King Curtis – Pop Corn Willy b/w Patty Cake

King Curtis


Listen/Download – King Curtis – Pop Corn Willy
Listen/Download – King Curtis – Patty Cake (Valdez In the Country)
Greetings all.
I hope the end of the week finds you all robust, rosy cheeked and filled to the gills with soul.
I am – as usual – up to my substantial ass in alligators, with an exceptionally busy vacation followed immediately with an equally jam packed week.
I will save my recap of my DJ gigs in Massachusetts (which were a gas) for next week, but I did want to fill out this week’s posting with a very recent acquisition, that has (and this should come as no surprise) an interesting story attached to it.
The first part of our family vacation was occupied with an ongoing, very important errand, and as a result, when an opportunity opened up to do a little on-the-road 45 digging, I was both surprised and very pleased.
I hit a spot in upstate NY, that has – like many record stores that I haunt on the reg – seemed like a case of diminishing returns, i.e., the more I go back, the less there is to look through.
This time out was a different story, and by the time I had worked my way through the soul and funk section I had built up a nice stack of 45s to peruse, including some new (to me) stuff, one longtime want list item, 45 versions of things I previously had only on LP, as well as a couple of nice items for the trade box.
Among the new things was a King Curtis 45 with two tracks that were both previously unknown to me.
The one that caught my eye was ‘Pop Corn Willy’, which seemed – thanks to the mention of the funky snack food in the title – to be part and parcel of the 1969 dance craze.
Once I got it to the listening station, my suspicions were confirmed. It was extremely funky, and fast moving, and I gave it a spin when I took to the decks in Northampton, MA.
‘Pop Corn Willy’ is one of those cheap 45s that would likely be worth a nice chunk of change if it were rarer.
I gave the other side a brief needle drop, but since it didn’t grab me right away, I didn’t give it much thought.
When we finally returned home, and I got all my ducks in a row – including the acquisition of a brand new DJ coffin (not something you bury a DJ in, but rather a road case for two turntables and a mixer) – I sat down to digimatize the new records so that I might include them in next week’s edition of the Funky16Corners Radio Show (which by the way will air, on schedule, this Friday evening at 9PM on Viva Radio), I decided to give the King Curtis flipside a closer listen, and it’s a good thing I did too.
When I put the needle on the record, the song coming out of the speakers was pleasant enough, but after about 20 seconds it started to sound oddly familiar, and by the time the chorus rolled around I realized that although the song was titled ‘Patty Cake’, what I was actually hearing was a version of one of my favorite Donny Hathaway tunes, ‘Valdez In the Country’.
I’d first heard the song in a cover by the Soulful Strings, then by Hathaway himself, and eventually in a smoking version by Cold Blood.
The thing that bugged me though, was why it had been recorded by Mr Ousley under a different title.
As it turns out, this may very well have been the initial waxing of this composition. Hathaway himself (credited here, oddly as ‘Don Hathaway’) wouldn’t record it until 1973 on his ‘Extensions of a Man’ LP, after the Soulful Strings, Cold Blood, Nite Liters and Black Sugar (it would later be covered by George Benson).
As it turns out, the keyboardist on this session (recorded in August of 1969) was none other than Hathaway himself*, which would explain where King Curtis got his hands on the song. I don’t know for sure, but it’s possible that Curtis changed the title (the song would only appear on a non-LP 45) in an effort to keep it simple for the juke boxes and the dance floor. It’s also possible that it had yet to take on the ‘Valdez…’ title (I’ve never been able to discover the origin or significance of the title), though the Soulful Strings version, also recorded in 1969 carried the longer title.
That all said, it’s a great song (one of my favorite instrumentals), and I hope you dig it.
Have a great weekend, and I’ll see you all on Monday.
Peace
Larry

*Interestingly, Hathaway also plays on (as well as produced and arranged) the Cold Blood version, and may very well have had something to do with the Soulful Strings version as well. He was clearly proud of the composition and did a lot to get it out there.
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