

It’s interesting to hear the different sensibilities of three DJs, all funky, but coming at the sound from different angles.
My assessment of a quality night is one where I walk away from the evening with new records added to my want list, and Sweet Exorcist definitely fit the bill.

I hope you dig the sounds, and I’ll be back later in the week with something cool.

Peace

Larry

 

 

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recr events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Cal Tjader – Gimme Shelter (no…really)

By , March 1, 2011 1:09 pm

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Callen Radcliffe Tjader

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Listen/Download – Cal Tjader – Gimme Shelter

 

Greetings all.

I hope all is well in your neck of the interwebs.

I mentioned in Monday’s post that I had a rather interesting weekend (or more specifically, Saturday) and that I’d fill you all in today.

This is the kind of tale that some would be tempted to refer to as a comedy of errors, but since it was all error and extremely light on the funny, I will refrain from doing so.

The day started out on an optimistic note when my lovely wife informed me that instead of taking my son to a birthday party, I could instead head up to Jersey City for the Record Riot.

This was very groovy, so I got my record bag and some crumpled up dollars, hopped in the Funky16Corners-mobile (a major player in this story)  and hit the road.

Now, I haven’t spent a great deal of time in Jersey City since the days of visiting my brother there when he lived there almost a decade ago*, but I know some folks who live in the area, and was expecting to see some of them at the show (hey, Pat).

I got up there (about a 90 minute trek) and the first thing I noticed was that seemingly every other street sign in the city had been removed, making it extremely hard to locate the record show.

When I finally got there (the show was being held in a studio space behind a big shopping center) I ended up circling the area looking for what ended up being a non-existent parking space, eventually deciding to park in a lot that appeared to be shared by the shopping center and the light rail station (I should note here that not being a complete numbskull, I did survey the area for anything that would indicate that parking was prohibited. I did not see anything, and the proximity to the rail station now leads me to invite both the city of Jersey City, and the fine people at BJ’s Wholesale Club to go fuck themselves**).

There were no yellow curbs, no fire hydrants and the car was parked between two painted white lines, a tableaux that immediately brought to mind the time worn phrase, “parking space”.

I went into the show, which though not spectacular (very short on 45s) managed to yield some cool stuff.

I figure I was in there for about an hour, at which time I decided that I’d spent enough money and headed back to my car.

What I soon discovered was that I was in fact walking back not to my car, but rather to the spot where my car HAD ONCE BEEN.

Now I’m a big dude, but I am not too big to admit that my initial reaction came perilously close to tears.

I’m not sure how long I stood in the empty, oblong spot that once harbored my car, but it couldn’t have been more than a few minutes before a tow track came tearing into the lot and started backing up to the car in the spot next to mine, preparing to take it away.

I banged on the window of the truck and discovered in short order that he had just finished taking my car to the impound lot. He also pointed out the small sign that I had missed that not only indicated this was an area where parking was prohibited (unless of course you were a customer of the warehouse store, and given the opportunity, I would have gladly gone inside and purchased a palette of toilet paper in order to bypass the towing nightmare), but was also courteous enough to include a schedule of penalties as well.

I was momentarily relieved that my car had not (technically) been stolen.

That didn’t last long.

He agreed to take me to the lot, and informed me that I would have to cough up 225USD, but there was an ATM machine right by the place.

Now, when I tell you that the further we got from the record show, the more bleak the landscape got***, I am not exaggerating.

When we got to the block where the lot was he instructed me that I’d have to walk a few blocks to the bodega where the ATM was located.

When I got there (after being yelled at by a guy across the street who apparently didn’t think I belonged in the neighborhood) I discovered that the door to the bodega was locked. The gentlemen at the gas pumps – after initially ignoring me  – eventually let on that their benefactor was likely indisposed on the bowl and would be returning in a few minutes.

He materialized shortly and let me into the store where I immediately withdrew cash from the machine, all the time wondering if I was going to be able to make it back to the garage without getting robbed.

The fact that I’m writing this now should indicate that I did in fact get my car back and made it out of the city in one piece.

I was shaken, but not because Jersey City was any more dangerous than any other city but because it was utterly unfamiliar.

Having Google Maps at your disposal makes it much easier to get to a destination, but is no help at all in granting egress once someone has made off with your vehicle.

I’ve spent a lot of time in New York City over the last 30 years, and were the same situation to occur there, it wouldn’t bring with it the immediate sense of disorientation I felt in JC. I also suspect that it would be much more difficult (and expensive) to get my car back in NYC, but that’s neither here nor there.

Needless to say, I will not be returning to Jersey City any time soon, unless of course one of you good sports offers to drive, in which case I’ll be glad to wait at the record show while you retrieve your vehicle from the impound lot.

That all said, I was planning on posting today’s selection long before the above events transpired, but once again, a more superstitious individual would see this song choice as the hand of fate at work.

I on the other hand am more inclined to attribute the whole clusterfuck to Murphy’s Law, and the coincidental song selection to its inherent high quality.

I can’t recall where I first heard Cal Tjader’s amazing cover of the Rolling Stones’ ‘Gimme Shelter’ but I do remember digging it immediately.

Getting my hands on my own copy wasn’t quite so easy, but as is often the case time, luck and a little bit of money took care of that.

If you’ve spent any amount of time here (or more specifically in the Funky16Corners Radio Podcast Archive) you already know that I am a huge fan of the vibes in general, but most especially Mr. Tjader.

He was a master of Latin jazz, branching out into exotica and what would become known as rare groove.

Tjader’s version of ‘Gimme Shelter’ appeared on his 1971 ‘Agua Dulce’ LP, during a period where electric instrumentation (aside from his own vibes, natch) were taking a more prominent place in his band. Here you get synthesizers (employed tastefully), electric piano and the master himself working it out.

I think a few years ago if you’d suggested to me that a song like ‘Gimme Shelter’ would have worked within Tjader’s style I would have reacted with suspicion, but as the cats in the powdered wigs liked to say, the proof is in the pudding.

While much of the chaos and menace of the Stones**** version are missing, Tjader’s interpretation still has a certain something that comes on almost like a distant echo of the original.

Groovy indeed, and I hope you dig it.

With any luck I will avoid tragedy until I return on Friday.

Peace

Larry

 

 

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* A time when his car was stolen from in front of his apartment.

** Though I’m sure there are those among the towing service sector who like to think of themselves as providing some kind of public service, I prefer to think of their business as a unique combination of car theft and extortion. The fact that the tow truck driver was a creep on a whole other level didn’t do anything to change this opionion.

*** Aside from travelling down one street where I had a perfect, almost poetic vista of the Statue of Liberty

**** Or Merry Clayton’s

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some fuzzed out, crunching garage punk.

 

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