Category: New Orleans Funk

Happy Thanksgiving (with a feast)!

By , November 24, 2011 2:20 pm

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Mmmmmmmm!

Greetings all!

This is an impromptu post, spurred on by the spirit of Thanksgiving, in which the holiday and the word take on extra special meaning.

I am thankful first and foremost that we are lucky enough to have my wife home with us for the holiday. I brought her home from the hospital this morning.

Hopefully being home and around her family will help make her stronger during her recovery.

Second, I’m thankful that I have this outlet to share my love of music with all of you.

I’m reposting the three food-related mixes I’ve done here over the years so that while you’re stuffing your gobs with gobbler, you can also stuff your ears with soul.

What you get here are the first two Soul Food mixes, as well as F16C Radio v.60 which is mostly chicken-themed, but ends in a flourish with the Niteliters ‘Serenade to a Jive Turkey’.

I hope you dig the sounds, and that you all have an excellent Thanksgiving weekend,

See you on Monday.

Peace

Larry
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Funky16Corners Radio v.3 – Soul Food (That’s What I Like) Pt1

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Track listing

Brother Jack McDuff – Hot Barbecue (Prestige)

 Soul Runners – Chittlin’ Salad Pt1 (MoSoul)

Lionel Hampton – Greasy Greens (GladHamp)

Albert Collins – Cookin’ Catfish (20th Century)

Andre Williams – Rib Tips (Avin)

Maurice Simon & The Pie Men – Sweet Potato Gravy (Carnival)

Mel Brown – Chicken Fat (Impulse)

Lonnie Youngblood – Soul Food (That’s What I Like) (Fairmount)

Prime Mates – Hot Tamales (Sansu)

Just Brothers – Sliced Tomatoes (Music Merchant)

Leon Haywood – Cornbread and Buttermilk (Decca)

Bobby Rush – Chicken Heads (Galaxy)

Booker T & The MGs – Jelly Bread (Stax)

Gentleman June Gardner – Mustard Greens (Blue Rock)

West Siders – Candy Yams (Infinity)

Hank Jacobs – Monkey Hips and Rice (Sue)

George Semper – Collard Greens (Imperial)

Billy Clark & His Orchestra – Hot Gravy (Dynamo)

Listen Download Mixed MP3

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Funky16Corners Radio v.9 – Soul Food Pt2

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Playlist

1. Simtec Simmons – Tea Box (Maurci)

2. Johnny Barfield & The Men of S.O.U.L. – Soul Butter (SSS Intl)

3. Ronnie Woods – Sugar Pt2 (Everest)

4. Stan Hunter & Sonny Fortune – Corn Flakes (Prestige)

5. Fabulous Counts – Scrambled Eggs (Moira)

6. Watts 103rd St Rhythm Band – Spreadin Honey (Keymen)

7. Freddie Roach – Brown Sugar (Blue Note)

8. Albert Collins – Sno Cone Pt1 (TCF Hall)

9. Chuck Edwards – Chuck Roast (Rene)

10. Willie Mitchell – Mashed Potatoes (Hi)

11. Booker T & The MGs – Red Beans & Rice (Atlantic)

12. Righteous Brothers Band – Green Onions (Verve)

13. George Semper – Hog Maws & Collard Greens (Imperial)

14. Lee Dorsey – Candy Yam (Amy)

15. Roosevelt Fountain & his Pens of Rhythm – Red Pepper Pt1 (Prince Adams)

16. Bad Boys – Black Olives (Paula)

17. Willie Bobo – Spanish Grease (Verve)

18. American Group – Enchilada Soul (AGP)

DOWNLOAD – 39.3 MB Mixed MP3

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Funky16Corners Radio v.60 – Finger Lickin’ Good!

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Funky16Corners Radio v.60 – Finger Lickin’ Good!

Playlist

Louis Chachere – The Hen Pt1 (Paula)
James Brown – The Chicken Pt1 (King)
The Meters – Chicken Strut (Josie)
Willie Henderson & the Soul Explosions – The Funky Chicken Pt1 (Brunswick)
Clarence Wheeler & the Enforcers – Broasted or Fried (Atlantic)
Jerry O – The Funky Chicken Yoke (Jerry O)
Unemployed – Funky Rooster (Cotillion)
Okie Duke – Chicken Lickin (Ovation)
Rufus Thomas – Do the Funky Chicken (Stax)
Mel Brown – Chicken Fat (Impulse)
Lou Garno Trio – Chicken In the Basket (Giovannis)
Chants – Chicken and Gravy (Checker)
Art Jerry Miller – Finger Licken Good (Enterprise)
Bobby Rush – Chicken Heads (Galaxy)
E Rodney Jones & Larry & the Hippies Band – Chicken On Down (Double Soul)
NY Jets – Funky Chicken (Tamboo)
Radars – Finger Licken Chicken (Yew)*
*Bonus Platter
Andre Brasseur – The Duck (Palette)
Butch Cornell Trio – Goose Pimples (RuJac)
Nie Liters – Serenade To a Jive Turkey (RCA)

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Wardell Quezergue ‘The Creole Beethoven’ : 1930 – 2011

By , September 7, 2011 4:00 pm

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The Mighty Wardell Quezergue

Listen/Download – Earl King – Trick Bag (Imperial)

Listen/Download – Professor Longhair – Big Chief Pt2 (Watch)

Listen/Download – Marie Boubarere – I’m Going Home (NOLA)

Listen/Download – Robert Parker – Everybody’s Hip Huggin'(NOLA)

Listen/Download – Willie Tee – Walking Up a One Way Street (Atlantic)

 

Listen/Download – Willie Harper – A Certain Girl (Tou-Sea)

 

Greetings all.

I hope that everyone is in a groovy place nearing the end of the week.

It behooves me to remind you all (as it always does) that the Funky16Corners Radio Show will be hitting the airwaves of the interwebs this Friday evening at 9PM at Viva Radio. This week we have an interesting one, with half the show devoted to the funky side of disco, and the other half to the sounds of classic-era soul. I know you’ll dig it, and if you can’t bet there to hear it, you can always drop by on Saturday to pick up the show in MP3 form here at the blog.

Also, if you have yet to check out the DJ Forty Fivan mix from earlier this week, please do so. It is excellent and really worth your time.

It was with great sadness that I heard the news this week of the passing of one of the last giants of New Orleans soul, Mr. Wardell Quezergue.

Working mostly as an arranger (but also in the producers and composers chairs) Wardell was instrumental (pun fully intended) in grafting the New Orleans sound onto the brains of the listening public. It has been said that he created every record he touched from the ground up, applying his talents to best fit the song, and the individual artist, giving his catalog a tremendous amount of stylistic breadth.

Known as the ‘Creole Beethoven’, WQ (his last name was often misspelled – at times by yours truly –  as Quezerque) was born in 1930. He served as a musician in military bands during the Korean War, and rejoined Dave Bartholomew’s band upon his return to the Crescent City.

He really started to make his mark in the early 60s, with his work on classic 45s by Earl King (‘Trick Bag’ is included above) and the formation of the storied NOLA label where he would arrange some of the finest R&B, soul and funk to come out of the city in the 1960s.

His first big hit was Robert Parker’s ‘Barefootin’ in 1965 (he arranged all of Parker’s sides for the label), still one of the biggest hits to come out of New Orleans.

His biggest success however would come half a decade later with his work for the Chimneyville/Malaco labels and huge hits like King Floyd’s ‘Groove Me’ and Jean Knight’s ‘Mr Big Stuff’ – both recorded on the same day in 1970 – and Dorothy Moore’s ‘Misty Blue’ in 1976.

The tunes included here are a random sampling of Wardell Quezergue’s work that I’ve covered here at Funky16Corners over the years, whether as individual tracks, or in various and sundry mixes. I’ve tried not to duplicate what I’ve seen in other tributes (make sure to check out Soul Sides).

I mentioned Earl King’s ‘Trick Bag’, but I’ve also included Part Two of Professor Longhair’s 1964 landmark ‘Big Chief’, which was written by King and features his vocal.

There are also two tracks from WQ’s extensive NOLA discography, including Marie Boubarere’s Eddie Bo-penned ‘I’m Going Home’ (a live session) from 1967, and Robert Parker’s funky ‘Everybody’s Hip Huggin’ from 1968.

One of the more interesting, and testimony to WQ’s considerable talent as an arranger (dig the way the trumpets and the saxes play off of each other in the horn chart), is Willie Tee’s ‘Walking Up a One Way Street’.

The last track is one that appeared here last summer, and remains one of my favorite Quezergue-related sides, especially since he produced and arranged it. The record in question is Willie Harper’s version of Ernie K Doe’s (written by Allen Toussaint) ‘A Certain Girl’.

Unlike most covers of the tune, Harper and Quezergue take the song at a slow, New Orleans roll, in one of the great examples of bridging the old-school NOLA feel and then contemporary (1968) soul music. It’s also interesting because it has WQ producing an artist who had worked almost exclusively with Toussaint, on one of Toussaint’s labels, as he also did with Warren Lee’s ‘Underdog Backstreet’, also on Tou-Sea.

I’ve never gotten the whole story on why Toussaint seemed to loosen the reins a bit during this period, but the records that came out of it (including another WQ production/arrangement with Gus ‘The Groove’ Lewis’s ‘Let the Groove Move You’) were consistently excellent.

Unfortunately Wardell Quezergue was stricken in his later years by poor physical health, as well as the being victimized by the  destruction of forces natural (Hurricane Katrina) and otherwise (the record industry).

He will always be remembered by fans of the New Orleans sound as one of its greatest geniuses.

He will be missed.

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Don’t forget that I’ll be spinning some tunes during the annual Point Pleasant Lions Seafood 5K and 1 Mile FUN Run/Walk on Saturday, September 17th in Pt Pleasant Beach, NJ. The run benefits the JT Foundation for Autism Awareness and runs right before the Seafood Fest (which starts at 10AM). I’ll be spinning all of the funk soul and disco you’d expect, so if you’re in the area, come on down and run, sit and watch people run while listening to music, or get your groove on before hunting down some delicious seafood. It’s a great cause and there’ll be good music, good people and good food, so what else do you need to know?

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See you on Monday

Peace

Larry

 

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Jerry Leiber 1933 – 2011

By , August 23, 2011 11:57 am

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Mike Stoller and Jerry Leiber

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Listen/Download – Alvin Robinson – Down Home Girl

Listen/Download – The Coasters – Down Home Girl

Listen/Download – The Coasters – Soul Pad
Greetings all.

Sweet weeping jeebus I am bummed, on account of last night, as I was settling in for my rest word came down that one of my all-time musical idols, Jerry Leiber had passed away.

If the name is not immediately familiar, pair it with that of Mike Stoller, and then step off the curb into an abyss of rock’n’roll, R&B and soul history, where the pair stand astride the past 50 plus years as a mighty colossus of songwriting and production.

To say that Leiber/Stoller songs were a huge part of my musical mindset would be a giant understatement.

As I sit here writing this tribute, with the Coasters version of ‘Down Home Girl’ playing on a loop in my headphones, tears welling up in my eyes, I think of how much Leiber and Stoller’s work, from the Coasters on up through Miss Peggy Lee (see Iron Leg next Monday) has meant to me.

Though both of them hailed from the East Coast, Leiber and Stoller came together in Los Angeles in the early 50s where their songwriting empire (using that word to denote a kingdom as opposed to merely a financial construct) came into being, where their earliest successes formed a veritable cornerstone of 50s R&B, with ‘Kansas City’ and ‘Hound Dog’ (the proceeds of which probably yielded enough hundred dollar bills to compact them into solid blocks and build a literal foundation).

They went on to work with the Robins, which begat the Coasters for whom L&S created almost two dozen chart hits, on to the Drifters (There Goes My Baby, On Broadway), Ben E King and countless others.

The pair also had their own labels for a time, with the Red Bird/Blue Cat/Tiger axis that brought us the Dixie Cups, Shangri Las, Alvin Robinson, Ad Libs, Bessie Banks, Evie Sands, and many more.

The thing that always grabbed me about their best work as songwriters/record crafters was the fact that they were almost unequalled in the amount of gritty joie de vive that they could pack into the grooves of a three-minute record.

Though the Coasters were always known for the comedic feel of their 45s, the records they made with L&S were far more sophisticated than “funny”. They were kinetic, explosive, sexy, and manic, layered with heart and soul.

Though their collaboration (which often expanded to include other songwriters like Artie Butler, Phil Spector or Mann and Weil) could be described as symbiotic, the lion’s share of the lyrics were created by Jerry Leiber.

Of all the classics they created, none resonates with me more than ‘Down Home Girl’.

I first encountered the original recording by Alvin Robinson many years ago on a comp of New Orleans soul and though I came away from that record wanting to know more about many of the artists, none of the songs kicked me in the ass like ‘Down Home Girl’.

I can’t think of a finer bit of pop poetry:

Lord I swear the perfume you wear
Was made out of turnip greens
And everytime I kiss you girl
It tastes like pork and beans
Even though you’re wearin’ them
Citified high heels
I can tell by your giant step
You been walkin’ through the cotton fields
Oh, you’re so down home girl

Everytime you monkey child
You take my breath away
And everytime you move like that
I gotta get down and pray
Don’t you know that dress of yours
Was made out of fiberglass
And everytime you move like that
I gotta go to Sunday mass
Oh, you’re so down home girl

Oh, you’re so down home girl

I’m gonna take you to the muddy river
And push you in
Just to watch the water roll on
Down your velvet skin
I’m gonna take you back to New Orleans
Down in Dixieland
I’m gonna watch you do the second line
With an umbrella in your hand
Oh, you’re so down home girl

I’m with ya baby
You’re so down home
Ow! Yeah, too much
Outta sight
You’re so down home girl

The fact that Leiber and Stoller thought to have Alvin Robinson, an obscure New Orleans guitarist and singer (who just happened to have a remarkable voice) deliver such a vivid, lascivious, funny set of lyrics is one of the great musical intersections of their long, stellar career.

It’s a record that these many years later I still find new things to love every time I listen to it. Robinson’s vocal is up to the task (and then some) of delivering one of Leiber’s finest lyrics, packed with subtle twists and turns.

The Coasters remarkable 1967 two-sider of ‘Down Home Girl’ and ‘Soul Pad’ was almost a half-decade past their last hit, and despite its obvious quality, did not return them to the charts.

Their slightly funky take on ‘Down Home Girl’ shows a more relaxed side of the group, but their old selves still manage to poke through here and there.

‘Soul Pad’ is – at least in my opinion – one of Leiber’s funniest lyrics with references to Thelonious Monk and psychedelics, and the arrangement by Mike Stoller is perfection.

Jerry Leiber may not be with us any longer, but the music he created over more than 60 years will live forever. I know that sounds like a cliché (and it is, really), but it’s also true.

You know that somewhere, long after we’re all gone, some space amoeba in the far reaches of the universe will be splitting over and over again to the reverberations of a Leiber and Stoller song, pulsing on radio waves, galloping through the ether.

As it should be.

See you all on Friday with a tribute to the mighty Nick Ashford.

Peace

Larry

 

 

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

F16C Soul Club Presents – Soul on 45 at Botanica 7/18/11

By , July 27, 2011 11:33 am

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Listen/Download – Funky16Corners – Set 1 – Botanica 7/18/11

You can hear these mixes over at the Funky16Corners Soul Club Archive

Funky16Corners – Botanica 7/18 – Set 1

Earl King – Come On Pt1 (Imperial)

Johnny Otis Show – Country Girl (Kent)

Frank Frost – My Back Scratcher (Jewel)

Timmy Thomas – Have Some Boogaloo (Goldwax)

Betty Harris – Ride Your Pony (Sansu)

Oscar Toney Jr – Ain’t That True Love (Bell)

Human Beinz – Nobody But me (Capitol)

Buddy McKnight – Every Time Pt2 (Renfro)

Eddie Bo – Skate It Out (Seven B)

Howard Tate – Stop (Verve)

Etta James and Sugar Pie DeSanto – In the Basement Pt1 (Cadet)

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Listen/Download – DJ Hambone – Set 2 – Botanica 7/18/11

You can hear these mixes over at the Funky16Corners Soul Club Archive

DJ Hambone – Botanica 7/18 – Set 2

The Interpretations – Trippin’ – Jubilee

Duralcha – Ghet-o-funk – Microtronics Records

The Soul Lovers – Gonna Have Fun Tonight – Pacemaker

Big Al & The Star Treks – Funky Funk – Double M

Big Jay Bush – Funky Horns – Vangee

Kim Melvin – Doin’ The Popcorn – Hi Records

Frank Williams Rocketeers ft. Little Beaver – Good Thing Pt. 1 – Lloyd Records

The Czars – Get Down Pt. 1 – Key-Loc

Flip Flop Stevens & his Psychedelic Soul Orchestra – Live Your Own Life – Dynamite

The Soul Machine – Twitchie Feet – Pzazz

The Meters – Ease Back -Josie

Lee Dorsey – Tears Tears and More Tears – Polydor

Gary Griffin & The Top Notes – Bootleg – HMF Records

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Listen/Download -M-Fasis – Set 1 – Botanica 7/18/11

You can hear these mixes over at the Funky16Corners Soul Club Archive

M-Fasis – Botanica 7/18 – Set

the wash – brenda & the tabulations – dionn

2. give me you – lee dorsey – fury

3. jungle beat – sir victor uwaifo – phillips

4. take your love (and shove it) – kane’s cousins – shove love

5. humpin’ – the bar kays – volt

6. s’cuse uz y’all – brenda & the tabulations – top and bottom

7. the stretch – detroit sex machines – soul track

8. it’s amazing – johnny taylor – stax

9. knocking ’round the zoo – james taylor – euphoria

10. hard life – motherlode – buddah

11. summertime – billy stewart – chess

12. utica club natural beer drinking song – national carbonation band – rca

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Greetings all.

This post is the tiniest bit rushed, since some unexpected and unpleasant news rendered an already jam-packed week even more jam-packier.

What you have here is evidence of a hot night at Botanica which was also (sadly) the last Spindletop.

A few weeks back the mighty Perry Lane said that he’d be bringing things to a close, and honored me by asking if I’d man the decks on the final night.

Though I was bummed – Spindletop has been my favorite place to spin this year – I agreed to helm things for the night and kept things sharp by enlisting the help of my buddies M-Fasis and Joe Cristando (aka DJ Hambone).

We had a hell of a time getting the somewhat beleaguered equipment to behave itself (the battered mixer was especially problematic) and then when we finally did, the digital recorder started to misbehave. As a result there are segments of the night that either went unrecorded, or were – thanks to technical difficulties – unacceptable for presentation herein.

I’ve decided to post one set each by the DJs and I think you’ll be satisfied with the results.

I brought a mix of soul that included a tip of the hat (via Howard Tate) to the recently departed Jerry Ragovoy.

DJ Hambone brought a grip of serious  heat including a bunch of stuff I’d never heard before, and M-Fasis dropped yet another incredibly diverse set, packed (as always) with surprises.

That said, I hope you dig it all, and I’ll be back next week.

Peace

Larry

 

 

Example

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Idris Muhammad – Express Yourself

By , July 21, 2011 7:58 am

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Idris lays into the traps…

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Listen/Download – Idris Muhammad – Express Yourself

 

Greetings all.

I hope all is well on your end of the interwebs.

This being a truncated week – having allowed for a little marination with the Jerry Ragovoy tribute – I figured I’d close out the week with something funky.

First, it behooves me to step to the side and remind you all that Friday night at 9PM is Funky16Corners Radio Show time on Viva Radio, wherein I fall by with my big box of records and some words and fill the airwaves with soulful goodness. All of the shows are then MP3-ified and posted in the F16C Radio Show archive at the blog (here, in fact) where you can pull down the ones and zeros at your leisure.

I should also mention that this past Monday’s festivities at Botanica, wherein yours truly, joined by M-Fasis and DJ Hambone laid down several hours of tasty funk and soul to a very groovy crowd. Hopefully I can get some of the recorded sets posted in the next few weeks.  Thanks also to Dan behind the bar for the ginger beer.

That said, I came upon today’s selection fairly recently.

I’ll go ahead and assume that most of you have at least a passing acquaintance with the name Idris Muhammad.

What I’ll also say is, that I don’t think many folks know that Mr. Muhammad was born with the much less exotic name of Leo Morris, and was a New Orleans homeboy of folks like the mighty Neville Brothers. Morris/Muhammad came from a family of drummers, and as a teenager played alongside Art Neville’s Hawketts, Joe Jones and Fats Domino among others.

He relocated to New York in the early 60s and established himself as a jazz drummer, joining the band of Lou Donaldson, and spending the second half of the 60s and the early 70s recording soul jazz behind leaders like Donaldson, Grant Green, Leon Spencer and Lonnie Smith. Like guitarist Melvin Sparks (who plays on today’s selection) Muhammad seemed to specialize in backing organ sessions.

Now, when I got this 45, I blanked on the fact that the flip side was a cover of James Brown’s ‘Super Bad’, which was a very nice surprise indeed and it kicks, and I’ll make sure to whip it on you sometime soon.

That said, the tune I’m posting today is Muhammad’s cover of Charles Wright and the Watts 103rd St Rhythm Band’s ‘Express Yourself’.

After I digimatize this particular 45 and transferred the files to the old iPod, I gave both sides repeated listens, focusing (natch) on Muhammad’s drums, which snap like a mofo, but what really grabbed me, and it ought to grab you too, is the fact that his playing on ‘Express Yourself’ positively screeeeeaaammmms NEW ORLEANS!

Yesiree Bob, unfold your ears and take a listen to the drums breakdown around the one minute and thirty nine second mark and the funk gets all loose and second line-y. Get your head inside of those drums and tell me if you don’t hear a little bit of James Black, an almost exact contemporary of Muhammad’s who also came up out of New Orleans to make his mark as a jazz drummer (but is best known for the funk).

Muhammad lays down about 20 seconds of absolute magic, dancing back and forth between his kick drum and his snare in a laid back tidal wave of syncopation that is utterly mind blowing.

While I was writing this I just keep running the marker back and playing the breakdown in a loop and it just got deeper every time.

I should also note that the band is very groovy, with some nice electric piano action from Harold Mabern.

It is a tasty number indeed, and ought to hold you fine people over the weekend until I return on Monday.

Peace

Larry

 

 

Example

Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recreational events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

F16C Soul Club 2011 Allnighter b/w 2011 Pledge Drive

By , June 5, 2011 4:59 pm

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Apologies to the soulies, heh heh…


Greetings all, and welcome to the 2011, Funky16Corners Soul Club/Grogan Casino Allnighter..

This is – as it has been since 2006 – time for yours truly to once again open up the yearly Funky16Corners Pledge Drive, in which we ask that if you dig what goes on hereabouts, with the blog(s), radio show, mixes etc, that you click on the donation link and drop a little something in the basket.

Click Here To Donate


Your donations help to pay for the server space where the blog, all of the graphics and well over 100 mixes (a number that is expanding all the time) reside, as well as upkeep on the equipment used to run the whole non-profit (is there a better phrase to describe an operation that runs at a perpetual loss?) shebang.

As always, I’m aware that times are tough, and getting tougher all the time, so if you can’t swing it, that’s cool too. However, every little bit helps, so even a couple of bucks will help things along.

The readers of Funky16Corners have always been very cool over the seven year history of the blog (as well as the years preceding that at the web zine), generous with their knowledge and vocal in their appreciation and once again I’d like to thank you all.

Funky16Corners has always been an ad-free space (and that includes needless plugs for crap that none of you (or me) is going to listen to) and will always remain that way.

Now, I can’t very well come to you with hand outstretched unless I have something to offer you for your trouble. With that in mind, I bring you the second annual Allnighter, in which I gather together some of my favorite DJs and ask them to contribute mixes.

This year we have a stellar line-up, including my man Tarik Thornton (Hot Pants Crew MPLS), Tony C, DJ Prime Mundo (Asbury Park 45 Sessions), DJ Bluewater (Master Groove, Asbury Park 45 Sessions), and my mighty brother in blogging Vincent the Soul Chef (Fufu Stew), as well as two new mixes by yours truly.

Each of these cats is very, very serious about digging and spinning vinyl heat and when you get the chance to sink your ears into the mixes they’ve contributed you will (as I was when I first heard them) be very happy.

There’s a very nice stylistic breadth to this year’s Allnighter, with deep soul, Northern Soul, rock steady, funk and disco with a connoisseur’s mix of rarities and classics.

This year I’m also posting something cool over at Iron Leg, with a few hours of garage and freakbeat recorded live a few weeks back (by me, natch)  at Spindletop @ Botanica in NYC, so if those are sounds you dig too, make sure to pull down those ones and zeros as well.

That said, click the Paypal link, and then scroll down the page slowly, soaking up all the mixes as you go.

Click Here To Donate


Peace

Larry

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Funky16Corners 2011 Allnighter!

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Funky16Corners – I’m Satisfied
San Remo Golden Strings – I’m Satisfied (Ric Tic)
Jr Walker and the All Stars – Come see About Me (Soul)
Parliaments – Look at What I Almost Missed (Revilot)
O’Jays – I Dig Your Act (Bell)
Lee Williams and the Cymbals – Everything About You That I Love (Carnival)
Al Kent – You Got To Pay The Price (Ric Tic)
Major Lance – Gotta Get Away (Okeh)
Shorty Long – Sing What You Wanna (Soul)
Bunny Sigler – Sunny Sunday (Cameo/Parkway)
Jackie Lee – Bring It Home (Keyman)
Gene Chandler and Barbara Acklin – From the Teacher to the Preacher (Brunswick)
Chuck Jackson – Good Things Come to Those Who Wait (Wand)
Precisions – Why Girl (Drew)
John Willams and the Tick Tocks – Do Me Like You Do Me (Sansu)
Eddie Floyd – Big Bird (Stax)
Vibrations – Pick Me (Okeh)
Buena Vistas – Hot Shot (Swan)
Performers – I Can’t Stop You (Mirwood)
Dreams – They Call me Jesse James (DC Sound)
Len Barry – I Struck It Rich (Decca)
Ambassadors – I’m So Proud Of My Baby (Atlantic)

Listen/Download – Funky16Corners – I’m Satisfied / 96MB Mixed MP3

 

NOTE: I’ve been digging a lot of mid-tempo Northern Soul lately, and this is a mix of my faves. – LG

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DJ Bluewater – That Steady Beat

Ken Parker – Change Is Gonna Come
Delroy Wilson – I’m The One Who Loves You
Rocky & The Heptones – Falling In Love
Carlton & His Shoes – Happy Land
Alton Ellis & The Flames – Cry Tough
Lloyd & Glen – Jezebel –
Phyllis Dillon – Don’t Stay Away
Cecille Campbell – Breaking Up
The Soul Vendors – Frozen Soul
The Soul Vendors – To Sir With Love
Prince Buster & The All Stars – The Punishment
The Maytals – Watermelon Man
Derrick Morgan – First Taste Of Love
The Untouchables – Tighten Up
The Jailbreakers – Chatty Chatty
Delano Stewart – That’s Life
Norma Fraser – The First Cut Is The Deepest
King Rocky – The King Is Back
The Ethiopians – He’s Not A Rebel
The Uniques – Watch This Sound

Listen/Download – DJ Bluewater – That Steady Beat / 120MB Mixed MP3

NOTE: DJ Bluewater has gotten deep into the rock steady sound in the last few years

and this mix is filled with goodness! – LG

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DJ Tarik Thornton – Louisiana Sun

Willie Tee – Dedication To You ( Atlantic)
The Festivals – You Got The Makings of A Lover (Smash)
The Impressions – Man Oh Man ( ABC- Paramount)
Dennis Lee & Notables – Sunday Afternoon ( Jenmark)
Bernard Drake – I’ve Been Untrue ( La Louisianne)
Ollie & The Nightingales- I Got A Sure Thing (Stax)
Jo Armstead – There’s Not Too many More (Giant)
The Passions – I Can See My Way Through (Tower)
The Moovers – One Little Dance (Brent)
The ElectroStats – Setting the Mood ( Three Oaks)
The Supreme – Stoned Love (Tamla)

Clifton White – Are You Ready (Anla)
Dell Mack – You Can’t Judge a Book by Its Cover ( Gold Band)
Eddie Giles – Soul Feeling Pt. 1- ( Murco )
Debanaires – Feel Alright – (WBS)
O.D Williams – Moving Out Of Your Life – (Bare- Bar)
New Birth – I Can Understand it (RCA)
Johnny Williams – Breaking Point – (Twinight)
Johnny Otis Show – Watts Breakaway (Epic)
Gus (The Groove) Lewis – Let The Groove Move You – (Tou- Sea)
Lee Dorsey – Funky Four Corners (Amy)
Big Daddy Rucker – Just Do Your Thing – (GME)
Reggie Sadler – Raggedy Bag – (Aquarius)
Bonus Track : Jackie Harris & The Exciters – Get Funky, Sweat A Little Bit (Black&Proud)

Listen/Download – DJ Tarik Thornton – Louisiana Sun / 85MB Mixed MP3

 

A Note from Tarik:

So when Larry asked me to do this mix indeed I was honored! Larry and the Soul Chef are the guys who are responsible for inspiring me to get back to digging after taking a 10 year hiatus. I’ve been on a life rollercoaster over the last few years and this has become one of my most profound ways of expressing myself. Honestly, It took me a while to figure out a concept for this one. Always trying to be diverse I created a nice blend of Sweet Soul and Funk this time around. Both are actually sets I did live at KFAI in Minneapolis last week. After listening to them I decided to take the time to tighten them up, then added a bit more soul . The outcome, a sweet selection of songs dedicated to all the people that have taken the time to check out my work over the last year, but also in particular a very special young lady. The “B “side a tight groove of some killer funk selections that will keep you moving. Enjoy ! You can find some of my other mixes at www.mixcloud.com/8KC

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Example

DJ Prime Mundo – Kentucky Fried Prime

curtis mayfield – tripping out (rso)
one g plus three – summertime (paramount)
billy guy – if you want to get ahead, shake a leg (verve)
the soul patrol – saigon strut (shamley)
don downing – thread and needle (roadshow)
gary toms empire – drive my car (pickwick)
bo kirkland & ruth davis – we got the recipe (claridge)
stan ivory – check it out (tese)
le roy – easy livin’ (dream machine)
chick willis – stoop down baby (la val)
billy strange – jaws (gnp crescendo)
the masqueraders – brotherhood (bell)
hummingbird – trouble maker (a&m)
ernie andrews – something (phil l.a. of soul)

Listen/Download – DJ Prime Mundo – Kentucky Fried Prime / 61MB Mixed MP3

Note: One of the OG Asbury Park 45 Sessions DJs, Prime Mundo has extremely deep crates and extremely good taste. He’s one of my favorite DJs, and this mix should tell you why. – LG

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Example

Vincent the Soul Chef – Back to the Corner

I Just Want To Celebrate-Rare Earth (Rare Earth)
Ride Sally Ride-Dennis Coffey and the Detroit Guitar Band (Sussex)
Runaway People-Dyke & The Blazers (Original Sound)
You Met Your Match-Stevie Wonder (Tamla)
Your Love Is Indescribably Delicious-Willis Wooten (Virtue)
Mister Magic-Grover Washington Jr. (Kudu)
Heaven Is There To Guide Us-The Glass House (Invictus)
I Got You Babe-Etta James (Chess)
Vista Vista-Lee Dorsey (Amy)
Funky Boo Ga Loo-Jerry O (Shout)
Do Your Thing-Watts 103rd St. Rhythm Band (Warner)
Good Times-Kool & The Gang (De Lite)
Take Me To the River-Fessor Funk (Roxbury)
Let Me Lay My Funk On You-Poison (Roulette)
Keep on Dancin’ (Vocal)-Alvin Cash (Toddlin’ Town)
The Whatchamacalit-The Burning Emotions (Bang)
Country John-Allen Toussaint (Reprise)
Paint Me-Ohio Players (Westbound)
I Turned You On-Isley Brothers (T Neck)
Soul Sister- Allen Toussaint (Reprise)
Baby I Love You-Aretha Franklin (Atlantic)
Nobody’s Fault But Mine-Otis Redding (Atco)
Cook Out-King Curtis & The Kingpins (Atco)
The Court Room-Clarence Carter (Atlantic)
Funky Drummer Pt. 2-James Brown (King)
Make It Funky Pt. 4-James Brown (Polydor)
Hey Ruby Shut Your Mouth-Ruby & The Party Gang (Law Ton)

Listen/Download – Vincent the Soul Chef – Back to the Corner / 104MB Mixed MP3

NOTE: Vincent the Soul Chef is not only a top-notch DJ, but he’s a serious digger with diverse tastes that are reflected in his mixes. After I heard this I headed out to look for a few of the cuts right away… – LG

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Example

Tony C – Dance the Jerk!

Doc Bagby-Mr Hippy-Tifton
Merced Blue Notes-Rufus-Accent
Horace Bailey-Cool Monkey-Delene
Larry Williams-Strange-Sue
Barry’Barefoot’ Beefus-Barefoot Beefus-Loma
Tommy & The Charms-I know what you want-Hollywood
Nathaniel Kelly-Do the jerk-Jubilee
Jay Dee Bryant-Get it-Enjoy
The Pacers-You’ll never know-Razorback
The Magics-Lets Boogaloo-R.F.A
Lou Johnson-Rock me baby-Cotillion
Eddie Simpson-Stone Soul Sister-Back Beat
Vickie Anderson-I love you-Smash
Alder Ray Mathis-Take me baby-Jetstar
Jackie Thompson-Got to right the wrongs-Columbia
Lonette-Stop-M.S
Boogie Kings-Do em’ all-Pic
Charles Hodges-Charles Shingaling-Alto
Little Flint-Pain-Beast
Sammy Lee-It hurts me-Rampart
Jay Jordan-If it wasn’t for love-Verve
The Fantastic Four-Pinpoint it down-Soul
Lovemasters-Pushin and pull-Jacklyn
Timmie Williams-Competition-Bell
Big Maybelle-I can’t wait any longer-Rojac
Trudy Johnson-You’re no good-Capitol

Listen/Download – Tony C – Dance the Jerk! / 62MB Mixed MP3

NOTE: Tony C has done guest mixes for Funky16Corners in the past, and he is always turning me on to new stuff. Great taste and deep crates, once again a dynamic combination.  – LG

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Example

Funky16Corners – Honey Trippin’
BT Express – Express (Scepter)
Louie Ramirez – Do It Any Way You Wanna (Cotique)
Cymande – Anthracite (Janus)
Virtue Orchestra – High Horse IV (Virtue)
Mystic Moods – Honey Trippin’ (Soundbird)
KC and the Sunshine Band – Let It Go (TK)
Instant Funk – Philly Jump (TSOP)
Jay Berliner – Getting the Message (Mainstream)
Love Child’s Afro Cuban Blues Band – Love and Death in G and A (Roulette)
Gene Faith – Lowdown Melody (Virtue)
Doc Severinson – Soul Makossa (RCA)
Soul Searchers – Boogie Up the Nation Pt2 (Polydor)
Philly Sound – Waitin’ For the Rain (Phil LA of Soul)
Mongo Santamaria – What You Don’t Know (Vaya)
Philadelphia Society – 100 South of Broad Street (American)
Larry Page Orchestra – Erotic Soul (London)
Roy Ayers Ubiquity – Virgo Red (Polydor)
Barrett Strong – Stand Up and Cheer For the Preacher (INST) (Epic)

Listen/Download – Funky16Corners – Honey Trippin’ / 110MB Mixed MP3

NOTE: This is one of those mixes that had its start in a single cut, and took form slowly as I stockpiled complementary cuts. I like it a lot, and I hope you dig it too. – LG

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recr events, and any contribution you could make would be greatly appreciated.

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If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

F16C Soul Club Presents sets from Sweet Exorcist 4/22/11

By , May 1, 2011 5:35 pm

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DJ Andujar and Funky16Corners @ Sweet Exorcist @ The Peoples Pint 4/22

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Studebaker Hawk (above), D.J. Andujar (below)

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Listen/Download – Studebaker Hawk @ Sweet Exorcist 4/22/11

Studebaker Hawk Set List
Dave Valentin – Sidra’s Dream (GRP)
Phantom Slasher – Furry Whiplash (Noid)
Pia Zadora – The Clapping Song (Elektra)
Marsha Hunt – (Oh, No! Not) The Beast Day (n/a)
Gypsy Lane – Show Me How To Groove (Drive)
The Love Machine – Sex-O-Sonic (London Records)

 

Listen/Download – Funky16Corners @ Sweet Exorcist Set 2 4/22/11

Funky16Corners @ Sweet Exorcist Set 2

Nanette Workman – Lady Marmalade (Pasha)
Lynda Lyndell – What a Man (Volt)
Rufus Thomas – Funky Penguin Pt1 (Stax)
Lou Courtney – Hey Joyce (Popside)
James Brown – Get On the Good Foot (Polydor)
Chuck Carbo – Can I Be Your Squeeze (Canyon)
Gene Chandler – In My Body’s House (Chess)
Marva Whitney – It’s My Thing (King)
Eddie Bo & Inez Cheatham – Lover and a Friend (Capitol)
Willie Tell and the Overtures – Kick Back (Chess)
King Curtis – Pop Corn Willy (Atco)

Listen/Download – DJ Andujar & Studebaker Hawk @ Sweet Exorcist 4/22/11

DJ Andujar @ Sweet Exorcist Set 1

James Brown…I Got Tha Feelin (45)
Dyke & the Blazers…Let a Woman… (45)
Ivo Meirelles & Funk N Lata…Baile Funky (make it funky) (LP)
Lou Toby & his Heavies…Heavy Steppin (45)
Lyn Collins…Think (45)
Toots & Maytalls…Funky Kingston (LP)


Studebaker Hawk Set List

Williams Brothers – I Feel Good (New Birth Records)
Kabbala – Ashewo Aro (Red Flame)
Panama – Long Train Runnin’ (Pathé Marconi EMI)
Dorothy Morrison – All God’s Children Got Soul (Elektra)


Listen/Download – DJ Andujar Set 2 @ Sweet Exorcist 4/22/11

Greyboy with Sharon Jones & Quantic…Got To Be A Love (Paul Nice rmx) (12″)
Gizelle Smith…June (LP)
Clarence Reid…Masterpiece (45)
Charles Wright & Watts 103rd…What Can You Bring Me (45)
Orchestra Baobab…Kelen Ati Leen (45)
Ripple…Funky Song (45)
Bob Marley…Could You Be Loved (12″)
Gwen McCrae…Rockin Chair (45)

 

Greetings all.

I hope the new week finds you well.

Things are finally starting to settle down here in the Funky16Corners Blogcasting Nerve Center and Record Vault after the busiest month of DJ activity I’ve seen in a long, long time.

We already covered my appearance at the Subway Soul Club, and today’s post will tell the tale of my journey to the great state of Massachusetts for a pair of very groovy nights.

I’d like to get started though by telling you how I spent my weekend, which dovetails nicely with everything else and kind of puts a cap on things.

As has been related in this space before, for a couple of vary important reasons (those being our sons) our family is involved with POAC (Parents of Autistic Children, you can follow the link at the bottom of this or any other recent post).
POAC organized a dodgeball tournament, and they asked me to come out and spin some records during the festivities, which is how I spent my Saturday (with Miles acting as my roadie).

I packed up the decks and mixer in my new road case (I think I’m going to stop referring to it as a coffin, which is slightly morbid nomenclature and has to be explained every single time I use it in conversation), packed up a case of funk and disco 45s, filled the record bag with albums and 12”s, and headed over to the local rec center.

Despite years of DJing, this is the first time I took the old Funky16Corners Sound System on the road, and it was a resounding success (even if I forgot to bring a surge protector and an extension cord, but the audio gods look out for the foolish and forgetful, and I was covered).

It was a gas (including a bunch of high school kids singing along with ‘Pass the Hatchet’ which I’m 100% certain they’d never heard before), and despite a couple of close calls, wherein the dodge balls inadvertently came in contact with the sound system (but never the turntables, thankfully), things went swimmingly.

The trip to Massachusetts was similarly excellent.

A few months back my man DJ Andujar got in touch as asked if I might be interested in coming up his way to do his (and Studebaker Hawk’s) night in Greenfield, MA (Sweet Exorcist), followed by a Saturday in Northampton, MA with Snack Attack and DJ Cashman (Wooly Bully).

I checked the calendar and discovered that the dates in question intersected with the Funky16Corners family spring break, so arrangements were made to wrap the two nights into our vacation.

We’d been up to Northampton last year (for vinyl and yarn digging) and found the area to our liking, so the wife and I were both psyched about a return trip.

The Monday before the gigs I phoned in to DJ Andujar’s Radio Clandestino Show on WMUA-FM, and did an interview, which he was kind enough to record, and which I’ll post here for your listening pleasure.

Download/Listen: DJ Andujar Interviews Larry Grogan/Funky16Corners on WMUA-FM, UMASS Amherst, 4/18/11

Sweet Exorcist is held at a very groovy joint called the People’s Pint in Greenfield, MA, and I have to tell you, if you’re in the area, and crave some excellent food and drink, this is the place for you. I’m a ginger beer fanatic, and the People’s Pint makes their own, as well as house made cola, root beer, and a few varieties of regular beer (I tried the oatmeal stout and was very pleased).

The records started spinning around 10PM, and the night was a gas. Both DJ Andujar and Studebaker Hawk brought the heat (as you’ll hear when you pull down the ones and zeros) and I did my level best not to disappoint.

The peeps were dancing, the vinyl was spinning and a good time was had by all. Many thanks to the DJs (and the staff at the People’s Pint) for a great night.

The following night I was on my own (my wife was with the little Corners) and I packed up the record box and headed over to Northampton for Wooly Bully at the Basement.

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Yours truly staring intently at the PA system @ the Basement, somehow sensing impending failure…

Run by Snack Attack and DJ Cashman, Wooly Bully runs a little more in the 60s soul direction, and I’d packed a grip of Northern and 60s dance floor soul for the occasion. The Basement is a small room in the back of a building, but by the time the music got started it was packed to the rafters with party people who never stopped dancing until the lights came on and the door guy ushered them out into the night at closing time.

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Hazy cellphone pics of the Basment

(Top) Billy Butler on the decks

(Bottom) Imagine these people plus about 100 more revelers, packed like soulful sardines

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The place was a madhouse, and much good music was spun and danced to.

Unfortunately – and this was the only sour note of the whole trip – my recordings from the Basement were unusable. The levels were set too high and the recordings were distorted. There were other technical issues (the PA system overheated at one point) but they were all surmountable.  Hopefully, if I make a return visit during the summer, I can remedy the situation and bring back a couple of sets by Snack Attack and DJ Cashman, who both rocked the house.

Today I’ll be trying something new, which is basically posting sets by everyone who spun at Sweet Exorcist. I won’t be posting my first set, since there was a problem with a ground wire and there’s an annoying buzz that cuts into the music at a number of points.

It’s interesting to hear the different sensibilities of three DJs, all funky, but coming at the sound from different angles.
My assessment of a quality night is one where I walk away from the evening with new records added to my want list, and Sweet Exorcist definitely fit the bill.

I hope you dig the sounds, and I’ll be back later in the week with something cool.

Peace

Larry

 

 

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Also, make sure that you check out the POAC link below (click on the logo). It’s a fantastic organization that provides services to our local autism community, with education and recr events, and any contribution you could make would be greatly appreciated.

Example

 

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg too.

 

Which Way Two Way Poc A Way Say What Now?

By , March 8, 2011 12:32 pm

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Dixie Cups (above) and Billy Vera (below)

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Listen/Download – Dixie Cups – Two-Way-Poc-A-Way

Listen/Download – Billy Vera – Big Chief (Tu-Way Poca-Way)

 

NOTE: After you’re done reading, make sure to check out the comments for additional information on the roots of these songs.

 

Greetings all.

Here’s yet another unscheduled post, brought on by some deep thinking, spawned by a lack of same on my part, but ultimately remedied (at least I think so, but you’ll have to decide for yourself).

When I posted Billy Vera’s ‘Big Chief (Tu Way Poca Way)’ yesterday, preceded by a few weeks by the Dixie Cups record of the almost identical title, ‘Two-Way-Poc-A-Way’, it didn’t occur to me to think anything other than that both songs were drawing water from the same well, i.e. Mardi Gras Indian tradition.

The Indian Tribes are a New Orleans-based African American tradition that goes back to the mid-19th century, likely born out of the shared minority experience of blacks and native Americans.

The celebrations by these tribes are centered around several holidays climaxing with Mardi Gras, the final day of celebration prior to the Christian feast of Lent (which itself ends with Easter).

The tribes dress in fantastically ornate feathered costumes and parade through the city, doing symbolic battle for primacy.
If you are a big fan of New Orleans music, you have certainly heard, through countless versions of ‘Iko Iko’ (itself based on Sugarboy Crawford’s ‘Jock-A-Mo’, a situation that led to legal action which saw Crawford leave without gaining authorship of the later record, yet being given monetary rights to the Dixie Cups recording), as well as tunes like Professor Longhair’s ‘Big Chief’ words and phrases with a direct connection to the Wild Indian tribes, like ‘big chief’ ‘spy boy’ and ‘flag boy’, as well as a wide variety of seemingly meaningless, rhythmic phrases (check out Professor Longhair’s ‘Tipitina’ for a master class in same*).

When the Dixie Cups recorded ‘Two-Way-Poc-A-Way’ for ABC in 1965 (following their success with ‘Iko Iko’ on Leiber and Stoller’s Red Bird label) they were working with the same basic material, albeit in a much rawer way.

Billy Vera recorded ‘Big Chief (Tu-Way-Poca-Way)’ in 1974, creating his own bit of Mardi Gras funk, borrowing the main phrase from the Dixie Cups record or, and this is entirely likely considering the obscurity of the Dixie Cups recording, from a separate ‘third party’, i.e. Mardi Gras Indian tradition, or earlier R&B source itself.

When I posted the Vera 45 yesterday, a commenter stated that although he liked the record, it was merely an imitation of the Dixie Cups recording. I also had a brief exchange of e-mails on the subject with the mighty Dan Phillips of  Home of the Groove.

I rolled this around in my head for a little while, and since I was out running errands when the comment came in, bounced back and forth between the two songs on the iPod, which in the car is a huge (and potentially dangerous) pain in the ass.

When I got home, I decided that the only way to get to the bottom (or at least close to the bottom of the situation) was to do my best to transcribe both songs and compare.

I’m not qualified to do this on a melodic level, but I do have enough of an ear to see that the Dixie Cups record is almost melody-free, more of a chant than a song. It has a sui generis feel that is both mysterious and extraordinary, where Vera’s record is straight ahead funk.

Lyrically, my assumption was that any similarities I was hearing were likely the result of, as I said before, both artists pulling phrases from the same tradition, which predated both recordings.

When I finally got both sets of lyrics typed out – and I hope you’ll forgive me if some of the words are incorrect – it would appear that aside from the title (which I can’t trace beyond the Dixie Cups record, which may in itself be a problem with countless spelling and punctuation variables) and a pair of common two-line phrases (placed in italics below), the songs are not the same.

There are certainly several common motifs, i.e. the Big Chief, spyboy (or spy), the second line and the battle fire (all of which appear in Professor Longhair’s ‘Big Chief’, which was itself written by Earl King) , but what you end up with is two songs about the same basic set of events (the meeting of the Indian tribes), which include many similar details.

Whether Vera lifted the repeated phrases (rhyming ‘on the bayou’ and ‘world on fire’ and then ‘tambourines ringing’ and ‘second line singing’) directly from the Dixie Cups record, or if they also arise from a third source that I am unaware of (which is also possible) I do not know.

If any of you do, please let me know and I will make note of it in this piece.

That said, there’s also the question of whether or not Vera, a California native, was engaging in a form of stylistic carpetbagging by drawing so heavily from these sources. If he’d recorded his record in 1966, I might say so, but ‘Big Chief (Tu Way Poca Way)’ was recorded in 1974.

Vera was an R&B/soul vet by this point, already familiar with the sounds of the Crescent City. As I mentioned in the previous piece, he is not only a musician with an almost 50 year long career, but also a historian.

As has been displayed in the space for the last six years (and in the web zine before that) the music and culture of New Orleans is brilliant, very deep, and very, very contagious.

My only visit there was as a teenager almost 35 years ago, but every time I put on a record by Professor Longhair, Eddie Bo, Dr John, the Meters, Huey Piano Smith and the Clowns, Irma Thomas, Eldridge Holmes, Roger and the Gypsies or any of the other NOLA artists that I hold so dear, I feel New Orleans in the room, and I can’t really think of any other American music that transports the listener to a region with as much ease.

I’d like to think that Billy Vera was trying to recreate that feeling when he wrote and recorded ‘Big Chief (Tu Way Poca Way)’.

Either way, he created a great 45.

The Lyrics: Note – I omitted repeated uses of the title since I’m not much of a typist, and I fear I may be approaching my lifetime quota on hyphens.

______________________________________________

Dixie Cups – Two-Way-Poc-A-Way
Early in the morning
Indians coming
Go and get the Big Chief
Big Chief ready
Down on the bayou
World on fire
Lord ain’t he pretty
Talkin’ bout big chief
Talkin’ bout big chief

Spy met a gang now
Spy went the signal
Big chief holla
Spy boy walla
Straight on to me

Go up fast now
Tell everybody
Goin on down
Down town

Spy boy leaving
Big chief holla
Second line follow
Tambourines ringing
Second line singing

Sun goin down
Sun going down
Jump all around now
All fall down
Goin’ on in now
Goin’ on in now

______________________________________________

Billy Vera – Big Chief (Tu-Way-Poca-Way)
Onda wondo wonda day
Onda wondo wonda day
Onda wondo wonda day
Onda wondo wonda day

Big Chief march out to the bayou
Dance around the battle fire
Say at night it can’t be done
Won’t come back ‘til battle is done

Goin on in now
Big chief leaders
Across the river

Where my spyboy Big Chief holla
Goes behind the second line follow
Enemy see your see turn tail
Tribes is fighting tooth and nail

Keep on fighting
Big chief leaders
On the bayou
World on fire

Battle is won we go downtown
Big parade when the sun go down
I want to paint my face turn green
Try to find my voodoo queen

Bayou bayou
World on fire
Big Chief holla
Second line follow
Tambourine ringing
Second line singing
See my queen now
Yours is green

Peace

Larry

 

 

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*Much of this language has roots in Creole and what is referred to as Mobilian jargon

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some interesting late 60s pop.

 

Billy Vera Goes to Mardi Gras!

By , March 7, 2011 3:29 pm

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The mighty Billy Vera

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Listen/Download – Billy Vera – Big Chief (Tu Way Poca Way)

 

Greetings all.

The tune I bring you today – in a very special early mid-week post – is something very cool that I picked up last year.

I’m not sure I recall exactly how I came upon this one, but I suspect I was digging through the wilds of the intertubes for vinyl by one of my all-time favorite  soul men, the mighty Billy Vera.

Though folks of a certain vintage may only be familiar with Vera’s huge 1987 #1 Pop hit ‘At This Moment’, he had a long history before that. I’m a big fan of his 1960s duet work with Judy Clay (Storybook Children, Country Girl City Man etc) as well as one of my all-time favorite 45s (billed as a Billy & Judy duet but actually just Vera and his band) ‘Really Together’.

He worked through the 60s and 70s as a songwriter and performer, recording for Cameo and Atlantic, as well as a number of smaller labels.

He’s also an actor, and most importantly (at least to me) a serious record collector who has annotated several reissue projects.

Up until I scored this killer, I had no familiarity at all with his 70s stuff, and no idea that he had ever worked in Memphis with the legendary Steve Cropper.

The real reason for whipping ‘Big Chief (Tu- Way Poca-Way)’ on you is that this Tuesday is Mardi Gras.

A while back, when I dropped the Dixie Cups’ ‘Two Way Poca Way’ (no relation, or is there?? See my 3/8 post above), I mentioned that I had another interesting side in the to-be-blogged file that was both funky, and filled with Mardi Gras Indian lingo.

This is that very record, and a funky one it is.

What you’re getting is Mr. Vera leading a very tasty band (dig the guitar and keyboards) with the Mardi Gras chants. The atmosphere within the grooves is clearly aimed at a partying crowd and the dancers in the room.

The cool thing is that Billy namechecks the Wild Magnolias indian tribe the same year (1974) that the band of the same name hit (featuring members of the tribe along with a NOLA all star band with the Turbinton brothers of the Gaturs and Snooks Eaglin) with ‘Smoke My Peace Pipe’*.

How Billy Vera ended up in Memphis with Steve Cropper at the board, I do not know, nor am I familiar with the Orange label. This appears to be the only record he recorded for the label.

If any of you good folks know anything more, please drop me a line in the comments.

That said, this is a great, great record, and certainly fitting for any Mardi Gras celebration you might have planned.

I hope you dig it and I’ll be back on Friday.

Peace

Larry

 

 

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*There is also a local 1970 recording/issue of ‘Smoke My Peace Pipe’ (the flipside of ‘Handa Wanda’) on the Crescent City label

If you want one of the new Funky16Corners stickers (free, of course) click here for info.

Check out the Funky16Corners Store at Cafe Press

PS Head over to Iron Leg for some interesting late 60s pop.

 

Dixie Cups – Two-Way-Poc-A-Way

By , February 15, 2011 3:15 pm

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The Dixie Cups on TV = Groovy…

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Listen/Download – Dixie Cups – Two-Way-Poc-A-Way

Greetings all.

I don’t know about you, but I unwisely spent my Sunday evening staring at the TV set while the ‘music industry’ took a hot steaming dump.

I understand that ranting about this brings with it the possibility of being branded as old and out of touch, but honest to god, what a lot of shit.

Oh, by the way, I’m talking about the Grammy Awards.

It’s not like this is a new development, because what manifested itself on the screen this week was only the latest incremental step in a decades-long slide to the bottom.

It has been years since popular music ceased worrying about sounding good and began obsessing with spectacle, i.e. how many pyrotechnics, backup dancers and how much postmodern filigree could be wrapped around a song (and I use the term loosely) to keep the saucer-eyed worker ants tossing their hard earned money into the wood chipper, but the blending of the tabloid sensibility with what passes for music these days is scraping the street like a damaged muffler, throwing up sparks and shrapnel while revealing the finely tuned engine of commerce for the loud, greasy beast that it really is.

The really revealing thing is how much of this can be laid at the feet of old-schoolers, who allow their egos to be over-inflated by essentially empty (publicist driven) idolatry from their descendants while phoning it in in the laziest possible way.

There, on the stage next to the current crop of freshly wrapped, forgettable crap (nothing new there, just the latest version of the oily film that has always floated atop the music industry) were folks like Bob Dylan, Mick Jagger (who in paying “tribute” to Brother Solomon Burke, got the first line of ‘Everybody Needs Somebody To Love’ WRONG), Aretha Franklin and Kris Kristofferson (among many others) who really ought to have known better, basically tossing dirt on top of their own caskets.

It wouldn’t be so bad if they were performing something new, of their own creation, but they allow themselves to be wrapped around all manner of contemporary awfulness, like juicy slices of bacon embracing a succession of turds (anti-Rumaki?) , while we all sit by like waterboarding subjects, gasping thankfully for that brief respite from a musical drowning like our torturers are doing us a favor.

Just awful on every conceivable level, ultimately more about the ‘red carpet’, the iconography of crass stupidity and commerce than anything that might be mistaken for art and soul.

Of course I sat there like Statler and/or Waldorf (OG Muppets represent), sneering at my TV set when the off-button was always in reach, which makes me a special brand of rube, but I was also e-commiserating with others of my ilk on the social network that will remain unnamed, so I guess it was a kind of digital anti-focus group, in which we all bonded together in hatred for those that would presume that we were stupid enough to find any of this appetizing, which is where things are in the 21st century (where’s my jet car and Martian vacation home???).

It’s the ultimate manifestation of everything bad about post-modernization (not the conceptual po-mo but what the powers of commerce have done with it).

What we need is something solid with a direct line to the soul, and what you get is Justin Beiber, dancing ninjas with fireworks shooting out of their asses and a “song of the year” (really? Bad year…) largely cribbed from a thirty year old pop song. It’s as if the recording industry, already choking to death on its own spew (and lack of foresight) decided that insulting the intelligence of its audience was a waste of time since there was no longer anything there to be insulted so why not serve up the contents of their dumpster and make believe it’s caviar and lobster?

That said, when I decided I was going to fill this space with gripe, I realized that I couldn’t very well do that without countering the suck with something especially good, representative of the kind of musical kick in the sack required to cleanse the palate in a case like this.

I have my man Dan at the Home of the Groove to thank for turning me on to today’s selection a few years back.

I – like anyone else with a radio or a seat at a wedding – was already aware of the Dixie Cups, with the ‘Chapel of Love’, and ‘People Say’ and that tip of the feathered headdress to their home in the Crescent City ‘Iko Iko’, but when I first heard ‘Two-Way-Poc-A-Way’ my hair (and my prominent ears) stood on end, as they should when presented with something so powerful.

Recorded in 1965 after they moved from Red Bird to ABC/Paramount, and produced by none other than Joe Jones, ‘Two-Way-Poc-A-Way’ is the Wild Indian chant of ‘Iko Iko’ taken to a whole ‘nother extreme, removed from the pop element and placed firmly in the Mardi Gras parade as if you were cakewalking alongside the Big Chief with a head full of spirits (liquid and deceased).

Not much more than the Dixie Cups and a grip of percussion (more than enough if you ask me) ‘Two-Way-Poc-A-Way’ was – even for 1965 when things were really starting to change – an awfully strange record to toss at AM radio – but that’s one of the many reasons (maybe the main one) why it’s so cool.

I’ve dropped this one at funk 45 fests (and in a previous mix) but I figured that in a situation like this, it deserved to be put up where it might be savored on its own.

Real stuff for an increasingly unreal world.

Peace

Larry

Example

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Funky16Corners Year End Soul Mix!

By , December 26, 2010 1:23 pm

Example

Funky16Corners Radio v.91 – Year End Soul!

Playlist

Bettye Lavette – Feel Good All Over (Calla)
Bogaloo Joe Jones – Right On (Prestige)
Jerry Lee Lewis – Shotgun Man (Smash)
Freddie Scott & the Seven Steps – The Thing (Marlin)
Jimmy Smith – The Cat (Verve)
Wayne Cochran – Going Back to Miami (Smash)
Willie Smith – I Got a New Thing (Genuine)
Premiers – Funky Monkey (J.O.B.)
Jesse Anderson – Mighty Mighty (Thomas)
Average White Band – Person to Person (Atlantic)
Charles Hodges – Daddy Love Pt1 (Sweet)
Commodores – Machine Gun (Atlantic)
Ekseption – Ritual Fire Dance (Philips)
Magictones – Good Ole Music (Westbound)
Larry Birdsong – Digging Your Potatoes (Ref-O-Ree)
Richard Popcorn Wylie – Funky Rubber Band (SOUL)
Willie Tee – Sweet Thing (Gatur)
Young Holt Unlimited – Horoscope (Brunswick)
Ray Barretto – A Deeper Shade of Soul (Fania)
Pete Rodriguez – I Like It Like That (Alegre)
Toots & the Maytals – 54-46 Was My Number (Shelter)

Listen/Download 800MB/256kb Mixed MP3


Greetings all.

I hope that everyone is grooving on the good will and brother – and sister – hood of the holiday season.

Obviously not everyone celebrates Christmas, but we can all soak up the peace and goodwill that floats in the ether this time of year.

This has been a big year for Funky16Corners.

The first quarter saw the move off of the free WordPress platform onto our own server space, which – despite any technical limitations yours truly might be encumbered with – worked like a charm.

This May saw the ‘opening’ of the Funky16Corners Soul Club series of live DJ sets, with contributions from lots of groovy people, as well as number of my own sets from various and sundry DJ gigs.

Thanks go out to all of you who once again contributed to the yearly Pledge Drive, which kept the Funky16Corners empire solvent for another calendar year. Your continued generosity makes me glad that I started the blog six years ago. In fact, it just occurred to me as I write this that I neglected to mark the sixth anniversary of the blog this past November.

Such is the chaos of my daily life that I neglected to remember, let alone mark the occasion.

Another groovy milestone that we marked in 2010 was the rebirth/re-engineering of the Funky16Corners Radio Show on Viva Radio. The folks at Viva were nice enough to bump me into a better time slot, and I responded by changing the way I do the show, hopefully for the better. We continue to broadcast every Friday night at 9PM, followed by uploading the show every Saturday so that you fine people can pull down the ones and zeros and append each week’s broadcast to the MP3 delivery device of your choosing.

On the DJ front, I’ve been up to New York City (and will be again on January, 10 2011, watch this space for details), down to Washington, DC (thanks to the mighty DJ Birdman for facilitating the journey). Hopefully 2011 will provide more opportunities for me to pack up my record box and hit the road, and (if all goes well) maybe even the return of the Asbury Park 45 Sessions.

The New Year will also see the return of our sister blog, Iron Leg, where we’re in a 60s pop/garage/psyche bag. Real world commitments caused me to put the blog on hiatus a few months back, but I’ve decided to bring it back – albeit with an abbreviated posting schedule – in 2011. I’ll be posting a year end wrap-up mix today, and regular posts will recommence next week.

So, once again, allow me to say thanks to all of you for stopping by and engaging in our ongoing conversation about music and how it moves us.

Since the fam and I will be out and about visiting family, I’ll be dropping the mix you see before you and taking the rest of the week off.

I’ve gathered the best of the upbeat and funky tracks from the past year and whipped them into a nice little party mix that you can play during your New Years Eve festivities (or whenever you need a lift).

There are lots of faves, plenty of funky rhythms with which to set loose your caboose, and enough grooves to grease your way past Father Time and into 2011.

I hope you dig it, and that you all have a safe and healthy rest of the year.

Peace

Larry

Example

NOTE: There’s no accompanying zip file with this mix, since all of the tracks included have appeared here individually this past year.

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Funky16Corners Radio v.89 – Things Got To Get Better (Get Together)

By , October 28, 2010 9:14 am

Example

Funky16Corners Radio v.89 – Things Got To Get Better (Get Together)

Playlist

Sir Joe Quaterman & Free Soul – So Much Trouble On My Mind (GSF)
Raymond Winnfield – Things Could Be Better (Fordom)
Spoken interlude: Malcolm X
Gene Chandler – In My Body’s House (Checker)
Nat Turner Rebellion – Plastic People (Delvaliant)
Spoken interlude: Noam Chomsky
Donny Hathaway – The Slums (Atco)
Spoken interlude: Dorothy Day
Sebastian – Living In Depression (Brown Dog)
Senor Soul – Don’t Lay Your Funky Trip On Me (Whiz)
Spoken interlude: Rev Martin Luther King Jr
Della Reese – Compared to What (Avco)
Impressions – Mighty Mighty (Spade and Whitey) (Curtom)
James Brown – Funky President (People It’s Bad) (Polydor)
Spoken interlude: Terence McKenna
James Brown – Get Up Get Into It Get Involved (King)
Spoken interlude: Saul Alinsky
Soul Searchers – We The People (Sussex)
Isley Brothers – Fight the Power (T-Neck)
Spoken interlude: Jesse Jackson
Stevie Wonder – We Can Work It Out (Tamla)
Unifics – People Got to Be Free (Kapp)
Spoken interlude: Michelle Obama
S.O.U.L. – Love Peace and Power (Musicor)
Mohawks – Baby Hold On (Cotillion)
Impressions – We’re a Winner (ABC)
Closing: Rev Martin Luther King Jr

Funky16Corners Radio v.89 – Things Got to Get Better (Get Together)


Greetings all.

As first hinted at, then promised, and finally warned about (for those of you who are diametrically opposed politically), Funky16Corners Radio v.89 – Things Got To Get Better (Get Together), aka the ‘election mix’ has finally arrived, been posted at the top of the blog, where it will remain until the election is over.

I know I normally run Halloween themed posts this time of year, but we have real things to be scared about.
There is a Halloween set in this week’s Funky16Corners Radio Show on Viva Radio (Friday night at 9PM) so you can get your fix there.

As far as I can recall, I haven’t approached the readers of the Funky16Corners blog with anything sociopolitical since the ‘Two From the Stonewall Jukebox’ post back in July of 2009, and before that the posts about the Presidential election of 2008.

Though I think most of you have some idea of my political orientation, it’s not a frequent subject here, because ultimately Funky16Corners is about music.

However (big however coming here)…

We are currently in the midst of a very dark time, not just in the US, but worldwide.

The rise of the ultra-right and the ensuing anti-immigrant, anti-gay and ultimately anti-intellectual wave that is poised to wash away decades of important social gains in this country is the single most important issue at hand.

Having grown up in the 1970s, I find the idea that this great country would ever descend again into a maelstrom of religious lunacy, open hatred of immigrants and homosexuals, demonization of organized labor (especially teachers) and hateful, empty Rand-ian ‘libertarianism’ is beyond insane.

The economy is in terrible shape, and is unlikely to get better any time soon, and those that have been able to return to work often find that the salaries are lower and the benefits non-existent.

How have some of our countrymen reacted to these challenges?

Not well.

An increasingly angry minority, funded by the mega-rich have become a political force, eager to build fences (literal and figurative) to keep those they consider ‘undesirable’ from participating fully in our democracy.

The rise of these deeply ignorant ‘patriots’ (they love to wrap themselves in the flag, unable to embrace its true meaning), marching alongside religious ideologues and plutocrats has woven together a rancid fabric, its warp and weft rife with xenophobia, racism, class warfare, homophobia and various and sundry fringe hatreds.

You may step back and see these negative forces as smaller, separate issues, but the truth is that they are all part of the same, ugly reaction.

When the going got tough, the right got nasty.

Those institutions tasked with keeping us informed have collapsed under the collective weight of corruption by and collusion with those that have the most to gain by a population ignorant of the truth.

I still have a basic faith in the goodness of the human race, but it is being sorely tested.

I want my children to grow up in a world where they are indifferent to the color of a person’s skin, the language they speak or their sexual preference, but we are surrounded by those that would deny them that future.

This includes people of supposed deep religious faith who forget that their own freedom to worship and express the tenets of their faith includes the freedom of others to find their own path. These are the people who continually fight to deny gay, lesbian, bisexual and transgender Americans their civil rights.

These are the people who want to rewrite the textbooks in our schools to cleanse them of science and fill them with creationism and revisionist (racial and political) history.

This also includes a lot of people, many of them radicalized after the attacks of 9/11, who have turned against American citizens of Muslim faith, and stoked fears (alongside similarly radicalized anti-Muslim forces in Europe and Scandinavia) of all Muslims, as well as immigrants in general.

These are the people who allowed 30 years of Republican propaganda to turn them against organized labor, while simultaneously building an obscene faith in big business that allowed massive deregulation and tax cuts, as well a cheering our way into two insane wars.

This is the same big business that – thanks to a bizarre Supreme Court decision – is now allowed to flood the political system with piles of cash (anonymously) to attack those that would put a stop to our slow (but seemingly inevitable) march to plutarchy.

Please don’t mistake this as an endorsement of President Obama specifically, or the Democrats in general.
Despite promises to the contrary, the President has continued to fight the right of gays to serve in the military, and has stated that he opposes the idea of gay marriage.

Many of those that serve with the (D) next to their name have also thrown their lot in with the ‘whatever big business wants’ crowd as well.

There may be something “trickling down” onto the middle class and the poor, but it’s not money.

However (another big one here), the alternative is people like Joe Miller in Alaska, Sharon Angle in Nevada, the execrable Rand Paul in Kentucky, deeply ignorant Christine O’Donnell in Delaware, Ken Buck in Colorado, Marco Rubio in Florida and countless others who have embraced the insane ideas of the radical right.
These people are only the larger public face of this movement.

While they run for national office, their foot soldiers are poised to fill seats in state legislatures, county and local office, and worst of all, school boards.

There are those that would have you believe that the system is utterly broken, and that an appropriate response is not to vote at all.

This is insane.

Is there any among you that really think that the way to right a staggering democracy is to withdraw from it?
Not only should every one of you exercise your right to vote, but you should do what you can to convince your family and friends that they should as well, because one thing the forces of the radical right do, religious or otherwise, is vote.

These are the people that are counting on apathy to help them get their hooks into the government where they can start to punch holes in the Constitution they ironically wave like a battle flag.

So what does this have to do with Funky16Corners?

Like the mighty James Brown says:

People, people we got to get over before we go under!

Tell’em Godfather!

The majority of the soul and funk music we celebrate here was created during a time when the forces of the right were attempting to tighten the screws of the status quo, while the forces of peace, racial equality and sexual liberation were battling in the streets (and the ballot box) to upend it and seize their rights.

Soul and funk are the sounds of struggle and liberation. Not every number here has an explicit political/social message, but the music of black America, created in the 60s and 70s in its core rarely says anything else.
Funky16Corners Radio v.89 is an attempt to string some of the more powerful musical statements of the time together, along with spoken intervals by important thinkers.

Things get off to a depressing, yet wholly realistic start, but work their way up through anger, defiance and ultimately (hopefully) triumph.

Not every number here carries an explicit message, but taken together they make an important statement.
The voices heard between the songs include some very well known (civil rights figures like Dr Martin Luther King, Malcolm X and Jesse Jackson), and some lesser known (Dorothy Day*), and in a few cases dreadfully misunderstood and demonized (Saul Alinsky**, Noam Chomsky), but their words all have in common is their relevance to the world we live in today.

I’m not saying that things are going to be fixed if the opponents of democracy are defeated in this election (since many of them clearly won’t be), but rather (to borrow an old saw) the journey of 1,000 miles begins with a single step, and stepping into the voting booth and making yourself heard is that step.

Far too many Americans take a pass on that important responsibility, and if they continue to do so, they’ll have no one to thank but themselves when the world around them gets worse.

So, once again in the words of James Brown:

Get Up, Get Into It, Get Involved.

Educate yourself.

Educate others.

Don’t allow hatred and disinformation to go unchallenged.

Don’t be afraid.

Peace

Larry

Example


*Dorothy Day is an especially important figure in the history of social justice and charity. If her name is unfamiliar, dig a little deeper and read about this great woman.

**Saul Alinsky has been demonized by the right to the point where his name has become a kind of shorthand (with just the tiniest bit of anti-semitism attached to it) for leftist subversion. I doubt most of the people that throw his name around as an epithet have read anything about him. His voice – like most of those in this mix – was an important one in the struggle to transfer power from the haves to the have nots (which goes a long way to explaining why those that shill for the mega-rich hate him so). If all you’ve ever heard about him are bad things, do yourself a favor and read up on his life (outside of right wing web sites).

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